John Douglas Thompson (born 1964) is an English-American actor. He is a Tony Award nominee and the recipient of two Drama Desk Awards, three Obie Awards, an Outer Critics Circle Award, and a Lucille Lortel Award.
John Douglas Thompson | |
|---|---|
| Born | 1964 (age 59–60) |
| Education | Le Moyne College (BA) Brown University (MFA) |
| Occupation | Actor |
| Years active | 2003–present |
The New York Times critic Ben Brantley described Thompson as "one of the most compelling classical stage actors of his generation".[1]
Early life and education
editThompson was born in Bath, England, to Jamaican parents, and was raised in Montreal, Quebec then Rochester, New York.[2][3] He graduated from Le Moyne College in Syracuse, New York in 1985, where he studied marketing and business.[4] In the early 1990s, he worked as a traveling computer salesman in New England. After losing his job, Thompson decided to pursue acting and enrolled at the Brown University/Trinity Repertory Company program in Providence, Rhode Island.[5]
Career
editThompson began appearing in a variety of lead and supporting roles across New England, most notably at the American Repertory Theater and Shakespeare and Company,[3] also giving his first performance as Othello at the Trinity Repertory Company prior to attaining critical success in New York.[6]
In 2005, he made his Broadway debut, opposite Denzel Washington, as Flavius in Julius Caesar, and later played Le Bret in the 2007 Broadway production of Cyrano de Bergerac, alongside Jennifer Garner and Kevin Kline.
Thompson had a breakout year in 2009, garnering critical acclaim for playing the titular roles in the Off-Broadway productions of Othello and The Emperor Jones, with The New York Times stating "There may be no better classical actor working in the New York theater right now".[7] He won a Lucille Lortel Award and an Obie Award for his performance in Othello, and received a Drama Desk Award nomination for The Emperor Jones.
He starred opposite Kate Mulgrew as Antony in a regional production of Antony and Cleopatra in Hartford, Connecticut in 2010,[8] and played Joe Mott in a 2012 production of The Iceman Cometh in Chicago with Nathan Lane and Brian Dennehy.[9] Also in 2012, Thompson appeared in The Bourne Legacy in the minor role of Lt. Gen. Paulsen.
Thompson received rave reviews for originating the role of Louis Armstrong and other characters in the 2014 Off-Broadway production of the one-actor play Satchmo at the Waldorf, which he reprised at the Wallis Annenberg Center for the Performing Arts in Beverly Hills.[10][11] He received a Drama Desk Award and an Outer Critics Circle Award for his solo performance.
In 2014, he played the titular role in the Off-Broadway production of Tamburlaine, Parts I and II, and reprised his performance as Joe Mott in the 2015 New York transfer of the Chicago production of The Iceman Cometh. Thompson won a second Obie Award for his performance in both plays, and was presented with a special Drama Desk Award in the same year for "invigorating theater in New York through his commanding presence, classical expertise, and vocal prowess".[12]
In 2018, Thompson appeared in the role of The Starkeeper in Broadway's Carousel at Imperial Theatre, New York, alongside Joshua Henry, Jessie Mueller, and Renee Fleming.[13]
In addition to his theater work, Thompson has appeared on television in Law & Order, Law & Order: SVU and Conviction. He also appeared in the short film Midway and the legal drama Michael Clayton. He appears as Dr. Mitchell in the 2020 HBO Max film Let Them All Talk directed by Steven Soderbergh.
