Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Thomas Jefferson
|
295,498
|
9,849
|
B
|
Mid
|
2
|
Oscar Wilde
|
175,161
|
5,838
|
GA
|
Low
|
3
|
Andy Warhol
|
164,333
|
5,477
|
B
|
Mid
|
4
|
Friedrich Nietzsche
|
164,295
|
5,476
|
B
|
High
|
5
|
Leo Tolstoy
|
144,449
|
4,814
|
B
|
Mid
|
6
|
Aristotle
|
132,649
|
4,421
|
GA
|
High
|
7
|
Plato
|
126,254
|
4,208
|
B
|
High
|
8
|
Ayn Rand
|
117,127
|
3,904
|
GA
|
Mid
|
9
|
Eye of Providence
|
110,703
|
3,690
|
C
|
Low
|
10
|
Immanuel Kant
|
86,852
|
2,895
|
B
|
High
|
11
|
Romanticism
|
81,167
|
2,705
|
C
|
High
|
12
|
Uncanny valley
|
80,922
|
2,697
|
B
|
Low
|
13
|
Marquis de Sade
|
72,306
|
2,410
|
B
|
Mid
|
14
|
Johann Wolfgang von Goethe
|
69,040
|
2,301
|
B
|
Mid
|
15
|
Slavoj Žižek
|
63,554
|
2,118
|
B
|
High
|
16
|
Impressionism
|
61,676
|
2,055
|
C
|
Low
|
17
|
Surrealism
|
61,563
|
2,052
|
B
|
Low
|
18
|
Wabi-sabi
|
61,405
|
2,046
|
C
|
Low
|
19
|
Camp (style)
|
60,877
|
2,029
|
B
|
Low
|
20
|
Georg Wilhelm Friedrich Hegel
|
59,944
|
1,998
|
GA
|
High
|
21
|
Baroque
|
56,343
|
1,878
|
C
|
Low
|
22
|
Arthur Schopenhauer
|
56,068
|
1,868
|
B
|
High
|
23
|
Art
|
55,898
|
1,863
|
B
|
High
|
24
|
Bauhaus
|
55,188
|
1,839
|
B
|
Low
|
25
|
Søren Kierkegaard
|
55,123
|
1,837
|
B
|
High
|
26
|
Postmodernism
|
53,984
|
1,799
|
C
|
Mid
|
27
|
Dada
|
51,635
|
1,721
|
B
|
Low
|
28
|
Model (person)
|
46,609
|
1,553
|
C
|
Low
|
29
|
Avant-garde
|
44,743
|
1,491
|
C
|
Low
|
30
|
David Hume
|
44,305
|
1,476
|
B
|
High
|
31
|
Modernism
|
42,108
|
1,403
|
B
|
High
|
32
|
Edmund Burke
|
41,916
|
1,397
|
B
|
Mid
|
33
|
Martin Heidegger
|
41,781
|
1,392
|
C
|
High
|
34
|
Aesthetics
|
41,758
|
1,391
|
B
|
High
|
35
|
Ptolemy
|
41,116
|
1,370
|
B
|
Mid
|
36
|
Eroticism
|
39,379
|
1,312
|
C
|
Low
|
37
|
Sexual attraction
|
39,350
|
1,311
|
C
|
Low
|
38
|
Semiotics
|
38,477
|
1,282
|
C
|
Mid
|
39
|
Cubism
|
34,481
|
1,149
|
B
|
Low
|
40
|
Kitsch
|
33,849
|
1,128
|
C
|
Mid
|
41
|
Objectivism
|
32,286
|
1,076
|
B
|
Mid
|
42
|
Physical attractiveness
|
31,378
|
1,045
|
B
|
Mid
|
43
|
Susan Sontag
|
31,336
|
1,044
|
B
|
Mid
|
44
|
John Ruskin
|
31,107
|
1,036
|
B
|
Low
|
45
|
Umberto Eco
|
30,805
|
1,026
|
B
|
Mid
|
46
|
John Dewey
|
30,788
|
1,026
|
B
|
High
|
47
|
Expressionism
|
29,705
|
990
|
C
|
Low
|
48
|
Neoclassicism
|
29,050
|
968
|
C
|
Low
|
49
|
Harlem Renaissance
|
29,038
|
967
|
B
|
Low
|
50
|
Samuel Taylor Coleridge
|
27,993
|
933
|
C
|
Low
|
51
|
Punk subculture
|
27,503
|
916
|
Start
|
Low
|
52
|
Arts and Crafts movement
|
26,978
|
899
|
B
|
Low
|
53
|
Pragmatism
|
26,928
|
897
|
B
|
High
|
54
|
Comedy
|
26,718
|
890
|
C
|
Mid
|
55
|
Futurism
|
26,673
|
889
|
B
|
Low
|
56
|
Gilles Deleuze
|
25,970
|
865
|
B
|
High
|
57
|
Pop art
|
24,733
|
824
|
C
|
Low
|
58
|
Walter Benjamin
|
24,286
|
809
|
B
|
Mid
|
59
|
Jacques Lacan
|
23,886
|
796
|
B
|
High
|
60
|
Theodor W. Adorno
|
22,902
|
763
|
C
|
High
|
61
|
Marshall McLuhan
|
22,413
|
747
|
B
|
Mid
|
62
|
Kawaii
|
21,110
|
703
|
C
|
Low
|
63
|
Design
|
21,067
|
702
|
C
|
Low
|
64
|
Retrofuturism
|
19,767
|
658
|
B
|
Low
|
65
|
Post-Impressionism
|
19,416
|
647
|
C
|
Low
|
66
|
Catharsis
|
19,411
|
647
|
C
|
High
|
67
|
Irony
|
19,285
|
642
|
C
|
Mid
|
68
|
Roger Scruton
|
19,253
|
641
|
B
|
Mid
|
69
|
Creativity
|
18,968
|
632
|
B
|
High
|
70
|
Pastiche
|
18,920
|
630
|
Start
|
Low
|
71
|
Simulacrum
|
18,506
|
616
|
Start
|
Low
|
72
|
Herbert Marcuse
|
17,897
|
596
|
B
|
Mid
|
73
|
Fine art
|
17,563
|
585
|
C
|
Mid
|
74
|
Minimalism
|
17,388
|
579
|
C
|
Mid
|
75
|
Georges Bataille
|
17,276
|
575
|
C
|
Mid
|
76
|
Roland Barthes
|
16,785
|
559
|
C
|
Mid
|
77
|
Friedrich Schiller
|
16,207
|
540
|
C
|
Mid
|
78
|
Aestheticism
|
15,907
|
530
|
Start
|
Low
|
79
|
Mimetic theory
|
15,722
|
524
|
Start
|
Low
|
80
|
Abstract expressionism
|
15,691
|
523
|
C
|
Low
|
81
|
Fluxus
|
15,187
|
506
|
Start
|
Low
|
82
|
Jonathan Edwards (theologian)
|
15,153
|
505
|
B
|
Low
|
83
|
Denis Diderot
|
15,143
|
504
|
C
|
Mid
|
84
|
History of music
|
14,822
|
494
|
B
|
Low
|
85
|
Patanjali
|
14,392
|
479
|
C
|
High
|
86
|
The Death of the Author
|
14,215
|
473
|
Start
|
Low
|
87
|
Classicism
|
14,059
|
468
|
Start
|
Mid
|
88
|
Humour
|
13,748
|
458
|
C
|
Mid
|
89
|
Jean-François Lyotard
|
13,661
|
455
|
B
|
Mid
|
90
|
Literary criticism
|
13,587
|
452
|
Start
|
Mid
|
91
|
The Doors of Perception
|
13,535
|
451
|
B
|
Low
|
92
|
Decadent movement
|
13,532
|
451
|
Start
|
Low
|
93
|
Conceptual art
|
13,403
|
446
|
C
|
Low
|
94
|
Beauty
|
13,247
|
441
|
C
|
Mid
|
95
|
Sturm und Drang
|
13,106
|
436
|
C
|
Low
|
96
|
Escapism
|
13,037
|
434
|
Start
|
Low
|
97
|
De Stijl
|
12,948
|
431
|
C
|
Low
|
98
|
Paradigm
|
12,945
|
431
|
Start
|
High
|
99
|
Imagination
|
12,360
|
412
|
Start
|
Mid
|
100
|
Constructivism (art)
|
12,330
|
411
|
B
|
Low
|
101
|
Plotinus
|
12,283
|
409
|
C
|
High
|
102
|
Symposium (Plato)
|
12,011
|
400
|
C
|
High
|
103
|
George Santayana
|
12,007
|
400
|
C
|
Mid
|
104
|
Fredric Jameson
|
11,873
|
395
|
C
|
Mid
|
105
|
Zef
|
11,859
|
395
|
Start
|
Low
|
106
|
Suprematism
|
11,779
|
392
|
Start
|
Low
|
107
|
Grotesque
|
11,709
|
390
|
C
|
Low
|
108
|
Poetics (Aristotle)
|
11,680
|
389
|
C
|
High
|
109
|
Retro style
|
11,454
|
381
|
C
|
Low
|
110
|
Hudson River School
|
11,253
|
375
|
C
|
Low
|
111
|
Decadence
|
11,154
|
371
|
C
|
Low
|
112
|
Suspension of disbelief
|
10,829
|
360
|
C
|
Low
|
113
|
Psychoanalytic theory
|
10,726
|
357
|
C
