Mabel Cawthra Adamson (1871–1943) was a Canadian painter and decorator, who was active in the Arts and Crafts movement in Toronto.
Mabel Cawthra Adamson | |
|---|---|
 | |
| Born | Mabel Cawthra 1871 Lucerne, Switzerland |
| Died | 1943 (aged 71–72) Port Credit, Ontario, Canada |
| Nationality | Canadian |
| Occupation(s) | Painter and decorator |
| Known for | Arts & crafts decoration |
Early years
editMabel Cawthra was born in Lucerne, Switzerland, in 1871.[1] The Cawthra family were wealthy Canadian merchants, described by her son Anthony Adamson as the "Astors of Upper Canada".[2] They owned a huge amount of property in the western part of Toronto.[3] She attended the Victorian Era Ball on 28 December 1897 hosted by the Governor General and the Countess of Aberdeen at the new Militia Armory in Toronto. The ball celebrated Queen Victoria's diamond jubiliee, and proceeds went to the Victorian Order of Nurses. Mabel dressed as Madame Recamier, as depicted in a portrait by Jacques-Louis David.[4] She married Agar Adamson, also from a patrician Upper Canada family, on 15 November 1899.[5]
Married life
editSoon after their marriage Agar Adamson was sent to Halifax, Nova Scotia, to serve with the Royal Canadian Regiment of Infantry.[6] Adamson was anxious to serve in the Second Boer War (1899–1902). In March 1900 he used his connections to obtain a position with Lord Strathcona's Horse.[7] He reached South Africa early in June 1900.[8]
After seeing action, Adamson fell ill and was sent as an invalid first to England, then in March 1901 to Canada. He made another attempt to see action, returning to South Africa in 1902, but the war had ended when he arrived.[9]
Mabel became involved with the Arts and Crafts movement in England. In 1902–03 she studied at Charles Robert Ashbee's Guild of Handicrafts in Chipping Campden in the Cotswalds. The school was known for enamel and metal working.[2] It was also known for woodcarving and cabinetmaking, but Mabel probably focused on silversmithing, jewelry and enameling.[10]
Mabel Cawthra Adamson became the first president of the Society of Arts and Crafts of Canada in 1903 after she returned from England. The vice president was George Agnew Reid, but more than half the members were women.[11] The goals were "the encouragement of original design and its individual expression, to promote this object by holding Exhibitions of original Canadian work, the names of the designer and executant being always given; by occasional loan exhibits; by lectures; and by rendering the literature on the subject of handicraft accessible to those who are interested.[11]
The first exhibition of the Society of Arts and Crafts of Canada was held at the Art Gallery on King Street in 1904. Fifteen of Mabel Adamson's pieces were exhibited, including a necklace, pendant and brooch.[12]
Mabel founded the Canadian franchise of the Thornton-Smith Company, a British interior design firm, in 1905. The Thornton-Smith Company was headquartered at The Thornton-Smith Building, an award-winning Neoclassical building on Toronto's Yonge Street. Agar Adamson was made nominal head of the franchise.[5] The W & E Thornton-Smith Company decorated several theaters and churches in Toronto.[1]
Mabel was accomplished as an artist and craftswoman, and as an art collector. She used her inherited fortune and the income from her interior design company to support the arts.[13] Mabel was a founding member of the Heliconian Club.[1] This club, founded in 1909, is an association of women involved in the arts and letters based in Toronto.[14]
During World War I Agar Adamson became a captain in the Princess Patricia's Canadian Light Infantry, and commanded the regiment from 1916 to 1918.[5] Mabel helped the war effort in London and worked with civilian refugees behind the lines in Belgium when she became ill.[5] Adamson resigned, ostensibly so he could be with her, but in fact because he was suffering from nervous exhaustion.[15]
Mabel soon recovered, but Adamson now became affected by posttraumatic stress disorder, causing depression and lack of judgement. The marriage broke down, although there was no divorce.[5]
Later years
editMabel Cawthra Adamson represented the Canadian Society of Applied Arts on the board of the Ontario College of Art (OCA) from 1912 to around 1920, with a gap during World War I (1914–1918), when she was out of the country. She donated a kiln to the OCA. In 1930, her pottery was exhibited at the Canadian National Exhibition in the Graphic Art Building. In 1934, she became a director of the Handcrafts Association of Canada.[2] The Handcrafts Association had put on a successful exhibition at the Ridpath Galleries on Yonge Street. Eaton's offered the group floor space on the main floor of its store on College Street. Mabel Adamson and other wealthy women subscribed $2,000 to "a guarantee against loss fund". The association presented itself as an affiliate of the Canadian Handicrafts Guild.[16]
Mabel Cawthra Adamson died in Port Credit, Ontario, in 1943.[1] Her son Agar Rodney Adamson (1901–1954) was federal member of Parliament for York West from 1940 to 1954.[17] Her second son Anthony Patrick Cawthra Adamson (1906–2002) was an architect, associate professor of town planning at the University of Toronto, chairman of the Ontario Arts Council, designer of Upper Canada Village, and a member of the Order of Canada.[18]
References
editCitations
- ^ a b c d ADAMSON, Mrs. Agar ... Concordia.
