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Johannes Trithemius'Polygraphiae (1518)
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A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.

As a conceptual object, a book refers to a written work of substantial length, which may be distributed either physically or digitally as an ebook. These works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks.

Books are sold at both regular stores and specialized bookstores, as well as online for delivery, and can be borrowed from libraries. The reception of books has led to a number of social consequences, including censorship.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility, such as braille printing and large-print editions. Google Books estimated in 2010 that approximately 130 million total unique books had been published. (Full article...)

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  • Image 1 The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth. The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
    The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth.

    The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
  • Image 2 The title page of the 1877 edition of Fertilisation of Orchids Fertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids. The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)

    The title page of the 1877 edition
    of Fertilisation of Orchids

    Fertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids.

    The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)
  • Image 3 Title page from the first edition of A Voyage Round the World A Voyage Round the World (complete title A Voyage Round the World in His Britannic Majesty's Sloop, Resolution, Commanded by Capt. James Cook, During the Years 1772, 3, 4, and 5) is Georg Forster's report on the second voyage of the British explorer James Cook. During the preparations for Cook's voyage, the expedition's naturalist Joseph Banks had withdrawn his participation, and Georg's father, Johann Reinhold Forster, had taken his place at very short notice, with his seventeen-year-old son as his assistant. They sailed on HMS Resolution with Cook, accompanied by HMS Adventure under Tobias Furneaux. On the voyage, they circumnavigated the world, crossed the Antarctic Circle and sailed as far south as 71° 10′, discovered several Pacific islands, encountered diverse cultures and described many species of plants and animals. When they returned to England after more than three years, disagreement about the publication rights for a narrative of the journey arose. After plans agreed with John Montagu, 4th Earl of Sandwich, the First Lord of the Admiralty, to publish a joint work with contributions by both Cook and Reinhold Forster had fallen through, Georg, who was not bound by any agreement with the Admiralty, began writing Voyage in July 1776. He published on 17 March 1777, six weeks before Cook's A Voyage Towards the South Pole and Round the World appeared. While 63 copper engravings, paid for by the Admiralty, illustrated Cook's account, only a chart of the Southern Hemisphere showing the expedition ships' courses illustrated Forster's Voyage, which was sold for the same price. (Full article...)

    Title page from the first edition of A Voyage Round the World

    A Voyage Round the World (complete title A Voyage Round the World in His Britannic Majesty's Sloop, Resolution, Commanded by Capt. James Cook, During the Years 1772, 3, 4, and 5) is Georg Forster's report on the second voyage of the British explorer James Cook. During the preparations for Cook's voyage, the expedition's naturalist Joseph Banks had withdrawn his participation, and Georg's father, Johann Reinhold Forster, had taken his place at very short notice, with his seventeen-year-old son as his assistant. They sailed on HMS Resolution with Cook, accompanied by HMS Adventure under Tobias Furneaux. On the voyage, they circumnavigated the world, crossed the Antarctic Circle and sailed as far south as 71° 10′, discovered several Pacific islands, encountered diverse cultures and described many species of plants and animals.

    When they returned to England after more than three years, disagreement about the publication rights for a narrative of the journey arose. After plans agreed with John Montagu, 4th Earl of Sandwich, the First Lord of the Admiralty, to publish a joint work with contributions by both Cook and Reinhold Forster had fallen through, Georg, who was not bound by any agreement with the Admiralty, began writing Voyage in July 1776. He published on 17 March 1777, six weeks before Cook's A Voyage Towards the South Pole and Round the World appeared. While 63 copper engravings, paid for by the Admiralty, illustrated Cook's account, only a chart of the Southern Hemisphere showing the expedition ships' courses illustrated Forster's Voyage, which was sold for the same price. (Full article...)
  • Image 4 The initial page of the Peterborough Chronicle The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons. The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
    The initial page of the Peterborough Chronicle

    The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons.

    The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
  • Image 5 Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year. The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
    Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year.

    The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
  • Image 6 Page from Hemming's Cartulary, folio 121 of the manuscript Hemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester. The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)

    Page from Hemming's Cartulary, folio 121 of the manuscript

    Hemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester.

    The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)
  • Image 7 Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)

    Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music.

    Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)
  • Image 8 First edition cover The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format. Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)

    First edition cover

    The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format.

    Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)
  • Image 9 Literary Hall, viewed from the south, facing West Main Street in Romney Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society. Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)

    Literary Hall, viewed from the south, facing West Main Street in Romney

    Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society.

    Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)
  • Image 10 I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel. Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
    I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel.

    Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
  • Image 11 Southern Cross is the sole wordless novel by Canadian artist Laurence Hyde (1914–1987). Published in 1951, its 118 wood-engraved images narrate the impact of atomic testing on Pacific islanders. Hyde made the book to express his anger at the US military's nuclear tests in the Bikini Atoll. The wordless novel genre had flourished primarily during the 1920s and 1930s, but by the 1940s even the most prolific practitioners had abandoned it. Hyde was familiar with some such works by Lynd Ward, Otto Nückel, and the form's pioneer Frans Masereel. The high-contrast artwork of Southern Cross features dynamic curving lines uncommon in wood engraving and combines abstract imagery with realistic detail. It has gained appreciation in comics circles as a precursor to the Canadian graphic novel, though it had no direct influence. (Full article...)
    Southern Cross is the sole wordless novel by Canadian artist Laurence Hyde (1914–1987). Published in 1951, its 118 wood-engraved images narrate the impact of atomic testing on Pacific islanders. Hyde made the book to express his anger at the US military's nuclear tests in the Bikini Atoll.

    The wordless novel genre had flourished primarily during the 1920s and 1930s, but by the 1940s even the most prolific practitioners had abandoned it. Hyde was familiar with some such works by Lynd Ward, Otto Nückel, and the form's pioneer Frans Masereel. The high-contrast artwork of Southern Cross features dynamic curving lines uncommon in wood engraving and combines abstract imagery with realistic detail. It has gained appreciation in comics circles as a precursor to the Canadian graphic novel, though it had no direct influence. (Full article...)
  • Image 12 A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings. As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
    A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.

    As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
  • Image 13 Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England. Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
    Page reads "A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France. By Mary Wollstonecraft. The Second Edition. London: Printed for J. Johnson, No. 72, St. Paul's Church-Yard. M.DCC.XC."
    Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name


    A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England.

    Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
  • Image 14 All God's Children Need Traveling Shoes, published in 1986, is the fifth book in African-American writer and poet Maya Angelou's seven-volume autobiography series. Set between 1962 and 1965, the book begins when Angelou is 33 years old, and recounts the years she lived in Accra, Ghana. The book, deriving its title from a Negro spiritual, begins where Angelou's previous memoir, The Heart of a Woman, ends — with the traumatic car accident involving her son Guy — and closes with Angelou returning to America. As she had started to do in her first autobiography, I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upholds the long tradition of African-American autobiography. At the same time she makes a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Angelou had matured as a writer by the time she wrote Traveling Shoes, to the point that she was able to play with the form and structure of the work. As in her previous books, it consists of a series of anecdotes connected by theme. She depicts her struggle with being the mother of a grown son, and with her place in her new home. (Full article...)
    All God's Children Need Traveling Shoes, published in 1986, is the fifth book in African-American writer and poet Maya Angelou's seven-volume autobiography series. Set between 1962 and 1965, the book begins when Angelou is 33 years old, and recounts the years she lived in Accra, Ghana. The book, deriving its title from a Negro spiritual, begins where Angelou's previous memoir, The Heart of a Woman, ends — with the traumatic car accident involving her son Guy — and closes with Angelou returning to America.

    As she had started to do in her first autobiography, I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upholds the long tradition of African-American autobiography. At the same time she makes a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Angelou had matured as a writer by the time she wrote Traveling Shoes, to the point that she was able to play with the form and structure of the work. As in her previous books, it consists of a series of anecdotes connected by theme. She depicts her struggle with being the mother of a grown son, and with her place in her new home. (Full article...)
  • Image 15 First edition The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X, who collaborated with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life. While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)

    First edition

    The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X, who collaborated with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life.

    While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)
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Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.
Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.

Credit: Eadfrith of Lindisfarne

The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John. The manuscript was produced on Lindisfarne in Northumbria in the late 7th century or early 8th century.
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  • Image 1 Ali's Smile: Naked Scientology is a collection of essays and a short story by American Beat writer William S. Burroughs (1914–1997). First published in 1971 as the short story "Ali's Smile", the book eventually contained a group of previously published newspaper articles as well, all of which address Scientology. Burroughs had been interested in Scientology throughout the 1960s, believing that its methods might help combat a controlling society. He joined the Church of Scientology later in the decade. However, he became disenchanted with the authoritarian nature of the organization. In 1970 Burroughs had published a "considered statement" on Scientology's methods because he felt they were significant enough to warrant commentary. These pieces were later gathered together into Ali's Smile: Naked Scientology, which religious studies scholar Hugh B. Urban describes as a "nonscholarly popular exposé of Scientology". Burroughs's texts argue that while some of Scientology's therapies are worthwhile, the dogmatic nature of the group and its secrecy are harmful. (Full article...)
    Ali's Smile: Naked Scientology is a collection of essays and a short story by American Beat writer William S. Burroughs (1914–1997). First published in 1971 as the short story "Ali's Smile", the book eventually contained a group of previously published newspaper articles as well, all of which address Scientology. Burroughs had been interested in Scientology throughout the 1960s, believing that its methods might help combat a controlling society. He joined the Church of Scientology later in the decade. However, he became disenchanted with the authoritarian nature of the organization. In 1970 Burroughs had published a "considered statement" on Scientology's methods because he felt they were significant enough to warrant commentary. These pieces were later gathered together into Ali's Smile: Naked Scientology, which religious studies scholar Hugh B. Urban describes as a "nonscholarly popular exposé of Scientology". Burroughs's texts argue that while some of Scientology's therapies are worthwhile, the dogmatic nature of the group and its secrecy are harmful. (Full article...)
  • Image 2 Bookwheel, from Agostino Ramelli's Le diverse et artificiose machine, 1588 The bookwheel (also written book wheel and sometimes called a reading wheel) is a type of rotating bookcase that allows one person to read multiple books in one location with ease. The books are rotated vertically similar to the motion of a water wheel, as opposed to rotating on a flat table surface. The design for the bookwheel originally appeared in a 16th-century illustration by Agostino Ramelli at a time when large books posed practical problems for readers. Ramelli's design influenced other engineers and, though now obsolete, inspires modern artists and historians. (Full article...)
    Bookwheel, from Agostino Ramelli's Le diverse et artificiose machine, 1588

