Wikipedia

A Human Work

"A Human Work", also known by the Japanese title "The Works of Man",[a] is the seventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Keiichi Sugiyama, was first broadcast on TV Tokyo on November 15, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, a rival organization of Nerv builds Jet Alone, a prototype giant robot with an onboard nuclear reactor as an alternative to the Evangelions. During the first public test of Jet Alone, it goes out of control and marches toward a nearby city with its reactor close to a meltdown. Shinji keeps the robot at bay in his Evangelion while Nerv's Major Misato Katsuragi gets inside Jet Alone and shuts down the reactor.

"A Human Work"
Neon Genesis Evangelion episode
Eva-01 (right) tries to stop Jet Alone (left). The Jet Alone affair has been described by critics as a deconstruction of the mecha genre and a political satire.
Episode no.Episode 7
Directed byKeiichi Sugiyama
Written byHideaki Anno, Yoji Enokido
Original air dateNovember 15, 1995 (1995-11-15)
Running time22 minutes
Episode chronology
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List of episodes

"A Human Work" contains quotes from Japanese and Western directors such as Stanley Kubrick, Kihachi Okamoto and Kunihiko Ikuhara, and cultural references to scientific and religious concepts, including apoptosis, the giant-impact hypothesis and the Tree of the Sephiroth. The episode's first broadcast scored a 5.9% rating of audience share on Japanese television. "A Human Work" received a divided reception; some reviewers considered it to be a filler episode for the series' plot, while others appreciated the political implications and character development. The episode has been described as a deconstruction of the mecha genre and the Jet Alone affair as a parody of the stylistic features of giant robot stories.

Plot

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Commander Gendo Ikari, head of the special agency Nerv, talks via telephone to Ryoji Kaji, who tells Ikari he has answered the information requests with falsified data, and then asks if he should do something about "that other matter". Ikari boards an SSTO and talks with an unknown person who says the budget for building more Evangelion mechas has been approved. Meanwhile, young Evangelion pilot Shinji Ikari is embarrassed by his legal guardian Major Misato Katsuragi's sloppy behavior. Shinji is also briefed on the truth about Second Impact by Dr. Ritsuko Akagi, who tells him that the official story about a freak meteor-strike is a cover-up. In reality, the catastrophe was caused by the sudden awakening of an Angel in Antarctica. It is believed that the Angels' ultimate goal is to cause Third Impact, and it is hoped that Nerv can prevent this outcome by fighting the Angels with the Evangelions. Meanwhile, Misato, who is present at Shinji's briefing, is uncharacteristically quiet and deep in thought as Ritsuko speaks.

Misato and Ritsuko attend a private company's demonstration of Jet Alone, its giant, Angel-fighting robot. During the demonstration, the robot goes out of control and its reactor becomes critical. Because the radio command circuit has been broken, Misato decides to catch Jet Alone using Shinji's mecha, Eva-01, enter Jet Alone and delete its programming directly with the code "Hope". Shinji catches Jet Alone and Misato successfully boards it. The password fails to stop the reactor and Misato attempts to manually push the control rods back into the reactor. At the last moment, the rods reinsert themselves. Misato realizes the robot was never intended to melt down and that the whole situation was a result of sabotage. Later, Ritsuko and Ikari speak in his office; she explains that their plan with Jet Alone went off with no problems, other than Misato's attempted interference, and he congratulates her on a job well done. The next morning, Shinji is upset again for Misato's behavior at home, until his school friends Toji Suzuhara and Kensuke Aida say that Misato shows him a side of her personality no one else sees because she considers him family. Shinji smiles wistfully at that thought.

