Yakym

I am a third year art history, anthropology and post-colonialism student at the University of Saskatchewan, in Saskatoon, Saskatchewan, Canada.

Articles I have created:

Articles I have edited:

Articles in Progress

Wooden Churches of Ukraine

19th century view of village of Trypillia and its wooden church, prior to damming of Dnipro river (Regional Archeological Museum)

Wooden churches in Ukraine date from the beginning of Christianity in Ukraine and comprises a set of unique styles and forms specific to many sub-regions of the country. As a form of vernacular culture, construction of the churches in specific styles is passed on to subsequent generations. When Ukrainians emigrated to the new world in the late 19th century, many used these forms but adapted their construction to new materials and environmental conditions.

Wooden Churches of Central and Eastern Ukraine

Wooden church architecture of Central and Eastern Ukraine finds its roots through the first millennium of Christianity in Ukraine, from the time of Volodymyr in Kyiv. While masonry churches were prevalent in urban areas, wooden church architecture continued primarily in Ukrainian villages of central and eastern Ukraine. Unlike western Ukraine there is no clear separation of style based on region. Central Ukrainian churches are similar to the multichamber masonry churches of Kyiv-Rus, but instead constructed in wood. Both framed construction and and nailless styles are present as well.

Wooden Churches of Western Ukraine

Wooden church at the Pyrohiv Museum

Relatively isolated peasant cultures in western and Transcarpathian Ukraine were able to maintain construction into the early 20th century in wooden styles. Many ethnographic regions maintained specific styles of architecture owing to cultural, environmental and historical differences. Common to all the regions in some way are two techniques of roofing: opasannia, the structure supporting the roof formed from projecting logs from top corners of log walls and pidashshia, a style using opasannia supports but extending the roofing far enough to form a continuous overhang of the roof around the church perimeter.

Bukovyna
The traditional Bukovynian church features a tall gabled roof, but often terminates in splayed roof over the polygonal sanctuary. The roofwork features opasannia and was covered in wooden shingles. The stucture was usually built from logs but was often covered in clay and whitewashed, similar to Bukovynian style homes.

Lemko
Lemko churches most often used a three section church with very tall gabled roofs and a tower over each section with the tower over the entrance being the tallest. Topping each tower is a spire, bearing resemblance to Gothic spires, albeit constructed in Ukrainian style.

Hutsul
Hutsul churches most often were 5 section cruciform churches, using spruce logs to form walls with opasannia type arcades. The central dome is formed in an octahedral shape with a splayed roof, instead of an onion dome.

Boiko
Boiko churches are defined by their three section design, with the central nave being the largest. Intricate, multi-tiered and shingled roofwork is the most distinguishing factor in Boiko church design. The structures used the most traditional techniques, being both frameless walls and rafterless roofs as well as using opasannia and piddashshia

Ternopil
Ternopil construction styles are considered a mix of Carpathian style and Kyiv styles. Two styles prevail: Ternopil Nave Style and Ternopil Cruciform Style. The nave style used a long rectangular shape with gabled roofing on opposite ends with a small decorative onion dome, often not visible from inside the church. The cruciform style uses an equidistant cruciform pattern with a structural central onion dome, and gabled roofing over each cruciform section. While constructed in wood in villages, this style often used masonry in urban areas.

References

Rotoff, Basil. Monuments to Faith: Ukrainian Churches in Manitoba. University of Manitoba Press, 1990.