    The bookwheel (also written book wheel and sometimes called a reading wheel) is a type of rotating bookcase that allows one person to read multiple books in one location with ease. The books are rotated vertically similar to the motion of a water wheel, as opposed to rotating on a flat table surface. The design for the bookwheel originally appeared in a 16th-century illustration by Agostino Ramelli at a time when large books posed practical problems for readers. Ramelli's design influenced other engineers and, though now obsolete, inspires modern artists and historians. (Full article...)
  • Image 3 Tristimania is a 2016 book by Jay Griffiths describing her experience of an episode of manic depression that lasted a year. In the book, she uses her training as a writer to make notes, and tells the story of the condition both from the inside and in terms of literary understanding: with etymology, metaphor, mythology, music, and poetry pressed into service to give the reader a picture of the events as she perceived them. The book has been praised by critics for its bravery, and for its ability to connect personal experience to a shareable understanding. (Full article...)
    Tristimania is a 2016 book by Jay Griffiths describing her experience of an episode of manic depression that lasted a year. In the book, she uses her training as a writer to make notes, and tells the story of the condition both from the inside and in terms of literary understanding: with etymology, metaphor, mythology, music, and poetry pressed into service to give the reader a picture of the events as she perceived them.

    The book has been praised by critics for its bravery, and for its ability to connect personal experience to a shareable understanding. (Full article...)
  • Image 4 Bodyguard of Lies is a 1975 non-fiction book on Allied military deception operations during World War II written by Anthony Cave Brown. His first major historical work, it derives its name from a wartime quote of Winston Churchill, and offers a narrative account of aspects of both the Allied and German intelligence operations during the war. The British and American governments resisted Brown's attempts to research the book. Many of the topics were still classified and he was denied access to British war records. The material in the book is predominantly based on oral testimony as well as some American records, declassified toward the end of Brown's research. Critical reception has been mixed, initially more balanced, generally more negative with time. Contemporary historians, such as Charles B. MacDonald, praised the work – although some did comment on its length. Modern reviewers have identified inconsistencies or errors in the material, based on later declassified records. Also, some of Brown's personal conclusions have been questioned. (Full article...)
    Bodyguard of Lies is a 1975 non-fiction book on Allied military deception operations during World War II written by Anthony Cave Brown. His first major historical work, it derives its name from a wartime quote of Winston Churchill, and offers a narrative account of aspects of both the Allied and German intelligence operations during the war. The British and American governments resisted Brown's attempts to research the book. Many of the topics were still classified and he was denied access to British war records. The material in the book is predominantly based on oral testimony as well as some American records, declassified toward the end of Brown's research.