Production

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Neon Genesis Evangelion director Hideaki Anno

Gainax studio staff decided the base plot for "A Human Work" in 1993, when it wrote a presentation document of Neon Genesis Evangelion named New Century Evangelion (tentative name) Proposal (新世紀エヴァンゲリオン (仮) 企画書, Shinseiki Evangelion (kari) kikakusho);[1][2] In Proposal document, which was published in 1994,[3][4] its Japanese title was written with a comma, as "Hito no, tsukurishimono" (人の、造りしもの, litt. "A man-made thing").[5][6] Yoji Enokido[7][8] and Neon Genesis Evangelion director Hideaki Anno[9] wrote the script for the episode; director Anno also worked on the storyboards,[10] while Keiichi Sugiyama served as the episode's director.[11][12] Masahiko Otsuka worked as assistant director, Shunji Suzuki as chief animator[13] and Mitsumu Wogi as assistant character designer.[14][15]

For the Jet Alone dossier visible in the first scene in Gendo's office of "A Human Work", produced by the Gainax Shop, the staff recreated the original material generated with a Macintosh and modified it.[16] Writer Virginie Nebbia likened Gendo's office to the visual style of Akio Jissoji, known as the director of various Ultraman episodes; as noted by Nebbia, Jissoji often uses shots in which the set preponderantly occupies the screen and the characters are shot from a distance.[17] The episode also depicts real-life vehicles such as an SSTO spacecraft.[18][19][20] and a Ferrari 328.[21][22][23] The American Northrop YB-49 prototype jet-powered heavy bomber was initially chosen for the image of the Eva transport aircraft, but the crew later decided to use the North American XB-70 Valkyrie.[24] In the scene in which Eva-01 jumps from the aircraft to chase the Jet Alone, the Eva would have to stumble forward in the real world, but the staff wanted the flow to be more fluid.[25] For the scene Anno took inspiration from tokusatsu shows, including Ultraman.[26] Writer Virginie Nebbia noticed that Misato, usually depicted in a sensual manner, wears long pajamas that cover her entire body in "Hedgehog's Dilemma", an episode which Anno basically did not wrote, while in "A Human Work" Misato is represented with neckline and shorts; Nebbia traced the origin of this fan service use to Anno's hand on the storyboards.[27] The episode also contains homages to the animator Kunihiko Ikuhara, a friend of the director Anno, whose name is used for a society mentioned in the scene in which Misato and Ritsuko discuss with Shiro Tokita,[28] and Kihachi Okamoto, of whom it takes up various directing techniques.[29][30]

Koichi Yamadera, Hiro Yūki, Tetsuya Iwanaga, Tomokazu Seki and Megumi Hayashibara, voice actors of several main characters in the series, played unidentified characters for "A Human Work", including announcers and Shinji's unnamed classmates.[31] A four-beat Jazz version of Fly Me to the Moon[32][33] sung by Japanese singer Yoko Takahashi was used as the ending theme.[34][35]

Cultural references and themes

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The SSTO that appears in a scene from "A Human Work" has been compared to a spaceship that appeared in 2001: A Space Odyssey.

In the first scene Gendo is framed in his office and the Tree of the Sephiroth, a diagram of the Jewish Kabbalah, is visible on the ceiling of the room.[36] The ceiling illustration of Commander Ikari is taken from Athanasius Kircher's Oedipus Aegyptiacus.[37] Slant Magazine's Micheal Peterson noted that Gendo's position at the desk "is in relation to the Godhead symbol on the tree".[38] The office's floor also depicts a cosmological diagram by Robert Fludd.[39][40] In the same scene, a text that mentions apoptosis and apobiosis,[41] is framed.[42][43] The text also mentions the molecular polarisation rate; according to the book Evangelion Glossary (エヴァンゲリオン用語事典, Evangerion Yougo Jiten) by Yahata Shoten, in molecular spectroscopic analysis the term indicates the polarisation ratio of incident light, such as laser or X-ray light, on a molecule of interest.[44] The same book noted how the name of the Japanese language recognition code of the Jet Alone's operating system, KOZAIC7, is similar to Cosaic (こざいく), a software for creating Internet home pages.[45] Moreover, Shiro Tokita's name comes from Ryū Murakami's novel Ai to gensō no fascism (愛と幻想のファシズム, "The Fascism of Love and Fantasy").[46][47] The episode also mentions other characters named after characters from the Murakami's novel: Witz,[48] Manda,[49] Yasugi,[50] and Yoshizawa.[51]

