Wikipedia

All Neon Like

"All Neon Like" is a song by Icelandic musician Björk. The song was written by Björk and produced by the singer and British producer Mark Bell for Björk's album Homogenic (1997).

"All Neon Like"
Song by Björk
from the album Homogenic
Released20 September 1997
Genre
Length5:55
LabelOne Little Indian
Songwriter(s)Björk
Producer(s)

Background and development

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techno-prayer

and I weave
the marvellous web
glow-in-the-dark threads
all neon-like
the larva surrounds me
so I can sleep
foetus-style

I'm asking for help
the luminous beam
to feed me
while I sleep

—Björk, July 1996[1]

Snippets of the lyrics from "All Neon Like" were first released in the form of a poem entitled Techno Prayer, which Björk published in the July, 1996 edition of Details magazine.[2] It featured thematic ideas that she would later explore in her 2001 studio album Vespertine, such as cocooning and thread-weaving.[2][3] Björk confirmed the production and title of the track in an AOL chat interview in early 1997.[4]

The song's production is a collaborative effort between Björk and LFO's Mark Bell, who was credited for the majority of the album's production. Björk had wanted Mark Bell to contribute to her albums Debut and Post, but he was only available for Homogenic.[5] Like the rest of the album, it was recorded at El Cortijo Studios in Málaga, Spain.[6][7]

Composition

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"All Neon Like" prominently features a glass harmonica played by Alasdair Malloy throughout the song.

With a length of five minutes and 55 seconds, "All Neon Like" is the album's longest track. It has been described as "spacey new age",[8] and "ambient-jungle."[9] For Entertainment Weekly's David Browne, Björk "sings along with the amelodic ambient and drum-and-bass rhythms, trying to do with techno what vocalese singers did with bebop nearly 50 years ago."[10] According to AllMusic's Heather Phares, "All Neon Like" is an example of Homogenic's "soothing fare" tracks, which are alternated with "dark, uncompromising songs" like "Hunter."[11] It features "a descending five-note synth figure [which] repeats against a subtly moving, starry-toned orchestral backdrop—gaining, losing, and regaining its bright prominence in the mix."[12] The base of much of the track, especially the verses, is formed by the "hollow, sustained chimes" of the glass harmonica, played by Alasdair Malloy.[3] These "wavering bell tones" are first heard at roughly the 0:29 mark.[3] According to poet and frequent Björk collaborator Sjón, "it's a soundscape that pulsates and breathes like a living organism. It's [sic] heartbeat of a rhythm rises and gets closer to you as the song progresses."[7]

Like various songs of the Homogenic sessions, including "So Broken", the subject matter of "All Neon Like" deals with suffering.[7] Its lyrics "tell of a 'healing' that's made possible by some sort of a cyberspatial connection," and threads that "reach out to someone who's trapped in a cocoon of emotional/physical pain."[7] Björk sings in the second-person, taking the position of a "healer". As she "feeds the 'sick' through the threads, he gains strength to start living again."[7] According to Sia Michel of The New York Times, Björk "compares the creative process to a spider weaving a web made of glow-in-the-dark neon thread."[9] Björk sings: "I'll cut a slit open/ And the luminous beam/ Feeds you honey!"[10] This stanza demonstrates one element of her style, where she takes liberties with the English language for added effect. She "memorably furnishes the song's most emphatic word ('luminous') with an extra syllable: 'lou-min-NEE-ous.'"[3] Björk's deliberate mispronunciation, which Gina Arnold dubbed "lingua-scat," can also be noted when she sings the words "nourish" and "foetus-style".[13]

Reception

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"All Neon Like" has been met with acclaim from music critics. Spin's James Hunter wrote "hearing 'All Neon Like' is like being wordlessly ushered into a hypnotically proportioned room."[12] Heather Phares of AllMusic described it as "gently percolating."[11] In the Homogenic review for Pitchfork Media's Top 100 Albums of the 1990s, Dominique Leone thought the song was an example of "the album's compassionate, slightly off-center romanticism."[8] In her album review for The New York Times, Sia Michel called it "gorgeous", and a track that "[imagines] a world in which Mother Nature rules supreme but technology enhances its beauty."[9]

Live performances

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Björk presented this song and three others off the then-unreleased Homogenic album at the Tibetan Freedom Concert on June 6, 1997. "All Neon Like" opened the set, with Björk "[reaching] out to her audience, empathising and singing 'Don't get angry with yourself - I'll heal you.'" She performed with Mark Bell, who was raised at the rear of the stage surrounded by keyboards and sequencers, and with the Icelandic String Octet, conducted by Eumir Deodato, at one side of the stage.[14] She wore a pink dress designed by Hussein Chalayan, which she would later wear in the video for "Bachelorette" and other photoshoots.[15][16] That July, Björk performed the whole album for a press conference and presentation concert at the Old Truman Building, an old beer factory in London, wearing the same outfit.[17][18] The song was also performed during the Homogenic promotional tour, which took place from August 31 to September 10, 1997;[19] and was part of the set list of the Homogenic tour which Björk embarked upon with Mark Bell and the Icelandic String Octet from late 1997 to early 1999. A performance of "All Neon Like" at the Cambridge Corn Exchange during the tour was included in the video release Live in Cambridge (2001).[20] Björk's August 1998 performance of the song in Spain was released in Homogenic Live, a live album of the tour included in the box set Live Box (2003).[21]

