Wikipedia

Zulu music

This article is about the music of the Zulu ethnic group. For the band called Zulu, see Zulu (band).

The Zulu people are a South African ethnic group. Many Zulu musicians have become a major part of South African music, creating a huge influence in the music industry. A number of Zulu-folk derived styles have become well known across South Africa and abroad. Zulu music has dominated many genres in South Africa, especially house music, folk music, acapella, choral music and gospel. In fact, some of the most popular songs from South Africa are in isiZulu.

Solomon Linda's Original Evening Birds formed in 1933, pictured in 1941.
Solomon Linda's Original Evening Birds formed in 1933, pictured in 1941.

Mbube and Isicathamiya

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Main articles: Mbube (genre) and Isicathamiya
 
Ladysmith Black Mambazo (2018)

Mbube is both a song, originally released in the 1940s by Solomon Linda, and a genre of South African popular music that was inspired by it.[1] "Mbube" was recorded in 1939 and became a major hit in the country.[2] The song was in a traditional Zulu choral style, which soon came to the attention of American musicologist Alan Lomax, who brought to the song to folk singer Pete Seeger, then of The Weavers. They made the song a Top 15 American hit in 1952 (as "Wimoweh"), though creator Solomon Linda was not credited; later, The Kingston Trio released a cover of it. Later still, The Tokens turned the song into "The Lion Sleeps Tonight", and it became a #1 American hit.[3] The Durban-based Ladysmith Black Mambazo, formed by Joseph Shabalala in 1960, sings, among other styles, music in the mbube tradition inclusive of isicathamiya.[4][5]

Maskandi

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Main article: Maskandi

Maskanda (or Maskandi) is a kind of Zulu folk music that is evolving with South African society. Ethekwini Online describes it as "The music played by the man on the move, the modern minstrel, today’s troubadour. It is the music of the man walking the long miles to court a bride, or to meet with his Chief; a means of transport. It is the music of the man who sings of his real life experiences, his daily joys and sorrows, his observations of the world. It’s the music of the man who’s got the Zulu blues."[citation needed]

Kwaito

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Main article: Kwaito

Kwaito is a music genre that emerged in Johannesburg, South Africa, during the 1980s.[6] It is a variant of house music featuring the use of African sounds and samples. Typically at a slower tempo range than other styles of house music, Kwaito often contains catchy melodic and percussive loop samples, deep bass lines, and vocals. Despite its similarities to hip hop music, Kwaito has a distinctive manner in which the lyrics are sung, rapped and shouted. American producer Diplo has described Kwaito as "slowed-down garage music," most popular among the black youth of South Africa.[7][8] Variants are Durban kwaito and future kwaito.[9]

Kasi rap

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See also: African hip hop

Kasi rap, primarily using isiZulu and isiXhosa for rap vocal delivery, centered on themes such as overcoming adversity, family dynamics, and aspirations for a better life. Pro (formerly Pro Kid) played a pivotal role in the genre. Driemanskap emerged as a standout group in this movement, alongside notable artists like Maxhoseni, Kanyi, Red Button, Manelisi, and Deep Soweto.[10]

Gqom

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Main article: Gqom

Gqom is a style of music that emerged a decade into the 21st century from the city of Durban in KwaZulu Natal, South Africa.[11] The style features wavy and bass beats produced with software such as FL Studio, and has gained prominence in London.[12][13] The word gqom, sometimes expressed as qgom, igqom, gqomu or variants thereof, derives from an onomatopoeic combination of click consonants from the Zulu language that represents a hitting drum. Music industry professionals who were actively and rigorously involved in influencing the masses to accept and embrace the new, shift-shaping sound included the likes of South African rapper, Okmalumkoolkat, Italian record label Gqom Oh owner, Nan Kole,[14] Afrotainment record label owner, DJ Tira as well as event curator and personal public relations liaison, Cherish LaLa Mankai.[14][15] Related artists are DJ Lag, DJ Bongz, Lord The Dj, MasterT, Dj Noffoh, Dj Nkaa, Rudeboyz, Distruction Boyz & AudioBoyz.[16]

Gqom trap

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Gqom trap, a fusion of gqom and trap music elements, emerged in the 2010s through the innovation of Durban hip hop group Witness The Funk.[17]

African Trap Music (ATM)

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African Trap Music, often abbreviated as ATM, emerged as a subgenre of trap music in 2015. Its inception is attributed to Emtee's breakout single "Roll Up". Leading the genre were artists such as Emtee, Sjava, and Saudi, with significant contributions also from Sims, Ranks, Just G, and producer Ruff. African Trap Music combines trap production with distinct South African influences. Lyrically, it explores narratives and themes such as love, survival, success, and family dynamics, drawing inspiration from South African genres. The majority of lyrics are sung in South African languages, predominantly IsiZulu.[18][19]