A school text by Shinji with fictitious, manipulated details on Second Impact and revelations on First Impact is framed in the episode;[52][53] the informations constitute a reference to the giant-impact hypothesis.[54][55] The First Impact is involved in the process of the formation of the Moon.[56] According to official reports, the cause of the Second Impact can be traced to the crash of a meteorite on Mount Markham, detected fifteen minutes before impact by an amateur astronomer named Nan Seimoa.[57] People are led to believe that the meteorite was ten centimeters in diameter but with a mass close to 4.02×1020 tons.[58] Dr. Ritsuko Akagi reveals that fifteen years before the events of the series humans discovered the first Angel in Antarctica instead.[59][60] According to academic Fabio Bartoli, the fact that the Second Impact occurred in Antarctica and is associated with the meteorite can be linked to the ALH84001 meteorite found in the Allan Hills in 1984, in whose structures there are shapes that were initially assumed to be evidence of alien life forms.[61] A document visible in the episode also mentions the Shinkai 6500.[62] Japanese architect Yasutaka Yoshimura regarded SSTO's interior visible in the previous scenes as a possible reference to a spacecraft visible in the movie 2001: A Space Odyssey (1968),[63] while Jet Alone's name comes from the robot Jet Jaguar,[64] appeared in the special effects film Godzilla vs. Megalon (1973) and originally called "Red Alone".[65]

The episode's pivotal theme is interpersonal communication.[66] In "A Human Work", the psychology of Shinji and of Misato is deepened. Shinji finishes the first part of his path in the episode.[67] The installment also centers around the different aspects of Misato's psychology; she wears various masks[68] and shows herself to be an elder sister, a rough spinster and daring soldier at the same time,[69] confusing Shinji.[70][71] At the end of the episode, Shinji notices Misato shows her coarser, vulnerable side because he is part of her family;[72] after the event, the psychological distance between the two lessens.[73] Japanese magazine Newtype noted how Shinji had a passive attitude until the Jet Alone affair, in which "he is genuinely worried about someone else for the first time".[74][75] Misato also tries to stop the Jet Alone "with the hands of man" in "A Human Work".[76] Optimism and hope towards human abilities are themes already present in earlier works of Hideaki Anno, like Gunbuster and Nadia: The Secret of Blue Water.[77] Furthermore, according to writer Virginie Nebbia, "Human Work" draws a clear metanarrative parallel between Nerv and Gainax. Misato and the others complain about their salaries as they try to save the world, similar to the members of Gainax, a group of enthusiasts who have been involved in animation for years despite economic insecurity.[8]

In the course of the episode, Misato and Ritsuko find themselves at a table alone surrounded by a mostly male crowd; Tokita criticises Nerv by comparing Eva-01 to a "hysterical woman". Ritsuko does not flinch and asks Tokita pertinent and direct questions. According to Nebbia, this is indicative of how the series portrays women as active and criticises machismo.[78] Nebbia also compared Misato's attempt to stop the Jet Alone with David Bowman from 2001: A Space Odyssey, who tries to manually stop the artificial intelligence HAL 9000 in the film.[64] Comic Book Resources's Matthee England described the Jet Alone affair as one of the more concentrated examples of Evangelion's deconstruction of the mecha genre.[79] An official encyclopedia about the series also noted how the Jet Alone is the only actual robot in the whole Evangelion series.[80] According to Anime Feminist website writer Jeremy Tauber, the conversation between Gendo and an United Nation representative on the SSTO references the declining Japanese economy, its military expenditures, and its budgeting, reading "something that was on the mind of Japanese economists who witnessed the nation’s unemployment rate rise while America was enjoying a gradual fall in theirs".[81] For Tauber, the fact that the Japanese Heavy Chemicals Industry lose control over Jet Alone "not only highlights the destructive consequences of capitalist competition, but also the electronics industry’s failure to provide anything useful to the Japanese citizenry".[81] For Evangelion Chronicle, with the Jet Alone sabotage affair Nerv is portrayed as a mysterious organization that is difficult to trust, following and amplifying the trend inaugurated by Mobile Suit Gundam anime series, which in 1979 proposed a scenario questioning the classic model of good and righteous guys versus bad guys.[82] Critic Dennis Redmond also described it a satire of "the arrogance of Japan's nuclear power lobby" and keiretsu business elite.[83]

