Sarah Roberts "Sallie" Wagner (June 7, 1913 – August 20, 2006) was an American anthropologist, businesswoman, activist, filmmaker, and arts patron. She was one of the founding members of the Society for American Archaeology in 1934.
Sallie Wagner | |
|---|---|
 Sallie Wagner, from a 1990 newspaper | |
| Born | Sarah Roberts Wagner June 7, 1913 Wheeling, West Virginia |
| Died | August 20, 2006 (aged 93) Santa Fe, New Mexico |
| Other names | Sallie Wagner Lippincott |
| Occupation(s) | Anthropologist, businesswoman, filmmaker, arts patron, writer |
Early life and education
editSarah Roberts "Sallie" Wagner was born in Wheeling, West Virginia, the daughter of Dwight Wagner and Elsie Whitaker Wagner. She began amateur archaeological explorations in her youth, collecting artifacts from her family's farm and along the Ohio River. She attended boarding school in Washington, D.C., and earned a bachelor's degree in anthropology at the University of Chicago in 1936.[1][2]
Career
editWhile she was still a student, Wagner became one of the founding members of the Society for American Archaeology.[1] After college, she worked in Arizona at the Canyon de Chelly National Monument, with her husband. From 1938 to 1950, the couple ran the Wide Ruins Trading Post north of Chambers, Arizona. She made 16mm films documenting their lives at the trading post.[3][4][5] They sold the post to the Navajo Tribal Government in 1950. She wrote a memoir of those years, Wide Ruins: Memories from a Navajo Trading Post (1997).[6]
After 1950, Wagner was associated with the Museum of International Folk Art in Santa Fe. She promoted and supported the work of local and indigenous artists, including Navajo painter Beatien Yazz,[7] composer Lucia Dlugoszewski,[8] and dancer Erick Hawkins.[9] She served on boards of trustees and boards of directors for many cultural and educational organizations based in Santa Fe, including the Santa Fe Preparatory School, the Historic Santa Fe Foundation, the Southwestern Association on Indian Affairs, the International Folk Art Foundation,[10] and the School of Advanced Research.[1] She organized the photograph files of the Museum of New Mexico and the New Mexico State Records Center.[10][11] She helped establish the Santa Fe Rape Crisis and Trauma Treatment Center, St. John's College, and the Santa Fe Animal Shelter. She created a 19-acre easement called "Sallie's Hill", and donated the land to the Santa Fe Conservation Trust.[12][13]
In 1990 Wagner was honored as a Guardian of Cultural Heritage by Santa Fe Living Treasures.[14][15] In 1998 she gave an oral history interview to the United Indian Traders Association Oral History Project at Northern Arizona University.[16] Also in 1998, the School for Advanced Research named a visiting scholar residence after her.[17]
Homes
editAt least two of Wagner's homes were recognized for their architectural significance. The 1951 Lippincott-Wagner home in Williams, Oregon, designed by Winfield Scott Wellington, is "considered one of the finest examples of post-World War II Contemporary architectural design in Southern Oregon"; musician Steve Miller owned in the house from 1976 to 1986,[18] and it was registered with the National Register of Historic Places in 2015.[19] Her Spanish pueblo-style home in Santa Fe was designed and built by aviator Katherine Stinson in 1929.[20]
Personal life and legacy
editWagner married archaeologist William Julian Lippincott in 1936. During World War II, Wagner lived in Berkeley, California, while her husband was serving in the United States Navy.[19] They divorced in the 1960s. She died from cancer in 2006, aged 93 years, in Santa Fe.[21]
The Library of Congress has a small collection of Wagner's papers, mostly involving her support for the dance company run by Erick Hawkins.[9] The Indian Arts Research Center at the School of Advanced Research established the Sallie R. Wagner Indigenous American Fellowship in her honor in 2004; winners have included musician Robert Mirabal and Guatemalan ceramicist Carlos Chaclán.[22]
References
edit- ^ a b c Browman, David (March 2010). "Founding 'Mothers' of the Society for American Archaeology". SAA Archaeological Record. 10: 31–33.
