(pronounced [ˈbærjman] in Swedish, but usually [ˈbɝgmən] in English, IPA notation) (August 29 1915 – August 29 1982) was a three-time Academy Award-winning and two-time Emmy Award-winning Swedish actress. She also won one of the original Tony Awards. She is ranked as the fourth greatest female star of all time by the American Film Institute.[1]
Biography
editEarly years: 1915-1938
editBergman, named after Princess Ingrid of Sweden [2], was born in Stockholm, Sweden on August 29 1915 to a Swedish father, Justus Samuel Bergman, and a German mother, Friedel Adler Bergman. When she was three years old, her mother died. Her father passed away when she was thirteen. She was then sent off to live with an aunt, who died of heart complications only six months later. Afterwards she was raised by another aunt and uncle, who had five children.
At the age of 17, Ingrid Bergman auditioned for and was accepted to the Royal Dramatic Theatre in Stockholm. During her first summer break, she was hired at a Swedish film studio, which consequently led to her leaving the Royal Dramatic Theater to work in films full time, after having attended for only one year. Her first film role after leaving the Royal Dramatic Theater was a small part in 1935's Munkbrogreven (She had previously been an extra in the 1932 film Landskamp).
On July 10 1937, at the age of 21, she married a dentist, Petter Lindström (who would later become a neurosurgeon). On September 20 1938, she gave birth to a daughter, Pia Lindström.
After a dozen films in Sweden (including En kvinnas ansikte which would later be remade as A Woman's Face with Joan Crawford) and one in Germany, Bergman was signed by Hollywood producer David O. Selznick to star in the 1939 English language remake of her 1936 Swedish language film, Intermezzo. It was an enormous success and Bergman became a star, described as "Sweden's illustrious gift to Hollywood". Some things that set her apart from other female stars in Hollywood at that time were that she did not change her name, her appearance was entirely natural with little to no makeup, and that she was one of the tallest leading ladies.
Hollywood period: 1938-1949
editAfter completing one last film in Sweden and appearing in three moderately successful films in the United States, Bergman joined Humphrey Bogart in the 1942 classic film Casablanca, which remains her best known role.
That same year, she received her first Academy Award nomination for Best Actress for For Whom the Bell Tolls (1943), which was also her first color film. The following year, she won the Academy Award for Best Actress for Gaslight (1944). She received a third consecutive nomination for Best Actress with her performance as a nun in The Bells of St. Mary's (1945).
Later, she would receive another Best Actress nomination for Joan of Arc (1948), an independent film produced by Walter Wanger and initially released through RKO. Bergman had championed the role since her arrival in Hollywood, which is one of the reasons she had played it on the Broadway stage in Maxwell Anderson's Joan of Lorraine. Partly because of the scandal with Rossellini, the film, based on the Anderson play, was not a big hit, and received disastrous reviews. It was subsequently shorn of 45 minutes, and it was not until its restoration to full length in 1998 and its 2004 appearance on DVD that later audiences could see it as it was intended to be shown.
Bergman also starred in the Alfred Hitchcock films Spellbound (1945), Notorious (1946), and Under Capricorn (1949). Under Capricorn was a slow costume drama unlike earlier Hitchcock films -- the New York Times reviewer wrote that the audience had to wait 100 minutes for any suspense -- so that Bergman's reputation and the film's release suffered from this, and from the gathering adverse publicity over Bergman's affair with Rossellini.
Between motion pictures, Bergman appeared in the stage plays Liliom, Anna Christie, and Joan of Lorraine. Furthermore, during a press conference in Washington, D.C. for the promotion of Joan of Lorraine, she protested against segregation after seeing it first hand at the theater she was acting in. This led to a lot of publicity and some hate mail.
Ingrid Bergman also went to Alaska during World War II in order to entertain troops. Soon after the war ended, she also went to Europe for the same purpose, where she was able to see the devastation caused by the war. It was also during this time that she began a relationship with the famous photographer Robert Capa.
Italian period: 1949-1957
editIn 1949, Bergman met Italian director Roberto Rossellini in order to make the film Stromboli (1950), after having been a fan of two of his previous films that she had seen while in the United States. During the making of this movie, she fell in love with him and became pregnant with a son, Roberto Ingmar Rossellini (born February 7, 1950).
