Zhizha (simplified Chinese: 纸扎; traditional Chinese: 紙紮; pinyin: zhǐzā), or Taoist paper art, is a type of traditional craft, mainly used as offerings in Taoist festive celebrations and funerals. It had become a widely accepted element in religious practice since Northern Song Dynasty. It now faces a gradual loss of craftsmanship due to related environmental concerns and weakened religious belief.
Origin
editZhizha is generally perceived as a form of offering in festive celebrations and funerals. It is believed to be a substitute for living offerings in a sacrifice.[1]
Young women in ancient China were offered as brides every year to a so called “River God” in exchange for less frequent floods. To facilitate the exchange, the women would be sacrificed. This practice was later halted by Ximen Bao of Wei due to ethical concerns.[2]
Zhizha is the present form of offerings. It only appeared after the maturation of papermaking skills in the Han dynasty. Its common usage came to reality in Northern Song Dynasty, when burning zhǐmǎ (paper dolls in the shape of animals) and zhǐyǒng (paper tomb figures) became popular.[3] Effigies, which were often produced purposefully to resemble humans, took varied forms in different periods of time, from couch grass, terracotta, and eventually paper.
Usage
editZhizha art plays an important role in Chinese culture. Despite being one of the most important kinds of decorations in villages, it also serves as an important medium of communication between humans and gods in different forms.[4]
The Zhizha art is mostly for festive or funeral decoration and offerings. During festivals which perform the Taoist ritual, “Dajiao”, Zhizha is used to make symbolic decorations such as lanterns, the models of mythic creatures and Gods in parades.[5] During Ghost Festival and Qingming Festival, apart from joss paper, people burn Zhizha offerings to worship gods and show respect to the ghosts of the deceased. While similarly, Zhizha is essential for a traditional Taoist funeral. Since the Chinese generally believe in an afterlife, anything needed for the deceased to enjoy their afterlives, such as houses, furniture, food, gadgets and even servants will be made into Zhizha models and burned as offerings to them.
Materials and structure
editBamboo and colored paper are used to prepare Zhizha. The manufacturing process of different offerings are similar, but for large and complex Zhizha, the production process is more time-consuming and more complicated.[6]
Generally, to create a Zhiza, the first step is to draft the appearance on a graph. Then, the paper is cut and torn into the desired shape.[7] A form for support made by bamboo is needed on which to glue the colored paper. It is possible to alter the shape of Zhizha to the desired form. Therefore, a large variety of Zhizha products such as apartment, mobile phones, laptops, vehicles, etc, can be made.
Zhizha evolution
editComparing Zhizha in the past to modern Zhizha, there are differences in its types and production processes.
Types of product
editIn the past, the types of Zhizha is simpler, as Zhizha craftsmen made products that fulfilled basic human needs for clothing, food, shelter and transportation. Common types of Zhizha includes mansions, servants, paper money and sedan chair.[clarification needed] People believe that burning these kinds of necessities to their ancestors can ensure them a better afterlife. However, there are various types of Zhizha like iPhones, iPads and also branded products like Prada.[8]
Production method
editIn terms of the production process, most of Zhizha in the past was hand-made, and the production cost was generally high.[9] More recently, Zhizha work has shifted to factories in China for mass production so as to lower the cost. "Though most people can buy paper-made offerings in local stores, a quick look at taobao.com, the most popular online shopping mall in China, reveals a wide choice of paper-made items from mini-houses, Mercedes Benz cars, passports and LV suitcases to iPads and iPhones."[10]
Zhizha therefore evolves with the era.
Craftsmanship
editThe craftsmen who produced Zhizha are usually recognised as zhācǎi jiàng (扎彩匠 in Chinese). Skills are passed down to the disciples from “sifus” (“masters”).[11]
Since Zhizha is Taoism-based, a Taoist priest can be a Zhizha craftsman. They learn the craftsmanship while handling their priestly duties simultaneously. The production of paper crafts is considered as an inferior duty, thus they are often assigned to the young priests.[12]
As revealed by Chan and Bok, Zhizha, as a kind of traditional craft, is declining at present. One of the contributing factors is the low entry rate of new craftsmen into the industry. The growing disbelief in the afterlife, and increased awareness of the pollutive nature of burning Zhizha offerings are believed the main reasons behind the decline.[13]
See also
editReferences
edit- ^ "纸扎艺术". Archived from the original on January 26, 2016. Retrieved 2016-03-24.
- ^ "Ximen Bao". Archived from the original on March 3, 2016. Retrieved 2016-03-24.
- ^ "纸扎艺术". Archived from the original on January 26, 2016. Retrieved 2016-03-24.
- ^ "從紙紮用品看香港民俗文化". Retrieved 2016-03-23.
- ^ JOURNEY THROUGH HISTORY: A MODERN COURSE 1, ARISTO EDUCATIONAL PRESS LTD., 2003
- ^ "online zhizha shop". Archived from the original on April 4, 2016. Retrieved 2016-03-24.
- ^ "中國民間藝術". Retrieved 2016-03-24.
- ^ "Super-market of the dead". 2015-08-27. Retrieved 2016-03-24.
- ^ "紙紮進化論". Archived from the original on 2016-04-06. Retrieved 2016-03-24.
- ^ "Super-market of the dead". 2015-08-27. Retrieved 2016-03-24.
- ^ "Talking to the dead: the art of making Taoist paper effigies". 2013-03-27. Retrieved 2016-03-24.
- ^ Up in Flames: The Ephemeral Art of Pasted-paper Sculpture in Taiwan. United States: Stanford University Press. 2004. ISBN 0804734550.
- ^ "Talking to the dead: the art of making Taoist paper effigies". 2013-03-27. Retrieved 2016-03-24.