|
High
|
114
|
Sublime (philosophy)
|
10,659
|
355
|
C
|
Mid
|
115
|
Essentialism
|
10,602
|
353
|
Start
|
Mid
|
116
|
Rhyme
|
10,041
|
334
|
C
|
Low
|
117
|
Mimesis
|
10,008
|
333
|
Start
|
Low
|
118
|
Periods in Western art history
|
9,967
|
332
|
List
|
Low
|
119
|
Giorgio Vasari
|
9,853
|
328
|
C
|
Mid
|
120
|
Nicholas Roerich
|
9,724
|
324
|
B
|
Mid
|
121
|
Eclecticism
|
9,598
|
319
|
C
|
Mid
|
122
|
The Work of Art in the Age of Mechanical Reproduction
|
9,591
|
319
|
C
|
Mid
|
123
|
György Lukács
|
9,366
|
312
|
C
|
Mid
|
124
|
Symbolism (movement)
|
9,295
|
309
|
C
|
Low
|
125
|
Rasa (aesthetics)
|
9,250
|
308
|
Start
|
Low
|
126
|
Art movement
|
9,186
|
306
|
Start
|
Low
|
127
|
Artist
|
9,180
|
306
|
Start
|
Mid
|
128
|
The World as Will and Representation
|
9,174
|
305
|
B
|
High
|
129
|
Mikhail Bakhtin
|
9,106
|
303
|
B
|
Mid
|
130
|
Work of art
|
8,851
|
295
|
Start
|
Mid
|
131
|
Philistinism
|
8,497
|
283
|
Start
|
Low
|
132
|
Joseph Beuys
|
8,479
|
282
|
B
|
Low
|
133
|
Didacticism
|
8,466
|
282
|
Start
|
Low
|
134
|
American Craftsman
|
8,305
|
276
|
Start
|
Low
|
135
|
Johann Gottlieb Fichte
|
8,301
|
276
|
C
|
High
|
136
|
Feminine beauty ideal
|
8,277
|
275
|
Start
|
Mid
|
137
|
Ensō
|
8,274
|
275
|
C
|
Low
|
138
|
Chinoiserie
|
8,225
|
274
|
C
|
Mid
|
139
|
Academic art
|
8,139
|
271
|
C
|
Low
|
140
|
Friedrich Wilhelm Joseph Schelling
|
8,107
|
270
|
C
|
High
|
141
|
Art for art's sake
|
8,076
|
269
|
Start
|
Low
|
142
|
Acquired taste
|
7,998
|
266
|
Start
|
Low
|
143
|
Musica universalis
|
7,812
|
260
|
C
|
Low
|
144
|
Op art
|
7,785
|
259
|
Start
|
Low
|
145
|
Kokoro
|
7,768
|
258
|
C
|
Low
|
146
|
John Hospers
|
7,752
|
258
|
C
|
Low
|
147
|
Form follows function
|
7,625
|
254
|
C
|
Low
|
148
|
Ludwig Feuerbach
|
7,549
|
251
|
C
|
Mid
|
149
|
Post-irony
|
7,540
|
251
|
Stub
|
Low
|
150
|
Historicism
|
7,515
|
250
|
C
|
Mid
|
151
|
Neo-expressionism
|
7,437
|
247
|
Start
|
Low
|
152
|
Orphism (art)
|
7,343
|
244
|
C
|
Low
|
153
|
Maximalism
|
7,205
|
240
|
Start
|
Low
|
154
|
Social realism
|
7,128
|
237
|
Start
|
Low
|
155
|
Postmodern art
|
7,103
|
236
|
B
|
Low
|
156
|
On the Genealogy of Morality
|
7,084
|
236
|
Start
|
High
|
157
|
Johann Gottfried Herder
|
6,937
|
231
|
C
|
Mid
|
158
|
Phonaesthetics
|
6,937
|
231
|
C
|
Low
|
159
|
André Malraux
|
6,794
|
226
|
B
|
Low
|
160
|
Theories of humor
|
6,763
|
225
|
Start
|
Mid
|
161
|
Interpersonal attraction
|
6,533
|
217
|
C
|
Low
|
162
|
Novalis
|
6,497
|
216
|
GA
|
Mid
|
163
|
History of painting
|
6,414
|
213
|
C
|
Low
|
164
|
Hamartia
|
6,337
|
211
|
C
|
Low
|
165
|
José Ortega y Gasset
|
6,325
|
210
|
C
|
Low
|
166
|
Experience machine
|
6,322
|
210
|
Start
|
Low
|
167
|
Terry Eagleton
|
6,314
|
210
|
C
|
Mid
|
168
|
Primitivism
|
6,295
|
209
|
C
|
Low
|
169
|
Henri Lefebvre
|
6,242
|
208
|
C
|
Mid
|
170
|
Mathematics and art
|
6,236
|
207
|
GA
|
Mid
|
171
|
Musicology
|
6,204
|
206
|
C
|
Low
|
172
|
Photorealism
|
6,165
|
205
|
B
|
Low
|
173
|
Film criticism
|
5,896
|
196
|
C
|
Low
|
174
|
Nabis (art)
|
5,871
|
195
|
Start
|
Low
|
175
|
Cuteness
|
5,778
|
192
|
Start
|
Low
|
176
|
Ekphrasis
|
5,755
|
191
|
C
|
Mid
|
177
|
Anamorphosis
|
5,752
|
191
|
Start
|
Mid
|
178
|
New Objectivity
|
5,734
|
191
|
Start
|
Low
|
179
|
Mathematical beauty
|
5,733
|
191
|
Start
|
Low
|
180
|
Distancing effect
|
5,676
|
189
|
Start
|
Low
|
181
|
Friedrich Schleiermacher
|
5,629
|
187
|
B
|
Mid
|
182
|
Algernon Charles Swinburne
|
5,538
|
184
|
C
|
Low
|
183
|
Moses Mendelssohn
|
5,490
|
183
|
C
|
Mid
|
184
|
Metanarrative
|
5,448
|
181
|
C
|
Mid
|
185
|
Japanese aesthetics
|
5,382
|
179
|
C
|
Low
|
186
|
Empire style
|
5,335
|
177
|
C
|
Low
|
187
|
Tragic hero
|
5,296
|
176
|
Start
|
Low
|
188
|
Postmodernist film
|
5,281
|
176
|
C
|
Low
|
189
|
Michael Oakeshott
|
5,255
|
175
|
C
|
Low
|
190
|
Cool (aesthetic)
|
5,226
|
174
|
B
|
Low
|
191
|
Disgust
|
5,125
|
170
|
Start
|
Low
|
192
|
Human physical appearance
|
5,074
|
169
|
Start
|
Low
|
193
|
Sandhi
|
5,041
|
168
|
Start
|
Low
|
194
|
Life imitating art
|
5,028
|
167
|
Stub
|
Low
|
195
|
Hans-Georg Gadamer
|
5,018
|
167
|
C
|
High
|
196
|
Rhetoric (Aristotle)
|
5,002
|
166
|
C
|
Mid
|
197
|
Jacques Maritain
|
4,932
|
164
|
C
|
Mid
|
198
|
Ananda Coomaraswamy
|
4,914
|
163
|
C
|
Mid
|
199
|
Feminist literary criticism
|
4,893
|
163
|
Start
|
Low
|
200
|
Barbizon School
|
4,754
|
158
|
Start
|
Low
|
201
|
Northrop Frye
|
4,716
|
157
|
C
|
Low
|
202
|
Gotthold Ephraim Lessing
|
4,635
|
154
|
C
|
Mid
|
203
|
List of sitcoms known for negative reception
|
4,613
|
153
|
List
|
Low
|
204
|
Aestheticization of politics
|
4,611
|
153
|
Start
|
Low
|
205
|
Romantic literature in English
|
4,571
|
152
|
C
|
Low
|
206
|
On the Sublime
|
4,562
|
152
|
C
|
Mid
|
207
|
Abhinavagupta
|
4,561
|
152
|
B
|
Low
|
208
|
Applied arts
|
4,541
|
151
|
Start
|
Low
|
209
|
American realism
|
4,514
|
150
|
Start
|
Low
|
210
|
Mirror stage
|
4,426
|
147
|
C
|
Mid
|
211
|
Benedetto Croce
|
4,412
|
147
|
C
|
Mid
|
212
|
I. A. Richards
|
4,382
|
146
|
C
|
Mid
|
213
|
Gaze
|
4,353
|
145
|
Start
|
Mid
|
214
|
Stuckism
|
4,303
|
143
|
GA
|
Low
|
215
|
Surrealist automatism
|
4,300
|
143
|
C
|
Low
|
216
|
Color field
|
4,278
|
142
|
B
|
Low
|
217
|
Superflat
|
4,234
|
141
|
Start
|
Low
|
218
|
Either/Or (Kierkegaard book)
|
4,145
|
138
|
C
|
High
|
219
|
Style (visual arts)
|
4,134
|
137
|
Start
|
High
|
220
|
