Wikipedia

Bali Aga

Not to be confused with Balinese people, other ethnicity in Bali.

The Bali Aga, Baliaga, or Bali Mula are the indigenous people of Bali. Linguistically they are an Austronesian people. Bali Aga people are predominantly located in the eastern part of the island, in Bangli especially the mountains Kintamani, East Buleleng, West Buleleng and East Karangasem, but they can also be found in north-western and central regions. The term Bali Aga or Bali Pégunungan (Mountain Balinese) is regarded as an insult with an additional meaning of "the mountain people that are fools"; therefore, they prefer the term Bali Mula (lit. Original Balinese) instead.[2]

Bali Aga people
ᬩᬮᬶᬓᬂᬢᬼ (Baliaga)
ᬩᬮᬶᬓᬢᬽᬓᬃ (Bali Mula)
Total population
63,000[citation needed]
Regions with significant populations
 Indonesia
Bali
Eastern Bali:
Bangli (2,18%)
Karangasem (0,07%)
Klungkung (0,01%)
Gianyar (0,15%)
Northern Bali:
Buleleng (1,38%)
Southern Bali:
Denpasar (0,34%)
Badung (0,03%)
Central Bali:
Tabanan (0,01%)
Badung:
Western Bali:
Jembrana (0,01%)[1]
Languages
Native
Balinese (Bali Aga Balinese)
Also
Indonesian
Religion
Majority
Hinduism (99.83%)
Minority
Evangelical Christian (0.17%)[citation needed]
Related ethnic groups
Balinese, Sundanese, Sasak, Javanese, Banjarese, Taiwan aboriginial people and other Austronesian people
A Bali Aga tribesfolk

Bali Aga people who are referred to as Bali Pégunungan (Mountain Balinese) are those that are located at Trunyan village. For the Trunyan Bali Aga people, the term Bali Aga or Bali Pégunungan (Balinese: Mountain Balinese) is regarded as an insult with an additional meaning of "the mountain people that are fools"; therefore, they prefer the term Bali Mula (lit Original Balinese) instead.[3]

Origin

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The original inhabitants of Bali are said to have come from Bedulu village long before the Hindu-Javanese immigration wave. Legend states that in Bedulu lived the last king of Pejeng (an old Balinese kingdom), Sri Aji Asura Bumibanten, who had supernatural powers.[4] He could cut off his head without feeling pain and put it back on again. One day, his head accidentally fell into a river and was swept away. One of his servants panicked and decided to quickly decapitate a pig and replace the king's head with the animal's head. Embarrassed, the king hid in a tall tower, denying any visitors. A small child discovered the secret and since then, the king has become known as Dalem Bedulu, or He-who-changed-head. Another explanation is that the name comes from Badahulu or "the village upstream".[5] After the Pejeng kingdom, the Majapahit Empire rose to power.

Number, locations

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An inventory of Bali Aga villages by the Public Works Office en 1988-1989 recorded about 38 traditional villages, in seven regencies. However, a research published in 2015 found 62 Bali Aga villages spread across seven regencies.[6]

Among these seven regencies, Bangli Regency has the highest number of Bali Aga villages: 25 villages - including six in Bangli, Susut[7] and Tembuku[8] sub-districts. The Kintamani sub-district includes about 19 Bali Aga villages, disseminated at the foot of mount Batur, along lake Batur and in the valleys.[9]

The Bali Agan villages

Culture

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A grave in Trunyan Village
 
Mekarè-karè or Perang pandan (pandan battle) in Tenganan village, Karangasem

The Bali Aga live in isolated areas in the mountains. Compared to the lowland Balinese, their relative isolation preserved some original Austronesian elements, apparent in Bali Aga architecture. Tourists wishing to visit certain villages must be careful due to the area's geography. While visiting, it is also important to be respectful and quietly observe the preserved way of life the Bali Aga have.[11]

In Tenganan, where tourism is more easily embraced and the people are said to be more friendly, a three-day festival called Udaba Sambah is held during June or July. Tenganan prohibits divorce and polygamy, unlike other villages.[12]

