Heraldry, as a scholarly discipline that deals with the study and origin of various symbols and elements, emerged in Albania towards the end of the 13th century. Over time, it has evolved as an inseparable component of European heraldry, encompassing its advancements, shifts and accomplishments.
The earliest evidence in the usage of coats of arms can be traced to the formative period of the Principality of Arbanon, with the Gropa ruling family. This practice continued in uninterrupted succession across various medieval Albanian lineages and patronymic families, namely the Albani, Angeli, Arianiti, Balsa, Becichemo, Dukagjini, Durazzo, Dusmani, Kastrioti, Matranga, Muzaka, Scura, Spani, Spata, Thopia, Zaharia, Zenevisi and numerous others.[1]
Medieval period
editAmbiguitatem
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Coat of arms at the Abbey of Ndërfandina (????) Within the marble beam that held the gate of the monastic cell, at the old abbey of Ndërfandina in Gëziq, the Austrian consul in Shkodër, Theodor Ippen, unearthed an epigraphic inscription from the architrave of the Basilica along with a heraldic coat of arms which featured a stone-carved eagle, with one head and two wings outstretched in flight, clutching a ring on its beak.[2] In 1967, digging through the broken fragments which had been stored at the local museum of Rrëshen, researcher Dhimitër Shuteriqi became convinced that the pieces on the inscription formed the words DIMITRI and PROGON, in reference to the princes of the Progonate family of lords that ruled over the territory now known as the Principality of Arbanon.[3] The fragments discovered in Gëziq were transferred at the Archaeological Museum of Tirana in 1981, to be further examined by conservation specialist Koço Zheku. After meticulously reconstructing the eight pieces of marble, which collectively measured 1.6 meters in length, Zheku managed to decipher the inscription as follows:[4]
His conclusive work, refuting the earlier findings by Shuteriqi, was published in the scientific periodical "Iliria", issue nr.2, p. 219–225, year 1984. At the insistence of communist officials, the inscription, unreadable in its entirety, was given a new interpretation by scholar of antiquity Injac Zamputi, reaffirming Shuteriqi's previously ambiguous claims.[5] |
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Coat of arms of Drivastum (????) Not far from the gates of the citadel of Drivastum, a hewn stone bearing a coat of arms was found by local peasants among the rubble and blocks of stone.
No inscription has been found to give clues as to whether the coat of arms belonged to a Venetian or an Albanian lord. One can only assume that the stone was immured in the gate and tumbled down when the wall collapsed. The coat of arms is one of the few remnants of value where once stood the medieval city of Drivastum.[6] |
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Tombstone relief at the Berat Citadel (????) First discovered by Austrian archaeologist Carl Patsch, details of the tombstone relief were published in the 1919 work titled "Archäologische Forschungen in Albanien und Montenegro" by Camillo Praschniker and Arnold Schober:[7]
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Coat of arms discovered in Maqellarë (????) During the agricultural activities of the early 1970s, a coat of arms intricately carved from marbled limestone, bearing a closed white hue akin to the marbles found in the Banisht quarry, was discovered in Maqellarë.
This coat of arms is speculatively linked to the Gropa family of feudal lords who ruled over the region between the 12th and the 14th centuries.[8] |
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Coat of arms at the Monastery of St. Antonius (15th century) Opposite the town of Alessio, above a hill on the right bank of the Drin river, stands the small Franciscan monastery of St. Antonius. Tradition of the Franciscan order alludes to the founding of this monastery being ascribed to its founder, Francis of Assisi, going back to the 13th century. At the entrance, embedded on the pavement, a tombstone decorated with a coat of arms was found, and later removed, placed alongside the interior wall. The coat of arms is surmounted by an inscription, which is, unfortunately, incomplete.[9] It reads:
The name of the person buried here is not clear from the inscription. The tombstone probably belongs to a Venetian lord, dating from the 15th century, since Alessio was Venetian property at the time.
In contemporary Albanian history, this coat of arms is speculatively attributed to one Anton Scura, a supposed patriarch of the noble Scura family, which held sway over the territories in nearby Delbnisht, present-day Kurbin. No reliable records of an Anton Scura from sources of antiquity have been found. |
Regnum Albaniæ
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Coat of arms of the Angevin dynasty (1292) Charles I d'Anjou, brother of King Louis IX of France, governed the Kingdom of Naples (and Sicily), during the 13th century. Following the Norman invasion, he extended his rule into Albania, capturing Dyrrhachium and bringing Albanian feudal lords under his control. The Despot of Epirus, who had nominal authority over this region, became his vassal. Charles (I) established the first Albanian kingdom, Regnum Albaniæ, and was declared its King in 1272.[10] The symbols in the Angevin coat of arms are attributed to his grandson and future heir, Philip I, Prince of Taranto.
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Feudal lords
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 .svg){kind=small} .svg){kind=small} .svg){kind=small}  Clockwise: Pilika's models (14th century and later); Petronio's model (1680); Fojnica's model (17th century) |
Coats of arms of the Dukagjini (14th century) The Dukagjini were a noble Albanian family of feudal lords that ruled parts of northern Albania and western Kosovo throughout the 14th and 15th centuries. A branch of the family fled Ottoman rule and settled in the Venetian-controlled city of Capodistria, joining other Albanian nobility, the Borisi, Bruni and Bruti.[11] Their extensive lineage is documented in Prospero Petronio's manuscript titled "Memorie istoriche sacre e profane dell'Istria e sua metropoli (1680–1681)", which traces the family's roots to Iginus Comnenus, of the Arianiti Comneni clan.[12] Lek Dukagjini, a strong tribal chieftain, gained prominence for his work The Kanun, a set of traditional customary laws that regulated clan relations between the highlanders of northern Albania. His nephew, Giovanni, son of Demetrio, became castellan lord of San Servolo. Other members of the family gradually integrated into Ottoman suzerainty, finding their way to Istanbul where they would achieve high ranks, beginning with Dukaginzade Ahmed Pasha who served as Grand Vizier of the Ottoman Empire from 1514 to 1515 CE. His son, Dukaginzade Mehmed Pasha, went on to great feats of his own, becoming governor of Egypt from 1554 to 1556 CE. The city of Aleppo even has a Mosque complex bearing his name. Dukaginzade Yahya Bey, a warrior-poet, or sâhib-i seyf ü kalem (master of the sword and pen), took part in key battles, including Chaldiran in 1514, the Ottoman-Mamluk War in 1516–1517 CE, and the Siege of Szigetvár in 1566 CE. Yahya Bey was celebrated as a prolific diwan poet during his lifetime. The earliest artistic depiction of the Dukagjini coat of arms was discovered in a 14th-century manuscript, later featured in a correspondence article by scholar of antiquity Dhimtri Pilika, titled "Shqiponja Arbërore si Simbol i Dukagjinëve", published in issue nr.6 (7th annual edition) of the monthly socio-political and literary arts periodical YLLI.[13] A somewhat comparable coat of arms is also found in a colored miniature dating from the 17th century Fojnica Armorial.
Pilika's article presents an alternate coat of arms, derived from a marble carving found in the residence of Demetrio Lecca, one of the last family heirs, who served as lieutenant general in the Neapolitan Army. Arbëresh poet Girolamo de Rada (1814 † 1903) dedicated his 1836 work “Il Milosào” to him. The Bulletin of Central Archaeological Studies "Sylva Mala", published a similar illustration of the coat of arms in its 8th annual edition (1987).[14]
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Coat of arms of the Cernovichio (14th century) The Cernovichio were a noble family of feudal lords that ruled over the territory in what is now southern Montenegro and northern Albania, during the 14th century. They formed blood ties through marriage with several prominent Albanian families of the time, namely the Zaharia, Kastrioti, Arianiti, Thopia and Zaguri. Historian Demetrio Franco mentions them along the same line as other Albanian nobility, the Dukagjini, Spani and Dushmani, in his 1584 work titled "Gli Illustri et gloriosi gesti, et vittoriose imprese fatte contra Turchi; dal Sign. Giorgio Castriotto detto Scanderbego.[15] The Cernovichio are referred to as a family from Albania in the 1780 biographical dictionary titled "Dizionario Storico-Portatile di Tutte Le Venete Patrizie Famiglie", published in Venetia by Giuseppe Bettinelli.[16] Eugène Müntz writes in "Les Arts à la cour des Papes pendant le XVe et le XVIe siécle", published in 1878, the following:[17]
In the 11th annual edition of the genealogy journal "Rivista del Collegio Araldico," published in Rome in 1913, a segment of the family who had migrated to Venetia are recognized as medieval Albanian princes.[18] Their coat of arms is depicted in the 17th century Fojnica Armorial, alongside that of the Kastrioti.[19]
In modern literature, the ethnogenesis of the Cernovichio remains unclear. They were seemingly of a mixed Albanian-Slavic lineage, with the later generations of the family embracing a more Slavic identity. |
