William Clarence Hall (born August 8, 1950) is an American drummer best known for his work with Isaac Hayes and as a member of the Blues Brothers band.
Willie Hall | |
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Background information | |
Birth name | Willie Clarence Hall |
Also known as | Willie "Too Big" Hall |
Born | Memphis, Tennessee, U.S. | August 8, 1950
Genres | |
Occupation | Musician |
Instruments |
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Years active | 1965–present |
Labels | Stax |
Formerly of |
Biography
editHall began his career as a drummer in 1965, while still in high school. He played with the Bar-Kays and Isaac Hayes' band The Movement.[1] In the seventies, as part of the Stax-Volt Recording Section Team from 1968 to 1977, Hall backed dozens of major Stax artists on recordings, including The Emotions, Little Milton, Carla and Rufus Thomas, Johnnie Taylor, The Staple Singers, Albert King and Isaac Hayes. Hall produced Hayes' last Stax album, and did percussion on Hayes' albums Hot Buttered Soul and The Isaac Hayes Movement, as well as his Theme from Shaft.
In 1977 Hall was invited to replace drummer Al Jackson, Jr. of Booker T. & the MGs after Jackson died in 1975. Hall recorded the album Universal Language with the group before it officially disbanded. Two years later Hall, along with guitarist Steve "The Colonel" Cropper and bass player Donald "Duck" Dunn became a member of The Blues Brothers, which led to his appearance in the hit movie The Blues Brothers and its sequel Blues Brothers 2000. He also appeared as himself in the 2008 movie Soul Men.
Hall has toured the world and recorded with a variety of artists, including The Blues Brothers, Steve Cropper, Cab Calloway, Aretha Franklin, Ray Charles, KC and the Sunshine Band, Bonnie Raitt, Earl Scruggs, Charlie Daniels Band, Todd Rundgren and Roger McGuinn, among others. He was also a member of The Bo-Keys, a band of highly respected Memphis musicians, including Isaac Hayes' wah-wah guitarist, Charles "Skip" Pitts.
Hall is the father of rapper Gangsta Pat.[2]
Collaborations
editWith J. Blackfoot
- City Slicker (Sound Town, 1983)
- Physical Attraction (Sound Town, 1984)
- Universal Language (Asylum Records, 1977)
With Shirley Brown
- Shirley Brown (Arista Records, 1977)
- Intimate Storm (Soundtown Records, 1984)
With Jerry Butler
- The Love We Have, The Love We Had (Mercury Records, 1973)
With Cate Brothers
- In One Eye and Out the Order (Asylum Records, 1976)
With Linda Clifford
- I'm Yours (RSO Records, 1980)
With Steve Cropper
- Playin' My Thang (MCA Records, 1981)
With Yvonne Elliman
- Rising Sun (RSO Records, 1975)
With The Emotions
- Sunshine (Stax Records, 1977)
With Al Green
- Soul Survivor (A&M Records, 1987)
With Levon Helm
- Levon Helm (ABC Records, 1978)
With Albert King
- Blues for Elvis – King Does the King's Things (Stax Records, 1970)
- The Blues Don't Change (Stax Records, 1974)
With David Porter
- Victim of the Joke? An Opera (Enterprise Records, 1971)
- Sweat & Love (Enterprise Records, 1973)
With Billy Joe Shaver
- When I Get My Wings (Capricorn Records, 1976)
With Keith Sykes
- The Way That I Feel (Midland Records, 1977)
With Mavis Staples
- Mavis Staples (Volt Records, 1969)
- Only for the Lonely (Volt Records, 1970)
- Pastiche (Atlantic Records, 1978)
With Rufus Thomas
- Do the Funky Chicken (Stax Records, 1970)
- Crown Prince of Dance (Stax Records, 1973)
With Tony Joe White
- Eyes (20th Century Records, 1976)
References
edit- ^ Walker, Donald (2006). The Unknown Musician. AuthorHouse. p. 252. ISBN 978-1425946890.
- ^ Lisle, Andria (August 2, 2007). "Willie Hall's Journey". Memphis Flyer.
External links
edit- Willie Hall at AllMusic
- Willie Hall discography at Discogs
- Willie Hall at IMDb
- Willie Hall interview on Radio Memphis