Wikipedia

Chris Cunningham

Chris Cunningham (born 15 October 1970)[2] is a British video artist and music video director who directed music videos for electronic musicians such as Autechre, Squarepusher, and Aphex Twin and Björk. Early in his career he worked as a comic book artist. He has created art installations and directed short movies. In the mid 2000s, Cunningham began doing music production work, and has also designed album artwork for a variety of musicians. Cunningham worked on a never completed movie adaptation of William Gibson's cyberpunk novel Neuromancer.

Chris Cunningham
Born (1970-10-15) 15 October 1970 (age 54)
Reading, Berkshire, England
Occupation(s)Filmmaker, video artist, photographer, music producer
Years active1995–present
Spouse
​
​
(m. 2010; div. 2016)​
[1]

His style is noted for its use of robotics, body horror and Mickey mousing[3] (syncing action with music).

Biography

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Early work - comic books and film special effects

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Between circa 1990 and 1992, he worked as a comic book artist for 2000 AD working under the pseudonym "Chris Halls" (Halls is his stepfather's surname).[4][5] He worked on comics including Aliens and Judge Dredd Megazine.[6][7] His contributions included cover paintings and strips.[4]

Also from around 1990, he worked on films including model-making, prosthetic make-up and concept illustrations. He worked on films including Hardware (1990) and Dust Devil (1992) for Richard Stanley, Nightbreed (1990) for Clive Barker, and Alien3 (1992) for David Fincher.

After seeing Cunningham's work on the 1995 film version of Judge Dredd, Stanley Kubrick head-hunted Cunningham to work on A.I. Artificial Intelligence.[8] For Kubrick, Cunningham designed and supervised animatronic prototypes of David; the central robot child character. Cunningham worked for over a year on the film. However, around this time Kubrick put the film on hold, with Cunningham going on to pursue a career as a director.

Music videos

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Cunningham has had close ties to Warp Records since his first video for Autechre, "Second Bad Vilbel" in 1995 and Squarepusher's "Come On My Selector" in 1998, which received airplay on MTV's Amp and MTV's Chill Out Zone in Europe. Videos for Aphex Twin's "Come to Daddy" and "Windowlicker" are perhaps his best known. His video for Björk's "All Is Full of Love" won multiple awards, including an MTV music video award for Breakthrough Video and was nominated for a Grammy for Best Short Form Music Video. It was also the first ever music video to win a Gold Pencil at the D&AD Awards. It can still be seen at the Museum of Modern Art in New York. His video for Aphex Twin's "Windowlicker" was nominated for the "Best Video" award at the Brit Awards 2000. He also directed Madonna's "Frozen" video which became an international hit and won the award for Best Special Effects at the 1998 MTV Music Video Awards. Cunningham also came out of a seven-year hiatus from making music videos to direct the video for "Sheena Is a Parasite" by the Horrors.

Video art

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His video installation Flex was first shown in 2000 at the Royal Academy of Arts, and subsequently at the Anthony d'Offay Gallery and other art galleries. Flex was commissioned by the Anthony d'Offay Gallery for the Apocalypse: Beauty & Horror in Contemporary Art exhibition curated by Norman Rosenthal and Max Wigram at the Royal Academy of Arts in 2000.

The Anthony d'Offay Gallery also commissioned Monkey Drummer, a 2½ minute piece intended for exhibition as a companion to Flex at the 2000 Apocalypse exhibition at the Royal Academy of Arts: however, the piece was not finished in time. In it an automaton with nine appendages and the head of a monkey plays the drums to "Mt Saint Michel + Saint Michaels Mount", the 10th track on Aphex Twin's 2001 album drukqs. Monkey Drummer debuted as part of Cunningham's installation at the 49th International Exhibition of Art at the 2001 Venice Biennale, which consisted of a loop of Monkey Drummer, Flex, and his video for Björk's "All Is Full of Love". In 2002 both Flex and Monkey Drummer were exhibited by 5th Gallery in Dublin, Ireland, in an exhibition curated by Artist/Curator Paul Murnaghan,[9][10]