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Coat of arms of the Balsa (14th century) The Balsa were a medieval dynasty of sovereigns that held ownership over the region around the east shore of Lake Scutari. In 1362, Balsa the Elder bequeathed to his sons the territory of Zeta and the coast from Budua down to Antivari, extending to Scutari, which would later become their capital. Efforts to expand south were met with opposition by the Thopia (1364), a noble family from Central Albania, who were related to the Balsa (Karl Thopia had wed Vojsava, a daughter of Balsa the Elder). Balsa II, "Sovereign of Albania", acquired Avlona and Berat by way of marriage. The Thopia eventually defeated him at the Battle of Savra in 1385. Georgio II had to relinquish his main territory, Scutari, to Venetia in 1396, unable to withstand the Ottoman incursions and the continuous internal friction. In Du Cange's work, the Balsa are described as nobles of Albania.[20] Johann Siebmacher classifies them as Albanian under the Dulcigno list of families, in his catalog of coats of arms, (vol.4) reissued in 1873.[21] The Balsa coat of arms is depicted in successive order, after those of the Kastrioti and Cernovichio, in the 17th century Fojnica Armorial.[22]
Several theories have come about regarding the origin of the Balsa family. Authors like Malcolm and Ćirković consider them as being of Albanian stock.[23][24] Bartl leans towards a probable Serbian origin.[25] Šufflay and Skok favor a Vlach line of descent of the said family, a theory supported by Serbian historian Milena Gecić.[26][27] |
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Coat of arms of the Thopia (1381) Consul General Georg v. Hahn, mentions in his work "Albanesische Studien" (p. 119) that in the monastery of St. John Vladimir, near Elbasan, an old stone was found, embedded within the church's outer wall, depicting a coat of arms, identified by an inscription as belonging to Karl Thopia.[28]
Karl Thopia ruled much of Central Albania, encompassing the area between the Mat and Shkumbin rivers from 1359 to 1387. His father, Andrea, had wed the illegitimate daughter of Robert of Anjou, king of Naples. For this reason, he incorporated the Anjou symbols, featuring lilies, into his coat of arms, visible on the left side. The bendlet traversing the field is the symbol of bastardy according to heraldic tradition.[29] |
 .svg){kind=small}  .png){kind=small} .png){kind=small}    Clockwise: Official seal (1466); Du Cange's model (1680); Fojnica's model (17th century); Venetian and Neapolitan models (16th century); Schirò's model, in color (1904) |
Coats of arms of the Kastrioti (1451–1904) The coat of arms of Skanderbeg with the double-headed eagle appears for the first time in a book of greetings given to Skanderbeg by Alfonso V, King of Naples, on the occasion of the signing of the Treaty of Gaeta on 26 March 1451.[30] It was handed over by the king's protonotary, Arnaldo Fonoleda, to the ambassadors of Skanderbeg who signed this treaty, Bishop Stefan of Kruja and Father Nikola Berguci. The representative symbol of the state of Skanderbeg appears again in a Venetian catalog of coats of arms in 1463, when Gjon Kastrioti II, Skanderbeg's son, received the title "Noble of the Republic". The red and black colors in the coat of arms are mentioned in Marin Barleti's "The history of the life and deeds of Scanderbeg, Prince of Epirus" (Latin: Historia de vita et gestis Scanderbegi Epirotarvm principis), page XV, published in 1508 – «nā rubea uexilla nigris/& bicipitibus distincta aquilis (id gētis insigne erat) gerebat Scanderbegus».[31] The usage of the same colors is later reaffirmed in Giammaria Biemmi's work "The History of Giorgio Castrioto Scander begh" (Latin: Istoria di Giorgio Castrioto detto Scander begh) who quotes the Antivarino of Bar in page 22, published in 1756 – «L'insegna di Scander begh era un' aquila negra distincta in due teste sopra campo rosso».[32] Monthly publication "Ylli" magazine, in its 3rd annual edition, issue no.11, dated November 1962, published an article (p. 26–27) by Dhimitri Pilika [sq], a noted scholar of pelasgian antiquity, titled "Searching for "ALBANICA" through foreign archives and libraries...". The article references the official seal of Skanderbeg being discovered in Prague, Czechoslovakia, in 1961, by the widow of Stanislav Kostka Neumann, a czech writer and expert in Albanian studies. It was part of the materials belonging to slovak philologist Pavel Jozef Šafárik, who in turn had acquired them from the Ragusa Archives. Dating back to the year 1466, the seal is portrayed as such:[33]
The image of the seal graces the surface of the purple carpet inside the reception hall of the Albanian Prime Minister's office. A widely adopted variation of the coat of arms comes from an illustration found in Giuseppe Schirò's 1904 book "Gli Albanesi e la Questione Balkanica".[34]
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   Clockwise: Jurlaro's model; Chicago Collection model (1534); Moschi's model (20th century) |
Coats of arms of the Muzaka (1476–1514) What knowledge we have of the Muzaka (Musacchi) family lineage comes from the written accounts of Gjon Muzaka, son of Gjin, great-great-grandson of sebastokrator Andrea (ruler of Molossi), whose daughter Chiranna had married Lord Gropa. First mentioned in "Breve Memoria De Li Discendenti De. Nostra Casa Musachi", republished in 1873 by Karl Hopf, the family coat of arms is described in pages 278–279:[35]
In 1336, Andrea II Muzaka gained recognition as Despot of his dominion by the Kingdom of Naples. In acknowledgment of this, King Robert of Anjou entrusted his nephew, Prince Luigi, to perform the act of recognition, which extended to the inclusion of the nobleman's coat of arms on the chancellery seal.[36] The earliest artistic depiction of the Muzaka coat of arms, belonging in all probability to Teodoro, Lord of Crepacore and Galesano, can be found in bas-relief on the residence wall of Palazzo Argentina, located in San Giovanni street, Francavilla Fontana, province of Salentina. In the monograph by Rosario Jurlaro titled "I Musachi despoti d'Epiro: in Puglia a salvamento", the coat of arms can be described as follows:[37]
The same author speculatively accredits the symbols on the right shield of the armorial, carved from stone and found inside the Church of Santa Maria della Misericordia in Mesagne, to the Muzaka family.[38] A disparate coat of arms attributed to Nicolao Musacchi, son of Teodoro II, appears on parchment uncovered from the equivocal Chicago Collection (Archival Unit Card 388). Dated November 24, 1534, it was commissioned by order of Charles V, Emperor of the Romans.[39] Nicolao Musacchi, citizen of Corone [Peloponnese], the title and coat of arms «the Patriarch of our lineage, the Soldier, the Golden Horseman […and] the sons and heirs of all generations, both male and female».
On the architrave of the central gate at the palace of Via Regina Margherita in Niscemi is affixed the family crest of the Masaracchio. A precious sandstone sculpture from the nineteenth-century, depicting the noble Albanian symbols of the Masaracchio of Castriota family, descendants of the house of Gjin Musacchi, linked through marriage to the sister of Georgio Castriota Skandeberg, the great national hero of Albania, whose heroic deeds against the Ottoman Turks are still uttered to this day.[40] The shield seen here is reproduced in bronze by Florentine sculptor Mario Moschi.
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.png) .png){kind=small} .png){kind=small}  Clockwise: German model ms.304; 16th century model ms.1379; Year 1659 model; Venetian model (1550) |
Coats of arms of the Arianiti Comneni (1550–1659) Constantino Arianiti, better known as Constantinus Cominatus, was born around 1456, the son of Georgio Arianiti, an Albanian feudal lord, ruler of Cermenica, Mochino and Spatenia, who greatly contributed in the wars against the Ottomans. Georgio formed blood ties through marriage with the Kastrioti, Dukagjini and Cernovichio, although, there are no reliable accounts connecting his family to that of the Byzantine Komnenoi. Georgio Arianiti died circa 1463 and soon his possessions were taken hold by the Ottomans. His wife and sons found refuge on lands that belonged to Venetia, who in turn, recognized them as patrician dignitaries. Constantino aprenticed at the papal court in Rome, where he became an apostolic prothonotary. Later he married Francesca of Montferrat, who came from a side branch of the house of Palaiologos, which brought him several castles as dowry. Self-styled Duke of Achaea and Prince of Macedon, Constantino aspired to become leader of the Balkan Christians in the impending crusade against the Ottoman armies and even planned to assemble a fleet, which never set sail. In 1514, Pope Leo X appointed him governor of Fano, near Ancona, on the Adriatic coast.[41] A coat of arms adopted by his lineage is displayed on a wooden ceiling panel in the castle of Casale Monferrato.[42]
One plausible theory suggests that the double-headed eagle was incorporated into the family coat of arms through Constantino's marriage to Francesca, as the Montferrat Paleologi had used this emblem since the 14th century. As for the three bells, Tommaso Braccini writes: “Currently, it is impossible to determine where Constantino Arianiti Comneno acquired the emblem of the bells. It is hard to imagine it being derived from any branch of the byzantine Komnenos...”[43] A differing variant of the family coat of arms appears in an early 16th century armorial, documenting the tournaments of Würzburg and Heidelberg and those of German nobility. In German heraldic tradition, the legendary figure of antiquity Alexander the Great was associated with three bells, which are depicted on his imagined coat of arms. We find the symbol of the three silver bells on a scarlet field in the mid-15th century Uffenbach Armorial. Contrarily, in the “Chronicle of Ulrich Richenthal” and the catalogue of Jörg Rugens from the late 15th century, the “kingdom of Alexander the Great” is represented by three scarlet bells on a silver field.[44] Constantino Arianiti once famously claimed that Macedonia, Thessaly and Albania constituted his hereditary possession, territories which once belonged to Alexander the Great. Later variations of the coat of arms appear in the manuscript Ms.1379, titled "Famiglie Nobili di Venezia", housed in Biblioteca Casanatense and dating to the first half of the 16th century. This version of the coat of arms is depicted in a golden double-headed eagle on a purpure field. In the compendium "Insignia Venetorum nobilium" (BSB Cod.icon. 272) of the mid-16th century, the color of the eagle is black and the shield is azure.[45] And in "Libro antico dei nobeli venetti" (1659) the eagle is brown on a green shield.