The pregnancy caused a huge scandal in the United States. It even led to her being denounced on the floor of the U.S. Senate by Edwin C. Johnson, a senator from Colorado, who referred to her as "a horrible example of womanhood and a powerful influence for evil." In addition, there was a floor vote, which resulted in her being made persona non grata. The scandal forced Ingrid Bergman to exile herself to Italy, leaving her husband and daughter in the United States. Her husband, Dr. Petter Lindström, eventually sued for desertion and waged a custody battle for their daughter.
Ingrid Bergman married Roberto Rossellini on May 24, 1950. On June 18, 1952, she gave birth to twin daughters, Isabella Rossellini, who is a famous actress and model, and Isotta Ingrid Rossellini. Over the next few years, she appeared in several Italian films for Rossellini, including Giovanna d'Arco al rogo (Jeanne d'Arc au bûcher, Joan of Arc at the Stake, 1954), a 1935 dramatic oratorio by Arthur Honegger about Joan of Arc. Their marriage ended in divorce on November 7, 1957.
After separating from Rossellini, she starred in Jean Renoir's Elena and Her Men (Elena et les Hommes, 1956), a romantic comedy where she played a Polish princess caught in political intrigue. Although the film wasn't a success, it has since come to be regarded as one of her best performances.
During her time in Italy, anger over her private life had continued unabated in the United States, with Ed Sullivan at one point infamously polling his TV show audience as to whether she should be forgiven.
Later years: 1957-1982
editWith her starring role in 1956's Anastasia, Bergman made a triumphant return to the American screen and won the Academy Award for Best Actress for a second time. The award was accepted for her by her friend Cary Grant.[3] Bergman would not make her first post-scandal public appearance in Hollywood until the 1958 Academy Awards, when she was the presenter of the Academy Award for Best Picture.[4] Furthermore, after being introduced by Cary Grant and walking out on stage to present, she was given a standing ovation.
Bergman would continue to alternate between performances in American and European films for the rest of her career and also made occasional appearances in television dramas such as a 1959 production of The Turn of the Screw for Startime for which she won an Emmy Award for Outstanding Single Performance by an Actress.
During this time, she also performed in several stage plays. In addition, she married the producer Lars Schmidt, a fellow Swede, on December 21, 1958. This marriage ultimately led to divorce in 1975.
In 1972, Senator Charles H. Percy entered an apology into the Congressional Record for the attack made on her 22 years earlier by Edwin C. Johnson.
Bergman received her third Academy Award (and first for Best Supporting Actress) for her performance in Murder on the Orient Express (1974), but she publicly declared at the Academy Awards telecast that year that the award rightfully belonged to Italian actress Valentina Cortese for Day for Night by concluding her acceptance speech with "Please forgive me, Valentina. I didn't mean to."[5]
In 1978, she played in Ingmar Bergman's Höstsonaten (Autumn Sonata) for which she received her seventh Academy Award nomination and made her final performance on the big screen. In the film, Bergman plays a celebrity pianist who returns to Sweden to visit her neglected daughter, played by Liv Ullman. The film was shot in Norway. It is considered by many to be among her best performances.
She was honored posthumously with her second Emmy Award for Best Actress in 1982 for the television mini-series A Woman Called Golda, about the late Israeli prime minister Golda Meir. It was her final acting role.
Death
editIngrid Bergman died in 1982 on her 67th birthday in London, England, following a long battle with breast cancer. Her body was cremated in Sweden. Most of her ashes were scattered in the sea with the remainder being interred in the Norra begravningsplatsen in Stockholm next to her parents. The most heartbreaking moment at her funeral was said to be when a single violin played the song "As Time Goes By", the theme from her most famous role, Ilsa Lund in Casablanca.
Autobiography
editIn 1980, Bergman's autobiography was published under the title Ingrid Bergman: My Story. It was written with the help of Alan Burgess, who had written the book The Small Woman, on which the film The Inn of the Sixth Happiness was based. In the book, she discusses her childhood, her early career, her life during her time in Hollywood, the Rossellini scandal and subsequent events. The book was written after her children warned her that she would only be known through rumors and interviews if she did not tell her own story. It was through this autobiography that her affair with Robert Capa became known.
