The Van is a 1977 American low-budget independent teen comedy film directed by Sam Grossman and starring Stuart Getz, Deborah White, Danny DeVito, Harry Moses, Marcie Barkin, Bill Adler, Stephen Oliver, and Connie Lisa Marie.

The Van
Theatrical release poster
Directed bySam Grossman
Written byCelia Susan Cotelo
Robert J. Rosenthal
Produced byPaul Lewis
Marilyn Jacobs Tenser (executive producer)
StarringStuart Goetz
Deborah White
Harry Morgan Moses
Marcie Barkin
Bill Adler
Steve Oliver
Connie Hoffman
Danny DeVito
Music bySteve Eaton
Sammy Johns
Michael Lloyd
Distributed byCrown International Pictures
Release date
  • April 7, 1977 (1977-04-07)
Running time
92 minutes
CountryUnited States
LanguageEnglish
Box office$4.5 million[1] or $5 million[2] or $19 million[3]

Primarily released to drive-in theaters in 1977,[4] the film was released at the peak of the vansploitation genre.[5] It was followed by the 1978 film Malibu Beach, in which Stephen Oliver reprised his role as bully Dugan Hicks.

Plot

edit

The day he graduates high school, Bobby takes ownership of a tricked-out van that's like a bachelor pad on wheels. He's disappointed, however, to see that his best friend—who has better luck with the ladies—makes more use out of it than he does. He soon meets a shy girl and falls for her, but before he can win her heart, he has to win a drag race against a local bully.[6]

Cast

edit

Production

edit

Production on The Van began on November 8, 1976, with locations in Moorpark, Whittier, Stanton, and Malibu, California. Legendary car customizer George Barris was commissioned to build two Dodge B300 extended-length Tradesman vans, with one being the primary picture car, and a backup that was used for all stunt driving scenes. An additional van, the antagonist's "Van Killer", was built by Barris as well, while the vans in the "van show" sequence were all various local Southern California customs.[7][8]

Soundtrack

edit

The music heard on the film's soundtrack is mainly material originally recorded for the small GRC Records label in Atlanta several years previously by Sammy Johns, most prominently his 1975 hit single "Chevy Van". The hit serves as the opening theme song, despite the glaring discrepancy of Bobby's van being a Dodge rather than a Chevrolet. Five of the Johns' recordings that appear ("Chevy Van", "Early Morning Love", "Jenny", "Rag Doll" and "Hang My Head and Moan") were originally recorded in 1973, for the GRC album Sammy Johns and appear in their 1975 remix versions from the second edition of that album.

Five more songs ("Country Lady", "You're So Sweet", "Peas in a Pod", "Bless My Soul" and "Hey, Mr. Dreamer"), apparently dating from recording sessions for a follow-up GRC album, were used for both the film and soundtrack album. This follows a pattern Crown International had established in 1976, when the studio used Cotton, Lloyd & Christian, a 1975 album issued by 20th Century Records, as the source for all of the music in The Pom Pom Girls. In fact, the soundtrack album for The Van credits group member Michael Lloyd with "Musical Supervision" and the LP was released by Warner/Curb Records, in which Lloyd was an executive and producing chart hits by Shaun Cassidy and Debby Boone that same year.

Critique

edit

The film shows stereotypical teenage boys whose social lives revolve around getting high, drag racing, and pursuing girls. The film features music from Sammy Johns (most notably his 1973 song "Chevy Van"), and is representative of its time. It exemplifies the free sex of an era before herpes and AIDS awareness, and celebrates the cultural tropes of the time, such as the heavily accessorized van that provides the film's title and the van's 8-track player.

The film is an early example of a relatively new type of teen comedy, which featured sexual situations, nudity and substance abuse, very different from the Beach Party films of the early 1960s, with their no-nudity, drug-free plots. The Van was one of a set of four Crown International Pictures releases (the others being The Pom Pom Girls, Malibu Beach and Van Nuys Blvd.) that helped herald a form that would be exemplified by 1980 with The Hollywood Knights and later with the Porky's series.

The film is referenced in every single episode of the Grindbin Podcast, a podcast dedicated to the discussion of exploitation films.[9] The Van was the subject of the very first episode (and subsequently covered a second time in a later episode commemorating the show's one-year anniversary[10]) Host Mike Wood is such a fan of the film that he created a recurring segment where at the end of each episode, he asks each guest host to imagine absurd scenarios wherein Goetz and DeVito's characters cross over to the universe of whatever film they are discussing (i.e. "How do Bobby and DeVito fit into the world of Savage Streets?", etc.)

Reception

edit

In six days over the July 4 holiday, the film grossed $2.5 million from 360 theaters, a record for Crown at the time.[11]

References

edit
  1. ^ Richard Nowell, Blood Money: A History of the First Teen Slasher Film Cycle Continuum, 2011 p 256
  2. ^ Donahue, Suzanne Mary (1987). American film distribution : the changing marketplace. UMI Research Press. p. 293. ISBN 978-0-8357-1776-2. Please note figures are for rentals in US and Canada
  3. ^ Gross, Linda (Feb 12, 1978). "A Woman's Place Is in... Exploitation Films?: A Trend-Setter in the Youth Market Women in Exploitation Films". Los Angeles Times. p. 34.
  4. ^ See IMDb links.
  5. ^ "Jason Coffman: A brief guide to vansploitation cinema, page 1". 22 June 2015.
  6. ^ Gross, Linda (April 20, 2019). "Rite of Passage in Cruising 'The Van'". The Los Angeles Times.
  7. ^ Barris, George (1996). Barris TV and Movie Cars. MBI Publishing Company. p. 75.
  8. ^ "AFI Catalogue of Feature Films: THE FIRST 100 YEARS 1893–1993".
  9. ^ "Home". grindhousefilm.com.
  10. ^ "Grindbin Podcast - Grindhouse and Exploitation Films: 47 - The Van (1977) The Vanniversary Part 2". grindbin.libsyn.com. Retrieved 2023-09-29.
  11. ^ "'Van,' 6 Days, 360 Sites, Amasses $2,500,000". Variety. July 13, 1977. p. 3.
edit