Portal:Music

The Music Portal

Grooved side of the Voyager Golden Record launched along the Voyager probes to space, which feature music from around the world

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images -

The following are images from various music-related articles on Wikipedia.

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  The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
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  The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
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  A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
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  Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
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  The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
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  A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
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  An example of mechanically printed sheet music (from Music industry)
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  US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
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  The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)
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  An LP record on a phonograph (from Album era)
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  A musician in a recording studio (from Music industry)
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  Frank Sinatra (c. 1955), an early pop album artist (from Album era)
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  Stevie Wonder, among the era's innovative artists (from Album era)
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  c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
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  Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
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  The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
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  A live musical performance at Cologne Pride, 2013 (from Music industry)
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  Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
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  Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
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  A radio broadcasting system from 1906 (from Music industry)
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  Terracotta statue of a Parthian lute player (from History of music)
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  An audience watching a concert (from Music industry)
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  A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)
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  Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
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  The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
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  A studio engineer working with an audio mixer in a recording studio (from Music industry)
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  Musicians working in a recording studio (from Music industry)
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  An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)
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  Frances Densmore at the Smithsonian Institution in 1916 where she was recording Blackfoot chief Mountain Chief for the Bureau of American Ethnology. In this picture, Mountain Chief is listening to a recording. (from Music industry)
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  Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
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  Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
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  A young couple listening to music on an iPod Mini, 2006 (from Album era)
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  Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
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  As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
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  Circular definition of "musicality" (from Elements of music)
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  Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)
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  The Rolling Stones in 1967 (from Album era)
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  J. S. Bach (from History of music)
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  Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
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  Clara and Robert Schumann (from History of music)
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  Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)

Featured articles -

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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  Is This It is the debut studio album by American rock band the Strokes. It was first released on July 30, 2001 in Australia, with RCA Records handling the release internationally and Rough Trade Records handling the United Kingdom release. It was recorded at Transporterraum in New York City with producer Gordon Raphael during March and April 2001. For their debut, the band strived to capture a simple sound that was not significantly enhanced in the studio. Building on their 2001 EP The Modern Age, the band members molded compositions largely through live takes during recording sessions, while lead singer and songwriter Julian Casablancas continued to detail the lives and relationships of urban youth.
  
  After completing the album, the Strokes embarked on a promotional world tour before its release. The album was released progressively to coincide with their tour dates, with it being released in Japan on August 22 and the United Kingdom on August 28. The album's cover photograph was deemed too sexually explicit for the US market, and was replaced there.
  After the September 11 attacks, the American compact disc release was delayed from September 25 to October 9 and had its track list amended, with the song "New York City Cops" being removed and replaced with the newly written track "When It Started"; however, the American vinyl release still includes the track as a result of its release falling on September 11. Three singles were released from the album: "Hard to Explain", "Last Nite", and "Someday". (Full article...)
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  A Crow Looked at Me is the eighth studio album by Mount Eerie, a solo project of the American musician Phil Elverum. Released in 2017, it was composed in the aftermath of his 35-year-old wife Geneviève Castrée's diagnosis with pancreatic cancer in 2015, and her death in July 2016. Elverum wrote and recorded the songs over a six-week period in the room where she died, mostly using her instruments. His sparse lyrics and minimalistic musical accompaniment drew influence from a broad range of artists, including the poet Gary Snyder, author Karl Ove Knausgård and songwriter Julie Doiron.
  