Legacy
editFor her contributions to the motion picture industry, Ingrid Bergman has a star on the Hollywood Walk of Fame at 6759 Hollywood Blvd. She continues to be a cultural icon - not only for her role in Casablanca, but for her career as a whole and for her innocent, natural beauty. In addition, she is considered by many to be one of the foremost actresses of the 20th century.
Trivia
edit | This article contains a list of miscellaneous information. (June 2007) |
- There is a hybrid tea rose named after her.[6]
- She became a smoker after needing to smoke for her role in Arch of Triumph.[7]
- She was the President of the Jury at the 1973 Cannes Film Festival.[8]
- Bergman could speak Swedish (her native language), German (her second language), English (learned when brought over to United States), Italian (learned while exiled in Italy through osmosis from previous knowledge of French), and French (learned formally from language teachers) fluently. In addition, she acted in each of these languages at various times. Fellow actor John Gielgud, who had acted with her in Murder on the Orient Express and who had directed her in the play The Constant Wife, playfully mocked this ability when he remarked, "She speaks five languages and can't act in any of them."[9]
- She was the topic of a Woody Guthrie song entitled "Ingrid Bergman," which was composed in the year 1950. At the request of Woody's daughter Nora Guthrie, English folk-rocker Billy Bragg and the alternative country group Wilco set these lyrics to music and placed the song on the 1998 hit album "Mermaid Avenue."[10]
- She hosted the AFI's Life Achievement Award Ceremony for Alfred Hitchcock in 1979.[11]
- After losing to Ingrid Bergman for the 1944 Best Actress Academy Award, Barbara Stanwyck told the press she was a "member of The Ingrid Bergman Fan Club", "I don't feel at all bad about the Award because my favorite actress won it and has earned it by all her performances."[12]
- Ingrid Bergman was a student of the acting coach Michael Chekhov during the 1940s. Coincidentally, it was his role in Spellbound, of which she was a star, that he received his only nomination for an Academy Award.[13]
- Bergman didn't think much of Casablanca, and was somewhat irritated when asked about the film. "I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart." About Bogart, she said "I never really knew him. I kissed him, but I didn't know him."[14]
- Although they worked together, Bergman is not related to fellow Swedish director Ingmar Bergman
Quotes
edit| “ | A kiss is a lovely trick designed by nature to stop speech when words become superfluous. | ” |
| — Ingrid Bergman | ||
| “ | Happiness is good health and a bad memory. | ” |
| — Ingrid Bergman | ||
| “ | I've gone from saint to whore and back to saint again, all in one lifetime. | ” |
| — Ingrid Bergman | ||
| “ | I've never sought success in order to get fame and money; it's the talent and the passion that count in success. | ” |
| — Ingrid Bergman | ||
Awards
edit| Year | Group | Award | Won? | Film/Play |
|---|---|---|---|---|
| 1944 | Academy Award | Best Actress | No | For Whom the Bell Tolls |
| 1945 | Academy Award | Best Actress | Yes | Gaslight |
| Golden Globe | Best Actress - Motion Picture | |||
| 1946 | Academy Award | Best Actress | No | The Bells of St. Mary's |
| Golden Globe | Best Actress - Motion Picture | Yes | ||
| NYFCC Award | Best Actress | Yes | The Bells of St. Mary's | |
| Spellbound | ||||
| 1947 | Tony Award | Best Performance by a Leading Actress in a Play | Yes | Joan of Lorraine |
| 1949 | Academy Award | Best Actress | No | Joan of Arc |
| 1956 | NYFCC Award | Best Actress | Yes | Anastasia |
| 1957 | Academy Award | |||
| Golden Globe | Best Motion Picture Actress - Drama | |||