Amapiano

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Main article: Amapiano

Amapiano, an isiZulu word loosely translated to "the pianos", is a South African subgenre of house music that emerged in South Africa in the mid-2010s. It is a hybrid of deep house, gqom, jazz, and lounge music characterized by synths and wide percussive basslines.[20][21] Associated musical acts are Kabza de Small, DJ Sumbody, Mpura, Kamo Mphela and Focalistic. Amapiano sample packs often incorporate sounds taken from gqom music.[22]

See also

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References

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  1. ^ Reports, Special (7 October 2022). "Celebrating the legacy of Solomon Linda and South Africa's indigenous music". Mail & Guardian. Archived from the original on 8 January 2024. Retrieved 8 January 2024.
  2. ^ Ngema, Zee (10 August 2020). "How the Creator of 'The Lion Sleeps Tonight' Finally Got His Due In 'Black Is King'". Okay Africa. Archived from the original on 5 November 2023. Retrieved 8 January 2024.
  3. ^ Malan, Rian (14 May 2000). "In the Jungle: Inside the Long, Hidden Genealogy of 'The Lion Sleeps Tonight'". Rolling Stone. Archived from the original on 17 August 2020. Retrieved 8 January 2024.
  4. ^ Bambalele, Patience (13 September 2022). "KZN town to be renamed after scathamiya pioneer Solomon Linda". Sowetan Live. Archived from the original on 24 September 2022. Retrieved 8 January 2024.
  5. ^ Pareles, Jon (19 October 2016). "Music Review |Ladysmith Black Mambazo". The New York Times. Archived from the original on 12 July 2022. Retrieved 8 January 2024.
  6. ^ Steingo, Gavin (2008). "Historicizing Kwaito". University of Rhodes. 8 (2). International Library of African Music: 76–91. JSTOR 30250016. Archived from the original on 2024-02-02. Retrieved 2024-01-08 – via JSTOR.
  7. ^ Coffee, Black. "A Chat with Black Coffee - Kwaito is Still Around". XLR8R. xlr8r.com. Archived from the original on 12 January 2008. Retrieved 5 December 2007.
  8. ^ "The Best Amapiano Artists You Need To Know". HipUpMusic. 7 April 2023. Archived from the original on 7 April 2023.
  9. ^ "Don't Call It Kwaito". Red Bull. 2018-03-28. Retrieved 2024-07-02.
  10. ^ "Hip-hop in South Africa". Music In Africa (in French). 2015-08-27. Archived from the original on 2021-12-08. Retrieved 2024-07-02.
  11. ^ Oliver, Huw (22 January 2016). "Gqom, the foot-stomping new sound of South Africa's townships". The Guardian. Archived from the original on 3 September 2018. Retrieved 11 November 2018.
  12. ^ "What the foq is gqom?". 5 June 2015. Archived from the original on 2 April 2019. Retrieved 11 November 2018.
  13. ^ "Gqom—The Sound from the Townships of South Africa". 9 August 2016. Archived from the original on 4 September 2018. Retrieved 11 November 2018.
  14. ^ a b Weichenrieder, Philipp (19 April 2016). "Gqom-Musik aus Südafrika: Townships calling". Die Tageszeitung: Taz. Archived from the original on 28 October 2018. Retrieved 11 November 2018 – via www.taz.de.
  15. ^ "Gqom: The rise of a subculture". Archived from the original on 2018-12-05. Retrieved 2018-11-11.
  16. ^ "Gqom: A deeper look at South Africa's new generation of house". FACT Magazine: Music News, New Music. 2016-01-05. Archived from the original on 2018-10-27. Retrieved 2018-10-27.
  17. ^ Staff Reporter (2013-04-12). "Durban kwaito uptempo and uptown". The Mail & Guardian. Archived from the original on 2022-07-05. Retrieved 2024-07-02.
  18. ^ "The 10 Best 'African Trap Music' Songs - Okayplayer". OkayAfrica. Archived from the original on 2018-04-17. Retrieved 2024-07-02.
  19. ^ "How Sjava, Emtee & Saudi Turned 'African Trap Music' Into An Internationally Recognized Sound - Okayplayer". OkayAfrica. Archived from the original on 2024-05-27. Retrieved 2024-07-02.
  20. ^ "Top amapiano songs of 2019". Music In Africa. 2019-08-09. Archived from the original on 2019-08-09. Retrieved 2024-07-02.
  21. ^ "New age house music: the rise of "amapiano"". 2020-03-04. Archived from the original on 2020-03-04. Retrieved 2024-07-02.
  22. ^ "Amapiano's Second Wave: How innovations emerge from Black South African culture". Mixmag. Archived from the original on 2024-06-18. Retrieved 2024-07-02.
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