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The Shrinathji Temple is a Hindu temple dedicated to Shrinathji (a form of Krishna) located in Nathdwara.[1] It is considered an important pilgrimage centre by Vaishnavas.[2]
| Shrinathji Temple | |
|---|---|
 Gate of the temple | |
| Religion | |
| Affiliation | Hinduism |
| District | Rajsamand |
| Deity | Shrinathji (form of Krishna) |
| Festivals | Krishna Janmashtami, Holi |
| Location | |
| Location | Nathdwara |
| State | Rajasthan |
| Country | India |
| Architecture | |
| Type | Heveli architecture inspired by Mewar |
| Creator | Maharana Raj Singh of Mewar |
| Completed | 1672 |
| Website | |
| https://www.nathdwaratemple.org/ | |
Legend and history
edit
The svarupa or divine form of Shrinathji is said to be self-manifested.[3] According to the legend, the deity Krishna self-manifested from a stone and emerged from the Govardhan Hills. First of all, Shravan Shukla Panchami (Nag Panchami) no. On the day of 1466, when a Braj resident went to Govardhan Mountain to search for his lost cow, he saw the raised left arm of Shri Govardhanathji. He called other Braj residents and made them see the raised left arm. Then an old Braj resident said that Lord Shri Krishna had protected the Braj residents, the cows of Braj and Braj from the wrath of Indra by carrying Giriraj Govardhan on the finger of his left hand. Then the people of Braj worshiped his left arm. This is the same left arm of Lord Krishna. He is standing in the Lord Kandara and now only his left arm is being shown. No one should try to extract the form of God by digging a mountain. His form will be visible only when he wishes. After this, for about 69 years, the people of Braj used to bathe this upper arm with milk, worship it, offer it and worship it. A fair started being held here every year on the day of Nag Panchami.
V.S. In 1535, a supernatural incident happened in the afternoon of Vaishakh Krishna Ekadashi. Among the thousands of cows of Saddu Pandey of Anyor village near Govardhan Mountain, one cow belonged to the cow dynasty of Nandarayji, which was called Dhoomar. Every day at third o'clock she reached the place where the left arm of Shri Govardhan Nathji had appeared. There was a hole. In that she used to return with a stream of milk flowing from her udder. Sadu Pandey suspected that the cowherd milked the Dhoomar cow in the afternoon, hence this cow did not give milk in the evening.One day he went after the cow and wanted to know the situation, he saw that the cow stood at a place on Govardhan Parvan and milk started flowing from its udders. Saddu Pandey was surprised. When he went near him, he saw the Mukharvind of Shri Govardhan Nathji. On the same day, on Vaishakh Krishna 11 Samvat 1535, Shri Vallabhacharya appeared in Champaranya, Chhattisgarh. Shri Govardhannathji himself said to Saddu Pandey - "My name is Devdaman, and my other names are Indradaman and Nagdaman." Sadu Pandey's wife Bhavani and daughter Naron used to go to Devdaman daily to get the milk of Dhumar cow for healing. Historically, the image of Shrinathji was first worshipped at Govardhan hill, near Mathura. The image was initially moved from Mathura in 1672 CE along the river Yamuna and was retained at Agra for almost six months, in order to safeguard it from the Mughal ruler Aurangzeb, who wished to keep the deity with him in Agra. Subsequently, the image was transferred further south on a chariot to a safer place to protect it from destruction by the Mughal ruler Aurangzeb. When the deity reached the spot at village Sihad or Sinhad, the wheels of the bullock cart in which the deity was being transported sank axle-deep in mud and could not be moved any further. The accompanying priests realised that the particular place was the Lord's chosen spot and accordingly, a temple was built there under the rule and protection of the then Maharana Raj Singh of Mewar.[4] Shrinathji Temple is also known as 'Haveli of Shrinathji’ (mansion).[5] The temple was built by Goswami Damodar Das Bairagi in 1672.[6]
Holkar's attack and Shrinathji's rescue by Maharana