Postmodernism, or, the Cultural Logic of Late Capitalism
|
4,131
|
137
|
Stub
|
Mid
|
221
|
Anagnorisis
|
4,119
|
137
|
Start
|
Low
|
222
|
Against Interpretation
|
4,100
|
136
|
Start
|
Low
|
223
|
Arte Povera
|
4,078
|
135
|
Start
|
Low
|
224
|
Neo-romanticism
|
4,044
|
134
|
Start
|
Low
|
225
|
Walter Pater
|
4,038
|
134
|
B
|
Mid
|
226
|
Ars Poetica (Horace)
|
4,029
|
134
|
C
|
Low
|
227
|
Neoplasticism
|
4,010
|
133
|
C
|
Low
|
228
|
Judgement
|
3,920
|
130
|
Start
|
Low
|
229
|
Anti-art
|
3,917
|
130
|
Start
|
Low
|
230
|
Film theory
|
3,825
|
127
|
Start
|
Mid
|
231
|
Formalism (literature)
|
3,794
|
126
|
Start
|
Low
|
232
|
Exoticism
|
3,740
|
124
|
Start
|
Low
|
233
|
Notes on "Camp"
|
3,714
|
123
|
Start
|
Low
|
234
|
Jean Anthelme Brillat-Savarin
|
3,664
|
122
|
GA
|
Low
|
235
|
Unattractiveness
|
3,617
|
120
|
Start
|
Low
|
236
|
Peripeteia
|
3,612
|
120
|
C
|
Low
|
237
|
Fact–value distinction
|
3,605
|
120
|
Start
|
High
|
238
|
Ashcan School
|
3,571
|
119
|
Start
|
Low
|
239
|
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
|
3,492
|
116
|
Start
|
Low
|
240
|
The Sublime Object of Ideology
|
3,472
|
115
|
Stub
|
Low
|
241
|
Kinetic art
|
3,463
|
115
|
Start
|
Low
|
242
|
Critique of Judgment
|
3,396
|
113
|
C
|
High
|
243
|
Violence in art
|
3,396
|
113
|
C
|
Low
|
244
|
Historicism (art)
|
3,395
|
113
|
Stub
|
Mid
|
245
|
Enneads
|
3,362
|
112
|
Start
|
Mid
|
246
|
Friedrich Schlegel
|
3,339
|
111
|
Start
|
Low
|
247
|
Épater la bourgeoisie
|
3,313
|
110
|
Stub
|
Low
|
248
|
Roger Fry
|
3,214
|
107
|
C
|
Low
|
249
|
Picturesque
|
3,200
|
106
|
B
|
Low
|
250
|
Black Arts Movement
|
3,181
|
106
|
C
|
Low
|
251
|
Capitalist realism
|
3,082
|
102
|
C
|
Low
|
252
|
Ernst Gombrich
|
3,041
|
101
|
Start
|
Mid
|
253
|
Maurice Blanchot
|
3,019
|
100
|
Start
|
Mid
|
254
|
Shin-hanga
|
3,003
|
100
|
C
|
Low
|
255
|
Regionalism (art)
|
2,999
|
99
|
Start
|
Low
|
256
|
R. G. Collingwood
|
2,998
|
99
|
C
|
Mid
|
257
|
Kenneth Burke
|
2,975
|
99
|
C
|
Low
|
258
|
Why I Want to Fuck Ronald Reagan
|
2,940
|
98
|
Start
|
Low
|
259
|
Imagination Age
|
2,910
|
97
|
NA
|
NA
|
260
|
Clement Greenberg
|
2,896
|
96
|
C
|
Mid
|
261
|
On Photography
|
2,890
|
96
|
Start
|
Low
|
262
|
Hubert Dreyfus
|
2,840
|
94
|
Start
|
Mid
|
263
|
Poshlost
|
2,840
|
94
|
Start
|
Low
|
264
|
Applause
|
2,821
|
94
|
Start
|
Low
|
265
|
Baroque Revival architecture
|
2,758
|
91
|
Start
|
Low
|
266
|
A Mathematician's Apology
|
2,753
|
91
|
C
|
Low
|
267
|
Women in music
|
2,698
|
89
|
C
|
Low
|
268
|
Supervenience
|
2,658
|
88
|
B
|
Mid
|
269
|
Michel Onfray
|
2,653
|
88
|
C
|
Low
|
270
|
Chinese ideals of female beauty
|
2,636
|
87
|
Start
|
Low
|
271
|
Paul de Man
|
2,632
|
87
|
C
|
Low
|
272
|
Weimar Classicism
|
2,630
|
87
|
Start
|
Low
|
273
|
Erwin Panofsky
|
2,611
|
87
|
C
|
Mid
|
274
|
Postminimalism
|
2,599
|
86
|
Start
|
Low
|
275
|
Criticism of postmodernism
|
2,525
|
84
|
Start
|
Low
|
276
|
Sully Prudhomme
|
2,518
|
83
|
Start
|
Low
|
277
|
Conceptualism
|
2,510
|
83
|
C
|
Low
|
278
|
Elegance
|
2,509
|
83
|
C
|
Low
|
279
|
Classic
|
2,508
|
83
|
Start
|
Low
|
280
|
Iki (aesthetics)
|
2,505
|
83
|
Start
|
Low
|
281
|
Representation (arts)
|
2,501
|
83
|
B
|
Mid
|
282
|
Clive Bell
|
2,484
|
82
|
Start
|
Mid
|
283
|
Neo-Dada
|
2,472
|
82
|
Start
|
Low
|
284
|
Definition of music
|
2,430
|
81
|
Start
|
Low
|
285
|
Metaphysical painting
|
2,427
|
80
|
Start
|
Low
|
286
|
Formalism (art)
|
2,388
|
79
|
Start
|
Low
|
287
|
José Vasconcelos
|
2,384
|
79
|
C
|
Mid
|
288
|
Pierre Bayle
|
2,367
|
78
|
C
|
Mid
|
289
|
Theory of art
|
2,367
|
78
|
Start
|
Mid
|
290
|
Paul Virilio
|
2,364
|
78
|
Start
|
Low
|
291
|
Shibui
|
2,364
|
78
|
Start
|
Low
|
292
|
Proletkult
|
2,361
|
78
|
B
|
Low
|
293
|
Grotesque body
|
2,359
|
78
|
Start
|
Low
|
294
|
Aesthetic taste
|
2,348
|
78
|
Start
|
High
|
295
|
Postmodern music
|
2,337
|
77
|
C
|
Low
|
296
|
Feminist film theory
|
2,316
|
77
|
C
|
Low
|
297
|
Vissarion Belinsky
|
2,315
|
77
|
C
|
Low
|
298
|
Luminism (American art style)
|
2,284
|
76
|
Start
|
Low
|
299
|
Zaum
|
2,283
|
76
|
Start
|
Low
|
300
|
Thomas Reid
|
2,275
|
75
|
C
|
Mid
|
301
|
Stanley Cavell
|
2,273
|
75
|
C
|
Mid
|
302
|
Formalism (philosophy)
|
2,222
|
74
|
Start
|
Low
|
303
|
The Story of Art
|
2,220
|
74
|
Stub
|
Mid
|
304
|
Mingei
|
2,163
|
72
|
C
|
Low
|
305
|
Arthur Danto
|
2,153
|
71
|
Start
|
Mid
|
306
|
Lyrical abstraction
|
2,149
|
71
|
Start
|
Low
|
307
|
Axiology
|
2,142
|
71
|
Redirect
|
Mid
|
308
|
Mimesis: The Representation of Reality in Western Literature
|
2,127
|
70
|
C
|
Low
|
309
|
Vernon Lee
|
2,121
|
70
|
C
|
Low
|
310
|
Aesthetic Realism
|
2,105
|
70
|
C
|
Mid
|
311
|
August Wilhelm Schlegel
|
2,099
|
69
|
C
|
Mid
|
312
|
Camera Lucida (book)
|
2,068
|
68
|
Start
|
Low
|
313
|
Neuroesthetics
|
2,038
|
67
|
Start
|
Mid
|
314
|
Mathematics and architecture
|
2,030
|
67
|
GA
|
Mid
|
315
|
Lettrism
|
1,999
|
66
|
C
|
Low
|
316
|
Hierarchy of genres
|
1,989
|
66
|
Start
|
Low
|
317
|
Paul Rée
|
1,979
|
65
|
B
|
Low
|
318
|
Art criticism
|
1,965
|
65
|
B
|
Mid
|
319
|
Anatomy of Criticism
|
1,958
|
65
|
Start
|
Mid
|
320
|
Purism
|
1,904
|
63
|
Stub
|
Low
|
321
|
Artistic inspiration
|
1,885
|
62
|
C
|
Mid
|
322
|
Russian symbolism
|
1,879
|
62
|
B
|
Mid
|
323
|
Nelson Goodman
|
1,854
|
61
|
Start
|
Mid
|
324
|
Alexander Gottlieb Baumgarten
|
1,797
|
59
|
Start
|
Mid
|
325
|
Indian aesthetics
|
1,797
|
59
|
C
|
Low
|
326
|
What Is Art?
