Tobie Goedewaagen

Tobie Goedewaagen (15 March 1895 – 4 January 1980) was a Dutch philosopher and politician. He served as the first secretary general of the Department of Public Information and the Arts, an institution established by the Nazi German occupation government, and led the Nederlandsche Kultuurkamer (Netherlands Chamber of Culture) that had been established by the regime.

Tobie Goedewaagen
Goedewaagen in 1941
Secretary General of the Department of Public Information and the Arts
In office 28 November 1940 – 28 January 1943
Preceded by	Office created
Succeeded by	Hermannus Reydon
Personal details
Born	(1895-03-15)15 March 1895 Amsterdam, Netherlands
Died	4 January 1980(1980-01-04) (aged 84) The Hague, Netherlands
Political party	National Socialist Movement in the Netherlands (1936–1945) Alliance for National Reconstruction (1933–1936)
Spouse(s)	Anna Bertha de Roos ​ ​ (m. 1919; div. 1928)​ Geertruida Hendrika Johanna Vruink ​ ​ (m. 1930)​
Children	2
Occupation	Academic, politician
Academic background
Alma mater	Utrecht University
Thesis	De logische rechtvaardiging der zedelijkheid bij Fichte, Schelling en Hegel (1923)

The son of a banker, Goedewaagen studied philosophy at Utrecht University, receiving his doctorate in 1923. He was teaching in private lectures two years later, focusing on post-Kantian philosophy. After he was refused a professorship in 1932, he began reading about Nazi eugenics and became a fervent anti-Semite. He contributed to the publications of the National Socialist Movement in the Netherlands (NSB), and after the German invasion he joined that party. Goedewaagen's work along with the press was recognised by Austrian Nazi reichskommissar Arthur Seyss-Inquart, resulting in his appointment as secretary general in November 1940.

Goedewaagen sought to nazify the press and enable political control of the arts. However, after coming into conflict with NSB chairman Anton Mussert, he was dismissed from the party and resigned from his station. Appointed professor of philosophy at Utrecht University by the regime, Goedewaagen fled the Netherlands in 1944 for Germany. He was arrested in 1946, extradited to the Netherlands, tried, and sentenced in 1948 to twelve years' imprisonment. After receiving amnesty in 1952, Goedewaagen worked as a private tutor and published several works pseudonymously.

Early life

Goedewaagen was born in Amsterdam on 15 March 1895. He was the elder of two sons born to the banker Cornelis Tobie Goedewaagen, the founder of the Incasso Bank, and Anna Bakker. Tobie had a comfortable upbringing, completing his primary studies in Utrecht and Hilversum. After finishing secondary school, he attempted to study Dutch literature in Amsterdam.

Ultimately, however, Goedewaagen was dissatisfied with the subject. He thus transferred to Utrecht University, where he studied philosophy under Bernard Jan Hendrik Ovink. He also began studying the classical languages. In 1923, Goedewaagen defended his doctoral thesis, De logische rechtvaardiging der zedelijkheid bij Fichte, Schelling en Hegel (The Logical Justification of Morality by Fichte, Schelling, and Hegel), and graduated with honours.

Within two years, Goedewaagen was delivering private lectures on post-Kantian philosophy at Utrecht University; he delivered a public lecture on philosophy and worldviews on 8 October 1928. During this period, he established the Society for Critical Philosophy and, in 1931, became the editor of the Tijdschrift voor Wijsbegeerte (later ANTW). He contested Utrecht University's philosophy professorship when Ovink stepped down in 1932, but was unsuccessful.

Goedewaagen began developing an interest in politics. Believing that the Netherlands was in a decline, he joined the Alliance for National Reconstruction in 1933. Through his readings, he became familiar with the eugenics practised in Nazi Germany, and became a fervent anti-Semite. He met with Anton Mussert, the leader of the National Socialist Movement in the Netherlands (NSB), in 1936, and in 1938 he travelled through Nazi Germany with Robert van Genechten to learn from the Nazi institutions.

