The King's Breakfast (film)

The King's Breakfast is a 1963 British short musical family film directed by Wendy Toye and starring Maurice Denham, Mischa Auer, and Reginald Beckwith. It was based on the 1924 poem The King's Breakfast by A.A. Milne.[1][2]

The King's Breakfast
Opening titles
Directed byWendy Toye
Screenplay byWendy Toye
Produced byJames Archibald
StarringMaurice Denham
Mischa Auer
Reginald Beckwith
CinematographyJohn Wilcox
Edited byJean Barker
Music byRon Grainer
Production
company
Release date
  • 1963 (1963)
Running time
28 minutes
CountryUnited Kingdom
LanguageEnglish

Plot

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The king of an unnamed country is annoyed after he finds that there was no butter available for spreading on his morning toast. His staff try to find him some butter, which they eventually do.

Production

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After the failure of their chaotic and pointedly literal illustrating of the lyrics to the traditional Christmas carol "The Twelve Days" (1953),[3] British film director and choreographer Wendy Toye and satirical-cartoonist-turned-set-designer Ronald Searle[4] teamed up with composer Ron Grainer to create a film adaptation of the Milne poem.[5] The result was a hyperactive 28-minute slapstick, ballet and mime featurette that was invited for screening at the 1963 Cannes Film Festival.[6] The film's success led the producer Jack Le Vien to offer Grainer the soundtrack for his Winston Churchill documentary The Finest Hours (1964).[7]

Colour photos taken on the set give a guide to the original appearance of the film.[8]

During production, the poem was expanded to other ideas and story lines relating to interpersonal relations within a castle environment. The characters of the Master of the King's Music, the magician, the chamberlain, the gym instructor, the serpent player, the musicians, and the Tweeney were all created for the film.[9]

Cast

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Reception

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The Monthly Film Bulletin wrote: "A. A. Milne's simple rhyme about the King's determination to get a little butter on his bread is here expanded by Wendy Toye into a colourfully ornate ballet. ... The tone – firmly established through Ronald Searle's fairy-tale designs – is deliberately whimsical. Lally Bowers gives the Queen a pert, soubrettish quality and the cow – a lifesize puppet – has a coquettish pair of false eyelashes. A little too cute at times, but extremely enjoyable."[10]

Kine Weekly wrote: "For looking and listening this is a delightful bit of comic fantasy. It is magnificently extravagant in costumes bright in colour, dainty in movement, and gay musically."[11]

References

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  1. ^ "The King's Breakfast". British Film Institute Collections Search. Retrieved 30 April 2024.
  2. ^ "The King's Breakfast (1963)". British Film Institute. Archived from the original on 14 January 2009.
  3. ^ Russell Davies (1990). Ronald Searle: A Biography. Sinclair-Stevenson Limited. pp. 109–110.
  4. ^ Russell Davies (1990). Ronald Searle: A Biography. Sinclair-Stevenson Limited. p. 140.
  5. ^ "The King's Breakfast by A. A. Milne". Poetry Foundation. Archived from the original on 5 July 2012.
  6. ^ "Official Selection: 1963: Shorts Films - Festival de Cannes". International Film Festival. Archived from the original on 24 September 2015.
  7. ^ "Move Over Rodgers". Australian Women's Weekly. 5 August 1964. p. 9.
  8. ^ "Ronald Searle Tribute: The King's Breakfast". 14 January 2010.
  9. ^ "The King's Breakfast (1963)". British Film Institute. Archived from the original on 18 January 2009.
  10. ^ "The King's Breakfast". The Monthly Film Bulletin. 35 (408): 62. 1 January 1968. ProQuest 1305822357 – via ProQuest.
  11. ^ "The King's Breakfast". Kine Weekly. 609 (3151): 12. 2 March 1968. ProQuest 2600897229 – via ProQuest.
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