Carmen: A Hip Hopera is a 2001 American musical romantic drama television film produced by MTV and directed by Robert Townsend. Starring Beyoncé Knowles in her debut acting role (predating her theatrical film debut in Austin Powers in Goldmember) along with Mekhi Phifer, Mos Def, Rah Digga, Wyclef Jean, Da Brat, Joy Bryant, Reagan Gomez-Preston (who had previously worked with Townsend on The Parent 'Hood, which ended in 1999), Jermaine Dupri and Lil' Bow Wow, it is based upon the 1875 opera Carmen by Georges Bizet, Ludovic Halévy and Henri Meilhac, but set in modern-day Philadelphia and Los Angeles and featuring a mostly original hip-hop/R&B score in place of Bizet's opera.
| Carmen: A Hip Hopera | |
|---|---|
_DVD_boxart.jpg) DVD cover | |
| Genre | Musical drama[1] Romance |
| Based on | |
| Screenplay by | Michael Elliot |
| Directed by | Robert Townsend |
| Starring | |
| Composer | Kip Collins |
| Country of origin | United States |
| Original language | English |
| Production | |
| Producer | Graig Hutchison |
| Cinematography | Geary McLeod |
| Editor | Jonathan Shaw |
| Running time | 88 minutes[1] |
| Production companies |
|
| Original release | |
| Network | MTV |
| Release | May 8, 2001[1] |
The film is the second major African-American adaptation of the opera, the first being the 1943 Broadway musical Carmen Jones and its 1954 Academy Award-nominated film adaptation.[2]
Plot
editSeductive aspiring actress Carmen Brown, who unwittingly causes trouble wherever she goes, gets involved with Philadelphia Police Department Sergeant Derek Hill, who is engaged to a cocktail waitress named Caela. At Lou's Bar, Carmen gets into a fight with a jealous woman, and Hill's superior officer, Lieutenant Frank Miller, orders Hill to bring Carmen to jail. Carmen tries unsuccessfully to seduce Hill, but convinces him to let her stop at her apartment to put her mother's ring in a safe place so it does not get stolen in jail. There, she puts on lingerie and wins him over. He is caught in the morning (with Carmen nowhere to be found) by Miller (who is now revealed to be a crooked cop), who brings Caela with him as he arrests Hill. Caela slaps Hill and tells him she hates him.
While in jail, Hill cannot stop thinking about Carmen. She writes him a letter, and he shares his obsession with cellmates Jalil and "Pockets". Meanwhile, Carmen meets the famous rapper Blaze at "the Spot", a nightclub. He wants to bring her to Los Angeles, but succeeds only in bringing her best friends. Carmen promises to meet them in LA once Hill is out of jail. Unfortunately, Hill is facing a year of probation once he gets out. However, after he gets into an argument with Miller, he punches him, fleeing to Los Angeles afterwards with Carmen, who is unaware of the incident.
Things in Los Angeles do not go well: Carmen cannot find an acting job, and Hill's fugitive status prevents him from obtaining employment. She encounters her best friends, Rasheeda and Nikki, who are being treated like royalty by Blaze. The trio have their tarot cards read by a psychic; while Rasheeda and Nikki receive favorable fortunes, Carmen's cards read "ruin," "sorrow" and "death." Deciding that it is time for a change, she goes to Blaze's rehearsal and is invited to be his date to his next concert. Meanwhile, Sergeant Tony Porter (Hill's ex-partner) gives Hill and Carmen's address to Miller for a large amount of cash. Simultaneously, a radio, connected to a power outlet, falls into the bathtub which Carmen had just left. Carmen wonders if that was meant to be her death.
Shortly afterwards, Carmen breaks up with Hill and moves in with her friends in a house apparently owned by Blaze. She feels that she should not give up her life for him, even though he did for her. Much like his counterpart in the original opera, Hill is devastated. He also learns from Caela, who still loves him, that he is in danger. Since Hill knows how crooked he is, Miller wants to get rid of him. Hill goes to Carmen to try to win her over again and make her leave with him. Carmen does not want to leave and tells Hill that she is staying. During their argument, a voyeuristic Miller accidentally shoots Carmen twice with a silenced gun while aiming for Hill. As Carmen dies in Hill's arms, he touches her back and sees blood running down his hand, lays the dead body down on the floor and goes to fight Miller. Hill and Miller have their last fight which ends with Miller falling to his death. Rasheeda and Nikki find Carmen's dead body and are both shocked and devastated. The story ends with Hill's wrongful arrest and the rapping narrator laying a rose down for Carmen stating "Immortal Beloved ... Carmen Brown, There'll never be another".
