The Weak and the Wicked (called Young and Willing in the United States)[3] is a 1954 British drama film directed by J. Lee Thompson based on the autobiographical novel Who Lie in Gaol by his wife, Joan Henry, starring Glynis Johns and Diana Dors.
The Weak and the Wicked | |
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![]() UK release poster | |
Directed by | J. Lee Thompson |
Written by | Anne Burnaby J Lee Thompson Joan Henry |
Based on | Who Lie in Gaol by Joan Henry |
Produced by | Victor Skutezky |
Starring | Glynis Johns Diana Dors John Gregson |
Cinematography | Gilbert Taylor |
Edited by | Richard Best |
Music by | Leighton Lucas |
Production companies | |
Distributed by | Associated British-Pathé |
Release date |
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Running time | 88 minutes |
Country | United Kingdom |
Language | English |
Box office | £213,706 (UK)[2] |
Based on a best-selling book and prison experiences of author Joan Henry, director J. Lee Thompson's prison saga explores the life of inmates behind bars where innocence is lost in the world of vice. Despite its pulpy pot-boiler title, the film settles for earnest social drama over melodrama.
Plot
editFrank "women in prison" story that sympathetically tracks several inmates through their imprisonment and subsequent return to society. Some are successfully rehabilitated; some are not.
Female prisoners talk about the events that brought them there and each of their stories is detailed in a series of flashbacks; the upper-class Jean (Glynis Johns), the brash Betty (Diana Dors) and the pregnant Pat (Rachel Roberts).
Jean has a gambling habit and owes money to a gambling den. Her friend Pam frames her.
The film follows the inmates' progress behind bars; Jean's ordeal improves after some sympathetic bonding with her fellow inmates, followed by a move to an experimental open prison.
Cast
edit- Glynis Johns as Jean Raymond
- Diana Dors as Betty Brown
- John Gregson as Dr. Michael Hale
- Olive Sloane as Nellie Baden, inmate
- Rachel Roberts as Pat, pregnant inmate
- Jane Hylton as Babs Peters, inmate
- Athene Seyler as Millie Williams, inmate
- Jean Taylor Smith as Prison Governor (Grange)
- Cecil Trouncer as Presiding Judge
- Ursula Howells as Pam Vickers
- Edwin Styles as Seymour
- Sid James as Syd Baden
- Eliot Makeham as Grandad Baden
- Joan Haythorne as Prison Governor (Blackdown)
- Joyce Heron as Prison Matron Arnold
- Anthony Nicholls as Prison Chaplain
- Josephine Stuart as Andy, pregnant inmate
- Paul Carpenter as Joe, Bab's boyfriend
- Sybil Thorndike as Mabel Wicks, Millie's friend
- A. E. Matthews as Harry Wicks, Mabel's beau
- Barbara Couper as Prison Doctor
- Mary Merrall as Mrs. Skinner
- Marjorie Rhodes as Suzie, bigamist inmate
- Josephine Griffin as Miriam
- Simone Silva as Tina
- Thea Gregory as Nancy
- Tom Gill as Shop Assistant
- Herbert C. Walton as Blue Eyes, the gardener
- Irene Handl as Waitress
- Sandra Dorne as Stella
- Bessie Love as Prisoner
- Marjorie Stewart as Prisoner
- Marianne Stone as Prisoner
- Hannah Watt as Prison Matron
- Margaret Diamond as Prison Matron
- Maureen Pryor as Prison Matron
- Ruth Dunning as Prison Matron
- Kathleen Michael as Prison Matron
- Jean Anderson as Policewoman in Court
- Ballard Berkeley as Police Detective
Who Lie in Gaol
editJoan Henry was a writer who had connections in society.[4] She had a gambling problem, and was sentenced to twelve months in prison for passing a fraudulent cheque (she claimed she was framed). Henry wound up serving eight months, at Holloway and the more liberal Askham Grange open prison. At the latter she came under the care of Mary Size. Henry wrote a book about her experience, Who Lie in Gaol which was published in 1952. (The title was taken from The Ballad of Reading Gaol.) The book became a best seller.[5][6]
Production
editDevelopment
editThe book was read by writer-director J. Lee Thompson, who wanted to turn it into a film. He received backing from Robert Clark, head of production at Associated British.[7] Thompson wound up falling in love with Henry and leaving his wife and two children to marry her.