    Critical reception has been mixed, initially more balanced, generally more negative with time. Contemporary historians, such as Charles B. MacDonald, praised the work – although some did comment on its length. Modern reviewers have identified inconsistencies or errors in the material, based on later declassified records. Also, some of Brown's personal conclusions have been questioned. (Full article...)
  • Image 5 Behind the Exclusive Brethren: Politics Persuasion and Persecution is a non-fiction book by journalist and author Michael Bachelard about the group Exclusive Brethren, focusing on the sect in Australia. It was published in 2008 by Scribe Publications Pty Ltd. Bachelard first became interested in the organisation while a journalist for The Age, after finding out that prior to the 2007 Australian federal election the Exclusive Brethren organisation in Australia had close access to John Howard. He spent two years researching the group, focusing on its history, influence in Australia, and ties to the Liberal Party of Australia and to Howard. The book gives a historical background of the group's origins 200 years ago in Ireland under John Nelson Darby. Since 2002, Bruce Hales served as the international leader and "Elect Vessel" of the organisation, which has 15,000 members in Australia and 43,000 total globally. The author describes the beliefs and practices and doctrine of the organisation, including some of its more controversial methodology including excommunication of former members from their family still within the group. Daniel Hales, brother of the organisation's worldwide leader Bruce Hales, described the book as part of a trend of what he said were lies told about his group by critics and disaffected former members. The book was a bestseller in Australia, and in November 2008 it hit number 8 on a list of top ten best-selling books in the country in political and social science books according to data from Nielsen BookScan. The book received positive reception in books reviews and media coverage. The Sunday Age called it a "sober" and "well-argued" expose. The Sydney Morning Herald, called the book an "exhaustive study of the Exclusive Brethren in Australia". GayNZ.com characterised Behind the Exclusive Brethren as a "comprehensive reference work on the sect". Media/Culture Reviews noted, "The expose is written in a calm, clear style and the chapters relating to the broken families are deeply moving and respectful." (Full article...)
    Behind the Exclusive Brethren: Politics Persuasion and Persecution is a non-fiction book by journalist and author Michael Bachelard about the group Exclusive Brethren, focusing on the sect in Australia. It was published in 2008 by Scribe Publications Pty Ltd. Bachelard first became interested in the organisation while a journalist for The Age, after finding out that prior to the 2007 Australian federal election the Exclusive Brethren organisation in Australia had close access to John Howard. He spent two years researching the group, focusing on its history, influence in Australia, and ties to the Liberal Party of Australia and to Howard. The book gives a historical background of the group's origins 200 years ago in Ireland under John Nelson Darby. Since 2002, Bruce Hales served as the international leader and "Elect Vessel" of the organisation, which has 15,000 members in Australia and 43,000 total globally. The author describes the beliefs and practices and doctrine of the organisation, including some of its more controversial methodology including excommunication of former members from their family still within the group. Daniel Hales, brother of the organisation's worldwide leader Bruce Hales, described the book as part of a trend of what he said were lies told about his group by critics and disaffected former members.

    The book was a bestseller in Australia, and in November 2008 it hit number 8 on a list of top ten best-selling books in the country in political and social science books according to data from Nielsen BookScan. The book received positive reception in books reviews and media coverage. The Sunday Age called it a "sober" and "well-argued" expose. The Sydney Morning Herald, called the book an "exhaustive study of the Exclusive Brethren in Australia". GayNZ.com characterised Behind the Exclusive Brethren as a "comprehensive reference work on the sect". Media/Culture Reviews noted, "The expose is written in a calm, clear style and the chapters relating to the broken families are deeply moving and respectful." (Full article...)
  • Image 6 c. 1891 portrait of Albert Levi Burt A. L. Burt (incorporated in 1902 as A. L. Burt Company) was a US book publishing house from 1883 until 1937. It was founded by Albert Levi Burt, a 40-year-old from Massachusetts who had come to recognize the demand for inexpensive reference works while working as a traveling salesman. The company began by reprinting home reference works and reprints of popular and classic fiction, before expanding into the field of children's works, particularly series books. A. L. Burt published both reprints and first editions, and targeted both adult and juvenile audiences. At the same time that it published works aimed at adults by authors such as Zane Grey, Harold Bell Wright, and Joseph C. Lincoln, it targeted the juvenile market with works by such authors as Horatio Alger, James Otis, Harry Castlemon, and Edward S. Ellis. The company repeatedly adapted with the market; it entered a popular paperback market, refocused on hardcovers when the paperback market became saturated, and in 1911, in an effort to compete with the Stratemeyer Syndicate, began issuing inexpensive juvenile series books. (Full article...)

    c. 1891 portrait of Albert Levi Burt

    A. L. Burt (incorporated in 1902 as A. L. Burt Company) was a US book publishing house from 1883 until 1937. It was founded by Albert Levi Burt, a 40-year-old from Massachusetts who had come to recognize the demand for inexpensive reference works while working as a traveling salesman. The company began by reprinting home reference works and reprints of popular and classic fiction, before expanding into the field of children's works, particularly series books.