- ^ a b c Crawford 1998, p. 185.
- ^ A Great Canadian Flag.
- ^ Butlin 2009, p. 91-92.
- ^ a b c d e Gwyn 2005.
- ^ Horn 2007, p. 23.
- ^ Horn 2007, p. 25.
- ^ Horn 2007, p. 28.
- ^ Horn 2007, p. 46-47.
- ^ McLeod 1999, p. 143.
- ^ a b McLeod 1999, p. 107.
- ^ McLeod 1999, p. 129.
- ^ Friedland 2011, p. 39.
- ^ About, Heliconian Club.
- ^ Mantle 2007, p. 385.
- ^ McLeod 1999, p. 269.
- ^ Tennyson 2013, p. 3.
- ^ Tennyson 2013, p. 4.
Sources
- "A Great Canadian Flag from a Great Canadian Hero!". The Canadian Anglo-Boer War Museum. Retrieved 2014-07-04.
- "About". Heliconian Club. Retrieved 2014-07-03.
- "ADAMSON, Mrs. Agar (Mabel Cawthra)". Canadian Women Artists History Initiative. Concordia University. Retrieved 2014-07-03.
- Butlin, Susan (2009-01-01). The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism. McGill-Queen's Press – MQUP. ISBN 978-0-7735-7525-7. Retrieved 2014-07-04.
- Crawford, Gail (1998-10-01). A Fine Line: Studio Crafts in Ontario from 1930 to the Present. Dundurn. ISBN 978-1-4597-2573-7. Retrieved 2014-07-03.
- Friedland, Judith (2011-08-24). Restoring the Spirit: The Beginnings of Occupational Therapy in Canada, 1890-1930. MQUP. ISBN 978-0-7735-8611-6. Retrieved 2014-07-04.
- Gwyn, Sandra (2005). "ADAMSON, AGAR STEWART ALLAN MASTERTON". Dictionary of Canadian Biography. Vol. XV (1921-1930). University of Toronto/Université Laval. Retrieved 2014-07-04.
- Horn, Colonel Bernd (2007-11-15). Intrepid Warriors: Perspectives on Canadian Military Leaders. Dundurn. ISBN 978-1-77070-265-3. Retrieved 2014-07-04.
- Mantle, Craig Leslie (2007). The Apathetic and the Defiant: Case Studies of Canadian Mutiny and Disobedience, 1812 to 1919. Dundurn. ISBN 978-1-55002-710-5. Retrieved 2014-07-04.
- McLeod, Ellen Easton (1999-12-20). In Good Hands: The Women of the Canadian Handicrafts Guild. McGill-Queen's Press – MQUP. ISBN 978-0-88629-356-7. Retrieved 2014-07-04.
- Tennyson, Brian Douglas (2013-05-01). The Canadian Experience of the Great War: A Guide to Memoirs. Scarecrow Press. ISBN 978-0-8108-8680-3. Retrieved 2014-07-04.