  Characterized by lo-fi production and loose instrumentation, A Crow Looked at Me departs from Elverum's earlier and more complex experimental works, but is musically similar to his album Lost Wisdom (2008). The lyrics are presented in a diary-like form and sung in a raw, intimate style. They describe Castrée's illness and death, Elverum's grief, and his relationship with their infant child. The album was deliberately underpromoted, and he at first considered releasing the songs under a name other than Mount Eerie. The singles "Real Death" (January 2017) and "Ravens" (February), were accompanied by a single low key concert. After its release, he undertook well-received tours of North America and Europe, and in 2018 released the album (after), a live performance of the songs. (Full article...)
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  The Symphony No. 3, Op. 36, also known as the Symphony of Sorrowful Songs (Polish: Symfonia pieśni żałosnych), is a symphony in three movements composed by Henryk Górecki in Katowice, Poland, between October and December 1976. The work is indicative of the transition between Górecki's earlier dissonant style and his later more tonal style and "represented a stylistic breakthrough: austerely plaintive, emotionally direct and steeped in medieval modes". It was premièred on 4 April 1977, at the Royan International Festival, with Stefania Woytowicz as soprano and Ernest Bour as conductor.
  
  A solo soprano sings Polish texts in each of the three movements. The first is a 15th-century Polish lament of Mary, mother of Jesus; the second a message written on the wall of a Gestapo cell during World War II; and the third a Silesian folk song of a mother searching for her son killed by the Germans in the Silesian uprisings. The first and third movements are written from the perspective of a parent who has lost a child, and the second movement from that of a child separated from a parent. The dominant themes of the symphony are motherhood, despair and suffering. (Full article...)
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  The American alternative rock band the Breeders played a tour of thirteen concerts in the central and western United States in September 2014. After the group's "classic" lineup reunited in 2013 for a tour commemorating the 20th anniversary of Last Splash, they began working on new material. Ahead of opening for Neutral Milk Hotel at the Hollywood Bowl, they planned a tour leading up to this show, using the opportunity to practice recent compositions that would appear on their 2018 album All Nerve.
  
  Between September 2 and September 17, the Breeders performed in eleven cities, including St. Louis, Denver, Seattle, Portland, San Francisco, and Las Vegas. Support bands the Funs and the Neptunas opened for them at five and six of these shows, respectively. The group finished the tour on September 20 at the Goose Island 312 Urban Block Party event in Chicago. As well as new songs, they performed numerous selections from Last Splash and Pod. The tour received good reviews from critics; appraisal included comments that the performances were rousing, and that the band was as good as—or better than—in their heyday. (Full article...)
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  LaBelle in 2012

  
  Leah LaBelle Vladowski (September 8, 1986 – January 31, 2018) was an American singer. She rose to prominence in 2004 as a contestant on the third season of American Idol, placing twelfth in the season finals. In 2007, LaBelle began recording covers of R&B and soul music for her YouTube channel. These videos led to work as a backing vocalist starting in 2008 and a record deal in 2011 with Epic in partnership with I Am Other and So So Def Recordings. LaBelle released a sampler, three singles, and a posthumous extended play (EP).
  
  Born in Toronto, Ontario, and raised in Seattle, Washington, LaBelle began pursuing music ambition as a career in her teens. As a child, she performed in the Total Experience Gospel Choir and the musical Black Nativity. In 2005, LaBelle attended the Berklee College of Music for a year before dropping out and relocating to Los Angeles. While in college, she collaborated with Andreao Heard on a demo. Following the advice of an industry contact, LaBelle released her music through her YouTube channel. Keri Hilson hired LaBelle as a backing vocalist after hearing her rendition of "Energy", which led to her working for other artists on their tours. (Full article...)
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  Fearless is the second studio album by the American singer-songwriter Taylor Swift. She wrote the majority of the album while touring in 2007–2008 and produced it with Nathan Chapman.
  
  Inspired by Swift's adolescence, Fearless explores love and heartbreak using references to her personal life and fairy tale–inspired lyrical imagery. It features co-writing credits from Liz Rose, Hillary Lindsey, Colbie Caillat, and John Rich. A country pop album, Fearless features acoustic arrangements driven by a wide variety of string instruments such as banjos, fiddles, mandolins, and electric guitars. Its songs follow the standard verse–chorus–bridge form with dynamic bridges and choruses. The elements of pop, folk, and rock of Fearless led to some critics arguing against its categorization as a country album. (Full article...)
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  Bonshō at Ryōan-ji – the lotus-shaped tsuki-za (striking panel) is visible at the front, and the suspended beam known as a shu-moku hangs in the background

  Bonshō (梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging bells) or ōgane (大鐘, great bells) are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to demarcate periods of time. Rather than containing a clapper, bonshō are struck from the outside, using either a handheld mallet or a beam suspended on ropes.
  