editIn 1802, Jaswant Rao Holkar moved to Mewar after being defeated by Daulat Rao Sindhia and advanced towards Nathdwara to plunder the town and the temple. News of Holkar's march was already received in Nathdwara and Goswamiji requested Maharana Bhim Singh for help. Maharana sent an escort of Thakurs of Delwara, Kunthwa, Argya, Mohi, Kothariya to escort the deity to Udaipur. Goswamiji reached Udaipur with the image of Shrinathji, NavinPriyaJi and VitthalNathJi on 29 January 1802.[7] At Unawas, Thakur Vijay Singh of Kothariya and his men fought with Holkar's army and were killed in the battle. Holkar's army soon reached Nathdwara. Holkar's men first plundered the town mercilessly and then demanded 10 Lakh rupees. With the mediation of Seth Balachand, the amount was brought down to the immediate payment of 1 Lakh. Singhvi Motichand was sent to negotiate further, but Holkar arrested him, broke the locks of the temple and looted the treasure and valuables of the temple. Holkar's army then plundered not the just the town of Nathdwara but the entire district and marched to Banera.[8]
Later, Shrinathji temple at Ghasiyar was built, where the deity was shifted from Udaipur. After a few years, the deity was moved back to Nathdwara. Temple of Shrinathji at Ghasiyar is still open. [9]
In 1934 an order was issued by the Udaipur King (Darbar), by which, inter alia, it was declared that according to the law of Udaipur all the property dedicated or presented to or otherwise coming to the deity Shrinathji was the property of the shrine, that the Tilkayat Maharaj for the time being was merely a custodian, Manager and Trustee of the said property and that the Udaipur Darbar had absolute right to supervise that the 562 property dedicated to the shrine was used for the legitimate purposes of the shrine.[10]
Legend
editAccording to the hagiography of the Pushtimarg, Shrinathji used to travel to Mewar to play chaupar (an antecedent to pachisi) with a princess by the name of Ajab Kunvari. She was upset whenever her beloved Shrinathji would go back to Vraj and asked him to stay with her in the palace. Shrinathji said that one day, when the time was right, he would re-locate to Rajasthan.
Presently, Shrinathji's worship is performed by direct male descendants of Vallabha in a haveli (lit. palatial home) in Nathdwara, Rajasthan.
Economy and livelihoods in Nathdwara town revolve around the haveli, the term used for the temple probably because it was situated in a fortified mansion, or haveli, once a royal palace of the Sesodia Rajput rulers of Mewar.
Shrinathji was quite popular with other medieval devotees, as well, as there were preachers who founded Shrinathji temples in present-day Pakistan (Dera Ghazi Khan). This was done by Shri Lal Maharaj Ji and his deity of Shri Gopi Nath Ji and Shri Dau Ji of Dera Ghazi Khan, earlier a part of undivided India and not far from here. Shrinathji was even worshiped as far away as Russia (in the lower Volga region) and other places on the Central Asian trade routes.[citation needed]
Structure and design
editThe temple has been designed in the lines of Nanda (Krishna's foster-father) temple, in Vrindavan. Therefore, it is also known as Nanda Bhavan or Nandalaya (the House of Nanda).
Structurally, a kalasha on the shikhara marks the top of the temple, on which seven flags are flown along with the Sudarshana Chakra. The seven flags represent the seven 'houses' of Pushtimarg or Vallabha Sampradaya. The temple is also popularly called Shrinathji ki Haveli (House of Shrinathji). With the mood of worship in Pushti Marg, Shrinathji is not seen as an impersonal God so the worship is not done like in a temple. Shrinathji is seen as Thakorji or lord of the House or Haveli and seva (service) is offered rather than worship. Like a regular household it has a chariot for movement (In fact the original chariot in which Shrinathji was brought to Singhar), a storeroom for milk (Doodhghar), a storeroom for betel (Paanghar), a storeroom for sugar and sweetmeats (Mishrighar and Pedaghar), a storeroom for flowers (Phoolghar), a functional kitchen (Rasoighar), a jewellery chamber (Gahnaghar), a treasury (Kharcha bhandaar), a stable for horses of chariot (Ashvashala), a drawing room (Baithak), a gold and silver grinding wheel (Chakki).