B. Hauser-Schäublin points out that the 20 copperplate inscriptions of Sembiran indicate that the villages of Sembiran and Julah, their culture and society, have seen rapid transformations between the 10th and 12th centuries; and they cannot be said to have perdured unchanged since pre-hindu times. She notes that these villages were subjected to much outside influence, close as they are to the sea and therefore to the trading route between India and China and the Spice Islands, that touched the north of Bali.[13]: 12  Pirates were a constant threat until the arrival of the Dutch, plagues such as cholera were also recurrent. Muslim immigrants left traces too.[14] Archaeological excavations near the coast between Julah, Bangkah and Sembiran show that Indian traders travelled as far as Bali since at least 2000 years ago and it can be assumed that that trade was continuous up until the 10th century, with Julas as a port and as a trading center.[15]

Recent times see drastic socio-economic changes and this ancient culture is being rapidly lost to tourism and modernization.[16] For example, until recently, foraging for wild and semi-wild plants, notably in forest areas, brought more diversity to the diet and an increase in income by selling some plants at traditional markets.[17] These edible plants are still the main source of food in rural areas but their use is increasingly neglected, and the indigenous knowledge of plant uses is being eroded - the latter proving itself to be one of the major threats to the sustainability of biological diversity.[18]

Language

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The Bali Aga are a multilingual people. The majority speak their mother tongue Balinese Bali Aga dalect, but a minority can also speak standard Balinese, due to being surrounded by Balinese speakers. Their dialect is slightly different from the common Balinese language. It dates back thousands of years and varies from village to village; the version spoken in the Tenganan village is different from the Trunyan village. Bali Aga people also speak Indonesian as a language of communication between ethnicities. They also speak English for tourists and Kawi/Old Javanese for religious rituals.

Craftwork

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An important part of Bali Aga culture is the complex tie-dye technique used to make Bali's traditional geringsing double ikat. Bali's Tenganan village is the only village that still produces geringsing.[19]

In geringsing, both the cotton warp and weft threads are carefully dyed and cross-dyed before weaving; the finished pattern only emerges as the cloth is woven. According to textile expert John Guy, "the ancestry of Balinese geringsing is far from clear, although some cloths display the unmistakable influence of patola",[20] the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by patola, for example a design known as the frangipani flower (jepun).[21] The palette of geringsing is typically red, neutral, and black. Geringsing are regarded as sacred cloths, "ascribed supernatural properties, especially to assist in forms of healing, including exorcism."[21] Gering means decease and sing means no.

In Sukawana (Bangli Regency), an inscription dated to 883 AD was found on Mount Kintamani, that lists the occupation of indigo-dyeing (mangnila) and morinda-dyeing (mamangkudu) as being exempt from taxation.[22]

The production of Indigo dye has been traditionally prohibited in a few places of Eastern Indonesia. One such place is the village of Wunga at Cape Sasar in northern East Sumba, seen as the mythical place of origin of the Sumbanese and therefore the place where the dead are lead back by their ancestors. In Wunga, cloths were mud-dyed by steeping them first in a hot bath of tannin-rich barks and leaves, followed by immersion in stagnant mud rich in ferrous salts.[23] Indigo represents a form of reincarnation, whereas the black mud "represents the putrefying stage of the deceased as he pursues his journey to the land of the dead".[24]
The village of Tenganan Pegringsingan (Karangasem Regency) holds a more extreme position on the matter: indigo is considered impure and is entirely forbidden. The first dyeing stage with indigo is thus subcontracted to the neighbouring village of Bugbug.[25]

