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Ximena Caminos is a Cultural Entrepreneur and Cultural Place Maker.[citation needed] Chair of BlueLab Preservation Society, CCO of HoneyLab Creative and Founder of The ReefLine.
She is also the Artistic Visionary Planner for The Underline, the largest public art project in the country. She is founder and former Chair of Faena Art,[1] and was formally Executive Creative Director and partner in Faena Group.[2][3] She was also Chief Curator of the Faena Arts Center in Buenos Aires from 2004.[4][5] Caminos founded the Faena Prize for the Arts at the Faena Arts Center,[6] one of the largest art prizes in Latin America.[7]
Early career
editCaminos was a curator at the Museo de Arte Latinoamericano de Buenos Aires until 2004,[8][9] and previously, a curator and producer for the Buenos Aires Secretary of Culture[3] She trained with Eduardo Stupía and Pablo Suarez[4] and worked with Miguel Briante at the Recoleta Cultural Center[10]
References
edit- ^ "Faena District to Launch with Fanfare". Miami Herald. 2015. Retrieved 15 May 2015.
- ^ "Miami's New Creative Class: Ximena Caminos", New York Post, 2014, retrieved 2015-02-25
- ^ a b "The best shops in Buenos Aires: an insiders' guide", The Telegraph, 2013, archived from the original on 2014-01-15, retrieved 2015-02-25
- ^ a b "Los caminos de Ximena". Harpers Bazaar. Hearst Corporation. 2013. Archived from the original on 2015-02-26. Retrieved 26 February 2015.
- ^ Emma O'Kelly (2014), The Insider Guide to Art Basel Miami Beach, Christie's, retrieved 2015-02-25
- ^ "2015 Faena Prize for the Arts Awarded to Cayetano Ferrer", Artforum, 2015, archived from the original on 2015-02-09, retrieved 2015-02-25
- ^ "Cayetano Ferrer Wins 2015 Faena Prize", Artnews, 2015, retrieved 2015-02-27
- ^ Ted Loos (2015), "In Miami Beach, the Faena Forum is to Open in December", New York Times, retrieved 2015-03-17
- ^ Elisa Lipsky-Karasz (2013), "Alan Faena's Argentine Residence", Wall Street Journal, retrieved 2015-02-25
- ^ Lorelay Gaffoglio (2014), "Ximena Caminos: El arte se convirtió en un commodity y ése es el gran problema", La Nacion, archived from the original on 2017-10-19, retrieved 2015-02-25
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