Reception

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"A Human Work" had a mixed reception. The episode was first broadcast on November 15, 1995, and scored a 5.9% rating of audience share on Japanese TV.[84] Digitally Obsessed's reviewer Joel Cunningham criticized the episode as being probably the worst in the series and unnecessary; according to Cunningham, nothing happens and events remain unchanged at the end. He described the action scenes as "well done, but ultimately frivolous" and also said "there aren't even any particularly good character moments".[85] According to Multiverity Comics' Matthew Garcia, "A Human Work" is not among Evangelion's best episodes, but it does manage to come together in the third act, in large part thanks to Misato.[86]

Animé Café's Japanese reviewer Akio Nagatomi negatively received the episode, since it portrays governments as "simple-minded idiots", but also praised the sub-plots involving Misato's double face and the conspiracy that leads to the Jet Alone malfunction, the animation and some "neat" angle shots, like the drop-shipping of the Eva from the bomber. He concluded; "Not a great episode, though the political background has me a little intrigued".[87] Film School Rejects's Max Covill said "A Human Work" does not advance the series' plot "in any meaningful way", but praised the scene involving Misato and Ritsuko. He described it as "an exciting episode" that provides additional background on important supporting characters.[88] Animation Planet magazine' John Beam positively reviewed "A Human Work" and "Asuka Strikes!", and praised the show for its "outstanding characterizations, animations, and dramatic presentation".[89] SyFy Wire's Daniel Dockery ranked the scenes of the Jet Alone activation and Misato inside it as one of the best "non-depressing moments" in the show, describing Misato as the most underrated Evangelion character and the second scene as a "tense" moment.[90] Comic Book Resources' Devin Meenan also noted that, despite the episode seems inconsequential, "A Human Work" develops Shinji and Misato relationship.[91]

In the second issue of the Gen:Lock webseries, a robot that is supposedly superior to gen:Lock named The Shogunate appears. Noting a character named Anno appears in the issue, Bubble Blabber's reviewer David Kaldor regarded The Shogunate as a possible reference to the Jet Alone.[92] The episode also inspired official merchandise,[93][94] including a line of official T-shirts.[95][96]

See also

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  • Homo faber – Humankind as creator of artificial things

References

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  1. ^ Japanese: 人の造りしもの, Hepburn: Hito no Tsukurishimono