|
1,796
|
59
|
C
|
Low
|
327
|
Feminist art
|
1,760
|
58
|
Start
|
Low
|
328
|
Importance
|
1,740
|
58
|
B
|
Mid
|
329
|
Sophistication
|
1,738
|
57
|
Start
|
Low
|
330
|
Art as Experience
|
1,729
|
57
|
Start
|
Mid
|
331
|
Harmonices Mundi
|
1,715
|
57
|
C
|
Low
|
332
|
Johann Friedrich Herbart
|
1,701
|
56
|
C
|
Mid
|
333
|
The New Criterion
|
1,683
|
56
|
Start
|
Low
|
334
|
Directoire style
|
1,682
|
56
|
Start
|
Low
|
335
|
Francis Hutcheson (philosopher)
|
1,679
|
55
|
C
|
Mid
|
336
|
High modernism
|
1,664
|
55
|
C
|
Low
|
337
|
John Maeda
|
1,637
|
54
|
Start
|
Low
|
338
|
Symbolism
|
1,588
|
52
|
Disambig
|
NA
|
339
|
Ecstasy (philosophy)
|
1,585
|
52
|
Stub
|
Low
|
340
|
Susanne Langer
|
1,579
|
52
|
C
|
Mid
|
341
|
Joseph Kosuth
|
1,561
|
52
|
C
|
Low
|
342
|
Zeami Motokiyo
|
1,550
|
51
|
C
|
Mid
|
343
|
Post-romanticism
|
1,544
|
51
|
Start
|
Low
|
344
|
Literary reception of The Lord of the Rings
|
1,544
|
51
|
GA
|
Low
|
345
|
Vittorio Hösle
|
1,525
|
50
|
C
|
Low
|
346
|
History of aesthetics
|
1,523
|
50
|
C
|
High
|
347
|
Classificatory disputes about art
|
1,522
|
50
|
Start
|
High
|
348
|
The Dialogic Imagination
|
1,517
|
50
|
C
|
Low
|
349
|
Process art
|
1,512
|
50
|
Start
|
Low
|
350
|
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury
|
1,495
|
49
|
B
|
Mid
|
351
|
Romantic realism
|
1,494
|
49
|
C
|
Low
|
352
|
The Origin of the Work of Art
|
1,492
|
49
|
C
|
Mid
|
353
|
Artistic freedom
|
1,477
|
49
|
B
|
Low
|
354
|
Neomodern
|
1,464
|
48
|
Start
|
Low
|
355
|
Chinese musicology
|
1,460
|
48
|
B
|
Low
|
356
|
Nefer
|
1,418
|
47
|
Start
|
Low
|
357
|
Rudolf Arnheim
|
1,415
|
47
|
B
|
Low
|
358
|
Practical philosophy
|
1,414
|
47
|
Stub
|
Low
|
359
|
Crystal Cubism
|
1,407
|
46
|
B
|
Low
|
360
|
Aesthetics of music
|
1,386
|
46
|
Start
|
Low
|
361
|
Marxist aesthetics
|
1,373
|
45
|
Stub
|
Mid
|
362
|
Art manifesto
|
1,364
|
45
|
C
|
Mid
|
363
|
Panic Movement
|
1,357
|
45
|
Stub
|
Low
|
364
|
Cellar door (phrase)
|
1,349
|
44
|
Redirect
|
NA
|
365
|
Painterliness
|
1,337
|
44
|
Start
|
Low
|
366
|
Sound poetry
|
1,296
|
43
|
Start
|
Low
|
367
|
Punk visual art
|
1,291
|
43
|
Start
|
Low
|
368
|
Georg Brandes
|
1,289
|
42
|
C
|
Low
|
369
|
Motoori Norinaga
|
1,280
|
42
|
Start
|
Low
|
370
|
Late modernism
|
1,265
|
42
|
B
|
Low
|
371
|
Arthur Schopenhauer's aesthetics
|
1,262
|
42
|
C
|
Mid
|
372
|
Noël Carroll
|
1,250
|
41
|
Stub
|
Low
|
373
|
Neo-Futurists
|
1,235
|
41
|
Start
|
Low
|
374
|
Schopenhauer
|
1,232
|
41
|
Redirect
|
NA
|
375
|
Michel Henry
|
1,231
|
41
|
B
|
Low
|
376
|
Auto-destructive art
|
1,213
|
40
|
Start
|
Low
|
377
|
Max Black
|
1,204
|
40
|
Start
|
Mid
|
378
|
Artforum
|
1,192
|
39
|
Start
|
Low
|
379
|
Miyabi
|
1,184
|
39
|
Start
|
Low
|
380
|
Hans Pfitzner
|
1,165
|
38
|
Start
|
Low
|
381
|
Todd McGowan
|
1,161
|
38
|
Start
|
Low
|
382
|
Florentine painting
|
1,149
|
38
|
C
|
Low
|
383
|
Kitsch movement
|
1,145
|
38
|
Start
|
Low
|
384
|
Phonestheme
|
1,140
|
38
|
Start
|
Low
|
385
|
John Silber
|
1,137
|
37
|
Start
|
Low
|
386
|
Early life and career of Thomas Jefferson
|
1,119
|
37
|
C
|
Low
|
387
|
Giovanni Papini
|
1,113
|
37
|
C
|
Low
|
388
|
Eduard Hanslick
|
1,102
|
36
|
Start
|
Low
|
389
|
Nicholas Wolterstorff
|
1,099
|
36
|
Start
|
Low
|
390
|
Ludwig Tieck
|
1,090
|
36
|
Start
|
Low
|
391
|
Philosophy of music
|
1,090
|
36
|
C
|
Mid
|
392
|
Anandavardhana
|
1,089
|
36
|
Start
|
Low
|
393
|
Béla Balázs
|
1,085
|
36
|
Start
|
Low
|
394
|
Hamid Dabashi
|
1,069
|
35
|
B
|
Low
|
395
|
Line of beauty
|
1,064
|
35
|
Stub
|
Low
|
396
|
Ridiculous
|
1,054
|
35
|
Start
|
Low
|
397
|
Visual rhetoric
|
1,022
|
34
|
B
|
Low
|
398
|
Psychology of art
|
1,020
|
34
|
Start
|
Low
|
399
|
Richard Meltzer
|
1,014
|
33
|
Start
|
Low
|
400
|
Self-portraiture
|
1,014
|
33
|
C
|
Low
|
401
|
Authenticity in art
|
1,007
|
33
|
Start
|
Low
|
402
|
Elaine Scarry
|
1,000
|
33
|
Start
|
Low
|
403
|
Bracha L. Ettinger
|
996
|
33
|
B
|
Low
|
404
|
Yūsuf Balasaguni
|
981
|
32
|
Stub
|
Mid
|
405
|
Classical Realism
|
980
|
32
|
Start
|
Low
|
406
|
William K. Wimsatt
|
969
|
32
|
Start
|
Low
|
407
|
Romanticism in philosophy
|
959
|
31
|
Start
|
Low
|
408
|
Papunya Tula
|
957
|
31
|
Start
|
Low
|
409
|
Art car
|
945
|
31
|
Start
|
Low
|
410
|
Hypermodernity
|
919
|
30
|
Start
|
Low
|
411
|
Soviet nonconformist art
|
917
|
30
|
C
|
Low
|
412
|
Daniel-Henry Kahnweiler
|
914
|
30
|
Start
|
Low
|
413
|
Avant-Garde and Kitsch
|
894
|
29
|
Start
|
Low
|
414
|
Aesthetic emotions
|
892
|
29
|
Start
|
High
|
415
|
Essentially contested concept
|
868
|
28
|
B
|
Low
|
416
|
Roman Ingarden
|
841
|
28
|
Start
|
Low
|
417
|
Visual literacy
|
840
|
28
|
Start
|
Low
|
418
|
Dramatism
|
833
|
27
|
C
|
Low
|
419
|
Paradox of fiction
|
830
|
27
|
C
|
Low
|
420
|
Eli Siegel
|
827
|
27
|
B
|
Mid
|
421
|
Feminist art movement
|
824
|
27
|
Start
|
Low
|
422
|
Hurufiyya movement
|
820
|
27
|
B
|
Low
|
423
|
The Critic as Artist
|
819
|
27
|
Stub
|
Low
|
424
|
Depiction
|
815
|
27
|
C
|
Mid
|
425
|
Lectures on Aesthetics
|
815
|
27
|
Stub
|
Mid
|
426
|
Artistic merit
|
813
|
27
|
Start
|
Mid
|
427
|
Aleksandar Lilov
|
808
|
26
|
Start
|
Low
|
428
|
Paragone
|
802
|
26
|
Start
|
Low
|
429
|
List of aestheticians
|
798
|
26
|
List
|
Mid
|
430
|
Mode (literature)
|
796
|
26
|
C
|
Low
|
431
|
Institutional Critique
|
795
|
26
|
Start
|
Low
|
432
|
Heroic realism
|
784
|
26
|
Start
|
Low
|
433
|
Vyacheslav Ivanov (poet)
|
784
|
26
|
C
|
Low
|
434
|
Cyborg art
|
784
|
26
|
Start
|
Low
|
435
|
Victor Cousin
|
781
|
26
|
B
|
Low
|
436
|
Neo-pop
|
777
|
