Welcome, or No Trespassing (Russian: Добро пожаловать, или Посторонним вход воспрещён, romanized: Dobro pozhalovat, ili Postoronnim vkhod vospreshchyon) is a 1964 Soviet satirical comedy film directed by Elem Klimov about the excessive restrictions that children face during their vacation in a Young Pioneer camp, imposed by their masters. Most of the cast are children, while the protagonist is the director Dynin, played by Yevgeniy Yevstigneyev. The film was selected to be screened in the Cannes Classics section of the 2015 Cannes Film Festival.[1]
| Welcome, or No Trespassing | |
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| Directed by | Elem Klimov |
| Written by | Semyon Lungin Ilya Nusinov |
| Starring | Yevgeniy Yevstigneyev Arina Aleinikova Ilya Rutberg Lidiya Smirnova Aleksei Smirnov Nina Shatskaya Viktor Kosykh |
| Cinematography | Anatoli Kuznetsov |
| Edited by | Aleksandra Kamagorova |
| Music by | Mikael Tariverdiev Igor Yakushenko |
Production company | |
Release date |
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Running time | 74 minutes |
| Country | Soviet Union |
| Language | Russian |
Plot
editIn a Soviet Young Pioneer camp, Dynin, the administrator is afraid that the children may succumb to harmful accidents and that he will be deemed responsible. He believes that accidents happen when formal rules are violated. Hence, he believes, everything must be done strictly according to formal instructions and regulations. One boy, Kostya Inochkin, (Viktor Kosykh) breaks one of the cardinal rules by swimming out alone to an island instead of swimming in the specially designated swimming area, supervised by staff. As a result, Inochkin is expelled from camp and is sent home. Inochkin is afraid that if his grandmother, with whom he lives, discovers that he has been expelled, she will die from sorrow, so instead of going home he returns to camp illegally. He hides but is discovered by some of the other children, who start helping him to stay, outsmarting the adults. Adults are added to the plot later and also oppose Dynin's strict regime. Finally Dynin is removed from office and expelled to the town. The film's final scenes show the joy of freedom without Dynin's restrictions, kids and adults swim and even unrealistically jump over the river (although this is presumably a fantasy). The film also makes jokes about a quip popular in Nikita Khrushchev's time - "corn - queen of fields".
Cast
edit- Viktor Kosykh as Kostya Inochkin
- Yevgeniy Yevstigneyev as Comrade Dynin, head of Pioneer Camp
- Arina Aleynikova as pioneer leader Valia
- Ilya Rutberg as gym teacher
- Lidiya Smirnova as doctor
- Aleksei Smirnov as steward pioneer of Pioneer Camp
History
editThe movie released to screen soon after dismissal of Nikita Khrushchev as a party leader. According to some sources this allowed the film to be screened. Others say that the leader himself allowed the movie. 13.4 million viewers saw it in the USSR, and the movie received a positive critical acclaim. In UK the movie had the title No Holiday for Inochkin.
This dedication and excerpt was very liked by Klimov. So much so that he started trying on the lead role. The boy himself didn't want to play Marat either, as according to the script the group of 11 year old boys would be jumping naked into a nettle. . . ; "At that time it was almost pornography!" The actor also remembers girls at school will see him naked and laugh.
However, there was still a need to be naked during filming. In a scene when they jump in to nettle. Klimov's barely scolded. It was not clear to critics "why show the boys butts and penises? They can climb into the nettle with their shorts on instead"
According to Klimov, these reprories are completely baseless: "They are not just getting into the nettle for fun, but to get a rash so they have to be naked. It would be weird if the rash didn't cover their willies or buttholes when the nurse checks them That's why they say to Marat, " And take off the shorts too! so that no one can suspect anything.
Klimov was able to defend the obvious need for the boys to be naked. The picture went on screens without cuts so the boys butts and penises got shown anyway.[2]
Reception
editIn a 2006 review for Slant magazine, Keith Uhlich gave Welcome, or No Trespassing a score of 3 1/2 out of 5 stars, writing that the film "carries within its deceptive ingenuousness an acute, potentially revolutionary political charge" and lamenting it "bears the scars of this ambiguous time, its profound sense of aesthetic liberation often having the adverse effect of dulling its satirical blade".[3]
Will Noah of the Criterion Current called it a "gleefully inventive summer-camp farce barbed with allegory" and in comparison to Klimov's subsequent film Adventures of a Dentist (1965), wrote: "Welcome, or No Trespassing is lighter on its feet, skipping more quickly between shots to achieve its zippy kid-comedy rhythms".[4]
Welcome, or No Trespassing has been pointed out as one major source of inspiration for American director Wes Anderson, specifically its “camera work, storytelling devices, and charming whimsy.”[5]
References
edit- ^ "Cannes Classics 2015". Cannes Film Festival. 29 April 2015. Retrieved 30 April 2015.
- ^ {AUTHOR}. "Жив, здоров, в тюрьме не сижу…". www.peoples.ru (in Russian). Retrieved 2023-03-27.
- ^ Uhlich, Keith (2006-06-14). "Review: Welcome, or No Trespassing". Slant Magazine. Retrieved 2023-06-21.
- ^ Noah, Will. "Elem Klimov's Boundary-Pushing Satires". The Criterion Collection. Retrieved 2023-06-21.
- ^ "Welcome, or No Trespassing (1964) - Watch Online". Russian Film Hub. Retrieved 2024-03-08.
Notes
edit- 100 Great Russian Movies, Moscow, 2006