Citations

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  1. ^ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 88. ISBN 4-04-852700-2.
  2. ^ Nebbia (2023), Chap. 2: La Proposition
  3. ^ Nebbia (2023), Chap. 1: Lancement du Project Eva
  4. ^ "History 1993-1999". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  5. ^ Neon Genesis Evangelion Theatralical VHS Box Booklet (in Japanese). King Amusement Creative. 1997.
  6. ^ Evangelion Chronicle (in Japanese). Vol. 18. Sony Magazines. p. 25.
  7. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 18.
  8. ^ a b Nebbia (2023), Chap. 1: Production et catastrophes
  9. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 13.
  10. ^ "Staff". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  11. ^ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 178. ISBN 4-04-852700-2.
  12. ^ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. p. 21.
  13. ^ Groundwork of Evangelion (PDF) (in Japanese). Vol. 1. Gainax. 2000. p. 217. ISBN 4903713008. Archived from the original (PDF) on 26 October 2023.
  14. ^ Poggio 2008, p. 22.
  15. ^ Porori 2009, p. 76.
  16. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 7.
  17. ^ Nebbia (2023), Chap. 3: L'Ultraman de Jissôji
  18. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 14.
  19. ^ Porori 2009, p. 79.
  20. ^ Glossary 1998, p. 29.
  21. ^ Cannarsi 1998, p. 19.
  22. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 9.
  23. ^ Glossary 1998, p. 140.
  24. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 19.
  25. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. pp. 20–21.
  26. ^ "animator interview 橋本敬史 (4)『エヴァンゲリオン』と磯光雄ショック" [animator interview Takashi Hashimoto (4) "Evangelion" and Mitsuo Iso shock]. WEB Anime Style (in Japanese). Style. January 8, 2009. Retrieved October 17, 2021.
  27. ^ Nebbia (2023), Chap. 3: L'utilisation du fan service
  28. ^ Glossary 1998, p. 14.
  29. ^ Cannarsi 1998, pp. 42–43.
  30. ^ Oguro, Yūichirō. "第39回 エヴァ雑記「第六話 決戦、第３新東京市」" (in Japanese). Archived from the original on October 10, 2018. Retrieved July 23, 2020.
  31. ^ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. p. 62.
  32. ^ Evangelion Chronicle (in Japanese). Vol. 26. Sony Magazines. p. 26.
  33. ^ "Fly Me to the Moon". Neon Genesis Evangelion: Platinum Edition Booklet. Vol. 4. ADV.
  34. ^ Cannarsi 1998, p. 26.
  35. ^ Neon Genesis Evangelion Laserdisc Encyclopedia (in Japanese). Vol. 4. 1996.
  36. ^ Ortega, Mariana (2007). "My Father, He Killed Me; My Mother, She Ate Me: Self, Desire, Engendering, and the Mother in Neon Genesis Evangelion". Mechademia. 2: 216–232. doi:10.1353/mec.0.0010. ISBN 978-0-8166-5266-2. S2CID 120554645.
  37. ^ Cannarsi 1998, p. 17.
  38. ^ "The Economy of Visual Language: Neon Genesis Evangelion". Slant Magazine. 29 August 2008. Archived from the original on 25 July 2014. Retrieved 22 April 2020.
  39. ^ Glossary 1998, p. 91.
  40. ^ Evangelion Chronicle (in Japanese). Vol. 13. Sony Magazines. p. 12.
  41. ^ Glossary 1998, p. 9.
  42. ^ Cannarsi 1998, p. 35.
  43. ^ Evangelion Chronicle (in Japanese). Vol. 2. Sony Magazines. p. 23.
  44. ^ Glossary 1998, p. 156.
  45. ^ Glossary 1998, p. 56.
  46. ^ Glossary 1998, p. 120.
  47. ^ Hideaki Anno (November 2, 2000). "Essay". Gainax.co.jp (in Japanese). Gainax. Archived from the original on February 20, 2007. Retrieved July 5, 2014.
  48. ^ Glossary 1998, p. 20.
  49. ^ Glossary 1998, p. 155.
  50. ^ Glossary 1998, p. 160.
  51. ^ Glossary 1998, p. 162.
  52. ^ "Episode:7 A Human Work". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  53. ^ Cannarsi 1998, p. 36.
  54. ^ Cannarsi 1998, p. 20.
  55. ^ Horn, Carl Gustav (2013). "Secrets of Evangelion". Neon Genesis Evangelion 3-in-1 Edition. Vol. 2. Viz Media. ISBN 978-1-4215-5305-4.
  56. ^ Glossary 1998, p. 138.
  57. ^ Glossary 1998, p. 85.
  58. ^ Glossary 1998, p. 105.
  59. ^ Newtype Complete Shinseiki Evangerion Newtype Complete 新世紀エヴァンゲリオン [Newtype Complete Neon Genesis Evangelion] (in Japanese). Kadokawa Shoten. 2005. p. 37.