- ^ Browman, David L. (February 17, 2020). Cultural Negotiations: The Role of Women in the Founding of Americanist Archaeology. U of Nebraska Press. ISBN 978-1-4962-1044-9.
- ^ "Filmmakers: Sallie R. Wagner". Amateur Cinema Project. Retrieved April 28, 2022.
- ^ Nott, Robert (December 8, 2006). "Flicks on Route 66". The Santa Fe New Mexican. pp. Z086. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Weideman, Paul (October 14, 2005). "Scenes from a Trading Post". The Santa Fe New Mexican. pp. Z038, Z039, Z040. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Wagner, Sallie R. (1997). Wide ruins: Memories from a Navajo trading post. Albuquerque Museum. University of New Mexico Press. ISBN 0-585-17907-7. OCLC 44956441.
- ^ "Works by Beatien Yazz – Collections – Indian Arts Research Center". School for Advanced Research. Retrieved April 28, 2022.
- ^ Beal, Amy C. (May 24, 2022). Terrible Freedom: The Life and Work of Lucia Dlugoszewski. Univ of California Press. p. 99. ISBN 978-0-520-38665-5.
- ^ a b Wagner, Sallie R. (1949–1992). "Sallie R. Wagner collection, 1949–1992". Library of Congress. Retrieved April 28, 2022.
- ^ a b "International Folk Art Foundation Names Three Trustees to Board". The Santa Fe New Mexican. September 6, 1974. p. 6. Retrieved April 28, 2022 – via Newspapers.com.
- ^ "Photographs are Time Record". The Santa Fe New Mexican. January 4, 1970. p. 27. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Troppo, Greg (December 1, 1995). "Gift to All; Landowner Makes Sure Hilltop will Stay Pristine". The Santa Fe New Mexican. p. 9. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Storey, Natalie (September 6, 2006). "'An activist and a feminist long before it was popular'". The Santa Fe New Mexican. pp. C004. Retrieved April 28, 2022 – via Newspapers.com.
- ^ "Wagner, Sallie". Santa Fe Living Treasures. Retrieved April 28, 2022.
- ^ Woods, Annie (November 11, 1990). "Recognizing Other Riches". The Santa Fe New Mexican. p. 12. Retrieved April 29, 2022 – via Newspapers.com.
- ^ Oral history interview with Sallie Wagner [with transcript], December 15, 1998; United Indian Traders Association Oral History Project, Northern Arizona University, Cline Library.
- ^ Walker, Hollis (June 19, 1998). "SAR Names Residence for Santa Fean; Sallie Wagner Sets Example as Arts Volunteer". The Santa Fe New Mexican. p. 42. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Eastman, Janet (July 13, 2015). "Rent Steve Miller's old Oregon ranch house". The Oregonian. Retrieved April 28, 2022.
- ^ a b National Register of Historic Places Registration Form, William J. Lippincott and Sarah Wagner House (May 18, 2015).
- ^ "Historic Homes Offer Glimpses into City's Past". The Santa Fe New Mexican. June 13, 1975. p. 73. Retrieved April 28, 2022 – via Newspapers.com.
- ^ "Obituary for Sallie R. WAGNER (Aged 93)". The Santa Fe New Mexican. September 10, 2006. pp. C002. Retrieved April 28, 2022 – via Newspapers.com.
- ^ Gersh, Rachel (May 22, 2006). "Clay in the Hands of a Master". The Santa Fe New Mexican. pp. B002. Retrieved April 28, 2022 – via Newspapers.com.
External links
edit- A Woman's Manta/Dress by Margaret L. Jojola, purchased from Sallie R. Wagner in 1961 for the National Museum of the American Indian, Smithsonian Institution
- "Jimmy Toddy (Beatien Yazz) and Sallie Lippincott at Four Corners marker, New Mexico", a 1940s photograph, in the New Mexico Digital Collections
- Photo albums maintained by Sallie Wagner at the Wide Ruins trading post between 1938 and 1950, in the collection of the Cline Library, Northern Arizona University