  The bells are usually made from bronze, using a form of expendable mould casting. They are typically augmented and ornamented with a variety of bosses, raised bands and inscriptions. The earliest of these bells in Japan date to around 600 CE, although the general design is of much earlier Chinese origin and shares some of the features seen in ancient Chinese bells. The bells' penetrating and pervasive tone carries over considerable distances, which led to their use as signals, timekeepers and alarms. In addition, the sound of the bell is thought to have supernatural properties; it is believed, for example, that it can be heard in the underworld. (Full article...)
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  "Lights Up" is a song by English singer-songwriter Harry Styles from his second studio album Fine Line (2019). It was written by Styles alongside its producers Tyler Johnson and Kid Harpoon. Erskine Records and Columbia Records released the song for digital download and streaming on 11 October 2019 as the album's lead single. Musically, "Lights Up" is a pop and R&B song, featuring multilayered guitars, piano, programmed beats, and a gospel choir. Conceived by Styles after a period of self-reflection, the lyrics are about self-discovery and him embracing his own identity.
  
  Critics found Styles's musical direction refreshing and commented on the song's unconventional structure which is composed of several breakdown pre-choruses and post-choruses, and a single chorus. A few others criticised the song as forgettable. In the UK, the single reached number three on the UK Singles Chart and was certified Platinum by the British Phonographic Industry (BPI). It also peaked in the top 20 and received Platinum certifications in Australia, Canada, and the US. Vincent Haycock directed the song's music video, which features Styles dancing shirtless in a sweat-drenched crowd of people. (Full article...)
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  Music for a Time of War is a 2011 concert program and subsequent album by the Oregon Symphony under the artistic direction of Carlos Kalmar. The program consists of four compositions inspired by war: Charles Ives' The Unanswered Question (1906), John Adams' The Wound-Dresser (1989), Benjamin Britten's Sinfonia da Requiem (1940) and Ralph Vaughan Williams' Symphony No. 4 (1935). The program was performed on May 7, 2011, at the Arlene Schnitzer Concert Hall in Portland, Oregon, and again the following day. Both concerts were recorded for album release. On May 12, the Oregon Symphony repeated the program at the inaugural Spring for Music Festival, at Carnegie Hall. The performance was broadcast live by KQAC and WQXR-FM, the classical radio stations serving Portland and the New York City metropolitan area, respectively. The concerts marked the Oregon Symphony's first performances of The Wound-Dresser as well as guest baritone Sanford Sylvan's debut with the company.
  
  In October 2011 the recording of the Portland performances was released on CD by PentaTone Classics. The recording debuted at number 31 on Billboard's Classical Albums chart. The album earned three recognitions from the National Academy of Recording Arts and Sciences for the 2013 Grammy Awards. Producer Blanton Alspaugh received the award for Producer of the Year, Classical for his contributions to Music for a Time of War and other recordings. (Full article...)
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  "Irreplaceable" is a song by American singer and songwriter Beyoncé for her second studio album, B'Day (2006). The song was written by Shaffer "Ne-Yo" Smith, Tor Erik Hermansen, Mikkel S. Eriksen, Espen Lind, Amund Bjørklund, and Beyoncé; and produced by Stargate and Beyoncé. "Irreplaceable" was originally a country record; it was re-arranged as a mid-tempo ballad with pop and R&B influences by modifying the vocal arrangements and instrumentation. During the production and recording sessions, Beyoncé and Ne-Yo wanted to create a record which people of either gender could relate to. The song's lyrics are about the breakdown of a relationship with an unfaithful man and the song contains a message about female empowerment.
  