Cast
edit- Mekhi Phifer as Sgt. Derek Hill (Don José)
- Beyoncé Knowles as Carmen Brown (Carmen)
- Mos Def as Lt. Frank Miller (Zuniga)
- Rah Digga as Rasheeda (Frasquita)
- Joy Bryant as Nikki (Mercédès)
- Wyclef Jean as Fortune Teller
- Da Brat as rapping narrator
- Jermaine Dupri as "Pockets" (Le Remendado)
- Lil' Bow Wow as Jalil (Le Dancaïre)
- Casey Lee as Blaze (Escamillo)
- Reagan Gomez-Preston as Caela (Micaëla)
- Sam Sarpong as Nathaniel
- Troy Winbush as Sgt. Tony Porter (Moralès)
- Fred Williamson as Lou (Lillas Pastia)
- Brandon J. Muhammad as prison guard (uncredited)
History
editCarmen: A Hip Hopera, as a remake, mostly resembles the 1954 version starring Dorothy Dandridge and Harry Belafonte titled Carmen Jones, which itself was a remake of the opera Carmen by Georges Bizet. The film exercised a common role for African-American women known as "Jezebel typecast",[3] which was displayed by sassy, shameless, and often cutthroat women. However, Dandridge was able to play the role while adding layers to her character. Commercially successful, the film also became a paramount in the Black feminist community as this was one of the first movies to successfully show a black woman beyond roles that were oversexualized, as well as break the mold of the common black role of "mammy".
Director Robert Townsend also directed the 1987 stand-up comedy film Eddie Murphy Raw, and directed and starred in both the 1991 musical film The Five Heartbeats and the 1993 superhero comedy film The Meteor Man. There are some discrepancies with how the story differs from its original play version as well as criticism of Beyoncé's movie debut performance. In the book Carmen: From Silent Film to MTV, Perriam and Davies state that "Beyoncé ... is an accomplished, virtuoso singer, and she has difficulty bending her particular talents to spoken delivery".[4] The opposite was said about Mehki Phifer who "has proven himself elsewhere an effective actor for television and film, but he seems to be uncomfortable here either rapping or singing".[5] In the original play and Carmen Jones, Carmen was killed by Don José, the male lead; however, in the Hip Hopera version, while at Blaze's concert, she is killed by Miller and dies in the arms of Hill, the male lead. Also, this was the first widely released musical involving mostly rap. Some similarities between the versions include all-star casts (of notable celebrities of the era) as well as some musical themes relating to the scenes.
Mtv's Hip Hopera: CARMEN (Original Television Soundtrack)
edit| Mtv's Hip Hopera: CARMEN | |
|---|---|
| Soundtrack album by Various Artists | |
| Released | June 12, 2001 |
| Recorded | 2000–2001 |
| Studio |
|
| Genre | |
| Length | 34:40 |
| Label | |
| Producer | |
A accompanying soundtrack for the project was released on June 12, 2001. Reception was mixed, with Steven Oxman from Variety both celebrating an attempt to "bridge a gap that had seemed impassable" between opera and hip-hop, and remarking that "rhythm and tone... take priority over subtlety" when dissecting the lyrical weight of the musical.[2] In another mixed review, Alona Wartofsky of The Washington Post praised the "star power", but was disappointed with both lyrical and production imperfections.[6]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "The Introduction" (Da Brat) |
| Collins | 1:02 |
| 2. | "Survivor (Extended Remix)" (Destiny's Child featuring Da Brat) |
| 4:24 | |
| 3. | "Boom" (Royce da 5′9″) | DJ Premier | 3:53 | |
| 4. | "What We Gonna Do" (Rah Digga) | Megahurtz Music Group | 3:51 | |
