The Test for Echo Tour was a concert tour by Canadian rock band Rush in support of their sixteenth studio album Test for Echo.
Tour by Rush | |
Location | North America |
---|---|
Associated album | Test for Echo |
Start date | October 19, 1996 |
End date | July 4, 1997 |
Legs | 2 |
No. of shows | 68 |
Rush concert chronology |
Background
editIt was the band's first tour with no opening act, and was billed as "An Evening With Rush".[1] The tour kicked off on October 19, 1996, at the Knickerbocker Arena in Albany, New York and culminated on July 4, 1997, at the Corel Centre in Ottawa, Ontario.[2] This was the only concert tour in which Rush played the song "2112" in its entirety.[3] During the tour, the band had included live camera footage, video, lasers and strobes as part of their sets.[4] This marked the last tour until 2002 because of tragedies in Neil Peart's life.[5] Recordings from the tour were released on the 1998 live album Different Stages.[6]
Reception
editOn the opening night of the tour in Albany's Knickerbocker Arena, Michael Lisi from The Sunday Gazette wrote that the band had shown that practice makes perfect, when the band performed with a visual and aural attack which kept the audience on its feet and screaming the whole show, with other fans waving their hands during the performance of "2112" in its entirety, noting on the words of a fan after the band left the stage that it was "unbelievable". Lisi continued on the mix of old and new songs which he stated was superb, noting the new songs as "right on the mark". He stated that the band were able to breathe life into "Closer to the Heart" which was noted as a "powerful read". Commenting on the band, Lisi stated that they looked like they were having a blast, were right on the money when commenting positively on Lee's vocals being in perfect form, and that they sounded better than ever.[7]
Reviewing the Civic Arena performance in Pittsburgh on November 3, 1996, Kathy Sabol from the Observer-Reporter, stated that she had enjoyed the concert, noting on the melodic songs along the video backdrop in which she appreciated drummer Neil Peart's statements on greed, ambition, death and despair. Regarding the change in the band's sound, she said that it was no accident that it came from Rush's efforts in the last five years when the band evolved to a richer, clarified sound of its own. Other than taking note on how "2112" performed in its entirety is a big deal, she stated that the sampling, and multi-layering of the guitar and drum work is a credit to the band's history with how they manage.[3]
The Deseret News's Scott Iwasald, reviewing the May 20, 1997 show at Salt Lake City's Delta Center, mentioned that the band did not need elaborate stage props, stage sets or costumes unlike modern bands those days, in which the music spoke for itself. He wrote that the band were as hot as ever, playing well, tight and looked like they were having fun on stage - working together to put on a terrific live show. He noted when the video backdrop was not working during the first half of the evening, but said the band did not need it, as he stated before that the music spoke for itself. Regarding the audience, he wrote that the instrumental "Limbo" and the power chorus of "Force Ten" brought them to their feet, later concluding that the band held them in their palm, and when the show ended, none of the audience were disappointed.[8]
Set list
editThis is an example set list adapted from Rush: Wandering the Face of the Earth – The Official Touring History of what were performed during the tour, but may not represent the majority of the shows.[9]
Set 1
- "Dreamline"
- "Limelight"
- "Stick It Out"
- "The Big Money" (with "Wipeout" outro)
- "Driven"
- "Half the World"
- "Red Barchetta"
- "Animate"
- "Limbo"