    A. L. Burt published both reprints and first editions, and targeted both adult and juvenile audiences. At the same time that it published works aimed at adults by authors such as Zane Grey, Harold Bell Wright, and Joseph C. Lincoln, it targeted the juvenile market with works by such authors as Horatio Alger, James Otis, Harry Castlemon, and Edward S. Ellis. The company repeatedly adapted with the market; it entered a popular paperback market, refocused on hardcovers when the paperback market became saturated, and in 1911, in an effort to compete with the Stratemeyer Syndicate, began issuing inexpensive juvenile series books. (Full article...)
  • Image 7 Feathers: The Evolution of a Natural Miracle is a natural history book by American conservation biologist Thor Hanson. Published by Basic Books in 2011 and written for general audiences, the book discusses the significance of feathers, their evolution, and their history both in nature and in use by humans. Feathers is divided into five parts. In "Evolution", Hanson discusses the scientific debate over how feathers evolved, interviewing ornithologists Richard Prum and Alan Feduccia, as well as paleontologist Xing Xu. In "Fluff", Hanson discusses how feathers play a role in regulating a bird's body temperature and how feather insulation has also been utilized by humans. "Flight" discusses how flight might have evolved in birds, interviewing Prum, Feduccia, Xu, and also ornithologist Ken Dial, who described wing-assisted incline running. In "Fancy", Hanson discusses the role of feathers in sexual selection, as well as how humans have utilized feathers for fashion, interviewing costume and fashion designers on the Las Vegas Strip and New York City. "Function" discusses how feathers have been adapted for other purposes, such as waterproofing, fly fishing, and quill pens. (Full article...)
    Feathers: The Evolution of a Natural Miracle is a natural history book by American conservation biologist Thor Hanson. Published by Basic Books in 2011 and written for general audiences, the book discusses the significance of feathers, their evolution, and their history both in nature and in use by humans.

    Feathers is divided into five parts. In "Evolution", Hanson discusses the scientific debate over how feathers evolved, interviewing ornithologists Richard Prum and Alan Feduccia, as well as paleontologist Xing Xu. In "Fluff", Hanson discusses how feathers play a role in regulating a bird's body temperature and how feather insulation has also been utilized by humans. "Flight" discusses how flight might have evolved in birds, interviewing Prum, Feduccia, Xu, and also ornithologist Ken Dial, who described wing-assisted incline running. In "Fancy", Hanson discusses the role of feathers in sexual selection, as well as how humans have utilized feathers for fashion, interviewing costume and fashion designers on the Las Vegas Strip and New York City. "Function" discusses how feathers have been adapted for other purposes, such as waterproofing, fly fishing, and quill pens. (Full article...)
  • Image 8 Yoga Makaranda (Sanskrit: योग मकरन्द​), meaning "Essence of Yoga", is a 1934 book on hatha yoga by the influential pioneer of yoga as exercise, Tirumalai Krishnamacharya. Most of the text is a description of 42 asanas accompanied by 95 photographs of Krishnamacharya and his students executing the poses. There is a brief account of practices other than asanas, which form just one of the eight limbs of classical yoga, that Krishnamacharya "did not instruct his students to practice". The yoga scholar Mark Singleton notes that the book is almost legendary among Pattabhi Jois's students, though "very few have actually seen it". Singleton notes, too, that the book was "experimental". The yoga scholar Norman Sjoman criticises the book's "padded academic bibliography" full of irrelevant works, and the perfunctory and ill-informed coverage of yoga practices other than asanas, while another yoga scholar, Elliott Goldberg, comments that the photographs serve to demystify the asanas of their spiritual content, and that Krishnamacharya was falsely claiming an ancient origin for his dynamic vinyasa system of yoga. (Full article...)
    Yoga Makaranda (Sanskrit: योग मकरन्द​), meaning "Essence of Yoga", is a 1934 book on hatha yoga by the influential pioneer of yoga as exercise, Tirumalai Krishnamacharya. Most of the text is a description of 42 asanas accompanied by 95 photographs of Krishnamacharya and his students executing the poses. There is a brief account of practices other than asanas, which form just one of the eight limbs of classical yoga, that Krishnamacharya "did not instruct his students to practice".

    The yoga scholar Mark Singleton notes that the book is almost legendary among Pattabhi Jois's students, though "very few have actually seen it". Singleton notes, too, that the book was "experimental". The yoga scholar Norman Sjoman criticises the book's "padded academic bibliography" full of irrelevant works, and the perfunctory and ill-informed coverage of yoga practices other than asanas, while another yoga scholar, Elliott Goldberg, comments that the photographs serve to demystify the asanas of their spiritual content, and that Krishnamacharya was falsely claiming an ancient origin for his dynamic vinyasa system of yoga. (Full article...)
  • Image 9 The cover of the original version from 1845. Facundo: Civilization and Barbarism (original Spanish title: Facundo: Civilización y Barbarie) is a book written in 1845 by Domingo Faustino Sarmiento, a writer and journalist who became the seventh president of Argentina. It is a cornerstone of Latin American literature: a work of creative non-fiction that helped to define the parameters for thinking about the region's development, modernization, power, and culture. Subtitled Civilization and Barbarism, Facundo contrasts civilization and barbarism as seen in early 19th-century Argentina. Literary critic Roberto González Echevarría calls the work "the most important book written by a Latin American in any discipline or genre". Facundo describes the life of Juan Facundo Quiroga, a caudillo who had terrorized provincial Argentina in the 1820s and 1830s. Kathleen Ross, one of Facundos English translators, points out that the author also published Facundo to "denounce the tyranny of the Argentine dictator Juan Manuel de Rosas". Juan Manuel de Rosas ruled Argentina from 1829 to 1832 and again from 1835 to 1852; it was because of Rosas that Sarmiento was in exile in Chile, where he wrote the book. Sarmiento sees Rosas as heir to Facundo: both are caudillos and representatives of a barbarism that derives from the nature of the Argentine countryside. As Ross explains, Sarmiento's book is therefore engaged in describing the "Argentine national character, explaining the effects of Argentina's geographical conditions on personality, the 'barbaric' nature of the countryside versus the 'civilizing' influence of the city, and the great future awaiting Argentina when it opened its doors wide to European immigration". ('Full article...)

