Marlene (マリーン, Marīn, born 4 January 1960) is a Filipina jazz vocalist[1] from Manila, Philippines mainly active in Japan. Her real name has been cited as Marlene dela Peña[2] or Marlene Pena Lim. Marlene moved to Japan in the late 1970s and released her first single through EMI Japan in 1979 before signing a contract with CBS Sony in 1981, recording albums twice a year. In 1983 two of her albums appeared on the Oricon charts. Deja Vu reached #8, while Magic (sometimes listed as It's Magic in English) reached #5, each enjoying sales of over 150,000 records.[3]
In the United States, Marlene is known for her work with Seawind, with whom she recorded her second album Summer Nights in Los Angeles in 1982.[4] and her album Stay With Me which reached No. 28 in the Billboard Adult Contemporary Chart in the 90’s.[5] Her sixth album, Looking for Love,[6][7] was also recorded in Los Angeles in 1984.[8] With the Mal Waldron/Billy Holiday composition Left alone recorded on the soundtrack of the Haruki Kadokawa movie Kyabare (Cabaret) she scored a hit in Japan in 1986. She has recorded 31 albums in total so far and is the highest paid Pinay jazz artist in Japan.[9] In 2016 she teamed up with Jiro Yoshida, Makoto Kuriya and released the album Cubic Magic under the group name Threesome,[10] followed by the album Whatever! in 2017. Marlene was the subject of Mundo ni Juan sa Japan, a television film documentary in 2015.[11]
She has appeared in two Japanese films — Nantonaku (2007) and Karanukan (2017), where she played the character "Yukie".[12]
Discography
edit- Studio albums
Year | Album | Label |
---|---|---|
1981 | Just Like First Love | CBS/Sony |
1982 | Summer Nights (with Seawind Horns) | CBS/Sony |
1982 | My Favorite Songs | CBS/Sony |
1983 | Déjà Vu | CBS/Sony |
1983 | (It's Magic) | CBS/Sony |
1984 | Looking For Love | Sony Music |
1984 | Foot Print - Best Selection | CBS/Sony |
1985 | Be Pop | CBS/Sony |
1985 | Softly, As A Morning Sunrise | CBS/Sony |
1986 | Just A Woman | CBS/Sony |
1987 | This Time | CBS/Sony |
1988 | Affection | CBS/Sony |
1988 | Stay Beautiful | CBS/Sony |
1988 | Left Alone | CBS/Sony |
1989 | Stylish | CBS/Sony |
1990 | The Best Of Marlene | CBS/Sony |
1990 | Marlene | Who Ring |
1991 | The Best Of The Best | CBS/Sony |
1991 | Unforgettable You | Who Ring |
1993 | We're All Alone | CBS/Sony |
1997 | Ipangako Sa Akin | Viva |
1994 | Stay With Me | Toshiba-EMI |
1998 | What's New | Ém Èm Gee |
2005 | Golden Best | GT |
2007 | Jazz'n Out | BMG |
2007 | Marlene meets Masato Honda B. B. Station | RCA |
2009 | Marlene Sings Nettai Jazz | RCA |
2011 | Initial | Sony |
2013 | Marlene Sings Donna Summer | Sony |
Marlene with Threesome
- Marlene as guest artist
- 1986 - Left Alone (Song) - Kyabare (Cabaret) Movie Soundtrack[15]
References
edit- ^ "Marlene meets Masato Honda B.B. Station "Jazz 'n Out"". Japantimes.co.jp. 25 May 2007.
- ^ "Marlene dela Peña: Highest paid Pinay jazz artist in Japan". Mb.com.ph. 9 March 2016.
- ^ "Jazz Singer "Marlene" Profile". Jazz.co.jp.
- ^ Marlene; Seawind (1982). Summer Nights – via Discogs.
- ^ Belen, Crispina M. (14 January 2021). "Marlene dela Pena: Acclaimed Pinay jazz artist in Japan!". Celebrity World Ph. Retrieved 10 July 2022 – via WordPress.com.
- ^ "Offizielle Deutsche Charts". Offiziellecharts.de. Retrieved 25 May 2018.
- ^ "MARLENE [JP] - LOOKING FOR LOVE". Hitparade.ch. Retrieved 25 May 2018.
- ^ "1984 Marlene - Looking For Love". Sessiondays.com.
- ^ "Marlene dela Peña: Highest paid Pinay jazz artist in Japan". 2016.mb.com.ph. 9 March 2016. Retrieved 25 May 2018.
- ^ "CUBIC MAGIC". THREESOME (Marlene, Jiro Yoshida, Makoto Kuriya) | ソニーミュージックオフィシャルサイト (in Japanese). Retrieved 11 July 2022.
- ^ "Marlene Dela Peña". IMDb.com. Retrieved 25 May 2018.
- ^ "Jazz in time with Marlene". The Philippine Star. 29 June 2018.
- ^ "Discography". area52.lalalu.com. Retrieved 11 July 2022.
- ^ "Marlene (16)". Discogs (in German). Retrieved 9 July 2022.
- ^ Noriko Watanabe; Hakuryu; Marlene (1986). Cabaret キャバレー (Vinyl). CBS/Sony. Retrieved 10 July 2022 – via Discogs.
External links
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