The Waves is a 1931 novel by English novelist Virginia Woolf. It is critically regarded as her most experimental work,[1] consisting of ambiguous and cryptic soliloquies spoken mainly by six characters: Bernard, Susan, Rhoda, Neville, Jinny and Louis.[2] Percival, a seventh character, appears in the soliloquies, though readers never hear him speak in his own voice.
 First edition cover | |
| Author | Virginia Woolf |
|---|---|
| Cover artist | Vanessa Bell |
| Language | English |
| Genre | Experimental novel |
| Publisher | Hogarth Press |
Publication date | October 8, 1931 |
| Publication place | United Kingdom |
| Pages | 324 |
The dialogues that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset. As the six characters or "voices" speak, Woolf explores concepts of individuality, self and community. “Each character is distinct, yet together they compose a gestalt about a silent central consciousness”, according to a reviewer.[3]
In a 2015 poll conducted by the BBC, The Waves was voted the 16th greatest British novel ever written.[4]
Plot
editThe novel follows its six narrators from childhood through adulthood. Woolf is concerned with the individual consciousness and the ways in which multiple consciousnesses can weave together.
Bernard is a story-teller, always seeking some elusive and apt phrase. Some critics see Woolf's friend E. M. Forster as an inspiration for him.
Louis is an outsider who seeks acceptance and success. Some critics see in him aspects of T. S. Eliot, whom Woolf knew well.
Neville, who may be partly based on another of Woolf's friends, Lytton Strachey, seeks out a series of men, each of whom becomes the present object of his transcendent love.
Jinny is a socialite whose world view corresponds to her physical, corporeal beauty. There is evidence that she is based on Woolf's friend Mary Hutchinson.
Susan flees the city, preferring the countryside, where she grapples with the thrills and doubts of motherhood. Some aspects of Susan recall Woolf's sister Vanessa Bell.
Rhoda is riddled with self-doubt, anxiety and depression, always rejecting and indicting human compromise, always seeking out solitude. She echoes Shelley's poem "The Question". Rhoda resembles Virginia Woolf in some respects.
Percival, partly based on Woolf's brother, Thoby Stephen, is the esteemed hero of the other six. He dies midway through the novel, while engaged on an imperialist quest in India. Percival never speaks on his own in The Waves, but readers learn about him in detail as the other six characters repeatedly describe and reflect on him.
Style
editThe difficulty of assigning genre to this novel is complicated by the fact that The Waves blurs distinctions between prose and poetry, allowing the novel to flow between six interior monologues. The book similarly breaks down boundaries between people, and Woolf herself wrote in her Diary that the six were not meant to be separate "characters" at all, but rather facets of consciousness illuminating a sense of continuity. Even the term "novel" may not accurately describe the complex form of The Waves as is described in the literary biography of Woolf by Julia Briggs (An Inner Life, Allen Lane 2005). Woolf called it not a novel but a "playpoem".
The book explores the role of the "ethos of male education" in shaping public life, and includes scenes of some of the characters experiencing bullying during their first days at school.[5]
Reception
editMarguerite Yourcenar translated The Waves into French over a period of ten months in 1937. She met Virginia Woolf during this period and wrote: "I do not believe I am committing an error ... when I put Virginia Woolf among the four or five great virtuosos of the English language and among the rare contemporary novelists whose work stands some chance of lasting more than ten years."[6]
Although The Waves is not one of Virginia Woolf's most popular works, it is highly regarded. Literary scholar Frank N. Magill ranked it one of the 200 best books of all time in his reference book, Masterpieces of World Literature.[7] In The Independent, British author Amy Sackville wrote that "as a reader, as a writer, I constantly return, for the lyricism of it, the melancholy, the humanity."[8]
Theatre director Katie Mitchell, who adapted The Waves for the stage, called the work "entrancing […] Woolf's point is that the lasting and significant events in our lives are small and insignificant in the eyes of the outside world."[9]
References
edit- ^ Goldman, Jane. "From Mrs Dalloway to The Waves: New elegy and lyric experimentalism." The Cambridge Companion to Virginia Woolf. Ed. Susan Sellers. Second Edition, 2010. Cambridge: Cambridge University Press. p.49
- ^ Roe, Sue; Susan Sellers (8 May 2000). The Cambridge Companion to Virginia Woolf. Cambridge University Press. p. 308. ISBN 0-521-62548-3.
- ^ Klitgård, Ida. 2004. On the Horizon: A Poetics of the Sublime in Virginia Woolf's The Waves. Bethesda, MD: Academica Press.
- ^ "The 100 greatest British novels". BBC. 7 December 2015. Retrieved 17 April 2017.
- ^ Whitworth, Michael H. (13 January 2005). Virginia Woolf (Authors in Context). OUP Oxford. ISBN 978-0-19-160445-4.
- ^ Howard, Richard (1996). "Yourcenar Composed". In Boyers, Robert; Boyers, Peggy (eds.). The New Salmagundi Reader (1st ed.). Syracuse University Press. p. 195.
- ^ Magill, Frank N. (1989). Masterpieces of World Literature (1st ed.). New York: Harper & Row. ISBN 0-06-016144-2. OCLC 19672174.
- ^ "Book Of A Lifetime: The Waves, By Virginia Woolf". The Independent. 16 April 2010. Archived from the original on 20 June 2022. Retrieved 4 December 2020.
- ^ Mitchell, Katie (11 November 2006). "Breaking the waves". The Guardian. Retrieved 17 April 2017.
External links
edit
- The Waves at Faded Page (Canada)
- The Waves at Project Gutenberg Australia
- Francesco Mulas (2002), Virginia Woolf's The Waves: A Novel of “Silence”.
- Jocelyn Rodal (2006). "One World, One Life": The Politics of Personal Connection in Virginia Woolf's The Waves.