Barbara Anne Astman RCA (born 12 July 1950) is a Canadian artist who has recruited instant camera technology, colour xerography, and digital scanners to explore her inner thoughts.[1][2][3]
Barbara Astman | |
|---|---|
 Barbara Astman in her studio | |
| Born | Barbara Anne Astman 12 July 1950 Rochester, New York, U.S. |
| Education | RIT (School for American Craftsmen), OCA |
| Awards | Ontario Arts Council, Canada Council |
| Website | www |
Early life and career
editAstman was born in Rochester, New York, the second of three children of Bertha (née Meisel, a homemaker) and George Astman (an auto mechanic and salesman.) She received her associate degree at the Rochester Institute of Technology's School for American Craftsmen in 1970. That year, she moved to Toronto, Ontario, Canada to study at the Ontario College of Art (now OCAD University,) and graduated with an associate degree (A.O.C.A.) in 1973.[3] She joined the faculty of OCAD in 1975, served as chair of photography (2001–2002), and professor in the faculty of art (2002–2021). She retired in 2021 as professor emerita.[4]
Work
editSince the early 1970s Astman has explored a wide range of photo-based media and produced work, which has received recognition in Canada and abroad.[4][5]
Her first public solo exhibition immediately upon graduating from OCA (OCADU) was held in 1973, at Toronto's Baldwin Street Gallery of Photography. Two years later, the Still Photography Division of the National Film Board of Canada renamed as the Canadian Museum of Contemporary Photography, Ottawa and now part of the National Gallery of Canada, hosted her first museum show.
Since then, she has had an extensive and prestigious solo exhibition history. Her major touring retrospective exhibition, Barbara Astman - Personal/Persona - A 20 Year Survey was curated by Liz Wylie (Art Gallery of Hamilton, 1995). In May 2011, her installation, Dancing with Che: Enter through the Gift Shop (Kelowna Art Gallery, 2013) toured across Canada. Barbara Astman: I as artifact featured a new series of works accompanied by a comprehensive publication (McIntosh Gallery, 2014) and Barbara Astman Looking: Then and Now (Corkin Gallery), a two-part exhibition received recognition in 2016.[4]
She has been included in major group exhibitions, such as: Beautiful Fictions (AGO, 2009); Light My Fire Part I: Some Propositions about Portraits and Photography (AGO, 2013); Herland, (60 Wall Gallery, New York 2014);Look Again: Colour Xerography Art Meets Technology (AGO, 2015); Living Building Thinking: Art and Expressionism (McMaster Museum of Art, 2016), and Toronto: Tributes + Tributaries, 1971–1989 (AGO, 2016), among many others.[4] In 2024, her work was included in the Winnipeg Art Gallery's four-person exhibition featuring work from the permanent collection Animating the Figure with Photography along with the work of Donigan Cumming, Adad Hannah, and Stephen Livick.[6]
Astman is represented by Corkin Gallery, Toronto and Paul Kyle Gallery, Vancouver.[4]
Her artist's archives are held in the E.P. Taylor Research Library & Archives Special Collections, Art Gallery of Ontario.[7]
Commissions
editShe has completed several public art commissions, including a floor installation for the Calgary Winter Olympics (1987), a public art installation for the new Canadian Embassy in Berlin, Germany[8] (2005), consisting of a fritted glass tower wall; the Murano on Bay in Toronto consisted of 217 windows with photo-based imagery (2010); and a photographic installation (The Fossil Book) for the inaugural exhibition at the new Koffler Gallery (Toronto, 2013).[4]
Service to the arts community
editAstman has served on numerous boards and advisory committees, including the Art Gallery of Ontario's Board of Trustees (2009–2013) and as the chair of the Art Advisory Committee, Koffler Gallery, Toronto and vice president, board of directors, prefix (ICA) Institute of Contemporary Art, Toronto.
In addition, she has co-curated an installation titled The Emergence of Feminism: Changing the Course of Art, featuring work by Joyce Wieland, Suzy Lake and Lisa Steele (AGO, 2008).[9]
Awards
editIn 2000, she was elected to the Royal Canadian Academy.[10] In 2024, she was awarded a Governor General's Awards in Visual and Media Arts.[11]
Public collections
editAstman is represented in important public, corporate and private collections in Canada and abroad including the National Gallery of Canada, Ottawa, the Bibliothèque Nationale, Paris, Art Gallery of Ontario, Toronto, Deutche Bank, New York, and the Victoria and Albert Museum, London.