| 1958 | NBR Award | Best Actress | Yes | The Inn of the Sixth Happiness |
| 1959 | BAFTA | Best Foreign Actress | No | |
| Golden Globe | Best Motion Picture Actress - Drama | No | The Inn of the Sixth Happiness | |
| Best Motion Picture Actress - Comedy/Musical | Indiscreet | |||
| 1960 | Emmy Award | Outstanding Lead Actress in a Miniseries or Movie | Yes | Turn of the Screw |
| 1961 | Emmy Award | Outstanding Lead Actress in a Miniseries or Movie | No | 24 Hours in a Woman's Life |
| 1970 | Golden Globe | Best Motion Picture Actress - Musical/Comedy | No | Cactus Flower |
| 1975 | Academy Award | Best Supporting Actress | Yes | Murder on the Orient Express |
| BAFTA | ||||
| 1976 | César Award | Honorary Award | Yes | |
| 1978 | NBR Award | Best Actress | Yes | Höstsonaten |
| NYFCC Award | ||||
| 1979 | Academy Award | Best Actress | No | |
| Golden Globe | Best Motion Picture Actress - Drama | |||
| NSFC Award | Best Actress | Yes | ||
| 1982 | Emmy Award | Outstanding Lead Actress in a Miniseries or Movie | Yes | A Woman Called Golda |
| 1983 | Golden Globe | Best Actress in a Mini-series or Motion Picture Made for Television |
Chronology of performances
editFilmography
edit| Year | Film | English Title | Role |
|---|---|---|---|
| 1930s | |||
| 1932 | Landskamp | Girl Waiting in Line | |
| 1935 | Munkbrogreven | The Count of the Monk's Bridge | Elsa Edlund |
| 1935 | Bränningar | Ocean Breakers | Karin Ingman |
| 1935 | Swedenhielms | Swedenhielms Family | Astrid |
| 1935 | Valborgsmässoafton | Walpurgis Night | Lena Bergström |
| 1936 | På solsidan | On the Sunny Side | Eva Bergh |
| 1936 | Intermezzo | Anita Hoffman | |
| 1938 | Dollar | Julia Balzar | |
| 1938 | Kvinnas ansikte, En | A Woman's Face | Anna Holm, aka Anna Paulsson |
| 1938 | Vier Gesellen, Die | The Four Companions | Marianne |
| 1939 | Enda natt, En | Only One Night | Eva Beckman |
| 1939 | Intermezzo: A Love Story | Anita Hoffman | |
| 1940s | |||
| 1940 | Juninatten | June Night | Kerstin Norbäc - aka Sara Nordanå |
| 1941 | Adam Had Four Sons | Emilie Gallatin | |
| 1941 | Rage in Heaven | Stella Bergen Monrell | |
| 1941 | Dr. Jekyll and Mr. Hyde | Ivy Peterson | |
| 1942 | Casablanca | Ilsa Lund | |
| 1943 | For Whom the Bell Tolls | María | |
| 1943 | Swedes in America (short subject) | Herself | |
| 1944 | Gaslight | Paula Alquist Anton | |
| 1945 | Saratoga Trunk | Clio Dulaine | |
| 1945 | Spellbound | Dr. Constance Petersen | |
| 1945 | The Bells of St. Mary's | Sister Mary Benedict | |
| 1946 | American Creed (short subject) | Herself | |
| 1946 | Notorious | Alicia Huberman | |
| 1948 | Arch of Triumph | Joan Madou | |
| 1948 | Joan of Arc | Joan of Arc | |
| 1949 | Under Capricorn | Lady Henrietta Flusky | |
| 1950s | |||
| 1950 | Stromboli | Karin | |
| 1952 | Europa '51 | The Greatest Love | Irene Girard |
| 1953 | Siamo donne (segment: "Ingrid Bergman") | We, the Women | Herself |
| 1954 | Giovanna d'Arco al rogo | Joan of Arc at the Stake | Giovanna d'Arco (Joan of Arc) |
| 1954 | Viaggio in Italia | Journey to Italy | Katherine Joyce |
| 1954 | La Paura | Fear | Irene Wagner |
| 1956 | Anastasia | Anna Koreff/Anastasia | |
| 1956 | Elena et les hommes | Elena and Her Men | Elena Sokorowska |
| 1958 | Indiscreet | Anna Kalman | |
| 1958 | The Inn of the Sixth Happiness | Gladys Aylward | |
| 1960s | |||
| 1961 | Aimez-Vous Brahms? | Goodbye Again | Paula Tessier |
| 1961 | Auguste | Kolka, My Friend | (Uncredited Cameo) |
| 1964 | The Visit | Karla Zachanassian | |
| 1964 | The Yellow Rolls-Royce | Gerda Millett | |
| 1967 | Stimulantia (Episode: "The Necklace") | Mathilde Hartman | |
| 1969 | Cactus Flower | Stephanie Dickinson | |
| 1970s | |||
| 1970 | Henri Langlois (documentary) | Herself | |