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Coat of arms of the Toptani (1760) The Toptani were a wealthy land-owning family in Central Albania who ruled over the area in and around Tirana for the better part of the 19th century. Originally from Krujë, they would become one of the most powerful and influential families in all of Albania. Prominent members included Abdi and Murad, both signatories of the Declaration of Independence, the former having served as Minister of Finances in the Provisional Government and the latter being a distinguished sculptor and poet. Murad married into the Frashëri household a woman by the name of Asije, niece of Naim Frashëri. His brother, Refik, was chairman of the patriotic club "Bashkimi" and a participating delegate at the Congress of Manastir. Their father, Said (Seremedin Seid), was an intellectual in his own right, being a founding member of the Istanbul Committee, which advocated for an autonomous Albanian region within the Ottoman Empire. Essad Pasha served as Prime Minister and his brother Gani Bey was an Ottoman officer and adjutant of Sultan Abdülhamid II. Fuad served as mayor of Tirana. Sadije married Xhemal Pasha of the Zogolli clan, inherently becoming queen mother to the future King of Albania, Zog I.[46] The family coat of arms appears in a scanned document from the 18th century and can be described as follows:
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Coat of arms of the Suma (1873) The Suma, or Begagni family as they were later known, are widely regarded as one of the most esteemed and powerful families in northern Albania. Their influence was rooted in longstanding intermarriage within the family bloodlines but also in newly established alliances. Prominent members of this house include patriarch Mehmed-Begh, who served as sanjak-bey of Iskodra and overseer of Zadrima on behalf of his son. He administered the Sanjak of İpek and managed the royal tax collection for all of Albania, as well as for Plava, Gjakova, and Prizren. Ahmat Agha, his first cousin, became chief advisor; Omer Agha, Ahmat's brother, was lord of Barbalussi. The Suma family solidified its power through an alliance with the Balichien family, an ancient and prominent house originally known as Kanina, which gained fame during the time of Skanderbeg. They held dominion over chifliks such as Bussanti, Saccoli, Barbalussi, Buzigierbeni, Giubani, Genoçi, Trumsi, Diacondita, Pulagni, parts of Sfaccia, Marcouichi, and much of Albania from the Drino River, extending into the Alps in Plava, Gjakova, and Bihor.[47] The coat of arms of the dalmatian branch of the family[48] is depicted in the 1873 catalog titled "Wappenbuch des Königreichs Dalmatien" by Carl Georg Friedrich Heyer von Rosenfeld.[49]
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Insignia of the Gjonmarkaj (19th century) The Gjonmarkaj were, until April 7, 1939, and the advent of Communism, the rulers of Mirdita. Hailing from the Dukagjini clan, one of the oldest and most powerful families of Albanian nobility, their ancestral tree diverged into three main branches: Prenk Pasha, Lleshi i Zi and Prenk Markola. Being inherent custodians of the Kanun, they commanded respect primarily as arbiters and administrators of justice, rather than rulers in the traditional sense. Prenk Bib Doda, from the Prenk Pasha branch, served as Minister of Foreign Affairs in Turhan Përmeti's government. Unfortunately, he left no heir and with his passing, that branch of the Gjonmarkaj died out altogether. The lineage of Lleshi i Zi continued through Kapidan Marka Gjoni, the leader of Mirdita's self-government, and his son Gjon Marka Gjoni. Major Prenk Gjonmarkaj, from Prenk Markola's branch, held the post of Deputy Minister of the Interior during the war.[50] The family's heraldic achievement is depicted in the 1980 monograph titled "La casa dei Gjomarkaj", published in Palermo by Maria Greco.[51]
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Albanian nobility
editAustria–Hungary
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Coat of arms of the Derra (1741) The Derra were a family of fur traders from Moscopole, in southeastern Albania, who rose to prominence in the 18th century. Their patriarch, Athanas, worked as a cloth merchant in Pesth. By 1741, his successor, Andrea, was granted titular nobility accompanied with a coat of arms certificate by Empress Maria Theresa. Naum obtained the fief of Moroda near Arad and in 1839 received citizenship rights. The Derra, whose linguistic surname means pigs in Albanian, were linked through marriage with the Sina and Popovics-Mocsonyi families.[52]
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Coat of arms of the Skenderlics (1792) The Skenderlics were an Albanian family of merchants, established in Hungary during the 18th century. Their adopted coat of arms is described as follows:[53]
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Coat of arms of Georgio Basta (1605) Born in Rocca, near Taranto, then Kingdom of Naples, into an Arbëresh family[54] that settled there from Epirus, Georgio Basta (soon to become Count of Huszt and Marmaros) began his military career under the command of Prince Alexander of Parma, later serving in France. He eventually joined the imperial forces, gaining fame through victories over Sigismund Báthory and Bocskai, thus conquering parts of Transylvania and Upper Hungary. Basta became Field Marshal and Governor in Upper Hungary under Emperor Rudolf II, later being granted the title of Imperial Count in 1605. His marble tombstone, featuring a coat of arms and epitaph, was recently uncovered during renovation works at the Minoritenkirche church in Vienna, and is depicted in the Regasta Sepulchrorum, as recorded in a handwritten codex detailing his wartime achievements.[55]
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Coat of arms of the Gyra (1819) The Gyra (Ghira) were a noble family originally from Moscopole, in southeastern Albania. Jani Adam Gyra secured a diploma of ennoblement from the Elector of Saxony, leveraging the privilege of great comitive that Electors could exercise. On September 18, 1792, this ennoblement was confirmed by Emperor Francis II, who subsequently issued a second diploma on December 12, 1792, to Demetrio-Anastase, Jani's brother and business associate. On February 24, 1819, Isak Gyra (b.1782 – d. September 17, 1831), son of Demetrio-Anastase, who owned the estate of Hauskirchen, was elevated to the rank of Lord in the States of Upper Austria by Emperor Francis I. One of Isak's daughters, Katerina, married Simon-Georg Sina, a prominent merchant of Aromanian origin. The latter generation of the family moved away from trade to managing their estates in Austria and Hungary, which led to a decline in their fortunes. Some members married into prominent Orthodox families, including the Barons Duka of Kadar, the Dadany of Gyulvesz, and the Ratz von Ehrenstädten, all of whom held estates in southern Hungary and had been ennobled at the end of the 18th century. The Gyra family became extinct around the time of World War I, though they remained active on the Board of Directors of the Orthodox Church in Vienna until then.[56]
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Coat of arms of Karl von Ghega (1851) Karl von Ghega was born in Venice to Anton Ghega, a maritime officer of Albanian descent. In his youth, Karl intended to follow in his father’s footsteps and pursue a career in the naval forces. However, a passion for mathematics led him to study engineering at the University of Padua, after completing military school. He earned a doctorate in mathematics at just 17 years old. Between 1836 and 1840, Ghega oversaw the construction of the railway linking Vienna and Brno, known as the Kaiser Ferdinand Nordbahn. In 1844, he devised a plan to construct a railway across the Semmering Pass — an ambitious project that culminated in the completion of the Semmering Railway (Semmeringbahn) in 1854, a groundbreaking achievement in railway engineering, now a UNESCO World Heritage Site. From 1853 to 1854, Ghega developed a comprehensive railway transport network for the entire Austrian Empire. He was later tasked with designing the railway system for Transylvania, but this work remained unfinished due to his untimely death from tuberculosis in 1860. In recognition of his contributions, Karl von Ghega was ennobled in 1851, receiving the title "Knight of Ghega" along with a coat of arms.
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Italian States
editLa Serenìssima
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Coat of arms of the Cocco (16th century) The Cocco were a Venetian patrician family, originally from Durazzo in Albania. Part of the Consilium, they faced exclusion from the Maggior Consiglio of 1297. Members of this family held important ecclesiastical positions in the Stato da Màr. In 1565, Gaetano Cocco founded the Cocco College in Padua. After the fall of La Serenìssima, their nobility received recognition from the imperial Habsburg government through Sovereign Resolutions on 11 November 1817. Their coat of arms is featured in a Florentine manuscript from the first half of the 17th century. The finely drawn illustration is followed by a detailed history of family events.[57] French chronicler Casimiro Freschot in his work "The Values of Venetian Nobility" sheds light on this family:[58]
The family coat of arms can be described as follows:
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Coat of arms of the Dondazani (16th century) The Dondazani, also known as Dondazano and Dondanizi, were a noble Albanian family active in Ragusa during the 12th century.[59] Renowned for their heroic deeds, imposing physical stature and olive complexion, they were prominent figures in the political and social life of the city. The family lineage met its end in 1212 with Petrom Dondazanom.[60]
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Coat of arms of the Duodo (16th century) The Duodo were one of the most ancient families in Venetia, with records dating back to 1043 when a Fantino Duodo served as Galley Captain in the fleet of Domenico Contarini during the conquest of Zara. The family’s origins remain a subject of historical debate, with some sources tracing them to Morea, near the Gulf of Lodrino.[61][62] They secured a distinguished place among the Venetian nobles, gaining a seat in the Council of Ten and producing a long lineage of prominent figures. Among them was Nicolò Duodo, a senator and ambassador to various princes, active before 1350. Luca Duodo commanded the Venetian fleet with supreme authority in 1354, during the wars that defined La Serenissima’s maritime dominance. Christoforo, after serving as a general on the Po River, was later rewarded with the high office of Porpora Procuratoria. As General of the Great Galleys at Curzolari, Francesco displayed extraordinary valor by disrupting enemy formations, breaking through their ranks and securing what became one of the most decisive victories for Christendom over its adversaries. In recognition of his achievements, his brother Domenico was honored as a senator, known for his unwavering integrity and wisdom. Pietro Duodo, a knight and ambassador, who in 1495 had led a squadron of Albanian cavalrymen at the Battle of Taro[63], transformed his mountainous estate in Monselice into a place of worship, constructing seven finely adorned churches, one of which stood out in both grandeur and sanctity, enriched with relics of Holy Bodies and other sacred remains. In later generations, Girolamo Duodo represented Veneto as an ambassador at the Court of Spain, where his prudence and diplomatic skill strengthened the Republic’s influence abroad.[64] The Duodo family resided at Santa Maria Zobenigo. According to Gallicciolli, the palace suffered severe damage in the great fire of December 3, 1741.[65]Eventually, ownership passed on to the Barbarigo family. By 1808, the last family heir, Carlo, resided at Palazzo Duodo.
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Coat of arms of the Minotto (16th century) Crollalanza traces the origins of the Minotto family to Albania, noting that it was among the noble families involved in the governance of Venetia at its foundation.[66] Graf Demetrius Minotto, in his 1901 biography of the Minotto, published in German, contends that his lineage descended from Drivasto.[67] The family was officially recognized as part of the Venetian patriciate with the cessation of the Maggior Consiglio in 1297, as cited by De Totto. Over the centuries, its members distinguished themselves as military leaders, administrators and statesmen. Notable figures include Tommaso, who in 1265 commanded the Gulf fleet against the Genoese; Marco, who in 1300 led a fleet of 37 galleys against the Greeks, captured the island of Stalimene and returned to Venetia with spoils and prisoners; and Pasqualino, who in 1364 was sent to Candia to reclaim the island from rebellious noble colonists. Another Tommaso served as one of the supercomites in 1369, joining Doge Andrea Contarini in the campaign to retake Chioggia. In 1448, Girolamo Minotto was captain of Vicenza and by 1453, was serving as bailiff in Constantinople. When the city fell to the Ottomans, he and his son were captured and brutally executed. In modern times, Giovan Pietro Minotto, president of the Royal Venetian Institute in 1866, authored the "Technological Dictionary" and invented a telegraphic device that was widely adopted in Italy and abroad.[68] A limestone plaque, mounted on the last corner pillar to the right, on the ground floor of the Loggia, is attributed to Podestà and Captain Castellano Minotto (1463–1464). Below the shield, the inscription bears the date MCCCCLXIIII, marking the completion of the building's construction and the end of Minotto's regency.
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Coat of arms of the Zaguri (1786) The Zaguri were a noble Albanian family[69][70][71][72] that settled in Venetia from Cattaro around 1646. Its progenitor, Trifone Zaguri, had excelled during the Ottoman-Venetian War. Another family patron, Pietro I Antonio (1733–1806) was a distinguished poet, senator and architect, who designed and financed the façade of the Church of San Maurizio.[73] Marco Zaguri served as bishop of Ceneda and Vicenza from 1777 until his passing in 1810. The family resided at Palazzo Zaguri, now a cultural center, converted into an exhibition space with temporary art shows. The coat of arms is described as follows:
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Coat of arms of the Becichemo (????) Marino Becichemo (1468–1526) was an Albanian humanist, orator and chronicler. A member of a patrician family from Scutari, his father Marino the Elder had served as secretary at the Ottoman Court in the Venetian Republic and his mother Bianca Pagnano was a member of a Milanese merchant family. The young Becichemo received his humanist education in Brescia and later Padua. In 1485, he married in Dulcigno before embarking on a career as a scribe in Antivari and subsequently as a teacher in Ragusa (1494–1496). Becichemo would later serve as secretary to Melchiorre Trevisan, commander of the Venetian fleet and by 1500, was granted refuge, a status which conferred certain privileges, ultimately securing him Venetian citizenship. Working as a private teacher, he engaged in scholarly disputes with Raffaele Regio. Soon after, he relocated again to Padua, then Brescia, where he taught at the communal school (1501–1508). During his tenure in Brescia, he published two collections of speeches and philological treatises, focusing on Apuleius, Victorinus, Cicero and Pliny the Elder.
