Clarine E. Seymour (December 9, 1898 – April 25, 1920) was an American silent film actress.
Clarine Seymour | |
|---|---|
 Seymour c. 1920 | |
| Born | December 9, 1898 Brooklyn, New York City, U.S. |
| Died | April 25, 1920 (aged 21) New York City, U.S. |
| Resting place | Greenwood Union Cemetery (Rye, New York, U.S.) |
| Occupation | Actress |
| Years active | 1917–1920 |
Early life
editSeymour was the eldest of two children born to Albert V. Seymour and Florence Seymour in Brooklyn, a wealthy couple who were devout Methodists.[1][2] She had one younger brother.[3] Albert Seymour ran a prosperous ribbon manufacturing business. Seymour began appearing in entertainments at the family's church as a child.[2] In early 1916, Albert Seymour became ill and was forced to close his business.[4]
The family moved to New Rochelle, New York, where Seymour found work at the Thanhouser Film Company as a film extra to help support her family.[2][5] While at Thanhouser, she appeared in two shorts, Pots-and-Pans Peggy and It Happened to Adele.[3] As a result of her work through the company, she was hired through Pathé in a Pearl White serial.[2]
Career
edit
In 1917, Seymour appeared in Pathé's Mystery of the Double Cross opposite actress Mollie King. Hal Roach saw her performance and offered her a film contract with his Rolin Film Company. Seymour accepted and relocated to Los Angeles to perform as the leading lady in the Toto the Clown (played by Armando Novello) film comedy serials.[2] Throughout 1918, she appeared in the Toto serial and also had a supporting role in the comedy short Just Rambling Along (1918), opposite Stan Laurel.[6] The deal with Roach soon soured after Seymour claimed she was fired for refusing to do her own stunts. She filed suit against the company and was awarded $1,325 (approximately $27,000 today) in damages. While the case was pending, Seymour appeared in comedy shorts for Al Christie.[3]
In 1918, Seymour met Victor Heerman. Heerman directed a screen test featuring Seymour and one of D.W. Griffith's Artcraft stock company actors Robert Harron.[5] Griffith was pleased with the pairing and with Seymour's knack for light comedy and hired her as member of his stock company.[6] Griffith cast Seymour with Harron, Richard Barthelmess and Carol Dempster in the drama The Girl Who Stayed at Home (1919). Although the film was not well received by critics, Seymour's performance was and the public interest in her began to grow. Later that year, she was paired with Robert Harron again in True Heart Susie (1919) which also featured Lillian Gish. Seymour followed with role in Scarlet Days (1919), also opposite Richard Barthelmess and Carol Dempster.[5] In 1920, Griffith cast Seymour in the lead role in The Idol Dancer. The film was not well received by audiences but they were taken by Seymour's performance.[7] Shortly after the film's release, Seymour was featured on the cover of Motion Picture Magazine.[5]
Literary and film critic Edward Wagenknecht provides this portrait of Clarine Seymour: “Miss Seymour was a real discovery. A tiny girl with enormous eyes, she was as dark and vivacious as Griffith’s heroines had been blonde and wistful, a delightful girl of excellent character, whom everybody in the studio loved…” Wagenknecht laments her passing in 1920, and “what almost certainly [would] have been an important film career.”[8]
Death
editIn early 1920, Griffith again cast Seymour, this time in Way Down East. Halfway through filming, on April 21, Seymour fell ill due to intestinal strangulation. She was taken to Misericordia Hospital in New York City for treatment, but her condition did not improve[7] and she underwent emergency surgery. She developed pneumonia and died on April 25, 1920.[9][10][11] Seymour is buried in Greenwood Union Cemetery in Rye, New York.
Actress Mary Hay was cast in Seymour's role for Way Down East, and her part was reshot. Footage of Seymour in long shots can be seen in the finished film.[12] On September 26, a memorial service for Seymour, Ormer Locklear, Olive Thomas, and Robert Harron, who died of an accidental self-inflicted gunshot wound two days after the premiere of Way Down East, was held at the Robert Brunton Studios. All four died that year and were eulogized by director William Desmond Taylor.[13] Taylor was murdered less than 18 months later; his killer was never caught.