| 1970 | Walk in the Spring Rain | Libby Meredith | |
| 1973 | From the Mixed-Up Files of Mrs. Basil E. Frankweiler | Mrs. Frankweiler | |
| 1974 | Murder on the Orient Express | Greta Ohlsson | |
| 1976 | A Matter of Time | Countess Sanziani | |
| 1978 | Höstsonaten | Autumn Sonata | Charlotte Andergast |
Television credits
edit| Year | Production | Role |
|---|---|---|
| 1959 | Startime: The Turn of the Screw | Governess |
| 1961 | 24 Hours in a Woman's Life | Clare Lester |
| 1963 | Hedda Gabler | Hedda Gabler |
| 1966 | The Human Voice | Unnamed (monologue) |
| 1979 | The American Film Institute Salute to Alfred Hitchcock | Herself (hostess) |
| 1982 | A Woman Called Golda | Golda Meir |
Theater credits
edit| Year | Play | Role | Theatre | Location |
|---|---|---|---|---|
| 1940 | Liliom | Julie | Forty-Fourth Street Theater | New York City, New York |
| 1941 | Anna Christie[15] | Anna Christopherson | Lobero Theatre | Santa Barbara, California |
| 1946 | Joan of Lorraine | Joan of Arc/Mary Grey | Alvin Theater | New York City, New York |
| 1953 | Joan of Arc at the Stake | Joan of Arc | San Carlo Opera House | Naples, Italy |
| 1956 | Tea and Sympathy | Laura Reynolds | Théâtre de Paris | Paris, France |
| 1962 | Hedda Gabler | Hedda Gabler | Théâtre Montparnasse Geston Baty | Paris, France |
| 1965 | A Month in the Country | Natalia Petrovna | Yvonne Arnaud Theatre | Guildford, United Kingdom |
| 1967 | More Stately Mansions | Deborah Harford | Broadhurst Theatre | New York City, New York |
| 1972 | Captain Brassbound's Conversion | Lady Cecily Waynflete | Opera House, Kennedy Center | Washington, D.C. |
| 1973 | The Constant Wife | Constance Middleton | Albery Theatre | London, United Kingdom |
| 1975 | The Constant Wife | Constance Middleton | Shubert Theatre | New York City, New York |
| 1979 | Waters of the Moon | Helen Lancaster | Haymarket Theatre | London, United Kingdom |
Audio recording credits
edit| Year | Title | Genre | Format | ID |
|---|---|---|---|---|
| 1946 | The Pied Piper of Hamelin | Spoken Word | 2 10" 78 RPM Records | OCLC 47099526 |
| 1960 | The Human Voice | Spoken Word | 12" Microgroove LP 33⅓ RPM Record | OCLC 3266517 |
| 1979 | The Small Woman | Abridged Audio Book | 2 Cassettes | OCLC 12889993 |
Radio credits
edit| Air Date | Title | Show | Role | Other People | Avail. |
|---|---|---|---|---|---|
| January 29 1940 | Intermezzo | Lux Radio Theater | Anita Hoffman | Herbert Marshall, Gail Patrick | |
| December 1 1941 | A Man's Castle | Lux Radio Theater | Trina | Spencer Tracy | MP3 |
| January 16 1942 | Patterns[16] | The Kate Smith Variety Show | Orson Welles, Olivia de Havilland, Lou Holtz | ||
| March 24 1942 | [17] | Readers and Writers | Herself | Edwin Seaver | |
| March 30 1942 | The Silent Heart[18] | Cavalcade of America | Jenny Lind | Karl Swenson, Bill Johnstone | |
| 1942 | CBS Looks At Hollywood | Herself | Hedda Hopper, Gary Cooper | ||
| April 26 1943 | Casablanca | The Screen Guild Theater | Ilsa Lund | Humphrey Bogart, Paul Henreid | MP3 |
| September 15 1943 | #56 | Mail Call | Guest | Kay Thompson, Cass Daley, Edgar Bergen, et al | |
| October 1943 | – | Star Program with Lorne Greene | Herself | Lorne Greene, Walter Houston, Joan Fontaine | |
| January 31 1944 | 1944 March of Dimes Campaign[19] | March of Dimes | Herself | Basil O'Connor | |
| April 2 1944 | Mayerling[20] | Star and the Story | Marie Vetsera | Walter Pidgeon | |
| April 25 1944 | Death Takes A Holiday[21] | Everything for the Boys | Grazia | Ronald Colman | MP3 |
| May 21 1944 | The Guardsman[22] | Silver Theater | The Actor's Wife | Herbert Marshall, Nigel Bruce | |
| September 9 1944 | Premiere Show[23] | Rudy Vallee Show | Herself | Edith Gwynn, Fritz Feld, Lou Lubin | |