25
|
Stub
|
Low
|
437
|
Post-conceptual art
|
774
|
25
|
C
|
Low
|
438
|
Objectivism (Ayn Rand)
|
767
|
25
|
Redirect
|
NA
|
439
|
Inner Experience
|
762
|
25
|
Start
|
Mid
|
440
|
Sara Danius
|
759
|
25
|
C
|
Low
|
441
|
Hugh Kenner
|
755
|
25
|
C
|
Low
|
442
|
Hippias Major
|
753
|
25
|
C
|
Mid
|
443
|
Bay Area Figurative Movement
|
748
|
24
|
Start
|
Low
|
444
|
Observations on the Feeling of the Beautiful and Sublime
|
735
|
24
|
C
|
Mid
|
445
|
André Leroi-Gourhan
|
719
|
23
|
Start
|
Low
|
446
|
Vladimir Odoyevsky
|
704
|
23
|
Start
|
Low
|
447
|
Community art
|
688
|
22
|
Start
|
Low
|
448
|
Tim Dean
|
687
|
22
|
Start
|
Low
|
449
|
Funk art
|
686
|
22
|
Start
|
Low
|
450
|
List of French artistic movements
|
685
|
22
|
List
|
Low
|
451
|
Adam Müller
|
681
|
22
|
C
|
Low
|
452
|
Richard Wollheim
|
662
|
22
|
Start
|
Mid
|
453
|
Stella Kramrisch
|
657
|
21
|
C
|
Low
|
454
|
Alexander Nehamas
|
651
|
21
|
Start
|
Low
|
455
|
Henry Home, Lord Kames
|
647
|
21
|
C
|
Mid
|
456
|
Ptolemy's intense diatonic scale
|
647
|
21
|
C
|
Low
|
457
|
The Analysis of Beauty
|
644
|
21
|
Start
|
Low
|
458
|
Les Automatistes
|
633
|
21
|
Stub
|
Low
|
459
|
Philosophy of design
|
628
|
20
|
Stub
|
Low
|
460
|
Theological aesthetics
|
626
|
20
|
Start
|
Low
|
461
|
Steven Shaviro
|
619
|
20
|
Start
|
Low
|
462
|
Denis Dutton
|
615
|
20
|
C
|
Mid
|
463
|
October (journal)
|
612
|
20
|
Start
|
Low
|
464
|
Souleymane Bachir Diagne
|
599
|
19
|
C
|
Low
|
465
|
Bernard Bosanquet (philosopher)
|
593
|
19
|
C
|
Mid
|
466
|
Tetsuro Watsuji
|
592
|
19
|
Start
|
Mid
|
467
|
Theodor Lipps
|
592
|
19
|
C
|
Low
|
468
|
Coolhunting
|
591
|
19
|
Start
|
Low
|
469
|
Artistic integrity
|
591
|
19
|
C
|
Low
|
470
|
Neo-conceptual art
|
588
|
19
|
C
|
Low
|
471
|
Matthew Lipman
|
579
|
19
|
Stub
|
Low
|
472
|
Kendall Walton
|
578
|
19
|
C
|
Low
|
473
|
Humor research
|
573
|
19
|
Start
|
Mid
|
474
|
Daniel Kolak
|
564
|
18
|
Start
|
Low
|
475
|
Ludomusicology
|
560
|
18
|
Start
|
Low
|
476
|
Outline of aesthetics
|
549
|
18
|
List
|
Low
|
477
|
Philosophy of film
|
546
|
18
|
Start
|
Mid
|
478
|
Zoosemiotics
|
542
|
18
|
Start
|
Low
|
479
|
Stephen Mumford
|
533
|
17
|
C
|
Low
|
480
|
Knave of Diamonds (arts association)
|
531
|
17
|
Stub
|
Low
|
481
|
Monroe Beardsley
|
524
|
17
|
Stub
|
Low
|
482
|
Aleksei Losev
|
523
|
17
|
Start
|
Low
|
483
|
Charles Stevenson (philosopher)
|
522
|
17
|
Start
|
Mid
|
484
|
Aesthetic interpretation
|
516
|
17
|
Start
|
High
|
485
|
Magnificence (history of ideas)
|
515
|
17
|
Start
|
Low
|
486
|
Richard Shusterman
|
513
|
17
|
B
|
Low
|
487
|
Hypergraphy
|
512
|
17
|
C
|
Low
|
488
|
Phonocentrism
|
497
|
16
|
Start
|
Low
|
489
|
Cynical realism
|
489
|
16
|
Stub
|
Low
|
490
|
The Romantic Manifesto
|
486
|
16
|
C
|
Low
|
491
|
Jesse Prinz
|
484
|
16
|
Stub
|
Mid
|
492
|
Systematic musicology
|
480
|
16
|
Start
|
Low
|
493
|
Danube school
|
475
|
15
|
C
|
Low
|
494
|
Medieval aesthetics
|
468
|
15
|
C
|
Low
|
495
|
Coleridge's theory of life
|
467
|
15
|
C
|
Low
|
496
|
Shūzō Kuki
|
465
|
15
|
Start
|
Low
|
497
|
Paul Guyer
|
464
|
15
|
Stub
|
Low
|
498
|
Wiener Moderne
|
461
|
15
|
Start
|
Low
|
499
|
Brian Boyd
|
457
|
15
|
Start
|
Low
|
500
|
New musicology
|
456
|
15
|
Start
|
Low
|
501
|
Arts criticism
|
446
|
14
|
Stub
|
Mid
|
502
|
Carl Dahlhaus
|
445
|
14
|
B
|
Low
|
503
|
Pennsylvania Impressionism
|
445
|
14
|
Stub
|
Low
|
504
|
Hypermodernism (art)
|
442
|
14
|
Start
|
Low
|
505
|
The Literature of Exhaustion
|
442
|
14
|
Stub
|
Low
|
506
|
Dionysian imitatio
|
441
|
14
|
Stub
|
Low
|
507
|
Unitary urbanism
|
435
|
14
|
Start
|
Low
|
508
|
Sean Dorrance Kelly
|
432
|
14
|
Start
|
Low
|
509
|
Philosophy of architecture
|
429
|
14
|
B
|
Low
|
510
|
Medium specificity
|
427
|
14
|
Stub
|
Low
|
511
|
Aesthetics of nature
|
425
|
14
|
Start
|
Low
|
512
|
Moresque
|
423
|
14
|
Start
|
Low
|
513
|
Francesco de Sanctis
|
420
|
14
|
Stub
|
Low
|
514
|
The Differend
|
418
|
13
|
Stub
|
Low
|
515
|
Liu Xiaofeng (academic)
|
417
|
13
|
Start
|
Low
|
516
|
History of the concept of creativity
|
413
|
13
|
Start
|
Low
|
517
|
Paul Mattick Jr.
|
404
|
13
|
Stub
|
Low
|
518
|
Feminist art movement in the United States
|
400
|
13
|
Start
|
Low
|
519
|
Applied aesthetics
|
400
|
13
|
Start
|
Mid
|
520
|
The Sense of Beauty
|
400
|
13
|
Start
|
Low
|
521
|
Absurd
|
391
|
13
|
Disambig
|
NA
|
522
|
Władysław Tatarkiewicz
|
389
|
12
|
Start
|
Low
|
523
|
John Anderson (philosopher)
|
384
|
12
|
C
|
Low
|
524
|
Ancient aesthetics
|
380
|
12
|
Start
|
Low
|
525
|
Lydia Goehr
|
376
|
12
|
Start
|
Low
|
526
|
Dieter Henrich
|
375
|
12
|
Start
|
Mid
|
527
|
Romanticism in Scotland
|
375
|
12
|
GA
|
Low
|
528
|
Timeline of German idealism
|
371
|
12
|
Stub
|
Low
|
529
|
Du "Cubisme"
|
370
|
12
|
B
|
Low
|
530
|
György Lukács bibliography
|
369
|
12
|
List
|
Mid
|
531
|
Yabo
|
361
|
12
|
Stub
|
Low
|
532
|
Tsang Lap Chuen
|
361
|
12
|
C
|
Low
|
533
|
The Literary Mind and the Carving of Dragons
|
361
|
12
|
Start
|
Mid
|
534
|
Northwest School (art)
|
360
|
12
|
C
|
Low
|
535
|
Birmingham Set
|
360
|
12
|
Start
|
Low
|
536
|
Utamakura
|
359
|
11
|
Start
|
Mid
|
537
|
Four Dissertations
|
351
|
11
|
Stub
|
Low
|
538
|
Karl Rosenkranz
|
349
|
11
|
Start
|
Low
|
539
|
Irrealism (philosophy)
|
347
|
11
|
Start
|
Mid
|
540
|
Claire Colebrook
|
347
|
11
|
Start
|
Mid
|
541
|
Albert Caraco
|
347
|
11
|
Start
|
Low
|
542
|
Languages of Art
|
345
|
11
|
Stub
|
Low
|
543
|
Jean Grenier
|
344
|
11
|
Stub
|
Low
|
544
|
Li Zehou
|
339
|
11
|
Start
|
Low
|
545
|
Michael J. Shapiro