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Albania Vèneta
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Coats of arms of the Angelo Flavio Comneno (1551–1680) For the Angeli family, their fabricated lineage purportedly linking them to the Byzantine imperial houses of the Angelos and Comnenos, for nearly two centuries served as a source of income, along with a variety of privileges that included land ownership and opoulos support from the Holy See.[74] Andrea (II) bolstered the family's claims to the Byzantine throne by publishing in 1551 his fictional antiquarian work "Genealogia d'imperatori romani et constantinopolitani et de regi prencipi et signori che da Isatio Angelo & Vespasiano...",[75] thereon, earning the approval of Pope Paul III. Despite a slew of papal bulls and documents recognizing their imperial lineage and granting them titles such as "Counts of Drivasto" and "Dukes of Durazzo", doubts persisted over their authenticity. As it was later revealed, the Angelis had resorted to forging rescripts in favor of their fictional ancestors, erroneously dating them to 1293, instead of the accurate period which coincided with Emperor Michael VIII Palaiologos' reign (1261–1282).[76]
The legend of the Sacred Military Constantinian Order of Saint George arose in the latter half of 16th century Venice with this very family, whose descendants would for decades successfully exploit their "Byzantine myth", publishing fantastic literature on the history of the Order, awarding European aristocrats and granting them diplomas for priories and commanders in Cilicia, Cappadocia, Hierapolis and other exotic lands in exchange for money. A later rendition of the coat of arms attributed to their namesake is in fact associated with the noble Querini family, as depicted in the 1671 work by Jacopo Zabarella, titled "Il Galba, overo Historia della sereniss. fameglia Quirina..." (p. 58)[77] |
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Coat of arms of the Crutta (1830) The last kings of Poland were represented at the Sublime Porte by the Albanian lineage of the Crutta, whose genealogy in all likelihood goes back farther than the diploma of «amplissima nobilitas», issued to them at the beginning of the 17th century by La Serenìssima, while they were still serving as Stratioti in Antivari (Dulcigno), on the coast of the Adriatic. The Crutta brothers, Pierre and Antonio, entered the services of King Stanisław Poniatowski, after he had reorganized his diplomatic mission in Lepanto. Together, they founded the Polish Oriental School of Istanbul and took part in the Kościuszko Uprising. The council meeting of 1775, in Warsaw, acknowledged their Venetian nobility and also granted them Polish nobility, that is to say... nativeness. Polyglots and men of letters, the Cruttas left behind several manuscripts related to philology. At the end of a very long and active career, after having survived the era of division within Poland and the Napoleonic Wars, Antonio Crutta passed away at the castle of Lewiczyn, in the home of his son-in-law, Count Bedlinski. His white marble tomb, decorated with the Venetian coat of arms of his family, survived with its Latin epitaph.[78] Located in the north-western part of the parish cemetery in Lewiczyn, an obelisk carved in sandstone, in the form of a Doric column, rises, topped with an urn, partially covered by a spire, decorated in a vine garland. Above the epitaph inscription that describes the names of Antoni Krutta (d.1812) and that of his daughter, Eliza – married to general Wojciech Piotr Bedliński – there are two precisely carved coats of arms:
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Coat of arms of the Statutes of Scutari (1330–1469) The original manuscript of the Statutes of Scutari is inscribed on parchment and contains 40 pages. Positioned at the uppermost part is depicted the coat of arms of the city of Scutari.
An interpretation of the symbolism reveals a proud vulture, signifying the city's affluent past. The craving canine appears content with the bone it receives — a metaphorical representation of Scutari's subjugated state following the Ottoman conquest.[80] |
.png) Ritter's model .png) Galvani's model |
Coat of arms of Venetian Albania (1701–1884) A printed brochure presented in Cyrillic characters, from the work of Hristofor Žefarović, portrays the heraldic symbol of Albania in detail:[81]
This illustration was in fact borrowed from an earlier work by Paulo Ritter, published in 1701, and found at the University of Bologna archives, with the Latin inscription as follows:[82]
F.A.Galvani in his work "Il Re D'Armi di Sebenico", published in Venetia in 1884, presents a different variation of the coat of arms, depicting a red lion, described as such by Casimiro Freschot:[83]
Both illustrations are found in the 1873 catalog titled "Wappenbuch des Königreichs Dalmatien" by Carl Georg Friedrich Heyer von Rosenfeld.[84] |
Ragusa
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Coat of arms of the Spani (14th century) The Spani were a noble Albanian family that emerged during the 14th century. Involved in trade, they gradually became major landowners.[85][86] A prominent member of this family, Nicolaus Spani, served as bishop in the island of Cursola (1673–1707).[87] Of possible Spanish lineage, as their name would suggest, a brief profile of their family origin is given in Du Cange's "Illyricvm Vetvs & Novum Sive Historia":[88]
The coat of arms of the Spani is described as follows:
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Coat of arms of the Luccari (1873) The Luccari migrated from Alessio to Ragusa in 914, mentioned in archival records as hailing from Lasia di Slabia. Konstantin Jireček notes the prevalence of the family name but provides no clarity on their origin.[89] In the antiquarian work "La Storia di Ravgia", reprinted in 1903, the Luccari are mentioned in page six as a family from Alessio in Albania.[90] Noteworthy members included Stefano de Lucaris, a Ragusan nobleman witnessing a power of attorney in 1407, and Giacomo, son of chronicler Pietro Luccari, who published a significant treatise in 1605, shedding light on Ragusa's history and its connection to Albanian events, including those involving Skanderbeg. Of particular interest is the reference to an obscure medieval author by the name of Angiolo di Drivasto, whom, alongside Marino di Scutaro, are cited by Luccari detailing an event in 1435 which recounts the expulsion of the Turks from Arbanon by Andrea Thopia.[91]
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Coat of arms of the Mexa (1873) The Mexa were an Albanian family of merchants from Scutari.[92] The widow of one Petri Mexa is documented in the land registry of 1445, claiming property formerly endowed to her which had been granted to Vito Jonima, in compensation for his dwellings expropriated to build the barbican at the main entrance of the Mexa family stronghold. A faction of the family later settled in Cattaro and by 1449, gained a seat at the local council.[93]
Giuseppe Valentini in his work "Sviluppi Onomastico–Toponomastici Tribali Delle Comunità Albanesi in Sicilia" published in 1955, attempts to establish a connection between the Mexa family of Dalmatia and the Messi tribe of Scutari that later settled in Sicilia:[94]
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Coats of arms of the Scura (1873) The name Scura is toponymically linked to the region between present-day Tirana and Durrës, documented by Marin Barleti as Scuria.[95] In 1294, Progron of Sgouro is mentioned as the restorer of the church of the Virgin Peribleptos in Ohrid. Marco Scura became archbishop of Durazzo in 1652.[96] The Dalmatian branch of the family likely originated from Dulcigno, as declared by Zuane, son of Zorzi, in a debt confession dated July 6, 1568. Geronima, daughter of Niccolo Scura and widow of captain Pietro of Cattaro, settled in Iadera in 1594. Reverend Dimitri was buried at the Lazzaretto on October 9, 1649. Georgio Scura, companion in arms of Michele Crutta, served as governor of the Epirotic fleet at the Battle of Candia, under the banner of La Serenìssima.[97] A different branch of the family settled in Calabria, in the provincial town of Vaccarizzo Albanese. From here came Pasquale Scura, a prominent lawyer and attorney general who was appointed Minister of Grace and Justice in 1860 by then dictator Giuseppe Garibaldi. A narrow street located in the historic Spanish quarter of Napoli bears his name. The Scura family coat of arms, in two illustrations, is depicted in Friedrich Heyer von Rosenfeld's "Wappenbuch des Königreichs Dalmatien", published in 1873.
The symbol of a lion rampant, found on a tombstone at the Monastery of St. Antonious in 1907 by Austrian consul Theodor Ippen, is speculatively attributed to the Scura and later included in the flag and coat of arms of Tirana. |
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Coat of arms of the Sorgo (1873) The Sorgo were one of the oldest noble families in Ragusa, mentioned in Serafino Razzi's 1595 work titled "La Storia di Ravgia" as a family from Redoni in Albania.[98] Legend has it that they derived their family name from having imported a large quantity of sorghum to Ragusa in times of famine, at the end of the 13th century. Aggregated to the sovereign patriciate in 1272, and later listed in the Gotha Almanac, they provided the Republic with several high ranking state officials and accomplished prose writers between the 14th and 15th centuries. Their nobility was recognized by the House of Habsburg in 1817, although the main branch became extinct by the late 19th century. The family coat of arms is featured in Friedrich Heyer von Rosenfeld's "Wappenbuch des Königreichs Dalmatien", published in 1873.