    The cover of the original version from 1845.

    Facundo: Civilization and Barbarism (original Spanish title: Facundo: Civilización y Barbarie) is a book written in 1845 by Domingo Faustino Sarmiento, a writer and journalist who became the seventh president of Argentina. It is a cornerstone of Latin American literature: a work of creative non-fiction that helped to define the parameters for thinking about the region's development, modernization, power, and culture. Subtitled Civilization and Barbarism, Facundo contrasts civilization and barbarism as seen in early 19th-century Argentina. Literary critic Roberto González Echevarría calls the work "the most important book written by a Latin American in any discipline or genre".

    Facundo describes the life of Juan Facundo Quiroga, a caudillo who had terrorized provincial Argentina in the 1820s and 1830s. Kathleen Ross, one of Facundos English translators, points out that the author also published Facundo to "denounce the tyranny of the Argentine dictator Juan Manuel de Rosas". Juan Manuel de Rosas ruled Argentina from 1829 to 1832 and again from 1835 to 1852; it was because of Rosas that Sarmiento was in exile in Chile, where he wrote the book. Sarmiento sees Rosas as heir to Facundo: both are caudillos and representatives of a barbarism that derives from the nature of the Argentine countryside. As Ross explains, Sarmiento's book is therefore engaged in describing the "Argentine national character, explaining the effects of Argentina's geographical conditions on personality, the 'barbaric' nature of the countryside versus the 'civilizing' influence of the city, and the great future awaiting Argentina when it opened its doors wide to European immigration". ('Full article...)
  • Image 10 Cover of first edition The Colours of Animals is a zoology book written in 1890 by Sir Edward Bagnall Poulton (1856–1943). It was the first substantial textbook to argue the case for Darwinian selection applying to all aspects of animal coloration. The book also pioneered the concept of frequency-dependent selection and introduced the term "aposematism". The book begins with a brief account of the physical causes of animal coloration. The second chapter gives an overview of the book, describing the various uses of colour in terms of the advantages it can bring through natural selection. The next seven chapters describe camouflage, both in predators and in prey. Methods of camouflage covered include background matching, resemblance to specific objects such as bird droppings, self-decoration with materials from the environment, and the seasonal colour change of arctic animals. Two chapters cover warning colours, including both Batesian mimicry, where the mimic is edible, and Müllerian mimicry, where distasteful species mimic each other. A chapter then looks at how animals combine multiple methods of defence, for instance in the puss moth. Two chapters examine coloration related to sexual selection. Finally Poulton summarizes the subject with a fold-out table including a set of Greek derived words that he invented, of which "aposematic" and "cryptic" survive in biological usage. (Full article...)

    Cover of first edition

    The Colours of Animals is a zoology book written in 1890 by Sir Edward Bagnall Poulton (1856–1943). It was the first substantial textbook to argue the case for Darwinian selection applying to all aspects of animal coloration. The book also pioneered the concept of frequency-dependent selection and introduced the term "aposematism".

    The book begins with a brief account of the physical causes of animal coloration. The second chapter gives an overview of the book, describing the various uses of colour in terms of the advantages it can bring through natural selection. The next seven chapters describe camouflage, both in predators and in prey. Methods of camouflage covered include background matching, resemblance to specific objects such as bird droppings, self-decoration with materials from the environment, and the seasonal colour change of arctic animals. Two chapters cover warning colours, including both Batesian mimicry, where the mimic is edible, and Müllerian mimicry, where distasteful species mimic each other. A chapter then looks at how animals combine multiple methods of defence, for instance in the puss moth. Two chapters examine coloration related to sexual selection. Finally Poulton summarizes the subject with a fold-out table including a set of Greek derived words that he invented, of which "aposematic" and "cryptic" survive in biological usage. (Full article...)
  • Image 11 No Man Knows My History: The Life of Joseph Smith is a 1945 book by Fawn M. Brodie that was one of the first significant non-hagiographic biographies of Joseph Smith, the progenitor of the Latter Day Saint movement. No Man Knows My History was influential in the development of Mormon history as a scholarly field. No Man Knows My History has never been out of print, and 60 years after its first publication, its publisher, Alfred A. Knopf, continues to sell about a thousand copies annually. For a revised edition released in 1971, Brodie added a supplement incorporating psychohistorical commentary. In 1995, Utah State University (USU) marked the 50th anniversary of the book's first publication by hosting a symposium to re-examine the book, its author, and her methods, and in 1996 USU published the symposium papers as a book of essays. (Full article...)
    No Man Knows My History: The Life of Joseph Smith is a 1945 book by Fawn M. Brodie that was one of the first significant non-hagiographic biographies of Joseph Smith, the progenitor of the Latter Day Saint movement. No Man Knows My History was influential in the development of Mormon history as a scholarly field.

