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Talk:Ali Rahim

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appears to meet notability requirement for architects by reference to hia many highly important projects. Good enougg for mainspace

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Latest comment: 11 years ago1 comment1 person in discussion

I have removed a large swath of unencyclopedic material from the page. It can be found below. Tazerdadog (talk) 04:56, 28 August 2013 (UTC)Reply

Professional Work

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Projects

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The major projects Ali Rahim has undertaken as the founding director of CAP include:

  • 2011–Present, Vestry Street Condominium Renovations, New York, NY.
  • 2011-2012 Raemian Masterplan. Samsung Corporation, Seoul, Korea.
  • 2010 IWI Orthodontics, IWI. Tokyo, Japan.[1][2][3][4][5][6][7][8][9]
  • 2009 Viceroy Hotel, Abu Dhabi, UAE.(Competition)
  • 2008–Present. Real estate development model. A CAP partnership with the Wharton School of Business, University of Pennsylvania, Philadelphia, PA.
  • 2008 Lutron Electronics Pavilion. Coopersburg, PA.
  • 2008 Wall of The Future. Museum of Modern Art. Home Delivery[10][11][12][13]
  • 2005 Light Fixture Design for Ivalo Lighting Inc. Subsidiary of Lutron. Philadelphia. PA.[14][15]
  • 2004 Commercial Office Tower. Dubai, U.A.E.[16][17][18]
  • 2004 Residential Tower. Dubai, U.A.E.[19][20][21]
  • 2004 Reebok Flagship Store. Shanghai, China.[22][23][24][25]
  • 2002 Residence for a Fashion Designer. London, UK.[26][27][28][29]
  • 1998, redeveloped 2003 Digital Library. Karachi, Pakistan. (Competition)
  • 2003 Multi-use Chaise. Sublime American Design. New York, New York. (Prototype)[30]

Awards and Honors

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Rahim's work with CAP has been internationally recognized. Awards and Honors include:

  • “Record Interiors 2010.” One of Eight winning projects. Architectural Record, McGraw-Hill. New York. September 2010.[31]
  • Product of the Month for Ivalo Light fixture in collaboration with Corian. Architectural Record, McGraw-Hill. New York. June 2007.
  • Finalist. Museum of Modern Art/ PS1. New York, NY. 2006.[32]
  • “100 of the Worlds most Exceptional Emerging Architects selected by 10 critics” 10 x 10_2 . Phaidon Press, New York, Spring 2006.[33]
  • “Design Vanguard 2004”. Architectural Record, McGraw-Hill. New York. December 2004.[34]
  • Special Mention, “International Design Competition for Ephemeral Structures in the City of Athens.” February 2003.[35]

Publications

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Ali Rahim has both written and edited texts on his own work, as well as architecture and architectural theory. Volumes as author include:

  • Catalytic Formations: Architecture and Digital Design: New Edition in Chinese with Additional Text and Projects. Building Design Press, Beijing, China. April, 2012.
  • Catalytic Formations: Architecture and Digital Design. Taylor and Francis [Routledge], London 2006.
  • with Christopher and William Sharples, Nina Rappaport Ed.Turbulence. Yale University Press. New Haven, CT. 2011.

Volumes as editor include:

  • with Hina Jamelle. Elegance. Beyond Digital Techniques in Architecture. Architectural Design. Academy Editions/John Wiley and Sons Inc., London. January 2007.
  • Contemporary Techniques in Architecture. Architectural Design, Profile No.155, Vol. 72 No. 1, Academy Editions/ John Wiley and Sons Inc., London. February 2002.
  • Contemporary Processes in Architecture. Architectural Design, Profile No.145, Vol. 70 No.3, Academy Editions/ John Wiley and Sons Inc., London. October 2000.

He has further contributed articles to larger volumes and anthologies, including:

  • “Elegance in the Age of Digital Technique”. Zaha Hadid and Patrik Schumacher Eds. Total Fluidity. Springer Wein, December 2011.
  • “Formal Elegance”. Nina Rappaport Ed. Turbulence. Yale University Press, September 2011.
  • “Discussion Between Ali Rahim and Mark Foster Gage”. Turbulence. Yale University Press, September 2011.
  • “Migrating Coastlines: Emergent Transformations for Dubai”. Turbulence. Yale University Press, September 2011.
  • “Studio Research”. Turbulence. Yale University Press, September 2011.
  • “Interiorities". Exuberance. Marjan Colletti Ed. Architectural Design, Academy Editions/John Wiley and Sons Inc., April 2010.
  • “Elegance”. Research and Design: The Architecture of Variation. Lars Spuybroek Ed. Thames and Hudson, London. October 2009.
  • "Geometry and Color”. Autogenic Structures. Evan Douglis. Routledge, London. December 2008.
  • "Catalytic Formations", Non-Standard Praxis. Mark Goulthorpe, ed., MIT Press, Cambridge. 2007.
  • "Performativity: Beyond Efficiency and Optimization in Architecture", Performative Architecture: Beyond Instrumentality. Ali Malkawi, Branko Kolarevic,eds, Spon Press, London 2004.
  • "Ali Rahim/CAP, Variations and Catalytic Furnishings [Flexinurb]." Peter Zellner. Sign as Surface. Artists Space Exhibition Catalog. New York 2004.
  • "Process PerFORMance: A New Sensibility for Architecture," Lubricious Architectures. William MacDonald, ed., Columbia University Press, New York 2003.
  • "Designing and Manufacturing Performative Architecture” Architecture in the Digital Age: Design and Manufacturing. Branko Kolarevic, ed., Spon Press, London 2003.
  • "Cultural Proliferation and its Effects on Architectural Form", AnimationArchitecture. Massad and Yeste, eds., Actar Press, Barcelona. June 2002.
  • "Contemporary Techniques and their Architectural Effects," Beyond Form. Omar Calderon, Christine Calderon, Peter Doresey, eds., Lusitania Press, New York 2002.
  • "Irreducible Time: Machining Possibilities," Animation and Architecture. Bob Fear, ed., Profile No.150, Vol. 71 No. 2, Architectural Design, Academy Editions/ John Wiley and Sons Inc., London, April 2001.
  • "Anodyne: Conversation with Bernard Tschumi," Animation and Architecture, Bob Fear, ed., Profile No.150, Vol. 71 No. 2, Architectural Design, Academy Editions/ John Wiley and Sons Inc., London, April 2001.

