- Auster, Albert (2000). "The Bacchae, the 'Missing Prince,' & Oliver Stone's Presidential Films". Journal of Popular Film & Television. 28 (1): 30–35.
- Briley, Ron (1998). "Teaching JFK (1991): Potential Dynamite in the Hands of Our Youth?". Film & History. 28 (1/2): 8–15.
- Butler, Lisa D.; Koopman, Cheryl; Zimbardo, Philip (1995). "The Psychological Impact of Viewing the Film JFK: Emotions, Beliefs, and Political Behavioral Intentions". Political Psychology. 16 (2): 237–257.
- Carnes, Mark (1997). "Past imperfect: History according to the movies". Cineaste. 22 (4): 33–37.
- Crowdus, Gary (1997). "History, dramatic license, and larger historical truths". Cineaste. 22 (4): 38–42.
- King, Mike (2008). "Conspiracy Theory and JFK". The American Cinema of Excess: Extremes of the National Mind on Film. McFarland. pp. 54–55. ISBN 0786439882.
- Medhurst, Martin J. (1993). "The Rhetorical Structure of Oliver Stone's JFK". Critical Studies in Mass Communication. 10 (2): 128–143.
- Romanowski, William D. (1993). "Oliver Stone's JFK: commercial filmmaking, cultural history, and conflict". Journal of Popular Film & Television. 21 (3): 63–71.
- Keller, James R. (1993). "Oliver Stone: JFK and the 'circulation of social energy' and the 'textuality of history'". Journal of Popular Film & Television. 21 (3): 72–78.
- Sturken, Marita (1997). "Reenactment, Fantasy, and the Paranoia of History: Oliver Stone's Docudramas". History and Theory. 36 (4): 64–79.
- Raskin, Marcus (1992). "JFK and the Culture of Violence". The American Historical Review. 97 (2): 486–499.
- Rogin, Michael (1992). "JFK: The Movie". The American Historical Review. 97 (2): 500–505.
- Rosenstone, Robert A. (1992). "JFK: Historical Fact/Historical Film". The American Historical Review. 97 (2): 506–511.
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