| October 30 1944 | Anna Karenina | The Screen Guild Theater | Anna Karenina | Gregory Peck | MP3 |
| January 31 1945 | #130 | Mail Call | Guest | Edgar Bergen, Marion Hutton | MP3 |
| February 12 1945 | For Whom The Bell Tolls | Lux Radio Theater | Maria | Gary Cooper, Akim Tamiroff | MP3 |
| March 15 1945 | 17th Academy Awards Ceremony [24] | – | Recipient - Best Actress | Bob Hope, John Cromwell, Jennifer Jones, et al | MP3 |
| March 29 1945 | #168 | Command Performance | Guest | Bob Hope, Charles Boyer, et al | MP3 |
| April 5 1945 | Strange Morning | Arch Oboler's Plays | Miss Stewart | – | MP3 |
| April 15 1945 | Our Hour of National Sorrow[25] | A Tribute to President Roosevelt | Poem Reader | Many Celebrities | MP3 |
| May 13 1945 | Strange Morning (replay of April 5 + Morgenthau speech)[26] | Seventh War Loan Drive Show | Miss Stewart | Henry Morgenthau | RA |
| June 4 1945 | Intermezzo | Lux Radio Theater | Anita Hoffman | Joseph Cotten, Paula Winslowe | MP3 |
| August 14 1945 | The Fred Waring Show | Guest | Fred Waring, Jack Benny, Larry Addler | ||
| October 14 1945 | Gaslight[27] | Jack Benny Show | Guest | Jack Benny, Larry Adler | MP3 |
| January 20 1946 | Presentation of Film Critics Awards[28] | The Radio Hall of Fame (Paul Whiteman Show) | Recipient - Best Actress | Ray Milland | MP3 |
| February 5 1946 | Look Achievement Awards[29] | Bob Hope Show | Herself | Bob Hope, Frances Langford | |
| April 14 1946 | 18th Academy Awards Ceremony (#217)[30] | Command Performance | Presenter - Best Actor | Bob Hope, Frank Sinatra, George Murphy, Ray Milland, et al | |
| April 29 1946 | Gaslight | Lux Radio Theater | Paula Alquist Anton | Charles Boyer, Gale Gordon | MP3 |
| August 26 1946 | Bells of St. Mary's | The Screen Guild Theater | Sister Mary Benedict | Bing Crosby | MP3 |
| February 27 1947 | Born in a Merry Hour[31] | Centennial Anniversary of Ellen Terry | Herself | Helen Hayes, Margaret Webster, Eva Le Gallienne, John Gielgud | |
| April 6 1947 | Still Life[32][33] | Theater Guild on the Air | Laura Jesson | Sam Wanamaker, Peggy Wood | MP3 |
| October 6 1947 | Bells of St. Mary's | The Screen Guild Theater | Sister Mary Benedict | Bing Crosby | MP3 |
| 1947 | U.S.O. Campaign | Herself | Douglas Fairbanks Jr., George Murphy | ||
| 1947 | Flood Tide | Building For Peace | |||
| 1947 | #29 | Words with Music | Poetry Reader | – | |
| January 26 1948 | Notorious | Lux Radio Theater | Alicia Huberman | Joseph Cotten | MP3 |
| April 18 1948 | Anna Karenina | Theater Guild on the Air | Anna Karenina | ||
| June 13 1948 | – | Red Cross Flood Relief Show | Chester Lauck, Andy Russell, et al | ||
| June 14 1948 | Jane Eyre | Lux Radio Theater | Jane Eyre | Robert Montgomery, Bill Johnstone | MP3 |
| November 12 1948 | Camille[34][35] | Ford Theater | Marguerite Gautier | ||
| December 13 1948 | The Seventh Veil | Lux Radio Theater | Francesca Cunningham | Robert Montgomery, Bill Johnstone | MP3 |
| January 6 1949 | Notorious | The Screen Guild Theater | Alicia Huberman | John Hodiak, J. Carrol Naish | MP3 |
| January 21 1949 | Anna Christie[36] | Ford Theater | Anna Christopherson | Broderick Crawford, John Qualen | MP3 |
| February 18 1949 | A Doll's House[37][38] | Great Scenes from Great Plays | Nora Helmer | Brian Aherne | MP3 |
| 1949 | Whole Blood Ready (1 of 3 mini-dramas) | Star Spots | Fred MacMurray, Joan Leslie | ||
| January 10 1954 | Why Young Actors Try To Break Into The Theatre[39] | Stage-Struck | Herself | Mike Wallace, Arthur Schwartz, Dorothy Fields, Renee Jeanmaire | |
| May 2 1954 | The Highlights Of The 1953-54 Theatrical Season[40] | Stage-Struck | Joan of Arc | Various Actors | |
| References: [41][42][43][44] | |||||
See also
editNotes
edit- ^ "AFI's 100 Years...100 Stars". American Film Institute. Retrieved 2006-10-23.