  60. ^ "謎の深淵". Newtype (in Japanese). Kadokawa Shoten. February 1996. p. 19.
  61. ^ Bartoli, Fabio (2008). "Neon Genesis Evangelion e la Kabbalah: dal Tempo di dolore al Tempo Benedetto" (PDF). Antrocom (in Italian). 4 (1): 30. Archived (PDF) from the original on 22 April 2018. Retrieved 18 April 2020.
  62. ^ Glossary 1998, p. 74.
  63. ^ Yoshimura, Yasutaka (1997). "Sonata for EVANGELION – POP – A Compilation of the quoted 60's motifs". In Kaichiro Morikawa (ed.). The Evangelion Style (in Japanese). Daisan Shokan. p. 32. ISBN 4-8074-9718-9.
  64. ^ a b Nebbia (2023), Chap. 2: Les 2001 des films d'animation
  65. ^ Platinum Booklet. Vol. 2. ADV.
  66. ^ Cannarsi 1998, p. 16.
  67. ^ Oguro, Yūichirō. "第41回 エヴァ雑記「第八話 アスカ、来日」" (in Japanese). Archived from the original on October 10, 2018. Retrieved July 23, 2020.
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  69. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 22.
  70. ^ Cannarsi 1998, pp. 46–47.
  71. ^ Oguro, Yūichirō. "第40回 エヴァ雑記「第七話 人の造りしもの」" (in Japanese). Archived from the original on October 20, 2019. Retrieved July 23, 2020.
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  74. ^ Newtype Complete 新世紀エヴァンゲリオン (in Japanese). Kadokawa Shoten. 2005. p. 50.
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  76. ^ Oguro, Yūichirō. "第45回 エヴァ雑記「第拾弐話 奇跡の価値は」" (in Japanese). Archived from the original on March 1, 2021. Retrieved July 23, 2020.
  77. ^ Cannarsi 1998, pp. 40–41.
  78. ^ Nebbia (2023), Chap. 3: Les mamans et les femmes
  79. ^ England, Matthew (7 July 2020). "Neon Genesis Evangelion: The 5 Best Ways It Deconstructed The Mecha Anime (& 5 Ways It Elevated The Genre)". Cbr.com. Comic Book Resources. Archived from the original on 3 June 2021. Retrieved 6 June 2021.
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  81. ^ a b Tauber, Jeremy (15 May 2024). "Evangelion, alienation, and Japan's 1990s economic crisis". animefeminist.com. Anime Feminist. Archived from the original on 15 May 2024. Retrieved 4 December 2024.
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  83. ^ Redmond, Dennis (2004). The World is Watching: Video as Multinational Aesthetics, 1968–1995. Southern Illinois University Press. p. 133. ISBN 0-8093-2535-7.
  84. ^ "Anime Land". Newtype (in Japanese). Kadokawa Shoten. February 1996. p. 66.
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  87. ^ "Shinseiki Evangelion Review Pages – Episode 7: The Human Creation / A Human Work". Abcb.com. The Animé Café. Archived from the original on 2 August 2018. Retrieved 31 May 2021.
  88. ^ Covill, Max (17 June 2019). "Every Episode of 'Neon Genesis Evangelion' Ranked". Filmschollrejects.com. Film School Rejects. Archived from the original on 8 January 2021. Retrieved 21 March 2021.
  89. ^ Beam, John (1997). G. Michael Dobbs (ed.). "Neon Genesis Evangelion: Genesis 0:4". Animation Planet. Vol. 1, no. 2. Inkwell Productions. pp. 13–14.
  90. ^ Dockery, Daniel (June 23, 2019). "The 10 most awesome (non-depressing) moments In Neon Genesis Evangelion". Syfy.com. Archived from the original on January 8, 2021. Retrieved July 23, 2020.
  91. ^ Devin Meenan (8 January 2022). "Neon Genesis Evangelion: The 5 Darkest Episodes (& 5 Lightest)". Comic Book Resources. Archived from the original on 13 January 2022. Retrieved 13 January 2022.
  92. ^ Kaldor, David (7 November 2019). "Comic Review: gen:LOCK "unwelcome:GUESTS Part 2"". Bubbleblabber.com. Bubble Blabber. Archived from the original on 20 May 2021. Retrieved 6 June 2021.
  93. ^ Evangelion Chronicle (in Japanese). Vol. 10. Sony Magazines. p. 28.
  94. ^ E-Mono (in Japanese). Gainax. 1997. p. 112. ISBN 4-04-852868-8.
  95. ^ The Essential Evangelion Chronicle: Side B (in French). Glénat. 2010. p. 125. ISBN 978-2-7234-7121-3.
  96. ^ "新世紀エヴァンゲリオン 全話Tシャツ 「第七話 人の造りしもの」" (in Japanese). Evangelion Store. Archived from the original on 22 January 2022. Retrieved 22 January 2022.

Bibliography

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