References

  1. ^ Cite error: The named reference NaomiPollock was invoked but never defined (see the help page).
  2. ^ Hannes Mayer. “IWI Orthodontics”. Archithese. Zurich, Switzerland. May 2011
  3. ^ “IWI Orthodontics, Tokyo.” Shotenkenchiku, Vol.56, No.02, Tokyo, Japan. February 2011.
  4. ^ “Focus: IWI Orthodontics _ Contemporary Architecture Practice.” Space Magazine No. 514. Seoul, Korea. August 2010.
  5. ^ Kanae Hasigawa “White Stripes: IWI Orthodontics.” Frame Magazine. Netherlands. June 2010.
  6. ^ “IWI Orthodontics.” Spa-De. Tokyo, Japan. May 2010.
  7. ^ “IWI Orthodontics.” Monitor Unlimited, London, Moscow. April 2010.
  8. ^ “Louis Vuitton in IWI Orthodontics.” Casa Brutus. Tokyo, Japan. February 10, 2010
  9. ^ “From Tokyo: IWI Orthodontics.” Elle Deco. Tokyo, Japan. January 6, 2010.
  10. ^ Cite error: The named reference NicolaiOroussof was invoked but never defined (see the help page).
  11. ^ Barry Bergdoll and Peter Christiansen. “Home Delivery”, Exhibition Catalog, Museum of Modern Art. Birkhauser, Basel, Switzerland. August 2008.
  12. ^ “Wall of the Future,” Frame Magazine. Amsterdam. January/ February 2009.
  13. ^ John Gendall. “MoMA Fabricates a Memorable Exhibition.” Architecture Record.New York: McGraw Hill, July 24, 2008.
  14. ^ Cite error: The named reference Metropolis was invoked but never defined (see the help page).
  15. ^ Rita Catinella. “Translucent solid surfacing material comes to light”. Product of the Month. Architectural Record, McGraw-Hill. New York. June 2007.
  16. ^ Yasha Groeberman. “Contemporary Architecture Practice.” Performalism. New York: Routledge. Fall 2011.
  17. ^ “Making: Inflecting Organizations.” Pars Findings on Ice. Amsterdam. 2007.
  18. ^ Stefano Casciani “Fluidity and Design”. Domus. Italy, November 2006.
  19. ^ Cite error: The named reference Chris Bosse was invoked but never defined (see the help page).
  20. ^ “Neil Spiller. Architecture Now. Thames and Hudson. London. January 2009.
  21. ^ Neil Spiller "Living the Digital Dream.” The National Newspaper of Abu Dhabi. UAE, April 28, 2009
  22. ^ Lucy Johnston. “Reebok Flagship-Shanghai”. GDR Creative Intelligence. Quarterly Retail Innovation Report. London, UK. September 2005.
  23. ^ “The Best of International Design: Reebok Flagship Store”. Abstract Magazine. Aton Publishing, Brussels, Belgium. 2005.
  24. ^ “Urban Map: Reebok Flagship Store”. Monitor UnLimited Magazine. Moscow. May 2005.
  25. ^ Yasuhiko Taguchi. “Reebok Flagship Store, Shanghai”. SPA-DE. 4-International Review of Design. Tokyo: Japan. 2005.
  26. ^ Anna Yudina. “Elegance, Precision, Refinement.” Monitor UnLimited Magazine. London and Moscow. September–October 2009.
  27. ^ “Fashion House”. Eugenia Bakhturova. LE Magazine. Russia. September 2005.
  28. ^ Weintao Jing. “Setting Free”. Space. Beijing, China. March 2006
  29. ^ Astrid Fernandez. “Twin Powers” Perspective. Hong Kong, China. November 2005.
  30. ^ “Multi-Use Chaise”. Space. Beijing, China. December 2005.
  31. ^ Naomi Pollock. “Record Interiors 2010. IWI Orthodontics, Tokyo.” Architectural Record. September 2010
  32. ^ http://www.moma.org/interactives/exhibitions/yap/archive_year.html
  33. ^ 10x10_2 100 Architects 10 Critics. London. Phaidon. 2006.
  34. ^ Mark C. Taylor. “Design Vanguard 2004”. Architectural Record, McGraw-Hill. New York. December 2004.
  35. ^ "Ephemeral Constructions for the City of Athens." Orestis Doumanis, ed., Design and Art in Greece, Athens, Greece 2004.
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