Bernard Molitor (born 22 October 1755 in Betzdorf, died 1833 in Fontainebleau) was a Luxembourgish carpenter.
Molitor grew up in Betzdorf as the son of a miller and went to Paris in 1777, where one of his cousins already worked as a carpenter. During his first years in Paris, he made a living as a merchant: in 1778, he advertised insecticides, and six years later he sold handwarmers shaped like books.
After marrying the daughter of a charpentier du roi (carpenter of the king) in 1787, he became maître ébéniste (master cabinet maker) and member of the guild of carpenters. He opened a workshop in the Rue de Bourbon (today Rue de Lille). His first orders came from Marie Antoinette, who ordered the floor paneling from mahogany wood for her boudoir in Fontainebleau from him. Just as Molitor had begun making a name for himself among the French nobility, the French revolution broke out, and Molitor had to close his business as most of his clients had to flee or were killed. After a couple of years, Molitor was able to reopen his business and employ several artisans who helped him create a variety of furniture, including dressers, tables, and desks. Molitor's furniture was often veneered with precious woods and decorated with applications of gilded bronze. Napoleon Bonaparte ordered several pieces of furniture for his residence in Saint-Cloud from him. In 1818, Molitor became fournisseur de la Cour impériale (purveyor to the imperial court).
In 1800, Bernard Molitor bought a house on the elegant Rue du Faubourg Saint-Honoré. In 1815, he married a second time, and in 1820 he moved to Fontainebleau where he died in 1833 at the age of 78 years. He is buried in the Fontainebleau cemetery.
In 1995, while Luxembourg was the European Capital of Culture, a retrospective brought broad public attention to Molitor's work for the first time. Today, collectors pay large sums for original Molitor furniture.
Sources
edit- Leben, Ulrich: Molitor, ébéniste de Louis XVI à Louis XVIII. St.-Rémy-l'Eau, 1992.
External links
edit- Interview with Ulrich Leben about the 1995 exhibition; forum, November 1995.