Karen Redrobe (also known as Karen Beckman) is Elliot and Roslyn Jaffe Endowed Professor in Film Studies and chair of the department of the History of Art at the University of Pennsylvania.[1] Her research has dealt with film theory, animation, and feminism, among other topics.
Education
editRedrobe earned her bachelor's degree in English with honors from the University of Cambridge in 1992.[2] She then spent a year doing research in German literature at Georg-August, Universität Göttingen, Germany with Professor Wilfried Barner.[2] She attended graduate school at Princeton University, earning an MA (1997) and PhD (1999) in English. Her advisors were Professors Diana Fuss and Michael Wood.[2]
Works
editReferences
edit- ^ "Karen Redrobe | Penn History of Art". www.sas.upenn.edu. University of Pennsylvania. Retrieved 24 November 2018.
- ^ a b c Redrobe, Karen. "Karen Redrobe" (PDF). University of Pennsylvania. Retrieved December 6, 2020.
- ^ Mazer, Sharon (2004-05-21). "Vanishing Women: Magic, Film, and Feminism (review)". TDR: The Drama Review. 48 (2): 172–174. doi:10.1162/105420404323063454. ISSN 1531-4715.
- ^ Coppa, Francesca (2005-06-06). "Vanishing Women: Magic, Film, and Feminism (review)". Theatre Journal. 57 (2): 342–344. doi:10.1353/tj.2005.0055. ISSN 1086-332X.
- ^ Vardi, Itai (2011-08-06). "Crash: Cinema and the Politics of Speed and Stasis (review)". Technology and Culture. 52 (3): 656–657. doi:10.1353/tech.2011.0086. ISSN 1097-3729.
- ^ Siodmak, Erin (21 October 2011). "Crash: Cinema and the politics of speed and stasis". Visual Studies. 26 (3): 276. doi:10.1080/1472586x.2011.610965. ISSN 1472-586X.
- ^ Koury, Stephanie (2010). "Karen Beckman: Crash: Cinema and the Politics of Speed and Stasis". International Journal of Communication. 4.
- ^ Coppa, Francesca (2005-06-06). "Vanishing Women: Magic, Film, and Feminism (review)". Theatre Journal. 57 (2): 342–344. doi:10.1353/tj.2005.0055. ISSN 1086-332X.
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