Björk and The Brodsky Quartet performed a strings-only acoustic version in an intimate concert experience at London's Union Chapel on both 9 and 11 December 1999. A live album of the show was rumored to be released in 2000[22][23] but never materialized, though some tracks, including "All Neon Like", were featured on the "Strings" mini-CDs of Björk's 2002 box set, Family Tree

Björk next performed the song some 15 years later when it was played semi-regularly during the Vulnicura tour in 2015.[24] This new version was a remix by Vulnicura's co-producer Arca and featured Manu Delago on percussion and the NY based orchestra Alarm Will Sound on strings. A live performance of the song was included in the limited edition Rough Trade exclusive double-CD release of Vulnicura Live in late 2015.[25]

Cover versions

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In 1999, American jazz saxophonist Greg Osby covered the song, placing it on his 2002 album Inner Circle.[26] Backed by pianist Jason Moran, bassist Tarus Mateen, and drummer Eric Harland, in this "mid-tempo burner," Osby soloes for just about the entirety of the track.[27]

See also

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Notes

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  1. ^ "All Neon Like". bjork.fr. Retrieved 22 June 2015.
  2. ^ a b Pytlik, 2003. p.170
  3. ^ a b c d Pytlik, 2003. p.171
  4. ^ "AOL Chat". 1 January 1997.
  5. ^ "Mark Bell / LFO Interview". The Milk Factory. June 2002. Archived from the original on 2009-10-15. Retrieved 2009-07-05.
  6. ^ Homogenic (Media notes). Björk. One Little Indian Records. 1997.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. ^ a b c d e Sjón (1997). "The Colour Blue and The Lace of Blood". Telegraph (2): 5. Available at bjork.fr
  8. ^ a b "Staff Lists: Top 100 Albums of the 1990s". Pitchfork Media. 17 November 2003. Archived from the original on 23 June 2009. Retrieved 24 June 2015.
  9. ^ a b c Michel, Sia (5 October 1997). "Björk : Homogenic". The New York Times. Available at bjork.fr
  10. ^ a b Browne, David (26 September 1997). "Homogenic". Entertainment Weekly. Retrieved 24 June 2015.
  11. ^ a b Phares, Heather. "Homogenic - Björk". AllMusic. Rovi Corporation. Retrieved 22 June 2015.
  12. ^ a b Hunter, James (October 1997). "Björk - Homogenic (Elektra)". Spin. Vol. 13, no. 7. Spin Media LLC. p. 135. ISSN 0886-3032. Retrieved 22 June 2015.
  13. ^ Arnold, Gina (18 September 1997). "Northern exposure". Metro. Available at bjork.fr
  14. ^ "The GrapeWire - June 1997". bjork.com. Archived from the original on 19 August 2000. Retrieved 15 November 2014.
  15. ^ "Tibetian Freedom Concert" (in French). bjork.fr. Retrieved 4 December 2014.
  16. ^ "Phil Poynter - Session 3" (in French). bjork.fr. Retrieved 4 December 2014.
  17. ^ Maio, Luis (18 July 1998). "The Women In Fire". Público. Comunicação Social SA. Also available at nsd.dyndns.org Archived 2016-03-04 at the Wayback Machine
  18. ^ "Old Truman Building" (in French). bjork.fr. Retrieved 4 December 2014.
  19. ^ "gigOgraphy: 1997". bjork.com. Archived from the original on 20 June 2006. Retrieved 4 December 2014.
  20. ^ "Grapewire 2001: DVD releases for the US + more". bjork.com. 12 August 2001. Archived from the original on 29 November 2005. Retrieved 4 December 2014.
  21. ^ "Grapewire 2003: DVDs coming up & Live Box". bjork.com. 22 May 2003. Archived from the original on 29 November 2005. Retrieved 4 December 2014.
  22. ^ "THE CHAPEL OF LIVE!". NME. 12 June 2000. Retrieved 26 September 2019.
  23. ^ "Bjork & the Brodsky Quartet – at the Union Chapel (CDR)". Discogs.
  24. ^ "Bjork played 2 shows at King's Theatre (pics, setlists), showing virtual reality "Stonemilker" vid @ MoMA PS1 & Rough Trade". 23 March 2015. Retrieved 26 September 2019.
  25. ^ "Björk announces limited edition Vulnicura live album". 22 October 2015. Retrieved 26 September 2019.
  26. ^ Murph, John (September 2002). "Jazz Reviews: Inner Circle". JazzTimes. JazzTimes, Inc. Archived from the original on 26 June 2015. Retrieved 26 June 2015.
  27. ^ Farberman, Brad. "Greg Osby: All Neon Like". Jazz.com. Archived from the original on 2015-06-26. Retrieved 26 June 2015.

References

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