| 5. | "If Looks Could Kill (You Would Be Dead)" (Beyoncé, Mos Def & Sam Sarpong) | Williams | Collins | 2:05 |
| 6. | "Cards Never Lie" (Beyoncé, Wyclef Jean & Rah Digga) |
| Collins | 2:42 |
| 7. | "The Last Great Seduction" (Beyoncé & Mekhi Phifer) |
| Collins | 2:22 |
| 8. | "B.L.A.Z.E." (Casey Lee, Rah Digga & Joy Bryant) |
| Collins | 2:25 |
| 9. | "Black & Blue" (Mos Def & Mekhi Phifer) | Collins | Collins | 1:50 |
| 10. | "Stop That!" (Beyoncé & Mekhi Phifer) | Collins | Collins | 1:58 |
| 11. | "Blaze (Finale)" (Casey Lee) |
| Collins | 2:41 |
| 12. | "Immortal Beloved (Outro)" (Da Brat) |
| Collins | 1:15 |
| 13. | "Bootylicious (Rockwilder Remix)" (Destiny's Child & Missy Elliott) |
| 4:12 | |
| Total length: | 34:40 | |||
Personnel
editCredits adapted from Apple Music, Discogs, and Spotify.[7]
- Da Brat - Featured Artist (1-2,12)
- Destiny's Child - Featured Artist (2,13)
- Royce da 5′9″ - Featured Artist (3)
- Rah Digga - Featured Artist (4,6,8)
- Beyoncé - Featured Artist (5-7,10)
- Mos Def - Featured Artist (5,9)
- Sam Sarpong - Featured Artist (5)
- Wyclef Jean - Featured Artist (6)
- Mekhi Phifer - Featured Artist (7, 9-10)
- Casey Lee - Featured Artist (8,11)
- Joy Bryant - Featured Artist (8)
- Kip Collins – Producer (1, 5-12), Recording Engineer (1, 4-12)
- Beyonce Knowles - Producer (2,13)
- Anthony Dent - Producer (2)
- DJ Premier - Producer (3)
- Missy Elliott - Producer (13)
- Rockwilder - Producer (13)
- Kenny Blank - Mixing Engineer (1, 4-12)
- Tom Coyne - Mastering Engineer (1-13)
- Larry Fergusson – Recording Engineer (1, 4-12)
- Samie Barela – Recording Engineer (1, 4-12)
- Brian D. Frye – Recording Engineer (1,12)
- Tony Maserati - Mixing Engineer (2)
- Blake Eiseman - Recording Engineer (2)
- Veeriniqua Green - Background Vocals (3)
- Octavia Lambertis - Background Vocals (3)
- Michael Elliot - Executive Producer
- Mathew Knowles - Executive Producer
- Chris Gehringer - Mastering Engineer (3)
- Eddie Sancho - Recording Engineer (3)
- Dexter Thibou - Recording Engineer (3)
- Andy Grassi - Recording Engineer (6)
- Mike Koch - Engineer (13)
- Mike Hogan - Engineer (13)
- Brian Garten - Engineer (13)
- Bruno Sutter - Engineer (13)
- Dave Pensado - Mixing Engineer (13)
- Teresa LaBarbera Whites - A&R Executive
- Kim Burse - A&R Coordinator
- Chris Gorman - Photography (Rose Petals)
- Carol Caelson - Photography (Movie Stills)
- Dorothy Low - Photography (Movie Stills)
Critical response
editThe film received mainly mixed reviews. AllMovie graded it with two-and-a-half out of five stars.[1] On Rotten Tomatoes, it has an approval rating of 50% from 6 reviews.[8]
References
edit- ^ a b c d Carmen: A Hip Hopera at AllMovie
- ^ a b Oxman, Steven (May 2, 2001). "Review: Carmen: A Hip Hopera". Variety. Archived from the original on March 5, 2016. Retrieved December 10, 2017.
- ^ Sims, Yvonne D (2006). Women of Blaxploitation: How the Black Action Film Heroine Changed American Popular Culture. Jefferson, North Carolina: McFarland & Company. p. 39.
- ^ Perriam & Davies, p. 212
- ^ Perriam, Chris; Davies, Ann, eds. (2005). Carmen: From Silent Film to MTV. Amsterdam: NLD: Editions Rodopi.[page needed]
- ^ Wartofsky, Alona (May 8, 2001). "MTV's 'Carmen': No Way Bizet". The Washington Post. Archived from the original on August 27, 2017. Retrieved March 16, 2024.
- ^ "Mtv's Hip Hopera: CARMEN by Carmen (Television Soundtrack) on Apple Music". June 12, 2001. Archived from the original on September 9, 2023. Retrieved March 16, 2024 – via music.apple.com.
- ^ "Carmen: A Hip Hopera". Rotten Tomatoes. Archived from the original on 2023-07-23. Retrieved 2023-07-23.