In line with these beliefs, in 1937 Goedewaagen stepped down from the editorial board of the ANTW and resigned from the Society for Critical Philosophy. Instead, he began contributing to the Nieuw-Nederland, an NSB publication. By 1938, he had become an editor of the weekly magazine De Waag. He was made editor-in-chief in early May 1940. Two days after Germany invaded the Netherlands on 10 May, Goedewaagen was arrested.

Nazi occupation

Goedewaagen (far left) speaking at a 1941 meeting of the Association of Dutch Journalists

Released from prison after the Dutch government capitulated to the Germans, Goedewaagen joined the NSB in June 1940. In September, he was entrusted with the party's press affairs; by this point, he had already served the occupation government by organizing the Information Council for the Dutch Press and the Association of Dutch Journalists. Although Goedewaagen was dismissed by more senior members of the NSB, his efforts to nazify the press were recognized by Arthur Seyss-Inquart, the Austrian Nazi reichskommissar for the occupied Netherlands. Consequently, on 28 November of that year, he was made the first secretary general of the new Department of Public Information and the Arts that had been established by the Nazi regime.

As secretary general, Goedewaagen became the first president of the Nederlandsche Kultuurkamer (Netherlands Chamber of Culture) when that institution was established by the Nazi regime on 25 November 1941. In this capacity, he attempted to entice artists to register by creating new prizes and increasing the salaries afforded to performers. He sponsored several exhibitions, seeking to promote Dutch culture "in the light of its responsibility towards the national community". At the same time, however, he enforced the belief that "blood determines everything". The chamber required candidates to submit an Aryan certificate to prove their racial purity, and Goedewaagen vigorously promoted the elimination of Jewish artists and the banning of works produced by them. Between the politicization of art and the chamber's racial policies, Goedewaagen thus faced heavy resistance from artists, even with compulsory registration.

Goedewaagen was dismissed from the NSB on 28 January 1943, at which time he resigned from his station. In his memoirs, Goedewaagen attributed this dismissal to conflict with Mussert over the department's approach to propaganda. Feeling that the secretary-general failed to follow the example set by Nazi Germany's chief propagandist Joseph Goebbels, Mussert had arranged for Ernst Voorhoeve to lead the propaganda division of the Department of Public Information and the Arts. Goedewaagen attempted to get Voorhoeve to swear he would follow the secretary-general's direction, but this did not happen. Ultimately, Goedewaagen was ordered to report to a disciplinary board, and he refused.

Amid rumours that his children were non-Aryan, spread by the NSB, Goedewaagen was appointed to Utrecht University as professor of philosophy. There, he was received coolly by the faculty and ignored by his colleagues. He delivered lectures on theoretical philosophy and the history of philosophy and psychology, with subjects including Heraclitus, the Eleatics, and Kantian ethics. Students were scarce, with many potential candidates refusing to complete the declaration of loyalty required for enrolment. Goedewaagen published extensively during this period.

Later life

Goedewaagen (center) on trial, 1948

On 5 September 1944, after broadcasts alleged that Breda had been liberated by Allied forces, Goedewaagen was spotted at Utrecht station with his family, his possessions wrapped in a bedspread hung on his back. They fled for Germany, and Goedewaagen earned a research degree from Berlin University. With the end of the Second World War, however, he was unable to escape the repercussions of his actions, and he was arrested by the British on 29 May 1946 in Löhne in Westphalia. His professorship in Utrecht had been revoked the previous year.

Goedewaagen was held for four days, then extradited to the Netherlands. Awaiting trial, he wrote about Johann Wolfgang von Goethe and his Faust; he also began working on his memoirs. His trial by the Special Court of Justice began on 1 December, with prosecutor Frans van Voorst tot Voorst demanding fifteen years' imprisonment for Goedewaagen, whom he denounced as a "first-class know-it-all who would never have advanced in normal times". In his defence against charges that he had mandated the viewing of propaganda films, pressured media companies to publish images, and dissolved broadcasting associations, Goedewaagen argued that he had taken his wartime actions to prevent a greater calamity. He did not, however, renounce his involvement in the NSB.