|
335
|
11
|
Start
|
Low
|
546
|
Superfiction
|
330
|
11
|
Start
|
Low
|
547
|
George Dickie (philosopher)
|
328
|
10
|
Stub
|
Low
|
548
|
Imitation (art)
|
324
|
10
|
Stub
|
Low
|
549
|
Moscow Conceptualists
|
321
|
10
|
Stub
|
Low
|
550
|
Metarealism
|
320
|
10
|
Start
|
Low
|
551
|
Iain Thomson
|
320
|
10
|
Stub
|
Low
|
552
|
Methexis
|
314
|
10
|
Stub
|
Low
|
553
|
Joseph Margolis
|
311
|
10
|
C
|
Low
|
554
|
Wilhelm Heinrich Wackenroder
|
310
|
10
|
Start
|
Low
|
555
|
History of hermeneutics
|
309
|
10
|
Start
|
Low
|
556
|
Jan Mukařovský
|
308
|
10
|
Start
|
Low
|
557
|
The Oldest Systematic Program of German Idealism
|
303
|
10
|
Start
|
Low
|
558
|
Digital sublime
|
301
|
10
|
Start
|
Low
|
559
|
Feminist aesthetics
|
294
|
9
|
C
|
Low
|
560
|
Epic and Novel
|
293
|
9
|
Start
|
Low
|
561
|
Linguistic film theory
|
288
|
9
|
Stub
|
Low
|
562
|
Antwerp school
|
286
|
9
|
Start
|
Low
|
563
|
Unity in variety
|
286
|
9
|
C
|
Low
|
564
|
Figuration Libre
|
283
|
9
|
Stub
|
Low
|
565
|
Yuriko Saito
|
281
|
9
|
Start
|
Low
|
566
|
Henri Focillon
|
276
|
9
|
Stub
|
Low
|
567
|
Stroganov school
|
275
|
9
|
Stub
|
Low
|
568
|
Levels of adequacy
|
275
|
9
|
Start
|
Low
|
569
|
Aesthetics of science
|
273
|
9
|
Stub
|
Low
|
570
|
Taruho Inagaki
|
272
|
9
|
Stub
|
Low
|
571
|
Institutional theory of art
|
270
|
9
|
Redirect
|
NA
|
572
|
Jerrold Levinson
|
270
|
9
|
Start
|
Low
|
573
|
Abstract illusionism
|
269
|
8
|
Stub
|
Low
|
574
|
Peter Kivy
|
268
|
8
|
Stub
|
Low
|
575
|
Robert Vischer
|
267
|
8
|
Stub
|
Low
|
576
|
Imagines (work by Philostratus)
|
266
|
8
|
Stub
|
Low
|
577
|
Max Dessoir
|
263
|
8
|
Stub
|
Low
|
578
|
Irrealism (the arts)
|
262
|
8
|
Start
|
Low
|
579
|
Nikolas Kompridis
|
260
|
8
|
C
|
Low
|
580
|
Cultural depictions of Thomas Jefferson
|
259
|
8
|
Start
|
Low
|
581
|
Natural design
|
256
|
8
|
Stub
|
Low
|
582
|
Albrecht Wellmer
|
253
|
8
|
Start
|
Low
|
583
|
Léonce Rosenberg
|
253
|
8
|
C
|
Low
|
584
|
Margaret MacDonald (philosopher)
|
251
|
8
|
C
|
Low
|
585
|
Psychic distance
|
249
|
8
|
Start
|
Mid
|
586
|
Roger North (biographer)
|
248
|
8
|
Start
|
Low
|
587
|
Essays, Moral, Political, and Literary
|
248
|
8
|
Stub
|
Low
|
588
|
Friedrich Theodor Vischer
|
245
|
8
|
Start
|
Low
|
589
|
Johannes Volkelt
|
244
|
8
|
Stub
|
Low
|
590
|
Black Artists Group
|
242
|
8
|
Start
|
Low
|
591
|
Luigi Pareyson
|
240
|
8
|
Stub
|
Low
|
592
|
Tom Cohen
|
240
|
8
|
Stub
|
Low
|
593
|
The Cubist Painters, Aesthetic Meditations
|
240
|
8
|
B
|
Low
|
594
|
Metabasis paradox
|
239
|
7
|
C
|
Low
|
595
|
African aesthetic
|
237
|
7
|
Start
|
Mid
|
596
|
Fernando González (writer)
|
237
|
7
|
C
|
Low
|
597
|
Gernot Böhme
|
235
|
7
|
Stub
|
Low
|
598
|
Art theory
|
234
|
7
|
Redirect
|
NA
|
599
|
Ontopoetics
|
233
|
7
|
C
|
Low
|
600
|
Poet as legislator
|
230
|
7
|
Start
|
Low
|
601
|
Medium essentialism
|
229
|
7
|
B
|
Low
|
602
|
Liu Xie
|
227
|
7
|
Stub
|
Low
|
603
|
François Zourabichvili
|
227
|
7
|
Start
|
Low
|
604
|
Stephen Pepper
|
226
|
7
|
Start
|
Mid
|
605
|
Charles Batteux
|
224
|
7
|
Start
|
Low
|
606
|
Elegant
|
222
|
7
|
Redirect
|
NA
|
607
|
Critical Essays (Orwell)
|
222
|
7
|
Start
|
Low
|
608
|
Formal balance
|
219
|
7
|
Stub
|
Low
|
609
|
Theodor W. Adorno bibliography
|
216
|
7
|
List
|
Mid
|
610
|
Roger de Piles
|
215
|
7
|
Start
|
Low
|
611
|
Emanuele Tesauro
|
215
|
7
|
B
|
Low
|
612
|
Michael Tanner
|
213
|
7
|
Stub
|
Low
|
613
|
Marshall McLuhan bibliography
|
211
|
7
|
List
|
Low
|
614
|
Stephen Davies (philosopher)
|
210
|
7
|
Start
|
Low
|
615
|
Philosophy in a New Key
|
206
|
6
|
Stub
|
Low
|
616
|
La Maison Cubiste
|
206
|
6
|
B
|
Low
|
617
|
Jerry Farber
|
203
|
6
|
Start
|
Low
|
618
|
Tudor Vianu
|
202
|
6
|
Start
|
Low
|
619
|
Street poster art
|
198
|
6
|
Start
|
Low
|
620
|
Thierry de Duve
|
198
|
6
|
Stub
|
Low
|
621
|
Index of aesthetics articles
|
193
|
6
|
List
|
High
|
622
|
Max Bense
|
193
|
6
|
Start
|
Low
|
623
|
Rotation method
|
189
|
6
|
Stub
|
Low
|
624
|
The Journal of Aesthetics and Art Criticism
|
187
|
6
|
Stub
|
Low
|
625
|
Processing fluency theory of aesthetic pleasure
|
186
|
6
|
Start
|
Low
|
626
|
Elisabeth Camp
|
186
|
6
|
C
|
Low
|
627
|
Edmund Gurney
|
185
|
6
|
Start
|
Low
|
628
|
Neo-primitivism
|
183
|
6
|
Redirect
|
NA
|
629
|
Aesthetic relativism
|
182
|
6
|
Stub
|
High
|
630
|
Peter Lamarque
|
182
|
6
|
Start
|
Low
|
631
|
Edward Bullough
|
180
|
6
|
C
|
Mid
|
632
|
Ásta Kristjana Sveinsdóttir
|
176
|
5
|
Stub
|
Low
|
633
|
Peter Trawny
|
176
|
5
|
Start
|
Low
|
634
|
Douglas Moggach
|
173
|
5
|
C
|
Low
|
635
|
Artistic revolution
|
172
|
5
|
Start
|
Low
|
636
|
Morris Weitz
|
172
|
5
|
C
|
Mid
|
637
|
Akira Asada
|
172
|
5
|
Stub
|
Low
|
638
|
Truth claim (photography)
|
172
|
5
|
Start
|
Low
|
639
|
Paul Crowther
|
172
|
5
|
Start
|
Low
|
640
|
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief
|
172
|
5
|
Stub
|
Low
|
641
|
Ronald Paulson
|
171
|
5
|
Start
|
Low
|
642
|
Literary merit
|
170
|
5
|
Redirect
|
Mid
|
643
|
Andrew Bowie (philosopher)
|
170
|
5
|
Start
|
Low
|
644
|
Christopher Janaway
|
169
|
5
|
Stub
|
Low
|
645
|
Gregory Currie
|
165
|
5
|
Start
|
Low
|
646
|
Frank Sibley (philosopher)
|
165
|
5
|
Start
|
Low
|
647
|
Mikhail Lifshitz
|
164
|
5
|
C
|
Low
|
648
|
Rodolphe Gasché
|
164
|
5
|
Start
|
Low
|
649
|
John Rajchman
|
161
|
5
|
Stub
|
Low
|
650
|
Bill Martin (philosopher)
|
161
|
5
|
Stub
|
Low
|
651
|
Acharya Vamana
|
161
|
5
|
Stub
|
Low
|
652
|
Georg Friedrich Meier
|
159
|
5
|
Stub
|
Low
|
653
|
Hubert Damisch
|
158
|
5
|
Stub
|
Low
|
654
|