The British Home Office refused co operation with the making the film because they were unhappy with its depiction of prison.[8]
Diana Dors was cast only a few weeks after having been convicted in real life of stealing alcohol from a friend's house. The role marked a significant change of pace for Dors, who was better known for comedic roles.[9] Simone Silva was another member of the cast better known for glamour roles.[10]
Shooting
editThe film was shot at Elstree Studios, filming starting on 10 August 1953 under the title Women Behind Bars.[11] Mary Size and Joan Henry were on set as advisers.[12]
Henry thought Johns was a good actor but "a bit goody-goody".[13]
Reception
editCritical
editThe Monthly Film Bulletin said "The treatment of this story provides an unfortunate example of the malaise with which so much British script-writing is afflicted nowadays. The basic situation is promising" but "against these back-grounds are paraded a prize collection of familiar feminine character types (alternately comic, sad and hysterical) – two-dimensional creatures, observed without insight or real compassion."[14]
The New York Times called it "a lukewarm drama".[15]
Variety called it "a safe formula for a box office meller."[16][17]
The film changed perceptions of Diana Dors.[18]
Box Office
editAccording to Kinematograph Weekly the film was a "money maker" at the British box office in 1954.[19] The National Film Finance Corporation stated the film made a comfortable profit.[20]
It was estimated to earn between $75,000 and $100,000 for Associated British in the US.[21]
Legacy
editJoan Henry later wrote the novel Yield to the Night, which Thompson filmed with Dors in 1956. Henry and Thompson were later married.[22]
Notes
edit- Chibnall, Steve (2000). J. Lee Thompson. Manchester University Press.
References
edit- ^ Williams, Melanie. "Weak and the Wicked, The (1954)". BFI Screenonline. Retrieved 26 May 2022.
- ^ Porter, Vincent (2000). "The Robert Clark Account". Historical Journal of Film, Radio and Television. Vol. 20. p. 502.
- ^ Love, Bessie (1977). From Hollywood with Love: An Autobiography of Bessie Love. London: Elm Tree Books. p. 154. OCLC 734075937.
- ^ "Goal Paid". The Advertiser. Vol. 95, no. 29, 319. Adelaide. 30 September 1952. p. 10. Retrieved 7 July 2020 – via National Library of Australia.
- ^ Chibnall p 60-61
- ^ "Obituary of Joan Henry Debutante who went to jail for fraud but made a new life after writing a sensational bestseller about her experiences in prison". The Daily Telegraph. 1 January 2001. p. 23.
- ^ Chibnall p 57
- ^ "Film on women's prisons". The Sun. No. 13587 (LATE FINAL EXTRA ed.). New South Wales, Australia. 27 August 1953. p. 38. Retrieved 7 July 2020 – via National Library of Australia.
- ^ "Blonde Diana Dors goes to jail--in new film". The Sun. No. 2624. New South Wales, Australia. 9 August 1953. p. 61. Retrieved 7 July 2020 – via National Library of Australia.
- ^ "HOW TO LOSE YOUR OWN MAN". The Mirror. Vol. 32, no. 1761. Western Australia. 26 February 1955. p. 9. Retrieved 7 July 2020 – via National Library of Australia.
- ^ "London Film Notes". Variety. 29 July 1953. p. 12.
- ^ "STAGE AND SCREEN". The Herald. No. 23, 780. Victoria, Australia. 13 August 1953. p. 16. Retrieved 7 July 2020 – via National Library of Australia.
- ^ Chibnall p 64
- ^ "The Weak and the Wicked". Monthly Film Bulletin. February 1954. p. 21.
- ^ H. H. T. (21 August 1954). "At the Globe". New York Times. p. 10.
- ^ meller, melodrama– professional slangage[1]
- ^ Review of film at Variety
- ^ Vagg, Stephen (7 September 2020). "A Tale of Two Blondes: Diana Dors and Belinda Lee". Filmink.
- ^ Billings, Josh (16 December 1954). "Other monkey makers". Kinematograph Weekly. p. 9.
- ^ "U.S. Money Behind 30% of British Films: Problems for the Board of Trade". The Manchester Guardian. Manchester (UK). 4 May 1956. p. 7.
- ^ "Gear to US Market". Variety. 17 November 1954. p. 20.
- ^ Vagg, Stephen (30 August 2020). "Joan Henry: The Jailbird Muse". Filmink.
External links
edit- The Weak and the Wicked at IMDb
- The Weak and the Wicked at BFI
- The Weak and the Wicked at AllMovie
- Review of film at Variety