Shakedown (also known in international markets as Blue Jean Cop) is a 1988 American action thriller crime drama film written and directed by James Glickenhaus, starring Peter Weller and Sam Elliott. The plot concerns an idealistic lawyer who teams with a veteran cop to find out the truth in a possible police corruption scandal.
| Shakedown | |
|---|---|
 Theatrical release poster | |
| Directed by | James Glickenhaus |
| Written by | James Glickenhaus |
| Produced by | J. Boyce Harman Jr. |
| Starring | |
| Cinematography | John Lindley |
| Edited by | Paul Fried |
| Music by | Jonathan Elias |
Production companies | Shapiro-Glickenhaus Entertainment Blue Jeap Cop |
| Distributed by | Universal Pictures |
Release date |
|
Running time | 97 minutes |
| Country | United States |
| Language | English |
| Budget | $6 million |
| Box office | $10.1 million |
Plot
editRoland Dalton is a burned-out, mild-mannered Manhattan public defender, and his last case before leaving legal aid is crack dealer Michael Jones, accused of shooting to death police officer Patrick O'Leary in Central Park. According to Jones, the shooting was in self-defense and Officer O'Leary was a "Blue Jean Cop" (an opportunistic police officer who robs drug dealers).
Being a creature of habit, Dalton seeks the truth to his mysterious case and looks to Richie Marks, a renegade loner NYPD narcotics detective. Dalton realizes the prosecutor in his last case is a former love interest, the smart and sexy Susan Cantrell. Throughout the trial, Roland rekindles this former affair with Susan unbeknownst to his fiancée Gail.
Roland and Marks eventually learn that O'Leary was working with a large number of dirty cops, and purchased designer blue jeans and an expensive car. The dirty cops were working with drug lord Nicky Carr. Roland at one point breaks into the police station's evidence locker to locate the cassette tape that Jones had in a boom box radio at the time of his shooting. The tape recorded the entire incident, and when Roland attempts to get the tape, he is taken hostage by Detective Rydel and other dirty cops. Rydel goes to create a distraction so the others can kill Roland, but Marks bursts in and kills the cops.
Although Roland makes it to court with the assistance of an insane cab driver, the judge refuses to allow the tape into evidence. After making an impassioned closing statement, the jury acquits Jones of the shooting. Marks then shows up in a Porsche purchased by O'Leary and they rush to LaGuardia Airport to hunt down Carr and Rydel, who are fleeing the country. Richie jumps onto their plane's landing gear and after shooting out an engine and tossing a hand grenade into the landing gear compartment, he jumps into the East River before the plane explodes.
Roland stays working as a public defender. He has broken up with Gail and is once again dating Susan.
Cast
edit- Peter Weller as Roland Dalton
- Sam Elliott as Richie Marks
- Patricia Charbonneau as Susan Cantrell
- Antonio Fargas as Nicky Carr
- William Prince as Mr. Feinberger
- Larry Joshua as Rydel
- John C. McGinley as Sean Phillips (as John McGinley)
- Richard Brooks as Michael Jones
- Thomas G. Waites as Officer Kelly (as Tom Waites)
- John Finn as Bartender
- Augusta Dabney as Judge Maynard
- Blanche Baker as Gail Feinberger
Reception
editCritical response
editOn the review aggregator website Rotten Tomatoes, 70% of 10 critics' reviews are positive, with an average rating of 6.6/10.[1]
Roger Ebert at the Chicago Sun-Times commended Glickenhaus for showing a "tremendous amount of craftsmanship and skill" when sacrificing story to direct his action scenes and gave praise to both Weller and Elliott for being "strong, unsubtle but convincing" in their respective roles, saying "It's an assembly of sensational moments, strung together by a plot that provides the excuses for amazing stunts, and not much else."[2] Gene Siskel of the Chicago Tribune called the film "a rollicking, thrilling and funny police picture", praising Glickenhaus' direction for containing a "mixture of reality and way-out thrills" in the action sequences, saying that "Shakedown moves with intelligence, speed and joy in everything from writing to stunt work. A picture this much fun can keep a movie lover happy for a week."[3] Kevin Thomas from the Los Angeles Times felt that Elliott lacked equal screen time alongside Weller for his character to remain in the viewer's mind, but he also praised Glickenhaus for keeping the film "terse, fast-moving and atmospheric" throughout the plot and into the action set pieces, calling it "mindlessly enjoyable escapist fare".[4]
Box office
editIn the United States and Canada, Shakedown grossed $10.1 million at the box office.[5]
References
edit- ^ "Shakedown". Rotten Tomatoes. Fandango Media. Retrieved June 15, 2023.
- ^ Ebert, Roger (May 6, 1988). "Shakedown". Chicago Sun-Times. Sun-Times Media Group. Archived from the original on April 4, 2020. Retrieved October 16, 2019 – via RogerEbert.com.
- ^ Siskel, Gene (May 6, 1988). "Flick of the Week: A Cop Picture That's Top Notch". Chicago Tribune. Tribune Publishing. Archived from the original on September 27, 2020. Retrieved October 16, 2019.
- ^ Thomas, Kevin (May 6, 1988). "Movie Reviews: 'Shakedown' Escapes Courtroom With Chases". Los Angeles Times. Archived from the original on September 27, 2020. Retrieved October 16, 2019.
- ^ "Shakedown". Box Office Mojo. IMDb. Retrieved June 15, 2023.
External links
edit- Shakedown at IMDb
- Shakedown at the TCM Movie Database
- Shakedown at Letterboxd
- Shakedown at AllMovie