The following permanent collections, among others, hold her work:
- Agnes Etherington Art Centre, Queen's University, Kingston, ON[12]
- Art Gallery of Hamilton, Hamilton, ON[13]
- Art Gallery of Ontario, Toronto, ON[14][5]
- Bibliothèque Nationale, Paris[15]
- Burnaby Art Gallery, Burnaby, British Columbia[16]
- The Robert McLaughlin Gallery, Oshawa, ON[17]
- George Eastman Museum, Rochester, New York[18]
- McIntosh Gallery, University of Western Ontario, London, ON[19]
- Museum of Fine Arts, Houston[20]
- National Gallery of Canada, Ottawa[21]
- The University of Toronto Art Museum[22]
- Oklahoma City Museum of Art[23]
- Victoria and Albert Museum, London[15]
- Winnipeg Art Gallery, Winnipeg, MB[24]
Critical reception
editCanadian Art magazine featured a profile of Astman's career in the Spring 2014 issue.[4]
The Clementine Suite
- "...a celebration of the human spirit."[25]
Dancing With Che
- "...echoes across more than a century of technological innovation and evolution of the medium".[26]
- "Audacious, humorous, improbable."[27]
Wonderland
- "Intimate, personal, and quietly enthralling."[28]
References
edit- ^ Georgiana Uhlyarik, "Dear Canadian Art, I was thinking about you...". Moving the Museum: Indigenous + Canadian Art at the AGO. Art Gallery of Ontario and Goose Lane Editions, 2023.
- ^ Enright, Robert. Border Crossings Issue #90, Vol. 23, No.1, May 2004, pp. 43–50
- ^ a b Allen, Karyn Elizabeth. "Article". thecanadianencyclopedia.ca. Canadian Encyclopedia. Retrieved 1 June 2023.
- ^ a b c d e f g "Faculty". ocadu.ca. OCAD. Retrieved 2 June 2023.
- ^ a b guhlyarik. "Barbara Astman: A Movie For One". Canadian Art. Retrieved 7 March 2020.
- ^ "Exhibitions". www.wag.ca. Winnipeg Art Gallery, 2024. Retrieved 11 July 2024.
- ^ "Special Collectiona". atom.ago.ca. Edward P. Taylor Library & Archives Special Collections. Retrieved 3 June 2023.
- ^ Government of Canada http://www.canadainternational.gc.ca/germany-allemagne/offices-bureaux/embassy_art_ambassade.aspx?lang=eng Archived 4 June 2013 at the Wayback Machine
- ^ Murray, Joan; Canadian Art in the Twentieth Century, Dundurn Press, 1999, pp168–170
- ^ The Royal Canadian Academy of Arts "Royal Canadian Academy of Arts - Académie royale des arts du Canada". Archived from the original on 4 August 2010. Retrieved 16 January 2010.
- ^ "Winners". en.ggarts.ca. Governor General of Canada. Retrieved 7 March 2024.
- ^ "Collection". agnes.queensu.ca. Agnes Etherington Art Centre, Kingston. Retrieved 25 June 2021.
- ^ "Contemporary Collection". Art Gallery of Hamilton. Archived from the original on 6 March 2019. Retrieved 4 March 2019.
- ^ "The Collection | Art Gallery of Ontario". Art Gallery of Ontario. Archived from the original on 9 March 2018. Retrieved 8 March 2018.
- ^ a b "Barbara Astman". ocadu.ca. OCAD. 15 February 2017. Retrieved 25 June 2021.
- ^ "Barbara Astman: personal persona : a 20-year survey | Art Gallery Collections". collections.burnabyartgallery.ca.
- ^ Astman, Barbara. "Works in the Collection". rmg.minisisinc.com. Robert McLaughlin Gallery, Oshawa. Retrieved 13 June 2020.
- ^ "Collections". Archived from the original on 6 March 2019. Retrieved 4 March 2019.
- ^ "Collection". mcintoshgallery.ca. Mcintosh Gallery, London, Ontario. Retrieved 25 June 2021.
- ^ "Untitled #9 | All Works | the MFAH Collections".
- ^ "Barbara Astman". gallery.ca.
- ^ "Barbara Astman | Works | eMuseum | UofT Art Museum".
- ^ "The Art of Light". 19 March 2020.
- ^ "Collection". wag.ca. Winnipeg Art Gallery. Retrieved 25 June 2021.
- ^ Dault, Julia; National Post, Jan. 12, 2006
- ^ Liss, David and Rubenstein, Bonnie, Exhibition Curators, Still Revolution: Suspended in Time, the Museum for Contemporary Canadian Art, May, 2009
- ^ Wylie, Liz; Canadian Art, Fall 2003, Volume 20, No. 3, p. 139
- ^ Whyte, Murray, Toronto Star, Wonderland Nov. 16, 2009. http://thestar.blogs.com/untitled/2009/11/barbara-astmans-wonderland-at-jane-corkin.html Archived 25 July 2011 at the Wayback Machine.