- "The Trees"
- "Red Sector A"
- "Virtuality"
- "Nobody's Hero"
- "Closer to the Heart"
- "2112" (all chapters)
Set 2
- "Test for Echo"
- "Subdivisions"
- "Freewill"
- "Roll the Bones"
- "Resist"
- "Leave That Thing Alone"
- "The Rhythm Method" (drum solo)
- "Natural Science"
- "Force Ten"
- "Time and Motion"
- "The Spirit of Radio"
- "Tom Sawyer"
- Encore
- "YYZ"
- "Cygnus X-1" (teaser)
Tour dates
editBox office score data
editDate | City | Venue | Attendance | Gross | Ref(s) |
---|---|---|---|---|---|
October 25, 1996 | Auburn Hills, United States | Palace | 15,197 / 15,197 | $467,308 | [12] |
November 6, 1996 | Philadelphia, United States | CoreStates Center | 14,759 / 15,147 | $444,805 | [13] |
November 10, 1996 | Hartford, United States | Civic Center | 9,642 / 10,500 | $276,260 | [14] |
November 26–27, 1996 | Inglewood, United States | Great Western Forum | 19,319 / 25,000 | $596,855 | [15] |
November 29, 1996 | Phoenix, United States | America West Arena | 10,858 / 12,000 | $320,540 | |
May 8, 1997 | Phoenix, United States | Blockbuster Desert Sky Pavilion | 9,856 / 20,144 | $267,785 | [16] |
May 25, 1997 | The Woodlands, United States | Cynthia Woods Mitchell Pavilion | 13,024 / 13,024 | $382,245 | [17] |
June 17, 1997 | Clarkston, United States | Pine Knob Music Theatre | 13,409 / 14,500 | $348,743 | [18] |
Personnel
edit- Geddy Lee – vocals, bass, keyboards
- Alex Lifeson – guitar, backing vocals
- Neil Peart – drums
References
editCitations
edit- ^ Popoff 2021.
- ^ Popoff 2004, p. 181.
- ^ a b Sabol, Kathy (November 5, 1996). "Civic Arena echoes with Rush's rock". Observer-Reporter. p. B4. Retrieved February 20, 2023.
- ^ Popoff 2004, p. 183.
- ^ Peart 2002.
- ^ Bowman 2014, p. 129.
- ^ Lisi, Michael (October 20, 1996). "Rush delivers splendid Knick show with old, new songs - plus visuals". The Sunday Gazette. p. B8. Retrieved February 20, 2023.
- ^ Iwasald, Scott (May 21, 1997). "Band holds audience in its palm and gives it a Rush". No. 341. Salt Lake City: The Deseret News. p. C7. Retrieved February 20, 2023.
- ^ Daly & Hansen 2019, p. 336.
- ^ a b Daly & Hansen 2019, pp. 336–345.
- ^ a b "Test for Echo Tour". Rush.com. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 108, no. 46. Nielsen Business Media, Inc. November 16, 1996. p. 16. ISSN 0006-2510. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 108, no. 47. Nielsen Business Media, Inc. November 23, 1996. p. 18. ISSN 0006-2510. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 108, no. 49. Nielsen Business Media, Inc. December 7, 1996. p. 12. ISSN 0006-2510. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 108, no. 50. Nielsen Business Media, Inc. December 14, 1996. p. 12. ISSN 0006-2510. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 109, no. 21. Nielsen Business Media, Inc. 24 May 1997. p. 18. ISSN 0006-2510. Retrieved February 20, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 109, no. 24. Nielsen Business Media, Inc. June 14, 1997. p. 12. ISSN 0006-2510. Retrieved February 21, 2023.
- ^ "Amusement Business Boxscore". Billboard. Vol. 109, no. 27. Nielsen Business Media, Inc. July 5, 1997. p. 12. ISSN 0006-2510. Retrieved February 21, 2023.
Sources
edit- Peart, Neil (2002). Ghost Rider: Travels on the Healing Road. ECW Press. ISBN 1-55022-546-4.
- Popoff, Martin (2004). Contents Under Pressure: 30 Years of Rush at Home and Away. Oxford: ECW Press. ISBN 978-1-55022-678-2.
- Bowman, Durrell (2014). Experiencing Rush: A Listener's Companion. Rowman & Littlefield. ISBN 978-1-4422-3131-3.
- Daly, Skip; Hansen, Eric (2019). Rush: Wandering the Face of the Earth – The Official Touring History. Insight Editions. ISBN 978-1-68383-450-2.
- Popoff, Martin (2021). Driven: Rush in the '90s and "In the End". Toronto, Canada: ECW Press. ISBN 978-1-77041-537-9.