Francesco Cozza (1605 – 13 January 1682) was an Italian painter of the Baroque period.
Francesco Cozza | |
|---|---|
 Francesco Cozza, Saint Francis consoled by an Angel, Galleria Nazionale di Palazzo Arnone, Cosenza, Italy | |
| Born | 1605 |
| Died | 1682 (aged 76–77) |
| Occupation | Artist |
Life
editCozza was born in Stilo, in Calabria, and died in Rome. As a young man, he went to Rome where he was apprenticed to Domenichino, with whom he traveled to Naples in 1634.[1]
He is best known for his expansive panegyric ceiling fresco, Apotheosis of Pamphili House (1667–1673) in the library of Palazzo Pamphili in Piazza Navona in Rome. During 1658 to 1659, he frescoed the Stanza del Fuoco in Palazzo Pamphili in Valmontone, working alongside Pier Francesco Mola, Gaspar Dughet, Mattia Preti, Giovanni Battista Tassi (il Cortonese), and Guglielmo Cortese.[2] He also collaborated with Carlo Maratta and Domenico Maria Canuti in the fresco decorations of the Palazzo Altieri. His landscape paintings recall the Carracci style of paesi con figure piccole (landscapes with small figures). He painted a Madonna del Riscatto in church of Santa Francesca Romana. He was received into the Accademia di San Luca at Rome in 1650.
He etched several plates in the style of Pietro del Po, including a St. Peter (1630); a Christ sleeping and adored by Angels and a St Mary Magdalene (1650).
Gallery
edit- Francesco Cozza's paintings
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Hagar in the Wilderness -
Fuga in Egitto, Convent of Sant'Angelo in Pescheria, Rome -
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Madonna and Child -
La predica del Battista, Galleria Nazionale di Arte antica, Palazzo Barberini, Rome -
Portrait of Tommaso Campanella, Collezione Camillo Caetani, Sermoneta
References
edit- ^ Le vie degli artisti : residenze e botteghe nella Roma barocca dai registri di Sant'Andrea delle Fratte, 1650-1699, by Laura Bartoni, Roma : Edizioni Nuova cultura, (2012), page 425.
- ^ Laura Bartoni, page 424.
Sources
edit- Bryan, Michael (1886). Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. I: A-K. London: George Bell and Sons. p. 325.
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