- ^ Chandler, Charlotte (2007). Ingrid: Ingrid Bergman, A Personal Biography. New York: Simon & Schuster. pp. p. 21. ISBN 0-7432-9421-1.
{{cite book}}:|pages=has extra text (help) - ^ "1957 Academy Awards". Internet Movie Database. Retrieved 2006-10-23.
- ^ Gary Moody. "All the Oscars: 1958". the OscarSite.com - A celebration of all things Oscar. Retrieved 2006-12-10.
- ^ Gary Moody. "All the Oscars: 1974". the OscarSite.com - A celebration of all things Oscar. Retrieved 2006-12-10.
- ^ "Ingrid Bergman Rose Awards Page". World Federation of Rose Societies. Retrieved 2006-10-23.
- ^ "Female Celebrity Smoking List - Ingrid Bergman". Smoking from All Sides. Retrieved 2006-10-23.
- ^ "Ingrid Bergman Profile". Cannes Film Festival. Retrieved 2006-10-23.
- ^
"The Punch Line". Las Vegas Review-Journal. 2002-8-26. Retrieved 2006-10-22.
{{cite news}}: Check date values in:|date=(help) - ^ "Ingrid Bergman Lyrics". Official Woodie Guthrie Website. Retrieved 2006-10-23.
- ^ "The American Film Institute Salute to Alfred Hitchcock". Internet Movie Database. Retrieved 2006-10-23.
- ^ Gary Moody. "All the Oscars: 1944". the OscarSite.com - A celebration of all things Oscar. Retrieved 2006-12-10.
- ^ Adam J. Ledger. "Michael Chekhov". Literary Encyclopedia. The Literary Dictionary Company Limited. Retrieved 2007-03-06.
- ^ http://www.ingridbergman.com
- ^ "Anna Christie". eOneill.com: An Electronic Eugene O'Neill Archive. Retrieved 2007-03-14.
- ^ "Radio Today" (PDF). New York Times. 1942-01-16. Retrieved 2007-03-13.
- ^ "Radio Today" (PDF). New York Times. 1942-03-24. Retrieved 2007-03-13.
- ^ "Radio Today" (PDF). New York Times. 1942-03-30. Retrieved 2007-04-08.
- ^ "March of Dimes, 1944". Michigan State University Libraries: Vincent Voice Library. Retrieved 2007-04-08.
- ^ "Radio Programs of the Week" (PDF). New York Times. 1944-04-02. Retrieved 2007-03-13.
- ^ "Radio Today" (PDF). New York Times. 1944-04-25. Retrieved 2007-04-08.
- ^ "Radio Programs of the Week" (PDF). New York Times. 1944-05-21. Retrieved 2007-03-13.
- ^ "Radio Today" (PDF). New York Times. 1944-09-09. Retrieved 2007-03-13.
- ^ "The Oscar Ceremonies for 1944". theOscarSite.com: A Celebration of All Things Oscar. Retrieved 2007-03-31.
- ^ "Today's Radio Programs" (PDF). The Washington Post. 1945-04-15. Retrieved 2007-03-13.
- ^ "Radio Programs of the Week" (PDF). New York Times. 1945-05-13. Retrieved 2007-04-08.