Neuromancer

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In an August 1999 Spike Magazine interview, cyberpunk author William Gibson stated "He (Chris) was brought to my attention by someone else. We were told, third-hand, that he was extremely wary of the Hollywood process, and wouldn't return calls. But someone else told us that Neuromancer had been his The Wind in the Willows, that he'd read it when he was a kid. I went to London and we met." Gibson is also quoted in the article as saying "Chris is my own 100 percent personal choice...My only choice. The only person I've met who I thought might have a hope in hell of doing it right. I went back to see him in London just after he'd finished the Bjork video, and I sat on a couch beside this dead sex little Bjork robot, except it was wearing Aphex Twin's head. We talked."[11]

In 2000, Cunningham and William Gibson began work on the script for Gibson's 1984 novel Neuromancer. However, because Neuromancer was due to be a big budget studio film, it is rumoured that Cunningham pulled out due to being a first time director without final cut approval.[12] He also felt that too much of the original book's ideas had been cannibalised by other recent films.[13]

Music production, 'live' and short films (2004 - present)

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By 18 November 2004, the Neuromancer film project had been canned. On the FAQ on the William Gibson Board, Gibson stated about the adaptation "... The most recently rumoured version, to have been directed by Chris Cunningham, is now definitely not happening."[14]

Cunningham took a sabbatical from filmmaking to learn about music production and recording and to develop his own music projects.

In 2005, Cunningham released the short film Rubber Johnny as a DVD accompanied by a book of photographs and drawings. Rubber Johnny, a six-minute experimental short film cut to a soundtrack by Aphex Twin remixed by Cunningham, was shot between 2001 and 2004. Shot on DV night-vision, it was made in Cunningham's own time as a home movie of sorts, and took three and half years of weekends to complete. The Telegraph called it "like a Looney Tunes short for a generation raised on video nasties and rave music".[15]

In 2005, Cunningham played a 45-minute audio visual piece performed live in Tokyo and Osaka in front of 30,000+ fans over the two nights at the Japanese electronic music festival Electraglide [ja]. These performances evolved into Chris Cunningham Live, a 55-minute long performance piece combining original and remixed music and film. It features remixed, unreleased and brand new videos and music dynamically edited together into a new live piece spread over three screens. The sound accompanying these images includes Cunningham's first publicly performed compositions interspersed with his remixes of other artist's work. Chris Cunningham Live debuted as one of the headline attractions at Warp 20 in Paris on 8 May 2009 with other performances scheduled at festivals in UK, and a number of European cities later in the year. Chris Cunningham Live continued in June 2011, with performances in London, Barcelona, and Sydney, Australia.

During this period Cunningham also made another short film for Warp Films, Spectral Musicians, which remains unreleased. The short film was set to Squarepusher's "My Fucking Sound" from his album Go Plastic; and to a piece called "Mutilation Colony"[16] which was written especially for the short, and was released on the studio album Do You Know Squarepusher.

In 2007, an excerpt from Flex was shown in the Barbican's exhibition Seduced: Art and Sex from Antiquity to Now curated by Martin Kemp, Marina Wallace and Joanne Bernstein. alongside other pieces by Bacon, Klimt, Rembrandt, Rodin and Picasso.

In December 2007 Cunningham produced two tracks, "Three Decades" and "Primary Colours", for Primary Colours, the second album by the Horrors.[17] In the summer of 2008, due to scheduling conflicts with his feature film script writing he could not work on the rest of the album which was subsequently recorded by Geoff Barrow from Portishead.

In 2008, he produced and arranged a new version of 'I Feel Love' for the Gucci commercial that he also directed. He travelled to Nashville to work with Donna Summer to record a brand new vocal for it.[18]

In 2008, Cunningham produced a fashion shoot for Dazed & Confused using Grace Jones as a model to create "Nubian versions" of Rubber Johnny.[19] In an interview for BBC's "The Culture Show", it was suggested that the collaboration may expand into a video project. In regards to the collaboration, Cunningham stated "For me, Grace has the strongest iconography of any artist in music. She’s definitely the most inspiring person I’ve worked with so far".

In November 2008, Cunningham followed on with another photoshoot for Vice Magazine.[20]

Personal life

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Cunningham was married to Warpaint's bassist Jenny Lee Lindberg in 2010. By 2016, they were currently no longer together.[21][22]

Photography

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Cunningham has created photography and cover artwork for various people including Björk's "All Is Full of Love", Aphex Twin's "Windowlicker" and "Come to Daddy".