  Following the moderate chart performances of "Déjà Vu" and "Ring the Alarm", "Irreplaceable" was released internationally on October 23, 2006, as the album's second single, and the third in the United States on December 5, 2006. The single was released through Columbia Records. Pitchfork Media and Rolling Stone placed it on their lists of Best Songs of the 2000s. "Irreplaceable" won several awards, including Best R&B/Soul Single at the 2007 Soul Train Music Awards. It was nominated for the Record of the Year award at the 50th Grammy Awards. (Full article...)
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  Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.
  
  Although the Dolls shared an affinity for Morton, they produced little original material with him. To complete Too Much Too Soon, they covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first recorded performance singing lead. (Full article...)
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  Stereolab performing at the London Pitchfork Festival in 2021

  
  Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. From the mid-1990s, the band began to draw from funk, jazz and Brazilian music.
  
  Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group's only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas' leader Sean O'Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. (Full article...)
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  Secret of Mana, originally released in Japan as Seiken Densetsu 2, is a 1993 action role-playing game developed and published by Square for the Super Nintendo Entertainment System. It is the sequel to the 1991 game Seiken Densetsu, released in North America as Final Fantasy Adventure and in Europe as Mystic Quest, and it was the first Seiken Densetsu title to be marketed as part of the Mana series rather than the Final Fantasy series. Set in a high fantasy universe, the game follows three heroes as they attempt to prevent an empire from conquering the world with the power of an ancient flying fortress.
  
  Rather than using a turn-based battle system like contemporaneous role-playing games, Secret of Mana features real-time battles with a power bar mechanic. The game has a unique Ring Command menu system, which pauses the action and allows the player to make decisions in the middle of battle. An innovative cooperative multiplayer system allows a second or third player to drop in and out of the game at any time. Secret of Mana was directed and designed by Koichi Ishii, programmed primarily by Nasir Gebelli, and produced by veteran Square designer Hiromichi Tanaka. (Full article...)
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  Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.
  
  Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard. Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom. (Full article...)
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  Margaret in 2024

  
  Małgorzata Jamroży (Polish: [mawɡɔˈʐata jamˈrɔʐɨ]; born 30 June 1991), known professionally as Margaret, is a Polish singer and songwriter. Before her mainstream debut, she performed with underground bands, recorded soundtracks for television commercials and films, and produced a fashion blog. Through her blogging, she was discovered by a talent agent who helped her secure a record deal with the label Extensive Music in 2012. She rose to prominence the following year with the single "Thank You Very Much", which was a moderate chart success in some European territories.
  
  Under her contract with Extensive Music, Margaret recorded two studio albums: Add the Blonde (2014) and Monkey Business (2017). Both reached the top 10 in the Polish charts, and spawned the singles "Wasted", "Start a Fire", "Heartbeat", "What You Do" and "Byle jak". She also collaborated with Matt Dusk on the jazz album Just the Two of Us (2015). After signing an international record deal with Warner Music to release her 2016 single "Cool Me Down", Margaret became particularly successful in Sweden. She participated in the country's music competition Melodifestivalen twice with the songs "In My Cabana" and "Tempo" in 2018 and 2019, respectively. Seeking more control over artistic creativity, she left her record label and management in 2019, and eschewed mainstream pop for urban music on the Polish-language albums Gaja Hornby (2019) and Maggie Vision (2021); the latter became her highest-charting album to date and featured the ZPAV-certified singles "Reksiu" and "Roadster". Following this genre shift, Margaret re-emerged in the top 40 with the 2021 single "Tak na oko". She joined the hip hop collective club2020 for a commercially successful record in 2023, and returned to radio-friendly pop with her 2024 sixth studio album, Siniaki i cekiny, which yielded the chart-topping single "Tańcz głupia". (Full article...)