- ^ "Radio Continuity, Lucky Strike, Jack Benny, Sept. - Dec., 1945". tobaccodocuments.org: Tobacco Documents Online. Retrieved 2007-04-02.
- ^ "Radio Programs of the Week" (PDF). New York Times. 1946-01-20. Retrieved 2007-03-13.
- ^ "Complete Radio Programs and Highlights for Today" (PDF). Chicago Daily Tribune. 1946-02-05. Retrieved 2007-04-08.
- ^ "The Oscar Ceremonies for 1945". theOscarSite.com: A Celebration of All Things Oscar. Retrieved 2007-03-27.
- ^ "On the Radio Today" (PDF). New York Times. 1947-02-27. Retrieved 2007-03-13.
- ^ "Radio Programs of the Week" (PDF). New York Times. 1947-04-06. Retrieved 2007-03-13.
- ^ "Program Preview". Time.com. 1947-04-07. Retrieved 2007-03-15.
- ^ "Programs on the Air" (PDF). New York Times. 1948-11-12. Retrieved 2007-04-08.
- ^ "Program Preview". Time.com. 1948-11-15. Retrieved 2007-03-26.
- ^ "Media Archive: Anna Christie - The Ford Theater". eOneill.com: An Electronic Eugene O'Neill Archive. Retrieved 2007-03-14.
- ^ "Program Preview". Time.com. 1949-02-14. Retrieved 2007-02-10.
- ^ "Programs On the Air" (PDF). New York Times. 1949-02-18. Retrieved 2007-03-13.
- ^ "On The Radio This Week" (PDF). New York Times. 1954-01-10. Retrieved 2007-04-08.
- ^ "Today's Radio Log" (PDF). Washington Post. 1954-05-02. Retrieved 2007-04-08.
- ^ Goldin, J. David. "Ingrid Bergman". GOLDINdex database. Retrieved 2007-02-10.
- ^ "Radio Broadcast Logs". Audio Classics Archive. Retrieved 2007-02-10.
- ^ "Ingrid Bergman List". Jerry Haendiges' Vintage Radio Site. Retrieved 2007-02-10.
- ^ "Canadian OTR Shows". Doug's Old Time Radio Site. Retrieved 2007-04-08.
References
edit- Bergman, Ingrid and Burgess, Alan (1980). Ingrid Bergman: My Story. New York: Delacorte Press. ISBN 0-440032-99-7.
{{cite book}}: CS1 maint: multiple names: authors list (link)
- Chandler, Charlotte (2007). Ingrid: Ingrid Bergman, A Personal Biography. New York: Simon & Schuster. ISBN 0-7432-9421-1.
- Leamer, Laurence (1986). As Time Goes By: The Life of Ingrid Bergman. New York: Harper & Row. ISBN 0-060154-85-3.
External links
edit
Biographical profiles
edit- Ingrid Bergman at IMDb
- Ingrid Bergman at the TCM Movie Database
- Ingrid Bergman at the Internet Broadway Database
- Ingrid Bergman at nndb.com
- TCM Confidential: Ingrid Bergman
Official sites
edit- Ingrid Bergman website by her family
- Ingrid Bergman site run by CMG
- Ingrid Bergman Collection at Wesleyan University
Interviews
edit- 1943 New York Times Interview
- Larry King transcript with Ingrid Bergman's daughters on the 60th anniversary of Casablanca
- Excerpt from Isabella Rossellini's Some of Me that describes Ingrid Bergman's passion for cleaning
Rich media - Video
edit- 1944 Academy Awards Newsreel, where Ingrid Bergman is presented with the Best Actress Award for Gaslight (YouTube)
- (in French) Television interview by Radio-Canada reporter Judith Jasmin on July 15 1957
- (in French) Television interview on JT 20H on February 22 1959
- (in French) Television interview by France Roche on Cinépanorama on November 19 1960
- Part of a television interview by Michael Parkinson on the BBC One show Parkinson in 1973 (YouTube)
Rich media - Audio
edit- Radio rich media may be found in the radio credits table.
- Ingrid Bergman's Spoken Word Version of The Pied Piper of Hamelin
- Audio Recording of Ingrid Bergman in the NY Production of More Stately Mansions (1967) (RealPlayer)
