The String Quartet No. 7 in F major, Op. 59, No. 1, was written by Ludwig van Beethoven and published in 1808. This work is the first of three of his "Rasumovsky" cycle of string quartets.[1]
| String Quartet | |
|---|---|
| No. 7 | |
| Rasumovsky quartet by Ludwig van Beethoven | |
 Ludwig van Beethoven, 1803 portrait | |
| Key | F major |
| Opus | 59, No. 1 |
| Published | 1808 |
| Duration | c. 40 minutes |
| Movements | Four |
Overview
editThis work is the first of three quartets commissioned by prince Andrey Razumovsky, then the Russian ambassador to Vienna. This quartet is the first of Beethoven's middle period quartets and departs in style from his earlier Op. 18 quartets. The most apparent difference is that this quartet is over forty minutes long in a typical performance, whereas most of Beethoven's earlier quartets lasted twenty-five to thirty minutes. Furthermore, this quartet notoriously requires a greatly expanded technical repertoire.
Form
editThis section possibly contains original research. (November 2014) |
It consists of four movements:
- Allegro (F major)
- Allegretto vivace e sempre scherzando (B-flat major)
- Adagio molto e mesto - attacca (F minor)
- "Thème Russe": Allegro (F major)
The first movement is in an expansive sonata form, including a fugato in the development and lasting nearly twelve minutes even though it forgoes the then-customary repeat of the exposition. The opening cello melody has its tonality only weakly defined, with the first cadence establishing the key of F major only occurring several bars into the movement.
Another feature of the first movement is the delayed emotional recapitulation. As became one of Beethoven's many tools for emotional manipulation, delaying the grandiosity of the recapitulation for several bars after the establishment of the tonic key allowed Beethoven to heighten expectation of a definitive statement.
While both the majestic slow third movement and the fourth are also in sonata form, the second movement scherzo is formally one of the most unusual movements of Beethoven's middle period, easily classifiable as being also in sonata form.[2]
The final movement is built around a popular Russian theme, likely an attempt to ingratiate the work to its Russian commissioner.[3]
References
edit- ^ Grove, G., p. 244, and p. 270 under the heading "Original Publisher": "Bureau des Arts et d'Industrie of Schreyvogel & Co., Pesth, 1808."[full citation needed]
- ^ Mauricio Hewitt is quite positive about this in his foreword to the score published by Heugel (1951)[full citation needed]
- ^ This theme also appears, with a difference in accent and emphasis, as a main theme in the finale of Anton Arensky's Symphony No. 1 in B minor.[citation needed]
Further reading
edit- Joseph Kerman. The Beethoven Quartets. New York, W. W. Norton & Co., 1966. ISBN 0-393-00909-2
- Vernon, David (5 September 2023). Beethoven: The String Quartets. Edinburgh: Candle Row Press, 2023. ISBN 978-1739659929.
External links
edit- String Quartet No. 7 (Beethoven): Scores at the International Music Score Library Project
- Performance of String Quartet No. 7 by the Borromeo String Quartet from the Isabella Stewart Gardner Museum in MP3 format