References

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  1. ^ "Peta Sebaran Penduduk Menurut Suku Bangsa Provinsi Bali" (pdf). bali.bps.go.id. 15 January 2015. pp. 9, 11. Archived from the original on 2022-06-30. Retrieved 24 September 2022.
  2. ^ James Danandjaja (1989). Kebudayaan petani desa Trunyan di Bali: lukisan analitis yang menghubungkan praktek pengasuhan anak orang Trunyan dengan latar belakang etnografisnya. Penerbit Universitas Indonesia. p. 1. ISBN 97-945-6034-0.
  3. ^ James Danandjaja (1989). Kebudayaan petani desa Trunyan di Bali: lukisan analitis yang menghubungkan praktek pengasuhan anak orang Trunyan dengan latar belakang etnografisnya. Penerbit Universitas Indonesia. p. 1. ISBN 97-945-6034-0.
  4. ^ Mischa Loose (2012). Bali, Lombok. DuMont Reiseverlag. ISBN 978-37-701-6713-5.
  5. ^ "Bedulu village". Archived from the original on 2009-01-08.
  6. ^ Yudantini, Ni Made (2015). Bali Aga Cultural Landscape Challenges: Conserving the Balinese Traditional Landscape for Future Balinese Indigenous Villages (Bali Aga) and Communities (doctorate thesis). Deakin University, Australia / Udayana University, Bali. Cited in Yudantini 2020, p. 160
  7. ^ "Susut (Bangli), map". openstreetmap. 4 May 2018.
  8. ^ "Tembuku, map". openstreetmap. 27 June 2022.
  9. ^ Yudantini 2020, p. 160.
  10. ^ Yudantini 2020, p. 162.
  11. ^ Sigit Wahyu (January 3, 2015). Ni Luh Made Pertiwi F (ed.). "Menjaga "Geopark" Kaldera Danau Batur". travel.kompas.com. Travel Kompas. Retrieved 2016-11-14.
  12. ^ "Different cultural insights in Bali's Tenganan village". The Jakarta Post. 10 November 2016. Retrieved 2016-11-19.
  13. ^ Hauser-Schäublin, Brigitta (2008). "Sembiran and Julah – Sketches of History". In Hauser-Schäublin, Brigitta; Ardika, I Wayan (eds.). Burials, Texts and Rituals: Ethnoarchaeological Investigations in North Bali, Indonesia. Universitätsverlag Göttingen. pp. 9–68. ISBN 978-3-940344-12-0.
  14. ^ Hauser-Schäublin 2008, p. 13.
  15. ^ Hauser-Schäublin 2008, p. 15.
  16. ^ Sujarwo, W.; Arinasa, I. B. K.; Caneva, G.; Guarrera, P. M. (2016). "Traditional knowledge of wild and semi-wild edible plants used in Bali (Indonesia) to maintain biological and cultural diversity". Plant Biosystems. 150 (5): 971–976. Bibcode:2016PBios.150..971S. doi:10.1080/11263504.2014.994577. Retrieved 2024-05-10. See p. 971-972.
  17. ^ Sujarwo et al. 2016, p. 974.
  18. ^ Sujarwo et al. 2016, p. 971.
  19. ^ Ryan Ver Berkmoes, Adam Skolnick & Marian Carroll (2009), Bali & Lombok, Lonely Planet, p. 67, ISBN 978-174-2203-13-3
  20. ^ Guy, John (1998). Woven cargoes : Indian Textiles in the East. Thames & Hudson. p. 13. ISBN 9780500288290.
  21. ^ a b Guy 1998, p. 96.
  22. ^ Richardson, David; Richardson, Sue (2016). "Indigo". asiantextilestudies.com. p. Indigo in the Lesser Sunda Islands. Retrieved 2024-05-09.
  23. ^ Richardson & Richardson 2016, "Prohibitions against Indigo Dyeing".
  24. ^ Geirnaert, Danielle (1993). "The Sumbanese Textile Puzzle. A comparative Exercise". In M.L. Nabholz-Kartashoff, R. Barnes & DJ. Stuart-Fox (ed.). Weaving Patterns of Life. Indonesian Textiles. Bale: Musée d'Ethnographie. pp. 203-228 (see p. 212-213). Cited in Richardson & Richardson 2016, "Prohibitions against Indigo Dyeing"
  25. ^ Bühler, Alfred (1943). "Materialien zur Kenntnis der Itaktechnik". Internationales Archiv für Ethnographie. 43: 243–247. Cited in Richardson & Richardson 2016, "Prohibitions against Indigo Dyeing"

See also

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Wikipedia articles

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Bibliography

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