The Big Roar is the debut album by Welsh rock band the Joy Formidable, released in the UK on 24 January 2011 on Atlantic Records, with a US release following on 15 March 2011.[1] The tracks "Austere", "Cradle", "Whirring" and "The Greatest Light Is the Greatest Shade" were originally featured on the band's debut mini album A Balloon Called Moaning.[2] These songs were re-recorded for The Big Roar.
In summer 2010, the band signed with Canvasback Records, a subsidiary of Atlantic. The band worked on writing and tracking the material for The Big Roar when they were not on tour. The album was recorded in London.[3]
On the album, bassist Rhydian Dafydd said that "(it) covers a lot of emotional range. It's captured the battle between the eternal optimist and the manic depressive". Their debut was produced by the band, with help from engineer Neak Menter. The band traveled to Los Angeles to mix it with producer Rich Costey, who had worked with bands such as Mew, Muse, Foo Fighters and Glasvegas. The first single from those sessions, "I Don't Want to See You Like This", was released in the autumn of 2010.[3] The Japanese release of the album contains three exclusive bonus tracks.[4]
The Big Roar has received mostly positive reviews. The album currently has a 77 out of 100 on the review aggregate site Metacritic, which indicates "generally favorable reviews".[5]
Reviewer Mike Haydock of BBC Music praised the album, calling it "a fantastic debut".[6] Lisa Wright of NME also gave the album a positive review, writing, "The Big Roar is the kind of epic-yet-intimate debut that does exactly what its title makes out in the most tactful of styles; an LP that ultimately delivers on every count on the four years of promise leading up to it".[2] In another positive review, Clash wrote of the album: "Bolt on an undeniably zealous execution, a set of simple yet well-written songs, add an element of confident adventure via some experimentation and diversity and the rebirth of indie may just have found its leading protagonists".[7]
In a more mixed review, Stuart Berman of Pitchfork criticized the album for being excessive, writing, "There's no denying the Joy Formidable's passion, vigor, and pop smarts; it would just be easier to appreciate those qualities if The Big Roar didn't so often sound like a big blur".[8] Jason Keller of Now Magazine agreed, writing, "The immediate criticism about this long-in-the-making debut... is that there's too much big, as the title suggests".[9]
"My Beerdrunk Soul Is Sadder Than a Hundred Christmas Trees"
Davies, Bryan
The Joy Formidable
4:56
3.
"Popinjay"
Davies, Bryan
The Joy Formidable, Neak Menter
3:15
4.
"Chwyrlio"
Davies, Bryan
The Joy Formidable
4:12
5.
"The Butterfly's Last Spell"
Davies, Bryan
The Joy Formidable
3:21
6.
"Wide Eyed"
Davies, Bryan
The Joy Formidable
2:43
Limited edition bonus DVD: One Shape Under the Magnifying Glass: Live at the Mercury Lounge
No.
Title
Writer(s)
Producer(s)
Length
1.
"The Greatest Light Is the Greatest Shade"
Davies, Bryan
John Ashby
2.
"Cradle"
Davies, Bryan
Ashby
3.
"The Last Drop"
Davies, Bryan
Ashby
4.
"Austere"
Davies, Bryan
Ashby
5.
"Ostrich"
Davies, Bryan
Ashby
6.
"Greyhound In the Slips"
Davies, Bryan
Ashby
Limited edition bonus DVD: A Bridge Splits November's Sky
No.
Title
Length
1.
"To Worms Head" (includes "My Beerdrunk Soul Is Sadder Than a Hundred Christmas Trees", "The Magnifying Glass", "Whirring", "I Don't Want to See You Like This", "Austere", "The Everchanging Spectrum of a Lie")
link
