Four Gentlemen

Four Gentlemen
Four Gentlemen
Chinese	四君子
Hanyu Pinyin
Transcriptions
Standard Mandarin
Hanyu Pinyin	Sìjūnzi
Wu
Romanization	[sy去 ciuin平 tsy上] Error: {{Transliteration}}: transliteration text not Latin script (pos 8) (help)
Hakka
Romanization	xi55 giun24 zii31
Yue: Cantonese
Jyutping	sei3 gwan1 zi2
Southern Min
Hokkien POJ	sì-kun-chú
Tâi-lô	sì-kun-tsú

In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum.^[1]^[2] The term compares the four plants to Confucian junzi, or "gentlemen". They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting.

The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues, such as uprightness, purity, humility, and perseverance despite harsh conditions. Each of them represent a different season (the plum blossom for winter, the orchid for spring, the bamboo for summer, and the chrysanthemum for autumn), the four are used to depict the unfolding of the seasons through the year.

Together, the Four Gentlemen have been used in Chinese painting since the time of the Song dynasty (960–1279) since the publication of Mixtures Pharmacopeia aka Heji Jufang and were later adopted elsewhere in East Asia by artists in Korea, Japan, and Vietnam. However, their individual meanings have been traced to far earlier times. For example, the first recorded description of bamboo as being a "gentleman" has been credited to the Duke Wu of Qin (697 to 678 BC) from the Zhou Dynasty.^{[citation needed]}

Korean adaptation

The Four Gentlemen (Korean: 사군자; romaja: Sagunja), also translated as the Four Gracious Plants, were depicted in celadon pottery from the Goryeo period (918–1392).^[3] As tastes changed within the Joseon period (1392–1897) and blue and white porcelains dominated the royal households, the level of the artistry of depictions in ceramics approached the level of refinement found in ink-wash paintings.

The Four Gentlemen were also frequently used in patterns on mother-of-pearl lacquerware, iron bowls, calligraphy boards, pencil cases, and stone crafts such as inkstones and braziers.^[4] Within Korean folk painting (Chinese: 百童子圖; Korean: Baekdongjado):

plum blossoms have come to symbolize fertility, this is perhaps due to an ancient Chinese custom of throwing plums to seek love;
an orchid has come to symbolize nobility, loyalty and fidelity;
chrysanthemums, especially an elixir made from yellow chrysanthemums, is believed to lead to longevity; and
bamboo is likened to a gentlemen's dignity and service to others.

Gallery

Orchids and Bamboo by Zheng Xie, c. 1740
Bamboo at Qingbige Pavilion by Ke Jiusi, c. 1338
Chrysanthemums from the Xian'e Changchun Album by Giuseppe Castiglione (1688–1766)
Plum Blossoms by Sun Long and Chen Lu, early Ming dynasty (1368–1644)
Korean Joseon dynasty buncheong ware wine flask depicting bamboo on one side (1600s)
Korean Joseon dynasty buncheong ware wine flask depicting plum blossom (ume) on the other side
Chrysanthemum on early Goryeo Dynasty celadon vase (918–1392)