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Coat of arms of the Jura (1884) The Jura (Giura) noble family were a branch of the princely Cernovichio family, well-documented in historical records for their extensive Albanian lineage[99] through matrimonial alliances with the Zaharia, Kastrioti, Arianiti, Thopia and Zaguri clans.[100] The Jura established their administrative center in and around the settlement of Gjuraj, in the rugged Scutari highlands. Following the Ottoman occupation of Albania, a faction of this family migrated to Sebenico, Dalmatia and later to Potenza, at the time part of the Neapolitan Republic. One notable member was Arbëresh poet Domenico di Giura (1801–1882) whose work Vjerrsha was republished by Ernest Koliqi in the 1964 edition of the magazine "Shejzat", issue no. 11–12, p. 505.[101] Luigi Giura designed the first suspension bridge in continental Europe, in 1832, and briefly served as Minister of Public Works in Garibaldi's government, alongside other Arbëresh luminaries, Francesco Crispi and Pasquale Scura. Metropolitan archbishop Pjetër Gjura managed the Archdiocese of Tirana–Durrës from 1929 until 1939.[102] The family's coat of arms is elegantly depicted in a colored illustration found in the work by F. A. Galvani, titled "Il Re d'Armi di Sebenico" (Vol.1), published in 1884.[103]
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Istria
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Coat of arms of the Albanese The presence of Albanian nobility in Istria can be sought to the early Venetian rule of Koper (13th century), where we find the Albanese and Brati families, with the Albani family said to be a branch of the Albanese. Having lost their ancestral lands, these aforementioned families found refuge in Venetian Istria, successfully restoring their noble status and acquiring new titles. On March 1, 1431, Hieronymus Albanensis was the first of the Albanese family to enter the list of titular nobility. The influence of this family and others, led to the naming of a street in the city called “Calle Albanese”, situated between today's Kettejeva and Santorijeva streets, along the garden of the Servite Monastery, which later became Koper's maternity hospital.[104]
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Coat of arms of the Borisi The noble Borisi family traces its lineage back to ancient times, claiming descent through their maternal line from Hungarian royalty, as mentioned by Constantine Porphyrogenitus in De Administrando Imperio. Prospero Petronio, in a manuscript later seen by Carli Rubbi, notes that Nicolò Borisi had served as a high-ranking military officer under George Castriota Scanderbeg. In 1443, Nicolò's sons bravely defended Antivari against a Venetian assault, ultimately surrendering the city under honorable terms. Johann Siebmacher classifies the Borisi as counts of Albania in his «grosses und allgemeines Wappenbuch», republished in 1857.[105] The family eventually settled in Capodistria, where they gained admission to the Major Council on May 1, 1620, with Bernardo having served as general marshal, commanding the troops of the Prince of Transylvania and Moravia. By 1725, they were listed in the Istrian nobility register, bearing the title of Count. The Borisi also produced skilled diplomats. Marc’Antonio achieved the rank of grand dragoman at the Sublime Porte in 1594. Giacinto held the position of secretary to the general captains of the sea, in 1690. Among the wealthiest families in Istria, they held the castle of Loc in Carniola, and subsequently acquired the fief of Fontane, between Parenzo and Rovigno, which included the localities of Acquadizza, Monte Pighera, and Scoglio Riviera. By the end of the eighteenth century, Count Pietro held the civic office of superintendent of Via Dolfina, the road connecting Capodistria to Trieste, a vital communication route between Venetian and Austrian territories.[106] Some members of the family also made significant contributions to Italian theater, notably Carlo, an actor known for his performances in Venetian dialect. Captain Ferdinando managed the Trieste shipping company "Tripcovich" in 1915. The last heir of the Borisi family name, Giuseppe, passed away in the late 1960s. |
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Coat of arms of the Brati (16th century) The Brati were a noble Albanian family who settled in Capodistria during the 13th century, later attaining the prestigious title of Count, until their lineage ended in 1848. One Alberico Brati held the castle of S. Giorgio from 1251 until 1269, as a pledge from the patriarch Gregorio di Montelongo. By 1300, they were granted the estate of Trebezze as a fief from the Patriarch of Aquileia. Around 1338, the Brati came into possession of the castle of Sipar, eventually relinquishing it to the Rota of Momiano. In 1505, the family received the investiture of the fiefdoms of Covedo and Cristoiano from Bishop Bartolomeo Assonica. Paolo Brancaino, of the late Giovanni Brati, renounced the fiefdom of Castelli near San Servolo in 1539, placing it in the hands of the bishop of Trieste, Pietro Bonomo. Aggregated to the Noble Council on 28 April 1423, they were included in the Register of Nobles on 1 March 1431 with Gaspar de Bratis, as cited by Manzuoli (1611). Sardo Brati practiced typographic art with Panfilo Castaldi in 1461, while Michele served as mayor of Capodistria in 1491. The last family heir, Giovanni Antonio, a lawyer, married Maria Simonetti and was added to the Noble Council on 10 January 1802.[107] The family coat of arms is found in bas-relief on the facade of their 16th century manor.[108]
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Dicio Pontificia
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Coat of arms of the Bruti Liberati (1929) A family originally from Albania, transplanted to Ripatransone from Alessio around the end of the 15th century; it included several distinguished members, among whom Pietro, bishop of Treja in Epirus and later of Cattaro, appointed by Pope Sixtus IV; Francesco, a valiant soldier earned glory at Lepanto alongside Marcantonio Colonna; Ionnò, who in 1521 fought bravely against the Spaniards; Luigi, a prominent jurist; Domenico, mayor of Cossignano; Filippo, who secured the hereditary title of marquis for himself and his descendants at the dawn of the 19th century; Liberato, knight of many equestrian orders and colonel of the pontifical troops; Stefano, apostolic commissioner of the Holy House of Loreto and later apostolic delegate of Velletri. The Consulta Araldica recognized this family as nobles since 1908, recorded in the official nobility registry of the Marche region, bearing the titles of Marquis and Nobles of Ripatransone.[109]
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Coat of arms of the Alicorni (1673) The Alicorni were a noble Albanian family who fled the Ottoman advance of their homeland during Pope Pius II’s reign (r. 1458–1464). Seeking refuge in Milan, Pavia, Forlì, and eventually Rome, they attained high status through matrimonial alliances with other Italian nobility: among them the Ricci, Cayni, Trivulzi, Pusterla, Colli Aleotti, Leccilio, Colli Armentieri and Capranica. Messer Traiano was a Conservator (one of the three city councillors), who had his residence, today known as Palazzo Alicorni, erected in Borgo, not far from Piazza del Popolo, at the beginning of the sixteenth century. He left behind two sons, Giovanni Battista and Fabius, who were both appointed knights by the Pope. On July 3, 1584, Giovanni sold the palace to the French cardinal Matteo Contarelli, Datario of Pope Gregory XIII (r. 1572–85). The lineage ended at the dawn of the 20th century with Francesco, the last male heir of Traiano.[110] The family coat of arms is featured in Stemmario Cremosano, dating from the 17th century:
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Coat of arms of the Albani (1750) The Albani family traces its origins to Albania, with Michele Lazii said to have migrated across the Adriatic in 1464, thereafter establishing his residence in Urbino. It was here where his sons, Georgio and Filippo, are thought to have adopted the family name 'Albani'. As the Duchy of Urbino neared its dissolution, the family began forging ties with the Roman Curia, which was preparing to assume control over the duchy’s territories. Orazio Albani (1576–1653) was the first to relocate to Rome, serving as an ambassador responsible for negotiating Urbino’s devolution to the Apostolic See. His diplomatic acumen earned him the favor of Pope Urban VIII, who appointed him Senator, a position he held with distinction from 1633 to 1645. Orazio’s legacy continued through his two sons: Annibale (1682 † 1751), who entered the ecclesiastical ranks, becoming cardinal; and Carlo, whose heir, Giovanni Francesco Albani (1649 † 1721), would rise to prominence as a cardinal, before being elected Supreme Pontiff, taking the name Clement XI. Over the following decades, the Albani lineage continued to strengthen its ecclesiastical and noble standing, producing two more cardinals: Alessandro (1692 † 1779) and Giuseppe (1750 † 1834). Cardinal Alessandro Albani was a prominent patron of the arts and a key figure in the collection and preservation of antiquities during the 18th century. He amassed an extensive collection of ancient sculptures and artifacts, which were housed in his villa on Via Salaria. In 1733, Pope Clement XII purchased Albani’s collection, integrating it into the Capitoline Museums. Albani’s patronage extended to scholars such as Johann Joachim Winckelmann, a pioneering art historian and archaeologist, who would later serve as his personal librarian. The Albani Palace, acquired from the Mattei family at Quattro Fontane, housed the family library, an invaluable repository of rare manuscripts and books. The family’s coat of arms was incorporated into the papal insignia, as evidenced by Filippo Juvarra’s engravings (c. 1722), based on designs by Francesco Fontana.
The sculpted representation of the papal coat of arms is conspicuously displayed at the Cortile del Belvedere in the Vatican and at the Fontana del Pantheon in Rome. |
Genoa, Neapolis, Sicilia...
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Coat of arms of the Argento (1680) The Argento were an ancient noble family of Albania; where an Arsuccio Argento, who distinguished himself as a valiant captain, was the nephew of Giovanni Castriota, Lord of Albania... and held dominion over some good lands. It is believed that from there he moved to the Kingdom of Neapolis. The Argento family name is also found in Pozzuoli.[111]
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Coat of arms of the Matranga (1391) The Matranga were a noble Albanian family who settled in Sicilia from Epirus around the late 13th century, so mentioned in the work of Filadelfo Mugnos, titled "Teatro Genologico Delle Famiglie Nobili Titolate Feudatarie Ed Antiche Nobili Del Fidelissimo Regno Di Sicilia Viventi Et Estinte" (vol.2), published in 1655.[112] One notable heir, Giovanni Matranga, was under the services of King Martino, from whom he obtained in compensation the territory of Morgana and the office of royal provisioner in the city of Castrogiovanni, wherein his lineage was consolidated by 1391. His son, Giacomo, would later acquire the fiefdom of Mantica, as evidenced from a medieval epitaph on his tomb, located in the church of S. Caterina of the said city. The family lineage met its end with Giacomo III around 1513.[113] The Matranga coat of arms is described as follows:[114]
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Coat of arms of the Durazzo (1757) The noble Durazzo family, originally from Albania, sought refuge in Genoa in 1388 to escape the Ottoman invasion of their homeland. Despite their common origins, members of this family gradually rose to prominence and by 1528, became affiliated with the "Albergo" Grimaldi, amassing wealth and influence. They constructed magnificent palaces and villas, curated art collections, established charitable organizations and more. The family lineage diverged into two branches, giving rise to 9 doges (heads of state), senators of the Republic, ambassadors, bankers, governors, bishops and even two cardinals.[115] Steffano served as cardinal and archbishop of Genoa for almost three decades. Giacomo was appointed ambassador in the Viennese court. Marcello ceded the island of Corsica to the Kingdom of France, in the Treaty of Versailles. The Durazzos resided at Villa Lo Scoglietto.