    No Man Knows My History has never been out of print, and 60 years after its first publication, its publisher, Alfred A. Knopf, continues to sell about a thousand copies annually. For a revised edition released in 1971, Brodie added a supplement incorporating psychohistorical commentary. In 1995, Utah State University (USU) marked the 50th anniversary of the book's first publication by hosting a symposium to re-examine the book, its author, and her methods, and in 1996 USU published the symposium papers as a book of essays. (Full article...)
  • Image 12 Alexander Hamilton is a 2004 biography of American statesman Alexander Hamilton, written by biographer Ron Chernow. Hamilton, one of the Founding Fathers of the United States, was an instrumental promoter of the U.S. Constitution, founder of the nation's financial system, and its first Secretary of the Treasury. The book, which was met with mostly positive acclaim, went on to win the inaugural George Washington Book Prize for early American history and was a nominee for the 2005 National Book Critics Circle Award in biography. In 2015, the book was adapted into the musical Hamilton by playwright Lin-Manuel Miranda. The stage production went on to win numerous accolades, including 11 Tony Awards. (Full article...)
    Alexander Hamilton is a 2004 biography of American statesman Alexander Hamilton, written by biographer Ron Chernow. Hamilton, one of the Founding Fathers of the United States, was an instrumental promoter of the U.S. Constitution, founder of the nation's financial system, and its first Secretary of the Treasury.

    The book, which was met with mostly positive acclaim, went on to win the inaugural George Washington Book Prize for early American history and was a nominee for the 2005 National Book Critics Circle Award in biography. In 2015, the book was adapted into the musical Hamilton by playwright Lin-Manuel Miranda. The stage production went on to win numerous accolades, including 11 Tony Awards. (Full article...)
  • Image 13 Lady Gaga: Queen of Pop is a biography of American singer Lady Gaga. It was written by Emily Herbert (pen name for the journalist Virginia Blackburn) and published in the United Kingdom by John Blake Publishing Ltd. The book was published by Overlook Press in the United States with the title Lady Gaga: Behind the Fame. Additional versions under the title Lady Gaga: Queen of Pop were published in 2010 by Wilkinson Publishing of Melbourne in Australia and by Gardners Books in the United Kingdom. The book discusses Gaga's early life when she was known as Stefani Joanne Angelina Germanotta from her birth in 1986, and chronicles her education at Convent of the Sacred Heart in New York, her early visits to nightclubs with her mother to perform at open-mic events, and her brief foray into the Tisch School of the Arts, leading up to her first experience of fame. Germanotta took the name "Lady Gaga" from the song "Radio Ga Ga" by the rock group Queen; she released her first album The Fame in 2008. Lady Gaga: Queen of Pop describes the musician's success in the industry, noting her business collaborations and appearance on the cover of Rolling Stone in 2009. Lady Gaga: Queen of Pop received a mixed reception, and a reviewer for the Orlando Sentinel wrote a positive review. The Herald Sun criticized the book's style of commentary and its chronological organization style. A book critic for the St. Petersburg Times wrote positively about the photographs of Gaga in the book. The Phoenix New Times characterized its style as tending towards a positive tone, and compared it to a Wikipedia entry. A reviewer for the Minneapolis Star-Tribune criticized the book for being predictable. Ms. Magazine said that the book describes the musician's business acumen and motivation to maintain control of her image. A reviewer for the Las Vegas Review-Journal wrote that the book presented a detailed biography of the musician. (Full article...)
    Lady Gaga: Queen of Pop is a biography of American singer Lady Gaga. It was written by Emily Herbert (pen name for the journalist Virginia Blackburn) and published in the United Kingdom by John Blake Publishing Ltd. The book was published by Overlook Press in the United States with the title Lady Gaga: Behind the Fame. Additional versions under the title Lady Gaga: Queen of Pop were published in 2010 by Wilkinson Publishing of Melbourne in Australia and by Gardners Books in the United Kingdom. The book discusses Gaga's early life when she was known as Stefani Joanne Angelina Germanotta from her birth in 1986, and chronicles her education at Convent of the Sacred Heart in New York, her early visits to nightclubs with her mother to perform at open-mic events, and her brief foray into the Tisch School of the Arts, leading up to her first experience of fame. Germanotta took the name "Lady Gaga" from the song "Radio Ga Ga" by the rock group Queen; she released her first album The Fame in 2008. Lady Gaga: Queen of Pop describes the musician's success in the industry, noting her business collaborations and appearance on the cover of Rolling Stone in 2009.