On 15 December 1948, Goedewaagen was sentenced to twelve years' imprisonment, minus time served, and was stripped of his right to vote and hold office. He served less than four years, being released on 17 April 1952 as part of an amnesty deal. Banned from journalistic activities until 1965, Goedewaagen became a private tutor at the Vermazen Institute in the Hague. He published several works pseudonymously. He died in the Hague on 4 January 1980.

Family

Goedewaagen was married twice. On 10 June 1919, he married Anna Bertha de Roos, with whom he had a son and a daughter. The couple divorced on 20 December 1928. On 19 June 1930, Goedewaagen married Geertruida Hendrika Johanna Vruink. His son Tobie became a poet, with several works published in Maatstaf in 1956. In a 1970 letter, the younger Goedewaagen wrote that his father disapproved of his poems, claiming that they were too negative or failed to adhere to classical standards.

Works cited

• "Dolle Dinsdag" [Mad Tuesday] (in Dutch). Verzetsmuseum. Archived from the original on 8 August 2022. Retrieved 11 June 2024.
• "Dr. T. (Tobie) Goedewaagen" (in Dutch). Parlementair Documentatie Centrum. Archived from the original on 10 January 2023. Retrieved 11 June 2024.
• "Fikkie". Het Vrije Volk (in Dutch). Rotterdam. 24 August 1970. p. 2.
• "Goedewaagen overleden" [Goedewaagen dies]. Algemeen Dagblad (in Dutch). Rotterdam. 9 January 1980. p. 17.
• "Goedewaagen wilde zich plaatsen tussen bezetter en volk" [Goedewaagen Wanted to Place Himself Between the Occupier and People]. Het Binnenhof (in Dutch). The Hague. 1 December 1948. pp. 1–2.
• Groeneveld, EG (2013). "Goedewaagen, Tobie (1895–1980)" (in Dutch). Huygens Institute for the History of the Netherlands. Archived from the original on 29 September 2022. Retrieved 12 June 2024.
• "Instelling Nederlandsche Kultuurkamer" [Establishment of the Netherlands Chamber of Culture]. Het Nationale Dagblad (in Dutch). Leiden. 26 November 1941. p. 2.
• "Kultuurkamer – Kunst en Cultuur in de Tweede Wereldoorlog" [The Kultuurkamer – Art and Culture in the Second World War]. Historiek (in Dutch). 6 October 2022.
• Lewin, Lisette (1983). Het Clandestiene Boek 1940–1945 [The Clandestine Books, 1940–1945]. Van Gennep. ISBN 9789060125502.
• "Personalia" [Personal]. Trouw (in Dutch). Meppel. 11 January 1980. p. 17.
• "Tobie Goedewaagen". Traces of War (in Dutch). STIWOT. Archived from the original on 13 June 2024. Retrieved 13 June 2024.
• "Twaalf Jaar voor Goedewaagen" [Twelve Years for Goedewaagen]. Nieuwsblad van Friesland: Hepkema's Courant (in Dutch). Heerenveen. 15 December 1948. p. 1.
• "Volksvoorlichting als Onderdeel van de Staatstaak" [Public Information as a State Task]. Arnhemsche Courant (in Dutch). Arnhem. 28 November 1940. p. 7.
• "Vijftien jaar geëist tegen Goedewaagen" [Fifteen Years Demanded for Goedewaagen]. Het Parool (in Dutch). Amsterdam. 2 December 1948. p. 3.

Further reading

• Berkel, Benien van (2013). Tobie Goedewaagen (1895–1980): Een Onverbeterlijke Nationaalsocialist [Tobie Goedewaagen (1895–1980): An Incorrigible National Socialist] (in Dutch). De Bezige Bij. ISBN 978-90-234-7639-9.