Ulrich Tadday (born 1963) is a German musicologist, a professor at the University of Bremen.
Career
editBorn in Gelsenkirchen, Tadday studied musicology, music pedagogy, philosophy and German literature at the University of Dortmund and University of Bochum 1983 to 1988.[1][2] He achieved a Ph.D in 1992 and completed his habilitation in 1998.[2]
In 2002, Tadday was appointed professor of music history at the University of Bremen.[2] He has been the sole editor of the quarterly Musik-Konzepte from 2004.[2][3]
Publications
editTadday's publications include:[2]
- Die Anfänge des Musikfeuilletons: der kommunikative Gebrauchswert musikalischer Bildung in Deutschland um 1800.[4] J. B. Metzler, Stuttgart 1993.
- Das schöne Unendliche. Ästhetik, Kritik, Geschichte der romantischen Musikanschauung. Metzler, Stuttgart/Weimar 1999, ISBN 978-3-476-01664-5.[5]
- as editor: Schumann-Handbuch. Metzler / Bärenreiter, Stuttgart/Weimar/Kassel 2006, ISBN 978-3-476-01671-3.
References
edit- ^ "Ulrich Tadday". etk-muenchen.de (in German). Retrieved 21 June 2019.
- ^ a b c d e "Univ.-Prof. Dr. Ulrich Tadday" (in German). University of Bremen. Retrieved 21 June 2019.
- ^ "Branche: Personalia – Prof.Dr. Ulrich Tadday neuer Alleinherausgeber der "Musik-Konzepte"". www.buchmarkt.de (in German). 30 September 2003. Retrieved 21 June 2019.
- ^ Die Anfänge des Musikfeuilletons: der kommunikative Gebrauchswert musikalischer Bildung in Deutschland um 1800.
- ^ Falke, Gustav (21 July 1999). "Rezension: Sachbuch : Der fröhliche Landmann sät Ideen" (in German). FAZ. Retrieved 21 June 2019.
External links
edit- Literature by and about Ulrich Tadday in the German National Library catalogue