Daya Krishna
|
157
|
5
|
Stub
|
Low
|
655
|
New York Figurative Expressionism
|
154
|
5
|
Start
|
Low
|
656
|
David Carrier
|
153
|
5
|
Start
|
Low
|
657
|
Les Plasticiens
|
151
|
5
|
Start
|
Low
|
658
|
Biographical fallacy
|
151
|
5
|
Start
|
Low
|
659
|
Jody Azzouni
|
150
|
5
|
Stub
|
Low
|
660
|
The Papers of Thomas Jefferson
|
146
|
4
|
Start
|
Low
|
661
|
Christine Buci-Glucksmann
|
145
|
4
|
Start
|
Low
|
662
|
Mario Perniola
|
144
|
4
|
C
|
Low
|
663
|
Aesthetic of Ugliness
|
144
|
4
|
Stub
|
Low
|
664
|
Solomiia Pavlychko
|
144
|
4
|
Start
|
Low
|
665
|
Carlin Romano
|
143
|
4
|
Start
|
Low
|
666
|
Curt John Ducasse
|
142
|
4
|
Stub
|
Low
|
667
|
Decadentism
|
142
|
4
|
Redirect
|
Low
|
668
|
François Hemsterhuis
|
139
|
4
|
Start
|
Low
|
669
|
Art and morality
|
136
|
4
|
Start
|
Mid
|
670
|
Karl Wilhelm Ferdinand Solger
|
135
|
4
|
Start
|
Low
|
671
|
Art and Scholasticism
|
130
|
4
|
Stub
|
Low
|
672
|
James Tartaglia
|
129
|
4
|
Start
|
Low
|
673
|
Tomonobu Imamichi
|
126
|
4
|
Start
|
Low
|
674
|
Spanish Eclecticism
|
125
|
4
|
Start
|
Low
|
675
|
Karl Ameriks
|
125
|
4
|
Stub
|
Low
|
676
|
Wolfgang Fritz Haug
|
124
|
4
|
Start
|
Low
|
677
|
Female epic
|
124
|
4
|
Start
|
Low
|
678
|
Adversarial Design
|
123
|
4
|
Start
|
Low
|
679
|
Thorsten Botz-Bornstein
|
122
|
4
|
Stub
|
Low
|
680
|
Ewa Ziarek
|
122
|
4
|
Start
|
Low
|
681
|
Suspense fiction
|
120
|
4
|
Redirect
|
Low
|
682
|
On the Aesthetic Education of Man
|
119
|
3
|
Redirect
|
Low
|
683
|
Caroline Joan S. Picart
|
118
|
3
|
C
|
Low
|
684
|
Peter Goldie
|
115
|
3
|
Stub
|
Low
|
685
|
Antonio Caso Andrade
|
114
|
3
|
Start
|
Mid
|
686
|
Metaphysical aesthetics
|
113
|
3
|
C
|
Low
|
687
|
David Prall
|
112
|
3
|
Start
|
Low
|
688
|
Albert (short story)
|
112
|
3
|
Stub
|
Low
|
689
|
Abstract Imagists
|
110
|
3
|
Start
|
Low
|
690
|
Valentin Asmus (philosopher)
|
110
|
3
|
Start
|
Low
|
691
|
Ivan Soll
|
110
|
3
|
C
|
Low
|
692
|
List of art critics
|
110
|
3
|
List
|
Low
|
693
|
Georg Anton Friedrich Ast
|
108
|
3
|
Start
|
Low
|
694
|
Social information processing
|
108
|
3
|
Start
|
Low
|
695
|
Nadežda Čačinovič
|
108
|
3
|
Start
|
Low
|
696
|
Déprimisme
|
107
|
3
|
Stub
|
Low
|
697
|
Margret Grebowicz
|
106
|
3
|
Start
|
Low
|
698
|
Louis Mink
|
105
|
3
|
Start
|
Low
|
699
|
Nkiru Nzegwu
|
105
|
3
|
Stub
|
Low
|
700
|
Adolfo Sánchez Vázquez
|
104
|
3
|
Stub
|
Low
|
701
|
Stupid (art movement)
|
104
|
3
|
Stub
|
Low
|
702
|
Geoffrey Galt Harpham
|
103
|
3
|
Stub
|
Low
|
703
|
Theodor Mundt
|
102
|
3
|
Start
|
Low
|
704
|
Alexander Gerard
|
102
|
3
|
Start
|
Low
|
705
|
Philip Wheelwright
|
99
|
3
|
Start
|
Low
|
706
|
The Range of Reason
|
98
|
3
|
Stub
|
Mid
|
707
|
Colin Radford
|
98
|
3
|
Stub
|
Low
|
708
|
Valentin Feldman
|
98
|
3
|
Start
|
Low
|
709
|
What is a Masterpiece?
|
97
|
3
|
Start
|
Low
|
710
|
Virgil Aldrich
|
96
|
3
|
Start
|
Low
|
711
|
Art Deco in Durban
|
96
|
3
|
Start
|
Low
|
712
|
Philosophy and Literature
|
95
|
3
|
Stub
|
Low
|
713
|
Jeremy J. Shapiro
|
94
|
3
|
Start
|
Low
|
714
|
Predrag Finci
|
92
|
3
|
Stub
|
Low
|
715
|
Stephen David Ross
|
90
|
3
|
Stub
|
Low
|
716
|
On Grace and Dignity
|
90
|
3
|
Stub
|
Low
|
717
|
Larry Shiner
|
90
|
3
|
Stub
|
Low
|
718
|
Heinrich Gustav Hotho
|
89
|
2
|
Stub
|
Low
|
719
|
Calvin Seerveld
|
88
|
2
|
Start
|
Low
|
720
|
D. I. Suchianu
|
88
|
2
|
B
|
Low
|
721
|
Al-Bu'd al-Wahad
|
88
|
2
|
C
|
Low
|
722
|
Isaac Passy
|
87
|
2
|
Stub
|
Low
|
723
|
Lessons on the Analytic of the Sublime
|
87
|
2
|
Stub
|
Mid
|
724
|
Herbert Morris (philosopher)
|
86
|
2
|
Stub
|
Low
|
725
|
Attractiveness
|
85
|
2
|
Redirect
|
NA
|
726
|
Anna Tumarkin
|
85
|
2
|
B
|
Low
|
727
|
Dadaglobe
|
84
|
2
|
B
|
Low
|
728
|
Fabienne Brugère
|
81
|
2
|
C
|
Low
|
729
|
Musical historicism
|
80
|
2
|
Start
|
Low
|
730
|
Rocío Orsi
|
80
|
2
|
Start
|
Low
|
731
|
Norbert-Bertrand Barbe
|
79
|
2
|
Start
|
Low
|
732
|
Modular constructivism
|
78
|
2
|
Start
|
Low
|
733
|
Albert Hofstadter
|
78
|
2
|
Start
|
Low
|
734
|
Gloria Feman Orenstein
|
78
|
2
|
C
|
Low
|
735
|
Antanas Andrijauskas
|
77
|
2
|
Start
|
Low
|
736
|
Volker Gerhardt
|
77
|
2
|
Stub
|
Low
|
737
|
Carmel Berkson
|
77
|
2
|
Stub
|
Low
|
738
|
Vasily Seseman
|
76
|
2
|
Start
|
Low
|
739
|
Julius Moravcsik
|
76
|
2
|
Start
|
Low
|
740
|
Rachel Zuckert
|
75
|
2
|
Stub
|
Low
|
741
|
Richard Eldridge
|
75
|
2
|
Stub
|
Low
|
742
|
Thomas Munro (art historian)
|
74
|
2
|
Start
|
Mid
|
743
|
Ivan Sviták
|
71
|
2
|
Start
|
Low
|
744
|
Emily Brady
|
71
|
2
|
Stub
|
Low
|
745
|
Rapture (aesthetics)
|
70
|
2
|
C
|
Low
|
746
|
Peter Serracino Inglott
|
69
|
2
|
Start
|
Low
|
747
|
Elisabeth Schellekens
|
69
|
2
|
Stub
|
Low
|
748
|
Aesthetic absolutism
|
68
|
2
|
Start
|
High
|
749
|
Robert Hopkins (philosopher)
|
68
|
2
|
Stub
|
Low
|
750
|
Julius von Kirchmann
|
67
|
2
|
Stub
|
Low
|
751
|
James Creed Meredith
|
66
|
2
|
Start
|
Low
|
752
|
American Society for Aesthetics
|
66
|
2
|
Stub
|
Low
|
753
|
British Society of Aesthetics
|
66
|
2
|
Stub
|
Low
|
754
|
Charles Lalo
|
66
|
2
|
Stub
|
Low
|
755
|
Dual-character concept
|
66
|
2
|
Stub
|
Low
|
756
|
British Journal of Aesthetics
|
64
|
2
|
Stub
|
Low
|
757
|
Peter Lunenfeld
|
63
|
2
|
Start
|
Low
|
758
|
Aloys Hirt
|
62
|
2
|
Start
|
Low
|
759
|
Bernhard Alexander
|
62
|
2
|
Start
|
Low
|
760
|
The Longing for Less
|
62
|
2
|
Stub
|
Low
|
761
|
José María Valverde
|
61
|
2
|
C
|
Low
|
762
|
Visual ethics
|
60
|
2
|
Start
|
Low
|
763
|
Hermann Theodor Hettner
|
59
|
1
|
B
|
Low
|
764
|
Michael Krausz
|
59
|
1
|
Start
|
Low
|
765
|
Timothy Binkley