Videography

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Cunningham has directed music videos, commercials and short films. His commercials for companies and brands, include Gucci, Sony (PlayStation), Levi's, Telecom Italia, Nissan, and Orange. The video collection The Work of Director Chris Cunningham was released in November 2004 as part of the Directors Label set. This DVD includes selected highlights from 1995 to 2000.

References

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  1. ^ "Chris Cunningham". Genius.com. Retrieved 14 December 2021.
  2. ^ "I Will Eat Your Soul – The Making of Aphex Twin's Come to Daddy". Love-it-loud.co.uk. Archived from the original on 6 June 2019. Retrieved 20 May 2019.
  3. ^ Wyse, Pascal (27 April 2010). "Chris Cunningham". The Guardian. ISSN 0261-3077. Retrieved 16 October 2024.
  4. ^ a b "droid zone". 2000AD Online. Retrieved 30 August 2009.
  5. ^ "Stray Thoughts 7/13/23: Chris Cunningham's Judge Dredd Comics". GRAPHOMANIA. 13 July 2023. Retrieved 16 October 2024.
  6. ^ "2000AD Chris Halls/Chris Cunningham Judge Rico and ABC Warrior from Judge Dredd:The Movie 1995, in Ken & Trevor Brennan's Chris Halls/Chris Cunningham Comic Art Gallery Room". www.comicartfans.com. Retrieved 16 October 2024.
  7. ^ Wmmvrrvrrmm. "Alien Explorations: Chris Cunningham's / Halls' earlier Alien artwork". Alien Explorations. Retrieved 16 October 2024.
  8. ^ "Chris Cunningham ·· Press". 23 June 2011. Archived from the original on 23 June 2011. Retrieved 14 December 2021.
  9. ^ "Chris Cunningham : flex". 5thgalleryarchive.com. Archived from the original on 16 January 2013. Retrieved 9 August 2014.
  10. ^ "Monkey Drummer is a 2.5 minute piece commissioned again by the Anthony d'Offay Gallery". 14 December 2021. Archived from the original on 23 June 2011.
  11. ^ "William Gibson : All Tomorrow's Parties : Waiting for the Man". Spikemagazine.com. 22 February 1999. Retrieved 30 August 2009.
  12. ^ "Celebrity Grave | Chris Cunningham's Neuromancer". JESSE YULES FILM. 7 March 2013. Retrieved 7 April 2020.
  13. ^ Leggott, James (1 April 2016). "Come to Daddy? Claiming Chris Cunningham for British Art Cinema". Journal of British Cinema and Television. 13 (2): 243–261. doi:10.3366/jbctv.2016.0311. ISSN 1743-4521.
  14. ^ "Here's the FAQ — Topic Powered by Eve Community". Williamgibsonboard.com. Archived from the original on 23 February 2009. Retrieved 30 August 2009.
  15. ^ Campion, Chris (28 May 2005). "Cheap but never cheerful". The Daily Telegraph.
  16. ^ "Squarepusher interview — erutufon". nofuture. 3 March 2004. Archived from the original on 3 December 2007. Retrieved 6 September 2009.
  17. ^ Kharas, Kev (14 March 2008). "Chris Cunningham to make production debut on new Horrors album". Drowned in Sound. Archived from the original on 3 May 2009. Retrieved 16 April 2009.
  18. ^ "Dazed Digital | Chris Cunningham Feels Love for Gucci's Flora". 20 December 2009. Archived from the original on 20 December 2009. Retrieved 14 December 2021.
  19. ^ "Grace Jones photoshoot for Dazed and Confused". Dazeddigital.com. 16 October 2008. Retrieved 30 August 2009.
  20. ^ "Chris Cunningham Photoshoot for Vice Magazine". Viceland.com. Archived from the original on 21 November 2008. Retrieved 30 August 2009.
  21. ^ "War Games | Dazed". Dazeddigital.com. 23 January 2008. Retrieved 9 August 2014.
  22. ^ "Warpaint: The Un-Breakup Music". Magnet (magazine). 7 November 2016. Retrieved 28 November 2018.
  23. ^ Yates, Karen (29 August 1997). "Xfm launch campaign targets indie listeners". Campaign. Retrieved 2 September 2023.
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