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Armorial of Mercurio Bua (1498–1550) This armorial is attributed to the illustrious Count Mercurio Bua, for the causes declared, with each arms withdrawn as inserts within the shield:[117]
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Coat of arms of Albania Sallentina (1803) Of the settlements that make up the Diocese of Taranto, there are a few, in which the local inhabitants speak a variety of the Albanian language among themselves, namely: San Crispieri, Faggiano, Roccaforzata, San Martino, Monteparano and San Marzano. Tarentum in the times of Magna Graecia was famous for the glory of its armies, in their plight against the Lucanians, the Bruttians, the Samnites, the Messapians and the Sallentini, all under Roman command. To counter this existential threat, the Tarentinians and their allies requested military aid from the Epirotes, led by King Pyrrhus, who arrived with an army of more than 25,000 soldiers. The subsequent waves of Albanian migration did not boast of the remnants of such prodigious antiquity and were of a later origin, emerging in times gone by. Therefore, we are inclined to believe that the introduction of their language to this region should be attributed towards the first half of the 16th century, more specifically to the year 1530... when, many noble families of Albania, having abandoned their homeland to escape Ottoman tyranny, migrated to Apulia, under the protection of the catholic king Ferranto of Aragon and his successor. Among these families were the Basta, from which came the famous warrior, leader of armies and valiant writer of learned works, Georgio Basta, a branch of whose family came to settle here and held dominion over several fiefdoms such as San Martino, Monteparano, Civitella.. etc.[118] The coat of arms of Albania Sallentina is depicted in an 1803 atlas, conceived in the form of a seal by Canon Giuseppe Pacelli of Manduria, whose name is inscribed in the outer circlet of the oval base.
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Coat of arms of the de Florio (1876) The de Florio family traces its lineage to Galeotto Franco Florea of Scutari, Lord of Albania. Dispossessed of their lordship by invaders in the 12th century, his descendants migrated to Italy, joining the Mazzucca and Cessarione families who settled in Venetia, and later towards the end of the 14th century, in Manfredonia. Another branch of the family, from Spalatro or Cattaro, settled in Friuli in 1460. Listed in the Barons of Terra del Lavoro in 1239, they obtained numerous privileges and fiefdoms, including Cantalupo, Montagano, Oppido, Palma, Roccaguadagna, Santangelo, among others. Their family coat of arms is depicted in the 1876 biographical work titled "Memorie delle Famiglie Nobili delle Province Meridionali d'Italia (vol.3)" by Count Berardo Candida-Gonzaga.[119]
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Coat of arms of the Secondo The Secondo were a family of nobles, originally from Albania, whom, alongside Scanderbeg (Duke of Croia), came to Neapolis with other troops to the aid of King Ferrante of Aragon, against the rebel barons. Once the civil war was quelled, Georgio Secondo and his family settled in Lucera, where they enjoyed nobility status. He obtained the fiefdom of Palmori, becoming sworn Master, a position held by the nobles and later served as lieutenant governor of Lucera. Giuseppe, author of the "Public Life of the Romans", was appointed governor of the Capitanata province and judge of the Sommaria.[120]
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Coat of arms of the Staffa The Staffa family of Apulia, originally from Albania and belonging to the highest nobility, bore the surname Staif, later Italianized to Staffa. They migrated to Neapolis when the armies of Bayezid II, Emperor of the Turks, subjugated Albania in 1492. A branch of the family set foot in Trani, where they were recognized as nobles by the Seggio dei Longobardi and Portanova. Another branch migrated to Calabria before finally settling in Trinitapoli.[121] Nicola Staffa, as head of the colony of seven families, among them: the Candreva, Fionda, Gliossi, Manes, Musacchio and Scuragreco, founded the calabrian town of Falconara Albanese.[122]
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Moldavia & Romania
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Coat of arms of Vasile Lupu (1643) The coat of arms of the Voivode of Moldavia is found in the 1643 publication titled "Carte de Învățătură" (p. 138), commissioned in Iași by Prince Vasile Lupu of Moldavia, himself of Albanian stock.[123]
Prince Vasile Lupu traces his roots to the lesser-known Coci family, who had settled in Wallachia in the early 16th century, having migrated there from the Albanian settlement of Arbanasi, according to some sources.[124][125][126] The coat of arms is accompanied by the following poem:
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Coat of arms of the Ghica (1873) The Ghica family is one of Romania's oldest noble families whose members were active in Wallachia, Moldavia and the Kingdom of Romania from the 17th century through the late 19th century. Of esteemed Albanian lineage, the family produced 9 princes, 2 prime ministers and other prominent figures in the world of politics and literature. A noteworthy member of this family, influential writer and feminist Elena Ghica (pen name: Dora d'Istria) emblematized the Albanian national cause during the Renaissance period. Another family scion, Albert Ghica, a pretender to the Albanian throne, garnered recognition for his involvement during the Congress of Trieste and for providing monetary support to the Albanian Colony of Bucharest. The family coat of arms is described as follows:
The coat of arms shown here is a reproduction from a lithograph found in the 1873 book "Gli Albanesi in Rumenia", which chronicles the history of the Ghica family.[127] A later variant of the coat of arms is portrayed in a painting by George Demetrescu Mirea. |
Greece
editOur historical narrative of the modern Greek State would be incomplete without acknowledging the significant influence and participation of its Albanian populace. From the widespread presence of the Arvanites in the Peloponnese, who constituted the predominant demographic there until the 19th century, to the Souliotes of Thesprotia that played a prominent role in the Greek War of Independence, continuing with the autonomous rule of Ali Pasha Tepelena over expansive territories in western Rumelia, centered around its capital, Ioannina, followed by the Stratioti defending the coasts of Kefalonia, Zante, and Corfu, to conclude with the working classes of Parga and Preveza. Albanian contributions as a whole are deeply woven into the fabric of Greek society.
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Coat of arms of the Boccali (1453) The Boccali family of stratioti engaged in military and political pursuits within the Peloponnese during the years 1200–1216. Notable among their ranks was the Grand Duke Teodor Boccali (1453–1454), who commanded the Arvanites in the area.
An illustration of their coat of arms is first encountered alongside that of the Kastrioti in Du Cange's 1680 publication "Historia Byzantina duplici commentario illustrata: Prior familias ... Imperatorum Constantinopol. ... complectitur alter descriptionem urbis Constantinopolis",[128] and later featured in a work by Giffart in 1729. Du Cange, in his other work, titled "Illyricvm Vetvs & Novum Sive Historia", gives a brief profile of the Boccali family:[129]
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Coat of arms of the Barbati (1880) The Barbati family name appears in the 1576 monumental work titled "Della Osservanza Militare del Capitan Francesco Ferretti d'Ancona Cavallier Dell'Ordine di San Stefano", where a so-called Albanian, Agostin Barbati, is mentioned as the leggeri captain of Antivari.[130] In 1883, the Barbati are referenced in De Rada's publication Fiàmuri Arbërit among a list of Albanian families.[131]
Later we find the Barbati family name recorded in a catalog of coats of arms, having served as Stratioti in Parga, at the time under Venetian rule. From the chronicles of Archduke Ludwig Salvator, published in 1907, the city numbered over 90 Albanian speaking families.[132]
In his study Araldica Arbëreshe, Luigi Taibi suggests that the Barbati may have descended from the Gashi tribe, in the Highlands of Gjakova. The seaside village of Barbati, in southern Greece, is named after the noble Barbati family, who led a group of Peloponnesian refugees from Nafplio and Monemvasia to settle on Corfu's northeastern coast in 1571. |
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Coat of arms of the Clada (1925) The Clada family is of Epirote origin, hailing from Himara (present-day Albania). They appear to have settled in the Peloponnese in the 14th century, as early as 1362, when we find mentioned one Leo Clada, who had made a donation to a monastery in Laconia. His heir, Theodoro, entered the services of the Palaiologos. In recognition of his loyalty, he was granted lands in Bardounia, Mani, a region where the Arvanite presence remained strong at least until 1821. Theodoro's son, Korkodeilos, led a rebellion in response to the peace treaty of 1479 between the Venetian Republic and Mehmed II, which handed over large posessions of the Clada, stretching west from the plain of Elos, to the Ottoman Turks. Forced to abandon Mani, members of this family went on to defend Modon and Coron, the last two Venetian strongholds in Morea. After the fall of Modon in 1499, the Clada migrated to Cephalonia, where they received large fiefdoms. There, they served in the Venetian Stratioti companies on the island and in Dalmatia, always with the highest distinction. By 1593, the family was registered in the Golden Book of Cephalonian Nobility. In 1700, the Doge of Venice conferred upon them the title of Count in recognition of their numerous services to the State.