    Lady Gaga: Queen of Pop received a mixed reception, and a reviewer for the Orlando Sentinel wrote a positive review. The Herald Sun criticized the book's style of commentary and its chronological organization style. A book critic for the St. Petersburg Times wrote positively about the photographs of Gaga in the book. The Phoenix New Times characterized its style as tending towards a positive tone, and compared it to a Wikipedia entry. A reviewer for the Minneapolis Star-Tribune criticized the book for being predictable. Ms. Magazine said that the book describes the musician's business acumen and motivation to maintain control of her image. A reviewer for the Las Vegas Review-Journal wrote that the book presented a detailed biography of the musician. (Full article...)
  • Image 14 Requiem for a Species: Why We Resist the Truth about Climate Change is a 2010 non-fiction book by Australian academic Clive Hamilton which explores climate change denial and its implications. It argues that climate change will bring about large-scale, harmful consequences for habitability for life on Earth including humans, which it is too late to prevent. Hamilton explores why politicians, corporations and the public deny or refuse to act on this reality. He invokes a variety of explanations, including wishful thinking, ideology, consumer culture and active lobbying by the fossil fuel industry. The book builds on the author's fifteen-year prior history of writing about these subjects, with previous books including Growth Fetish and Scorcher: The Dirty Politics of Climate Change. Requiem for a Species has been reviewed in Resurgence magazine, Socialist Review, Sydney Morning Herald, The Age, The Common Review, and Times Higher Education, which named it "Book of the Week". Extracts of the book have appeared in The Guardian and Geographical magazine. The book won a 2010 Queensland Premier's Literary Award. (Full article...)
    Requiem for a Species: Why We Resist the Truth about Climate Change is a 2010 non-fiction book by Australian academic Clive Hamilton which explores climate change denial and its implications. It argues that climate change will bring about large-scale, harmful consequences for habitability for life on Earth including humans, which it is too late to prevent. Hamilton explores why politicians, corporations and the public deny or refuse to act on this reality. He invokes a variety of explanations, including wishful thinking, ideology, consumer culture and active lobbying by the fossil fuel industry. The book builds on the author's fifteen-year prior history of writing about these subjects, with previous books including Growth Fetish and Scorcher: The Dirty Politics of Climate Change.

    Requiem for a Species has been reviewed in Resurgence magazine, Socialist Review, Sydney Morning Herald, The Age, The Common Review, and Times Higher Education, which named it "Book of the Week". Extracts of the book have appeared in The Guardian and Geographical magazine. The book won a 2010 Queensland Premier's Literary Award. (Full article...)
  • Image 15 Cover Citizen's Briefing Book is a compilation book of recommendations made to President Barack Obama by visitors to the Change.gov website, given to the President after his January 20, 2009 inauguration. Internet users were able to post recommendations of changes they would like to see made in the United States, and they were also able to vote on other users' recommendations, as well as participate in a comment process. The Minnesota-based company called Magnet 360 helped develop the functionality, using technology from Salesforce.com. Co-chair of the Obama-Biden Transition Team, Valerie Jarrett, stated that the Citizen's Briefing Book was a way for the Obama transition process to remain open and transparent. Popular recommendations included ending the prohibition on marijuana use in the United States and the legalization of online poker. Citizen's Briefing Book received positive comments from writers for The Christian Science Monitor and Business Week, and criticism from writers for Chicago Tribune and Indianapolis Business Journal. (Full article...)

    Cover

    Citizen's Briefing Book is a compilation book of recommendations made to President Barack Obama by visitors to the Change.gov website, given to the President after his January 20, 2009 inauguration. Internet users were able to post recommendations of changes they would like to see made in the United States, and they were also able to vote on other users' recommendations, as well as participate in a comment process.

    The Minnesota-based company called Magnet 360 helped develop the functionality, using technology from Salesforce.com. Co-chair of the Obama-Biden Transition Team, Valerie Jarrett, stated that the Citizen's Briefing Book was a way for the Obama transition process to remain open and transparent. Popular recommendations included ending the prohibition on marijuana use in the United States and the legalization of online poker. Citizen's Briefing Book received positive comments from writers for The Christian Science Monitor and Business Week, and criticism from writers for Chicago Tribune and Indianapolis Business Journal. (Full article...)
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  • ...that in English language works the table of contents is at the beginning of a book, but in French and Spanish ones it is at the back, by the index?
  • ...that print space determines the effective area on the paper of a book, journal or other press work, and is limited by the surrounding borders?
  • ...that the craft of bookbinding may have originated around the 1st century A.D.?
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