|
59
|
1
|
Start
|
Low
|
766
|
Art of murder
|
58
|
1
|
Disambig
|
NA
|
767
|
Michael Sprinker
|
58
|
1
|
Stub
|
Low
|
768
|
Ernst von Lasaulx
|
58
|
1
|
C
|
Low
|
769
|
Panait Cerna
|
58
|
1
|
GA
|
Low
|
770
|
Journal of Philosophy of Education
|
57
|
1
|
Stub
|
Low
|
771
|
Kunstreligion
|
56
|
1
|
Stub
|
Low
|
772
|
Yiannis Psychopedis
|
56
|
1
|
Stub
|
Low
|
773
|
Jacqueline Lichtenstein
|
56
|
1
|
Start
|
Low
|
774
|
Communication aesthetics
|
55
|
1
|
Start
|
Low
|
775
|
Cynthia Nielsen
|
54
|
1
|
C
|
Low
|
776
|
Leonid Stolovich
|
53
|
1
|
Start
|
Low
|
777
|
Giovanna Borradori
|
53
|
1
|
Stub
|
Low
|
778
|
Alejandro Deustua
|
53
|
1
|
Stub
|
Low
|
779
|
Cultura (journal)
|
53
|
1
|
Stub
|
Low
|
780
|
Masakazu Nakai
|
52
|
1
|
Stub
|
Low
|
781
|
Rachida Triki
|
52
|
1
|
Start
|
Low
|
782
|
Karl Wilhelm Ramler
|
51
|
1
|
Stub
|
Low
|
783
|
George Lansing Raymond
|
50
|
1
|
Start
|
Low
|
784
|
List of culturally linked qualities of music
|
49
|
1
|
List
|
Low
|
785
|
James M. Edie
|
49
|
1
|
Start
|
Low
|
786
|
Encyclopedia of Aesthetics
|
49
|
1
|
Start
|
Low
|
787
|
Lev Kreft
|
49
|
1
|
Stub
|
Low
|
788
|
Ticio Escobar
|
49
|
1
|
C
|
Low
|
789
|
Helen Knight
|
49
|
1
|
Start
|
Low
|
790
|
Eastern Group of Painters
|
48
|
1
|
Stub
|
Low
|
791
|
Arnór Hannibalsson
|
48
|
1
|
Stub
|
Low
|
792
|
Federico Ferrari
|
48
|
1
|
Start
|
Low
|
793
|
Josefina Ayerza
|
45
|
1
|
Stub
|
Low
|
794
|
International Association of Empirical Aesthetics
|
45
|
1
|
Start
|
Low
|
795
|
Curtis L. Carter
|
45
|
1
|
Stub
|
Low
|
796
|
Jovan Došenović
|
45
|
1
|
Start
|
Low
|
797
|
Catherine Perret
|
44
|
1
|
Stub
|
Low
|
798
|
Martin Foss
|
43
|
1
|
C
|
Low
|
799
|
Second-order simulacra
|
41
|
1
|
Redirect
|
Low
|
800
|
John P. Anton
|
41
|
1
|
Stub
|
Low
|
801
|
Ruth L. Saw
|
41
|
1
|
Start
|
Low
|
802
|
Heinrich Lützeler
|
40
|
1
|
Start
|
Low
|
803
|
Marcus Steinweg
|
40
|
1
|
Stub
|
Low
|
804
|
Presentationism
|
39
|
1
|
Stub
|
Low
|
805
|
Laurent Gervereau
|
39
|
1
|
Start
|
Low
|
806
|
Melvin Rader
|
39
|
1
|
C
|
Low
|
807
|
Eddy Zemach
|
38
|
1
|
Stub
|
Low
|
808
|
Inconnu Independent Art Group
|
35
|
1
|
Stub
|
Low
|
809
|
Lonergan Institute
|
35
|
1
|
Redirect
|
Low
|
810
|
Quirino Principe
|
35
|
1
|
Start
|
Low
|
811
|
Karl Heinrich Heydenreich
|
34
|
1
|
Stub
|
Low
|
812
|
John Mueller Anderson
|
34
|
1
|
Stub
|
Low
|
813
|
Józef Kremer
|
32
|
1
|
Start
|
Low
|
814
|
Dumitru D. Roșca
|
32
|
1
|
Stub
|
Low
|
815
|
Galen Johnson
|
32
|
1
|
Stub
|
Low
|
816
|
Michel Guiomar
|
32
|
1
|
Stub
|
Low
|
817
|
Daniel O. Nathan
|
31
|
1
|
Stub
|
Low
|
818
|
Léon Dumont
|
30
|
1
|
Start
|
Low
|
819
|
Yacouba Konaté
|
30
|
1
|
Start
|
Low
|
820
|
Aesthetic Theory: Essential Texts
|
30
|
1
|
Stub
|
Low
|
821
|
Warren Shibles
|
29
|
0
|
Stub
|
Low
|
822
|
Arto Haapala
|
28
|
0
|
Stub
|
Low
|
823
|
Tasos Zembylas
|
28
|
0
|
Stub
|
Low
|
824
|
Menachem Brinker
|
28
|
0
|
Start
|
Low
|
825
|
Littoral art
|
27
|
0
|
Stub
|
Low
|
826
|
Zinaida Ignatyeva
|
27
|
0
|
Stub
|
Low
|
827
|
Dewitt H. Parker
|
27
|
0
|
Stub
|
Low
|
828
|
Dato Barbakadze
|
27
|
0
|
Start
|
Low
|
829
|
Nelson Thomas Potter Jr.
|
27
|
0
|
Start
|
Low
|
830
|
Jean Poirier (ethnologist)
|
26
|
0
|
Start
|
Low
|
831
|
RAAAF
|
26
|
0
|
Start
|
Low
|
832
|
Mikhail Ovsyannikov
|
25
|
0
|
Stub
|
Low
|
833
|
Jean Soldini
|
25
|
0
|
Stub
|
Low
|
834
|
Jerry Balmuth
|
25
|
0
|
Start
|
Low
|
835
|
International Society for Philosophy of Music Education
|
24
|
0
|
Stub
|
Low
|
836
|
Archestratus (music theorist)
|
24
|
0
|
Start
|
Low
|
837
|
Jill Marsden (scholar)
|
24
|
0
|
Stub
|
Low
|
838
|
Interracial attraction
|
24
|
0
|
Redirect
|
Low
|
839
|
Charles Sirato
|
24
|
0
|
Start
|
Low
|
840
|
Viktor Bychkov (philosopher)
|
24
|
0
|
C
|
Low
|
841
|
Concepts in aesthetics
|
23
|
0
|
Redirect
|
NA
|
842
|
Ömer Naci Soykan
|
22
|
0
|
Start
|
Low
|
843
|
Wilhelm Fridolin Volkmann
|
22
|
0
|
Stub
|
Low
|
844
|
Max Loreau
|
22
|
0
|
Start
|
Low
|
845
|
Milan Damnjanović (philosopher)
|
21
|
0
|
Stub
|
Low
|
846
|
Rainer Rochlitz
|
21
|
0
|
Stub
|
Low
|
847
|
Richard Müller-Freienfels
|
20
|
0
|
Stub
|
Low
|
848
|
Rafaël Pividal
|
19
|
0
|
Start
|
Low
|
849
|
Madeleine Doran
|
18
|
0
|
Stub
|
Low
|
850
|
James DiGiovanna
|
18
|
0
|
Start
|
Low
|
851
|
Géza Fodor (philosopher)
|
18
|
0
|
Stub
|
Low
|
852
|
Carl Günther Ludovici
|
18
|
0
|
C
|
Low
|
853
|
Rupert Lodge
|
18
|
0
|
Stub
|
Low
|
854
|
Giuseppe Di Giacomo
|
18
|
0
|
Start
|
Low
|
855
|
Elena Topuridze
|
17
|
0
|
Start
|
Low
|
856
|
Maximilian Balzan
|
17
|
0
|
Start
|
Low
|
857
|
Formalesque
|
16
|
0
|
Start
|
Low
|
858
|
Joseph Hillebrand
|
16
|
0
|
Stub
|
Low
|
859
|
Art versus Nonart: Art out of Mind
|
16
|
0
|
Start
|
Low
|
860
|
Stephen H. Watson
|
16
|
0
|
Stub
|
Low
|
861
|
Georg Mehlis
|
15
|
0
|
Stub
|
Low
|
862
|
Janet McCracken
|
15
|
0
|
Stub
|
Low
|
863
|
Ferdinand Gotthelf Hand
|
14
|
0
|
Start
|
Low
|
864
|
Œuvre
|
13
|
0
|
Redirect
|
NA
|
865
|
Sottorealism
|
13
|
0
|
Start
|
Low
|
866
|
Luis Oyarzún Peña
|
13
|
0
|
Start
|
Low
|
867
|
Theodor Wilhelm Danzel
|
12
|
0
|
Stub
|
Low
|
868
|
Philippe Nys
|
8
|
0
|
Start
|
Low
|
869
|
Versatilist manifesto
|
7
|
0
|
Start
|
Low
|
870
|
Contemporary Debates in Aesthetics and the Philosophy of Art
|
5
|
0
|
Stub
|
Low
|
871
|
Worst sitcoms
|
4
|
0
|
Redirect
|
NA
|
872
|
Post-futurism
|
3
|
0
|
Redirect
|
Low
|
873
|
International Institute of Applied Aesthetics
|
2
|
0
|
Stub
|
Low
|
874
|
Objectivism in Canada
|
2
|
0
|
Redirect
|
NA
|
875
|
Manifestations of postmodernism
|
1
|
0
|
Redirect
|
NA
|