The Nathdwara temple has subsidiary temples dedicated to the deity Madan Mohanji and Navneet Priyaji, located in the main complex.
Image of Shrinathji
editShrinathji symbolizes a form of Krishna, when he lifted the Govardhan hill, with one arm raised.[11] The image is in the form of black marble,[1] where the image is revealed with his left hand raised and the right hand made into a fist resting at the waist, with a large diamond placed beneath the lips. The deity is carved in bas-relief out of a monolithic black marble stone, with images of two cows, one lion, one snake, two peacocks and one parrot engraved on it and three sages placed near it.[12]
The iconography at the temple has given birth to Nathdwara Paintings.[2]
Festivals and rituals
editDevotees throng to the shrine in large numbers during occasions of Janmashtami and other festivals, like Holi and Diwali. The deity is treated like a living image, and is attended with daily normal functions, like bathing, dressing, meals called "bhog" and the resting times in regular intervals. Since the deity is believed to be the infant Krishna, accordingly, special care is taken. The priests in all Havelis are Brahmins under gurus who are the kula (descendants) of Vallabha, the founder of this deity's image at Govardhan hill, near Mathura.
The main attractions are the Aartis and the Shringar, i.e. the dressing and beautifying of the deity of Shrinathji, which is changed seven times daily, treating it as a living person, adorning it with the appropriate dresses for the time of day or night. The intricately woven shaneels and silk cloth have original zari and embroidery work on them, along with large quantities of real precious jewellery. The formal prayers are offered with diya, incense sticks, flowers, fruit and other offerings, with local instruments and devotional songs of the Shrinathji, according to the demand of the time and occasion.[13] The view of the deity after the parda (curtain) is removed is called jhakhi.[14]
See also
editReferences
edit- ^ a b "Temple of Doodh". The Economic Times. 15 August 2002. Archived from the original on 3 August 2014. Retrieved 2 April 2012.
- ^ a b Jain, Kajri (2007). Gods in the bazaar: the economies of Indian calendar art. Duke University Press. p. 86. ISBN 978-0822339267.
- ^ Kapoor, Subodh (2002). The Indian Encyclopaedia: Meya-National Congress (Volume 16). Genesis Publishing Pvt Ltd. p. 5140. ISBN 8177552732.
- ^ Roma Bradnock, Robert Bradnock (2001). Rajasthan & Gujarat handbook: the travel guide. Footprint Travel Guides. p. 203. ISBN 190094992X.
- ^ "VISUAL ARTS: Textiles for the delight and delectation of the faithful". Tribune. 5 March 2009. Retrieved 2 April 2012.
- ^ "Celebrating Nathdwara paintings". The Times of India. 30 November 2008. Archived from the original on 23 October 2012. Retrieved 2 April 2012.
- ^ "History:: Attack on Nathdwara & Arrival of Lord at Udaipur-Ghasiyar | Shrinathji Temple, Nathdwara".
- ^ Prof. K. S Gupta, Mewar and Maratha relations, Book Treasure. Jodhpur, p150
- ^ "History :: Attack on Nathdwara & Arrival of Lord at Udaipur-Ghasiyar | Shrinathji Temple, Nathdwara".
- ^ "Tilkayat Shri Govindlalji ... vs The State Of Rajasthan And Others on 21 January, 1963". indiankanoon.org. Retrieved 6 March 2019.
- ^ "Krishna conscious". The Financial Express. 26 June 2005. Retrieved 2 April 2012.
- ^ "Nathdwar, Temple, Krishna, Rajasthan". Blessingsonthenet.com. Archived from the original on 29 September 2011. Retrieved 20 November 2011.
- ^ "Shrinathji Temple Rituals & Timings". jüSTa. 28 September 2022.
- ^ "The quest to reach God". Daily News and Analysis. 6 March 2008. Retrieved 2 April 2012.