Franz Theodor Csokor (6 September 1885 – 5 January 1969) was an Austrian author and dramatist, particularly well known for his expressionist dramas. His most successful and best-known piece is 3. November 1918, about the downfall of the Austro-Hungarian monarchy. In many of his works, Csokor deals with themes of antiquity and Christianity.

Franz Theodor Csokor
Csokor in 1938
Csokor in 1938
Born(1885-09-06)September 6, 1885
Vienna, Austria-Hungary
DiedJanuary 5, 1969(1969-01-05) (aged 83)
Vienna, Austria
Resting placeWiener Zentralfriedhof
LanguageGerman
GenreDrama, prose, poetry
Literary movementExpressionism
Years active1905–1969
Memorial tablet for German and Austrian refugees in Sanary-sur-Mer, France, among them Franz Theodor Csokor

Life

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Csokor was born into a respectable middle-class family in Vienna; the name Csokor is Hungarian and means "bunch [of flowers]". In his youth, he began studying courses in art history, but dropped out. From early on he felt a calling to be a dramatist, and composed his first pieces before World War I. Csokor spent 1913–14 in Saint Petersburg, where he was drafted as a soldier in the war. He would later be employed at the Austrian War Archives in Vienna. From 1922 to 1928, Csokor worked as a dramaturge at the Raimundtheater and the Deutsches Volkstheater in Vienna.

From 1933, he was a convinced opponent of National Socialism; he was among the signatories of a statement against National Socialism at the PEN congress in Dubrovnik of that year. In 1938, after the annexation of Austria to Nazi Germany, he emigrated voluntarily. He spent World War II in Poland, Romania and Hungary before ending up in Italy after the fall of Mussolini in 1944, where he lived in Rome. There, he worked for the BBC. Despite travel restrictions in place at the time, Csokor returned to Vienna in 1946, dressed in a British uniform.

During the Allied occupation of Austria which lasted until 1955, Csokor settled in the British sector of Vienna, working as a freelance journalist for newspapers such as the Wiener Zeitung. In 1947, he became president of the Austrian PEN Club, in which he remained an active member until well into his old age; in 1968, he became vice-president of International PEN. After his death, the Austrian PEN Club named a literary award, the Franz-Theodor-Csokor-Preis, after him in 1970.

A convinced humanist, Csokor spoke up in his dramas for peace, freedom and human rights. His creative life was also closely connected with the labour movement. He died in Vienna in 1969, and is buried in a grave of honour in the Zentralfriedhof.[1] The Csokorgasse, a street in Vienna, was named after him in 1975. In 1994, the Austrian Post Office published a special stamp in his honour.

Decorations and awards

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Works

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Drama

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  • Die rote Straße, 1918
  • Die Stunde des Absterbens, 1919
  • Gesellschaft der Menschenrechte, 1929
  • Besetztes Gebiet, 1930
  • 3. November 1918, 1936; Ephelant 1993.[3] ISBN 3-900766-07-X.
  • Gottes General, 1939; Ephelant 1993.[4] ISBN 3-900766-07-X.
  • Kalypso, 1942
  • Der verlorene Sohn, 1943; Ephelant 1993.[5] ISBN 3-900766-07-X.
  • Cäsars Witwe, 1954
  • Pilatus, 1954
  • Hebt den Stein ab, 1957
  • Jadwiga, 1966
  • Der tausendjährige Traum, 1966
  • Alexander, 1969
  • Der Kaiser zwischen den Zeiten, 1969

Prose

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  • Hildebrands Heimkehr, eine deutsche Sage, 1905
  • Schuß ins Geschäft (Der Fall Otto Eißler), 1925
  • Über die Schwelle, short stories, 1937
  • Der Schlüssel zum Abgrund, novel, 1955
  • Der zweite Hahnenschrei, short stories, 1959
  • Ein paar Schaufeln Erde, short stories, 1965
  • Auch heute noch nicht an Land. Briefe und Gedichte aus dem Exil. With Das schwarze Schiff and Zeuge einer Zeit. Ephelant 1993. ISBN 3-900766-05-3.

Poetry

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  • Die Gewalten, 1912
  • Der Dolch und die Wunde, 1917
  • Ewiger Aufbruch, 1926
  • Das schwarze Schiff, 1945, 1947; 1993[6]
  • Immer ist Anfang, 1952

Autobiography

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  • Als Zivilist im polnischen Krieg, Allert de Lange, Amsterdam 1940
  • Als Zivilist im Balkankrieg, Ullstein, Vienna 1947
  • Auf fremden Straßen, Desch, Vienna 1955
  • Zeuge einer Zeit: Briefe aus dem Exil 1933–1950, Langen-Müller, Munich 1955
  • Autobiographical sketch by Franz Theodor Csokor, ca. 1914 for Franz Brümmer; In: Digital Edition of the lexicographic papers from the literary estate of Franz Brümmer

References

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  • Lilly Adler: Die dramatischen Werke von Franz Theodor Csokor. Vienna: university dissertation 1950.
  • Joseph P. Strelka (ed.): Immer ist Anfang. Der Dichter Franz Theodor Csokor. Lang, Frankfurt am Main and elsewhere. 1990. ISBN 3-261-04254-0.
  • Eckart Früh: F. Th. Csokor, ein Frondeur. In: 3. November 1918. Der verlorene Sohn. Gottes General., Ephelant 1993, pp. 249–254. ISBN 3-900766-07-X.
  • Harald Klauhs: Franz Theodor Csokor. Leben und Werk bis 1938 im Überblick. Heinz, Akad. Verl., Stuttgart 1988. (= Stuttgarter Arbeiten zur Germanistik; 204) ISBN 3-88099-208-8.
  • Ulrich N. Schulenburg (ed.): Lebensbilder eines Humanisten. Ein Franz Theodor Csokor-Buch. Löcker, Vienna 1992. ISBN 3-85409-182-6.
  • Paul Wimmer: Der Dramatiker Franz Theodor Csokor. Wagner, Innsbruck 1981. (= Dramatiker, Stücke, Perspektiven; 4) ISBN 3-7030-0086-4.
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Notes

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  1. ^ Gruppe 32 C, Nummer 55
  2. ^ "Reply to a parliamentary question" (PDF) (in German). p. 178. Retrieved 9 March 2013.
  3. ^ with Der verlorene Sohn and Gottes General.
  4. ^ with 3. November 1918 and Der verlorene Sohn.
  5. ^ with 3. November 1918 and Gottes General.
  6. ^ In: Auch heute noch nicht an Land. Briefe und Gedichte aus dem Exil. (see Prose).
  7. ^ Excerpt in FTC, Der 25. Juli in Zwischenwelt. Theodor Kramer Society Jg. 27 #4, February 2011 ISSN 1606-4321 pp. 46f.