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Coat of arms of the Dusmani (1925) During the 15th century, the noble Dusmani family wielded authority over the Polati Minor region and beyond.[133] Marin Barleti in his work "De vita, moribus et rebus gestis Scander-begei, Lib. II", makes mention of a Leca Dusmani, an independent local ruler who united with Skanderbeg, Prince of Croia, in their fight against Sultan Murad II. Following the conquest of Albania by the Ottoman Turks, the Dusmani family appears to have taken refuge in Athens, of which, as we know, the indigenous population still identifies as Albanian today. Around the middle of the 17th century, we find a Georgio Dusmani as Primate of Athens, who in 1686 was sent as Ambassador by the Athenians to negotiate with Venetian Admiral, Morosini, in order to implore him to spare the city and to correct the indemnity that was to be paid to Venice. When the misfortunes of the war brought about the loss of the city, Georgio took refuge with his family and wealth, in Gastouni, in the Peloponnese. On December 3, 1701, Doge Alvise II Mocenigo of Venice signed a decree at the Ducal Palace, granting the title of Count to Dusman Dusmani and Giovanni Dusmani, the two sons of the late Knight Georgio Dusmani. This title, along with its associated rights, privileges, and prerogatives, was conferred upon them and their legitimate male descendants in perpetuity. Dusman Dusmani distinguished himself at the battle of Lepanto in 1715. One of his sons, Francesco, was Ephor of Zante and his title of Count was confirmed in 1750. Another son, Spiridon, settled in Corfu and was registered in the Golden Book of Nobility with his two male heirs, in May 1779 as Foreign Nobles, i.e.[134] The family coat of arms is depicted in the first edition of Eugène Rizo Rangabè's "Livre d'Or De La Noblesse Ionienne – Corfou" (p. 97):
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Coat of arms of the Blessa (1926) The Blessa family (Maléogu) is of Albanian origin. For centuries they served as feudal lords in the Peloponnese and as Stratioti in the service of Venice. When the Ottoman Turks captured the Venetian strongholds of Modon and Coron in 1501, the Blessa, along with other noble families, fled to Kefalonia. There, the Venetian government granted them fiefs as a reward for their service.[135] Historian G. P. Loverdo writes:
The coat of arms is describes as follows:
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Coat of arms of the Chielmi (1926) The noble Chielmi family traces its origins to Epirus, in Albania, before migrating to the Peloponnese, where they acquired fiefdoms in the province of Magne. Cosma Chielmi distinguished himself in 1479 during the defense of Magne, refusing to acknowledge the transfer of the province to Venice under the peace treaty signed that year by Sultan Mehmed II. Other members of this family excelled in various Venetian wars, serving in Nauplie, Lepanto, Dalmatia, and beyond. In 1542, Lazzaro Chielmi, Captain of the Stratioti, was appointed Commander-in-Chief of the Venetian forces on the island of Kefalonia. He settled there permanently after marrying and receiving the village of Chielmata as a stronghold. In 1593, Lazzaro was inscribed in the Golden Book of Kefalonian Nobility and held a seat on the "Major Council" of the island's nobles. In the latter half of the 18th century, Nicolò Chielmi was appointed Admiral-Commander of the Black Sea Fleet, with the family's nobility recognized by a decree of Empress Catherine the Great. The Holy See granted him the right to fly the Vexillum of the Holy Land on his ship, and this emblem was incorporated into the Chielmi family coat of arms:[136]
In modern times, the Chielmi became known primarily as long-term traders. The Center for Sicilian Philological and Linguistic Studies in its 3rd volume bulletin, published in 1955 explains the toponym of the Chielmi name as follows:
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Coat of arms of the Calenzi (1927) The Calenzi were an Albanian family of stratioti whose members served in the Venetian army in Cyprus, during the 16th century. After the conquest of the island by the Ottoman Turks, the Calenzi took refuge in Zante (1670), where they obtained fiefdoms and were inscribed in the Golden Book of Nobility of the island, in 1735. Rangabè ambiguously describes them as a Byzantine family from Constantinople, even while acknowledging in the biographical passage of his work "Livre d'Or De La Noblesse Ionienne – Zante" the following: several villages inhabited by Albanians with the name Calenzi are found in Attica, Drimopolis and Zante (notary J. Sturion, 1516).[137] This contradiction is further complicated by the author's failure to provide any sources supporting his claim of a Byzantine origin. French historian François Pouqueville considers the Calenzi to be of Albanian stock. Raffaele Patitucci, in his extract "Casati Albanesi in Calabria e Sicilia", published in 1989, notes that a branch of the Calenzi family settled in the Arbëreshë community of San Demetrio Corone.[138]
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Coat of arms of the Combothecra (1926) The noble Combothecra family, of Albanian origin (Albanian: këmbë-thekra, meaning fringed-foot), were prominent feudal lords from the village of the same name, which they sieged in Acarnania, as noted by Cicelli (Ke. Lou 6. 25). They had become influential and wealthy landholders since before 1336. By 1338, Martino Combothecra held the title Duke of Modon and was commander of the Byzantine forces stationed there. Around the 15th century, some members of the family emerged as powerful lords in the Peloponnese and served as Stratioti (mercenary soldiers) under the flag of Venice, distinguishing themselves during the defense of Modon against the Ottoman Turks in 1499. After the fall of the city, the Combothecra migrated to Kefalonia, where they were granted pensions and large estates, while continuing to serve in the Venetian military, consequently earning great distinction in various conflicts throughout the 16th century. In 1593, the family was inscribed in the Golden Book of Nobility, with several members serving on the island's Major Council. Later we find them as navigators and captains of the sea.[139]
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Ottoman Empire
editFor over 500 years, Albanians were an integral and indispensable component of the Ottoman Empire, with far-reaching contributions that extended beyond politics, the economy, the military, administration and the judiciary. At least 32 accounted for grand viziers that served in this vast empire were of full or partial Albanian stock.
Grand viziers
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Coat of arms of Koca Sinan Pasha (1596) Koca Sinan Pasha was an Ottoman-Albanian military figure and statesman who served for five terms as Grand Vizier of the Ottoman Empire. Appointed governor of the Egypt Eyalet in 1569, he was subsequently involved in the conquest of Yemen two years later, becoming known as Fātiḥ-i Yemen ("Conqueror of Yemen"). In 1594, he ordered the burning of Saint Sava's relics on the Vračar plateau. Contemporary Turkish historians note that he remained close to his heritage and would give those of Albanian stock preference to high-level positions within the empire.[140] The coat of arms attributed to his namesake can be found in the engraving work by Giacomo Franco, published in Venetia in 1596, and currently on display at the Metropolitan Museum of Art in New York City.[141]
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Coat of arms of Köprülüzade Fazıl Ahmed Pasha (1690) Köprülüzade Fazıl Ahmed Pasha was an Ottoman-Albanian nobleman and statesman, belonging to the renowned Köprülü family, which produced six Grand Viziers for the Ottoman Empire. He served in the post of Grand Vizier himself from 1661 to 1676, after inheriting the title from his father, Köprülü Mehmed Pasha.[142] Köprülüzade Ahmed Pasha led the Ottoman Army in the Austro-Turkish War of 1663–64 and succeeded in destroying Novi Zrin in the northern part of the Kingdom of Croatia after nearly a month-long siege. Later on he would capture Candia (present-day Heraklion) from the Republic of Veneto in 1669, during the Cretan War.[143] His coat of arms is depicted in the engraving work by Nicolas de Larmessin, dated from 1690 and published in the Gallica Digital Library.
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Egypt
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Coat of arms of the Muhammad Ali dynasty (1867–1914) Muhammad Ali Pasha was an Ottoman-Albanian governor and the de facto ruler of Egypt from 1805 to 1848. The dynasty he established would go on to rule the country until the military coup of 1952. These arms were assumed during the reign of Khedive Ismail Pasha the Magnificent, when Egypt was elevated to a Khedivate.
The coat of arms took a slightly different form during subsequent periods of the reign. Altered once again towards the conclusion of Khedive Abbas Hilmi Il's rule, coinciding with Egypt's transition to a Sultanate. The final revision was implemented during King Fuad I's reign, when he proclaimed Egypt a kingdom on 15 March 1922.[144] |
Modern period
editState coats of arms
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Coat of arms of the Principality of Albania (1914) The earliest usage of state symbols is prescribed in the Organic Statute of Albania, drafted by the International Commission of Control. Chapter II, titled "The sovereign", in articles 7 and 18 states:[145]
The official newspaper of the Albanian government, Perlindja e Shqipëniës, in its opening page article titled "Speech of the King's in-law – Royal Court – Crown of Albania", dated 28 February 1914, gives an elaborate depiction of the coat of arms:[146]
An illustration of the coat of arms was published for the first time in an article by Eberhard Freiherr von Wechmar in the weekly illustrated newspaper Die Woche (1914), issue no. 10, p. 387. The extract from German reads:[147]
The coat of arms is once more featured in the form of a diplomatic seal on a royal invitation letter addressed to captain N. Thomson, the brother of Lt. Colonel L.W.Thomson. It bears the prince's coat of arms and that of the family of princess Sophie, both under the Albanian crown.[148] |
.svg) Gold model .svg) Silver model |
Coat of arms of the Albanian Republic (1926–1929) The Coat of Arms of the Albanian Republic was introduced by decree-law "On the state coats of arms and official flags", dated 12 July 1926:[149]
Teki Selenica's encyclopedic guide book Shqipria më 1927, e illustruar (p. 125) provides an illustration of the coat of arms whereby the helm with the arms and banners is displayed in silver profile. The usage of the silver model is reaffirmed in official documents of the Ministry of Internal Affairs' secret office from the late fall of 1929.[150] |
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Coat of arms of the Albanian Kingdom (1929–1939) A decree-law in reference to the new Coat of Arms of the State was published in Fletorja Zyrtare, dated 14 August 1929 (p. 7–8). The redaction is from the original print using a form of old gheg, conventional for the time:[151]
DECREES:
The approval and implementation of the Decree-law on the Coat of Arms and Flags of the State. Tirana, 8 August 1929. ZOG d. v. |
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Great arms of the Kingdom of Albania (1939–1943) On 3 June 1939, his Majesty the King Emperor, surrounded by his civil and military entourage, placed the «Constitutional Charter» into the hands of the President of the Ministerial Council, Vërlaci, expressing the paternal solicitude and affection for the Albanian people which inspired his determination. The said "Charter", made up of 54 articles grouped into 7 Titles, makes no mention yet of a coat of arms.[152] The arms of the Kingdom of Albania were promulgated by royal decree nr. 141, dated 28 September 1939. Summarized in seven article paragraphs, they are described as follows:[153] The greater arms is used: in the great seal of the State, on solemn occasions and in monumental decorations.