Filmography
edit| Year | Title | Role | Notes |
|---|---|---|---|
| 1917 | The Mystery of the Double Cross | Serial | |
| 1917 | Pots-and-Pans Peggy | ||
| 1917 | It Happened to Adele | Mary | |
| 1918 | A One Night Stand | ||
| 1918 | Fare, Please | Short subject | |
| 1918 | His Busy Day | Short subject | |
| 1918 | The Furniture Movers | Short subject | |
| 1918 | Fire the Cook | Short subject | |
| 1918 | Beach Nuts | Short subject | |
| 1918 | Do Husbands Deceive? | Short subject | |
| 1918 | Nipped in the Bud | Short subject | |
| 1918 | The Dippy Daughter | Short subject | |
| 1918 | Just Rambling Along | Pretty Lady | Short subject |
| 1918 | An Enemy of Soap | Short subject | |
| 1918 | Check Your Baggage | Short subject | |
| 1919 | Hustling for Health | Mr. Spotless's Daughter | Uncredited Short subject |
| 1919 | Toto's Troubles | Short subject | |
| 1919 | The Girl Who Stayed at Home | Cutie Beautiful | |
| 1919 | True Heart Susie | Bettina Hopkins | Alternative titles: The Story of a Plain Girl True Heart Susie the Story of a Plain Girl |
| 1919 | Scarlet Days | Chiquita aka Little Flameheart | |
| 1920 | The Idol Dancer | Mary | |
| 1920 | Way Down East | Kate, the Squire's niece | Footage removed/reshot |
Notes
edit- ^ (Slide 1973, p. 136)
- ^ a b c d e Shannon, Betty (July 1920). "An Unfinished Story". Photoplay. 18 (2). Macfadden Publications: 81. ISSN 0732-538X.
- ^ a b c Bowers, Q. David (1995). "Seymour, Clarine - Actress (1916-1917)". thanhouser.org. Archived from the original on June 7, 2015. Retrieved February 1, 2015.
- ^ (Lowe 2014, p. 1952)
- ^ a b c d (Slide 2010, p. 341)
- ^ a b (Okuda & Neibaur 2012, pp. 23–24)
- ^ a b (Golden 2000, p. 160)
- ^ Wagenknecht, 1962 p. 118
- ^ (Vazzana 2001, p. 479)
- ^ "Real Chatter". The Pittsburgh Press. April 29, 1920. p. 12. Retrieved February 1, 2015.
- ^ (Harper Fussell 1982, p. 120)
- ^ (Wagenknecht 2014, p. 192)
- ^ (Long 1991, pp. 148–149)
References
edit- Golden, Eve (2000). Golden Images: 41 Essays on Silent Film Stars. McFarland. ISBN 0-786-48354-7.
- Harper Fussell, Betty (1982). Mabel. Limelight Editions. ISBN 0-879-10158-X.
- Long, Bruce (1991). William Desmond Taylor: A Dossier. Rowman & Littlefield. ISBN 0-810-84171-1.
- Lowe, Denise (2014). An Encyclopedic Dictionary of Women in Early American Films: 1895-1930. Routledge. ISBN 978-1-317-71896-3.
- Okuda, Ted; Neibaur, James L. (2012). Stan Without Ollie: The Stan Laurel Solo Films, 1917-1927. McFarland. ISBN 978-0-786-48987-9.
- Slide, Anthony (1973). The Griffith Actresses. A. S. Barnes. ISBN 0-498-01018-X.
- Slide, Anthony (2010). Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. University Press of Kentucky. ISBN 978-0-813-13745-2.
- Vazzana, Eugene Michael (2001). Silent Film Necrology (2 ed.). McFarland. ISBN 0-786-41059-0.
- Wagenknecht, Edward. 1962. The Movies in the Age of Innocence. University of Oklahoma Press, Norman, Oklahoma. OCLC: 305160
- Wagenknecht, Edward (2014). The Movies in the Age of Innocence (3 ed.). McFarland. ISBN 978-1-476-61764-0.
External links
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