In the 2022 film Till, Thompson played Emmett Till's Mississippi uncle Mose Wright; his performance was singled out by Oscar nominee Andrea Riseborough as the one "from the past year you’ve been especially moved by".[14]
In 2024, he will make his Royal Shakespeare Company debut as the titular role in Othello.[15]
Selected stage work
editAwards and nominations
edit| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 2009 | Drama League Award | Distinguished Performance | Othello | Nominated |
| Lucille Lortel Award | Outstanding Lead Actor | Won | ||
| Obie Award | Performance | Won | ||
| 2010 | Drama Desk Award | Outstanding Actor in a Play | The Emperor Jones | Nominated |
| Drama League Award | Distinguished Performance | Nominated | ||
| Lucille Lortel Award | Outstanding Lead Actor | Nominated | ||
| 2014 | Drama Desk Award | Outstanding Solo Performance | Satchmo at the Waldorf | Won |
| Drama League Award | Distinguished Performance | Nominated | ||
| Outer Critics Circle Award | Outstanding Solo Performance | Won | ||
| Lucille Lortel Award | Outstanding Solo Show | Nominated | ||
| 2015 | Drama Desk Award | Special Award | Honouree | |
| Drama League Award | Distinguished Performance | The Iceman Cometh and Tamburlaine, Parts I and II | Nominated | |
| Obie Award | Performance | Won | ||
| 2017 | Tony Award | Best Featured Actor in a Play | Jitney | Nominated |
| Drama Desk Award | Outstanding Featured Actor in a Play | Nominated | ||
| New York Drama Critics' Circle | Special Citation | Honouree | ||
| Drama League Award | Distinguished Performance | A Doll's House/The Father and Jitney | Nominated | |
| 2018 | Drama League Award | Distinguished Performance | Julius Caesar | Nominated |
| 2022 | Drama Desk Award | Outstanding Actor in a Play | The Merchant of Venice | Nominated |
| 2023 | Obie Award | Sustained Achievement in Performance | Endgame (play) and Hamlet | Won |
| Drama Desk Award | Outstanding Lead Performance in a Play | Endgame (play) | Nominated | |
| Drama League Award | Distinguished Performance | Nominated | ||
| Lucille Lortel Award | Outstanding Lead Performer in a Play | Nominated | ||
| Screen Actors Guild Awards | Outstanding Performance by an Ensemble in a Drama Series | The Gilded Age | Nominated | |
References
edit- ^ Brantley, Ben (December 16, 2009). "Artistic Success, No Name Brand Necessary". The New York Times. Retrieved February 17, 2020.
- ^ Happy Journey of an Actor as Tragic Hero, Monica Drake, The New York Times, September 30, 2009
- ^ a b John Douglas Thompson Biography (1964–)
- ^ Le Moyne Alumni
- ^ John Douglas Thompson sells Othello Archived 2010-02-02 at the Wayback Machine
- ^ Ever Moor Archived 2010-02-02 at the Wayback Machine
- ^ "Fanfare for the New, the Old, the Less Heralded", Charles Isherwood, The New York Times, December 20, 2009
- ^ a b This Cleo Is No Baby on the Nile, Anita Gates, The New York Times, October 22, 2010
- ^ a b "The Iceman Cometh | Goodman Theatre". www.goodmantheatre.org. Retrieved 2021-03-27.
- ^ Webster, Andy (2014-03-21). "A Singular Trumpeter Unreels His Life". The New York Times. ISSN 0362-4331. Retrieved 2021-03-28.
- ^ "'Satchmo at the Waldorf': Theater Review". The Hollywood Reporter. 2015-05-30. Retrieved 2021-03-28.
- ^ Cox, Gordon (2015-04-23). "Drama Desk Nominations: 'Hamilton' Leads the Polls (FULL LIST)". Variety. Retrieved 2021-03-28.
- ^ "Carousel - PlayBill - Imperial Theatre - NY".
- ^ Bahr, Sarah (2023-01-24). "Andrea Riseborough Can't Believe She Was Nominated for an Oscar, Either". The New York Times. New York. Retrieved 2023-02-06.
- ^ a b Cullwell-Block, Logan (January 16, 2024). "John Douglas Thompson-Led Othello, Sanaz Toossi's English, More in Upcoming Royal Shakespeare Company Season". Playbill. Retrieved May 25, 2024.
- ^ Brantley, Ben (2014-11-18). "It's Best Not to Make Him Angry". The New York Times. ISSN 0362-4331. Retrieved 2021-03-27.
- ^ "'The Iceman Cometh': Theater Review". The Hollywood Reporter. 2015-02-12. Retrieved 2021-03-27.
- ^ Brantley, Ben (2016-05-26). "Review: Spouses Gasping for Air in Twinned Ibsen and Strindberg Plays". The New York Times. ISSN 0362-4331. Retrieved 2021-03-27.
- ^ Collins-Hughes, Laura (February 3, 2022). "Artistically in Sync, and Reunited for 'The Merchant of Venice'". The New York Times Company. The New York Times. Retrieved 2 March 2022.