The lesser arms is used by the state administration. |
.svg){kind=small} .svg){kind=small}   Clockwise: (3) Simplified model used in promotional pamphlets; (4) Lifelike model used in coins; (5) Generally accepted model in use since 1948 |
State emblem/s of Communist Albania (1946–1992) Article 95 of the Statute of the People's Republic of Albania (1946) describes the state emblem as follows: Article 107 of the Constitution of the People's Socialist Republic of Albania (1976) maintains the same design phraseology as its precursor although expressed in a whole condensed sentence: Designed by acclaimed painter Sadik Kaceli, the emblem was initially adopted on 14 March 1946. It was readopted with minor amendments on 28 December 1976.[154] The shapes of the emblem have undergone several changes over the decades and are explained in chronological order below: Model (3): This image of the emblem is found in the Constitution of the People's Republic of Albania published in 1964 by the Albanian Committee for Cultural Relations and Friendship with Foreign Countries. The interweaving of the wheat stems is shown in right profile, meanwhile the wreaths are simplified in the shape of a rhombus or lozenge. The eagle's chest comes forth in a triangle-like posture, the minuscule eyes are rounded and there is a widening of the claws. The overall color scheme is lightly faded. Model (4): The emblem shown here was published by the nationally syndicated satire magazine Hosteni in its 1st issue of the 39th annual edition (956), dated 12 January 1983.[155] The lifelike image was used in the 500 L commemorative gold coin from 1969. A matching illustration of the emblem is featured on the cover page of the 1st issue, 27th annual edition, of the military magazine "10 Korriku" (1973). Model (5): Unlike with previous models, the wreath shown here is olive in color and appears more rounded, attuned to its soviet counterpart. Interestingly, the shape of the eagle is almost identical to the model found in the 1998 coat of arms. This exact emblem is seen in the 10 L silver coin minted in 1990. The only difference being the word MAJ which is printed as MAI, suggesting that it was likely reproduced in Italy. Model (6): The model of the emblem generally accepted as the official variant was published by "Albania today", a political and informative review, in its 1st issue (32) of the 7th annual edition (1977). This model has been used in banknotes and fiscal stamps since 1947.[156] On 7 April 1992, the Assembly formed after the early elections, in its afternoon session, voted to remove the communist emblem as the official symbol of the state including the removal of the star from the country's flag and established a parliamentary commission tasked with studying the proposal of a new emblem of the state.[157][158] |
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Coat of arms of the Republic of Albania (1992–1998) During the plenary session of 13 November 1992, members of the Assembly, having previously abolished the use of communist symbols as official representative symbols of the state, decided to adopt a new coat of arms of the Republic. Under proposal was the amendment of law no. 7491, dated 25.04.1991, "On the Main Constitutional Provisions" which propagated the inclusion of a new chapter titled "Flag, Coat of Arms and The Capital". Article 3 of the chapter, as read by the secretary of the assembly, stated the following:[159]
After several discussions and with no objections, the chairman of the assembly Pjetër Arbnori took the microphone to announce that article 3 was approved unanimously. The image of the coat of arms is found in various documents of the state archive and was once suspended at the main curtain wall in front of the rostrum of the national assembly. |
National defence
editMilitary coats of arms
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Police coats of arms
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Local administration
editCounties
editThe symbolism in the coats of arms of counties in Albania is reflected in Article 5 of Law no. 139/2015, later amended by Law no. 38/2019, dated 20 June 2019 and titled "On Local Self-Governance", which classifies the county as a second level unit of local governance that represents an administrative-territorial unit, consisting of several municipalities with geographic, economic, social and common interests.[160]
Municipalities
editEmblems of municipalities are required to incorporate and visually present, in a highly stylized approach and preferably in accordance with the formal rules of heraldry, the inherent elements and distinctive features that typify and symbolize any given municipality.[161]
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Ecclesiastical coats of arms
editThe initial phase of clerical heraldry in Europe commenced around the year 1118, with the establishment of the Order of the Knights Templar. Its formal development occurred between 1417 and 1431, during the reign of Pope Martin V. Clerical heraldry in Albania endured throughout the Ottoman occupation, though it steadily waned due to the scarcity of prelates serving in the country. Whatever remained from that period was eradicated during communist rule, when a more atheist ideology was embraced. The earliest extant clerical coats of arms (or seals), recognized to this day, are attributed to Pjetër Zaharia and Nikoll Mekajshi.[162]
Coats of arms
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Coat of arms of the Angeli (1525) Volume II of the antiquarian work by Pauli Angeli the Younger, the grandson of archbishop Pauli Angeli the Elder of Durazzo, published in Venetia in 1525, and titled: "Epistola Pauli Angeli: ad Sanctissimum in Christo patrem et Dominum Nostrum Dominum [D.N.D] Clementem diuina Prouidentia Papam septimum...", displays on page 40v the heraldic image of the Angeli family:[163]
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Coat of arms of Georgio Lapazaia (1575) Georgio Lapazaia was an apostolic prothonotary, mathematician and musician of Albanian stock, offspring of Danush and Maruccia, whom arrived in Monopoli from Durazzo after the fall of Constantinople. In 1508, he attained the title of sub-diaconate, eventually becoming Canon of the Monopoli Cathedral. Culturally versed in the Quadrivium, in 1532, Lapazaia composed an Antiphonary of processional nature, blending Gregorian chants with his own monophonic compositions. In 1542, he published a seminal treatise on Arithmetic and Geometry that saw numerous reprints until the late 18th century.[164] Lapazaia's coat of arms is artistically depicted in several of his works, as part of a larger frontispiece ensemble:
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Coat of arms of Pjetër Bogdani (1685) Pjetër Bogdani is the most prominent writer of early Albanian literature. Born in the village of Gur, in the northern Has region, he was ordained archbishop of Scupi in 1677. Bogdani is the author of Cuneus Prophetarum, published in Padua in 1685, considered the first prose work of substance written originally in Gheg. It features a frontispiece showing the image of himself kneeling down for a prayer, next to an altar with an episcopal coat of arms.[165]
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Coat of arms of Giovanni Francesco Albani (1689) The defining elements in the coat of arms of Pope Clement XI are found in a rare 1689 Cantelli da Vignola map of Albania, which incorporates most of present-day Montenegro and part of North Macedonia. The modern capital of Tirana appears as Terrana. Engraved in Roma by Giorgio Widman and printed for inclusion in De Rossi's "Mercurio Geografico", the copperplate features neatly hachured coastlines, pictorially represented mountains and forests, with clear and elegant typography. In the upper right corner is shown a dedicatory cartouche to Papal official Giovanni Francesco Albani who in 1700 would become Pope Clement XI. Originating from Albania, as the family name suggests, the Albani wielded significant authority and influence within the Church.[166]
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Coat of arms of the Arbëresh Seminary of Palermo (1757) The Arbëresh community's transformation and self-awareness began with the establishment of two educational institutions: the Corsini College (1732) in San Benedetto Ullano, Calabria, supported by the Rodotà brothers, and the Arbëresh Seminary of Palermo (1734), in Sicilia, founded on the initiative of Father Giorgio Guzzetta. These two institutions, representing the main centers for theological thought, favored the development of a strong national consciousness among the Arbëresh intellectual circles. Their objective was to distinguish the Arbëresh community of the Byzantine rite from the Greeks, embracing instead an "Italo-Albanian" character, thus dispelling any falsehoods of their ethno-religious identity. The Arbëresh Seminary of Palermo, under the guidance of Father Guzzetta, set up the first ideological laboratory for exploring their Albanian national past, within an Arbëresh context. Its activities were further elaborated by Guzzetta's successors, Paolo Parrino and Nicola Chetta.[167] The coat of arms is found on the cover page of the 1757 work titled "Regole del Seminario italo-greco albanese di Palermo approvate dalla santità di nostro signore papa Benedetto XIV", published by the Sacra Congregatio de Propaganda Fide.
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Coat of arms of the Xaverian College (1877) Facing the hardships and obstacles of antireligious fanaticism and attacks on local clergy, on October 17, 1877, in the presence of the old archbishop Pooten and Father Zef Lombardini, a new institution named the "Xaverian College of Jesuits" opened its doors in the city of Shkodër.[168]
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Seals
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Seal of Pjetër Zaharia (1395–1422) The original seal of the bishop of Sapa, Pjetër Zaharia, was discovered quite by chance, during excavation works in front of the Hvar Cathedral, on March 12, 1988. Preserved inside the Archives of the Bishopric of Hvar, the seal is made of copper. It has an oval shape with two poles that are slightly depressed, measuring 62x37x2x11 mm in size. On the side circle, in the form of a strip, is engraved in Latin with Gothic graphemes, the following text:[169]
which reads as:
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Seal of the Albanian Franciscan Administration (1585) Following Skanderbeg's passing in 1468 and the subsequent Ottoman occupation of his domains, many Franciscan monasteries were destroyed or damaged. In response, a special administration with extensive powers was promptly established by Franciscan Superior General Francis Gonzaga, in 1585. The administration or commissariat was thirty-first in line of establishment and fell under the direct jurisdiction of the Superior General. Its five monasteries at Sebasta, Lezhë, Rubik, Memli and Kep Redoni housed over forty Franciscan monks. In 1488, Pope Innocent VIII had turned St. Mary's Benedictine monastery at Kep Redoni (Caporedoni) over to the Franciscan's Dalmatian Province. The monastery later became the center of the Albanian Franciscan Province from 1713 to 1727.[170]
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Seal of Nikoll Mekajshi (1592) Possibly descending from the settlement of Mjekës, present-day Elbasan, Nikoll Mekajshi was ordained bishop of Stefania and Benda in 1592. He played a pivotal role in the uprising of 1595, aimed to attack and liberate Croya from the Ottomans. From 1601 to 1602, Mekajshi participated as a leading figure at the Convention of Dukagjin. The Kingdom of Spain recognized him as ambassador of the Albanian clansmen (1602–1615). His Episcopal seal is preserved in the collection of Shtjefën Gjeçovi, borrowed for publication from Theodor Ippen, the Austrian consul in Shkodër, who had published it in his monograph in Vienna.[171] The seal representing the coat of arms has the following inscription in Latin: SIG•FR•NICOLAI•MECA•EPS•STEPHA•ET•BE
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In society
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Thallóczy's coat of arms (1897) A color illustration featuring Albanian heraldic motifs, sketched according to the original conception of its author, Ludwig von Thallóczy, whose vision was for the national coat of arms which he had specifically designed for Albania, be included in its political future. Thallóczy himself amalgamated traditional Albanian elements like the eagle, the wolf and the red and black colors with prevailing oriental religious symbols of the era, such as the crescent moon and the horse's tail, symbols of the Ottoman Empire, uniformly embraced by the nominal Muslim majority of Albanians. Ultimately, the Austro-Hungarian foreign ministry objected to its publication due to concerns about the potential impact it would have on its political interests in the region, which was to maintain the current status quo.[172] |
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Konica's coat of arms (1905) The front page of the biweekly periodical Albania, published in Brussels by Faik Konica since 1896, features an illustration of a double-headed eagle, cradling a flame torch between its heads. A ribbon encircles the torch's handle, bearing the word “UNITAS” (meaning Oneness), symbolizing a call for unity among Albanians. The eagle's chest is shielded, and in the upper left corner hangs a black cross. A waving stripe stretches across the shield, wraps around the body, and ends on both sides of the eagle's neck, allowing its wings to remain partly unfurled. The text “ALBANIA” is prominently displayed. On the left side of the ribbon, it reads “ANNO,” and on the right, “1896.” Two claws grasp a lower ribbon, forming an arch, inscribed with the Latin text “UNGUIBUS ET ROSTRIS,” translating to “Claws and Beaks.” This graphic work of art was conceived by Belgian painter Paul Nocquet, under the guidance of Konica himself.[173] |
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Coat of arms of the Bogdani Society (1920) Among the cultural-artistic societies that emerged in the city of Shkodër during the post-independence years, the “Bogdani” society held a prominent place. Established by a group of young men who departed from the “Oratory of the Heart of Christ” to form their own organization, naming it after and being inspired by the patriotic ideals of Pjetër Bogdani, a renowned writer of old Albanian literature. In their programmatic document dated May 27, 1920, the society expressed its commitment "...out of love for the flourishing of the Albanian nation...".
Interestingly, the same coat of arms was adopted by the parish and members of the “Rozafat” society for various activities, including theatrical performances, carnival celebrations, and musical events.”[174] |
See also
edit
References
edit- ^ Lala, Etleva (11 July 2022). "Kodiku i Laurencianës dhe dorëshkrimet e tjera të familjes fisnike të Engjëllorëve nga shek. XV e XVI". Gazeta Dielli. Retrieved 11 July 2022.
- ^ Ippen, Theodor (1907). "Denkmäler verschiedener Altersstufen in Albanien". Zobodat: 40–41.
- ^ Llukani, Andrea (2017). "Pavioni i Mesjetës dhe Këndi i Pashallëqeve të Mëdha Shqiptare". Katalog: 18–19.
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