Randa Chahal Sabag or Sabbagh (Arabic: رندا شهال صباغ, romanizedRandā Shahāl Ṣabbāgh; December 11, 1953, in Tripoli[1] – August 25, 2008 in Paris)[2] was a Lebanese film director, producer and screenwriter. Born in Lebanon to an Iraqi mother and a Lebanese father,[1] she died of cancer in Paris at the age of 54.[2]

Awards

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(See below for individual film awards and nominations)

Career

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Chahal began her career with documentary films but shifted to feature films by the 1990s, though she retained 'a documentary-maker's nose for contentious subject matter'.[2] She is reported to have said, "You discover in my films a common denominator. You notice that the camera only moves from right to left exactly like Arabic writing."[3]

Chahal served as a jury member at the Venice 64th International Film Festival in the Opera Prima section.

Les Infidèles, a 1997 drama, is about the relationship between a French diplomat and a former Islamist who agrees to turn over the names of his colleagues if the French government will release an imprisoned friend.[4]

Civilisées (A Civilized People) released in 1999, is a black comedy about the Lebanese Civil War, which killed at least 100,000 people.[5] Sabbagh deployed a 'vaudevillian cast'[2] including foreign servants and philanthropists, visiting expatriates, militiamen and criminals – in a profane and dis-unified story mixing elements of absurdist plays. Some 40 minutes of the film was censored for its 'obscenity' and 'uncomplimentary representation of Lebanon during this particularly unsavory spell of its history'.[2][3] It was subsequently screened only once, at the Beirut International Film Festival.

Chahal became noted in 2003 with The Kite, which received the Silver Lion at the 2003 Venice Film Festival and won several prestigious prizes and international acclaim; the Grand Special Jury Prize, the Cinema for Peace Award and the Laterna Magica Prize.[citation needed] Set in a low-key South Lebanese village, the film is about love, life, death and the absurdity of the Israeli occupation, seen from the perspective of a Druze family separated following the division of their village into two with one half annexed to Israel. The story evolves around an arranged marriage between Lamia, a 16-year-old Lebanese Druze girl, (played by Flavia Bechara) and her Israeli Druze cousin (played by Maher Bsaibes). The drama unfolds under the vigilant yet impotent Israeli-Lebanese border guards; one of whom is played by renowned Lebanese composer, actor and playwright Ziad Rahbani. The Kite is used 'as a metaphor for love and for life at the border', it explores, with depth and sometimes humor, 'the meaning of brides, of the hope they represent for divided families and, sometimes, for divided nations'.[6][7]

Filmography

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Year Title Notes
2007 Too Bad for Them
  • Forthcoming
2002 Le Cerf-Volant (The Kite)
2000 Souha, survivre à l'enfer
  • Documentary, 56 minutes
  • Selection Fipa, 2001
1999 Civilisées (A Civilized People)
1997 Les Infidèles (The Infidels)
  • Drama, 85 minutes
  • Official selection, Locarno, 1997
1995 Nos Guerres Imprudentes
1991 Ecrans de Sable (Screens of Sand)
1984 Cheikh Imam
  • Documentary, 52 minutes
1980 Liban d'Autrefois (Lebanon Long Ago)
1978 Pas à Pas (Step by Step)
  • Documentary, 80 minutes
  • Prize, Festival des Pays francophones de Namu

References

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  1. ^ a b THE KITE (Le Cerf-Volant): Directed by Randa Chahal Sabbagh
  2. ^ a b c d e "Award-winning filmmaker Randa Chahal Sabbagh passes away in Paris" by Jim Quilty. The Daily Star newspaper, Wednesday, August 27, 2008
  3. ^ a b "Randa Chahal": NOW Extra remembers the life and work of the great Lebanese filmmaker. By Louisa Ajami, NOW Staff, September 1, 2008 Randa Chahal
  4. ^ Les infidèles (TV Movie 1997) - IMDb, retrieved May 25, 2021
  5. ^ Lebanese Filmmaker: Randa Chahal Sabbagh by Mai Hoang, World Press Review, March 2004 issue (VOL. 51, No. 3) Lebanese Filmmaker: Randa Chahal Sabbagh
  6. ^ Film Journal International 2004
  7. ^ A critique of 'The Syrian Bride' (Eran Riklis) with a praise to "The Kite", by Maria Garcia, Film Journal International, Sept. 2008
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