Selected pictures

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  Les Troyens

  Illustration credit: Antoine Barbizet; restored by Adam Cuerden

  Les Troyens (The Trojans) is a French grand opera in five acts by Hector Berlioz, with a libretto written by the composer himself based on Virgil's Aeneid. The score was composed between 1856 and 1858, but Berlioz did not live long enough to see the work performed in its entirety. The first two acts were performed separately under the title La Prise de Troie. This picture shows the cover of the first-edition vocal score for La Prise de Troie, published in 1863.
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  Elvis Presley meets Richard Nixon

  Photograph: Oliver F. Atkins

  American singer Elvis Presley meeting then-president Richard Nixon on December 21, 1970. During the meeting, the singer expressed his patriotism and his contempt for hippies, the growing drug culture, and the counterculture in general. Presley then asked Nixon for a Bureau of Narcotics and Dangerous Drugs badge, to signify official sanction of his patriotic efforts. Nixon gave Presley the badge and expressed a belief that Presley could send a positive message to young people and that it was therefore important he retain his credibility.
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  Hayley Williams

  Photograph: Sven-Sebastian Sajak

  Hayley Williams (born December 27, 1988) is an American singer, songwriter, musician, and businesswoman. She serves as the lead vocalist, primary songwriter and occasional keyboardist of the rock band Paramore. Born in Meridian, Mississippi, Williams moved to Franklin, Tennessee, at the age of fifteen after her parents divorced. In 2004, she formed Paramore alongside Josh Farro, Zac Farro, and Jeremy Davis. The band currently consists of Williams, Farro and Taylor York. They have released five studio albums: All We Know Is Falling (2005), Riot! (2007), Brand New Eyes (2009), Paramore (2013) and After Laughter (2017).
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  Oceana (singer)

  Photo: ChrisHamburg

  Oceana (born 1982) is a German singer of German/Martiniquen descent. She is shown here performing at the Radio Hamburg Top 820.
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  Billy Strayhorn

  Photograph credit: William P. Gottlieb; restored by Adam Cuerden

  Billy Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. Though classical music was Strayhorn's first love, his ambition to become a classical composer went unrealized because of the harsh reality of a black man trying to make his way in the world of classical music, which at that time was almost completely white. He was introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19, and the artistic influence of these musicians guided him into the realm of jazz, where he remained for the rest of his life. This photograph of Strayhorn was taken by William P. Gottlieb in the 1940s.
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  Aida

  Drawing credit: Philippe Chaperon; restored by Adam Cuerden

  Aida is a grand opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its premiere there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today, the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886.
  
  This picture is the set design for Act 1, Scene 2, of the opera's 1871 premiere, depicting the portico of the Temple of Vulcan, designed by Philippe Chaperon. The drawing is in the collection of the Bibliothèque nationale de France.
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  William Grant Still

  Photograph credit: Carl Van Vechten; restored by Adam Cuerden

  William Grant Still (1895–1978) was an American composer of nearly 200 works, including five symphonies and nine operas. Often referred to as the "Dean of Afro-American Composers", Still was the first American composer to have an opera produced by the New York City Opera. His first symphony, entitled Afro-American Symphony, was until 1950 the most widely performed symphony composed by an American. Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse. Still was the first African American to conduct a major American symphony orchestra and the first to have an opera performed on national television. Due to his close association and collaboration with prominent African-American literary and cultural figures, he is considered to be part of the Harlem Renaissance movement.
  
  This picture of Still was taken by Carl Van Vechten in 1949; the photograph is in the collection of the Library of Congress in Washington, D.C.
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  Médée

  Graphic: Giuseppe Palanti

  Médée is a French-language opera by the composer Luigi Cherubini. Set in the ancient city of Corinth, Greece, it features a libretto by François-Benoît Hoffman and is based on Euripides's tragic play Medea and Pierre Corneille's play Médée. The opera premiered in 1797 at the Théâtre Feydeau in Paris. The long-lost final aria, which Cherubini appears to have deleted from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing X-ray techniques to reveal areas that the composer had blackened out.
  
  This picture shows the title page for a vocal score of the 1909 hybrid version of Médée.
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  Nicholas Lanier

  Painting credit: Anthony van Dyck

  Nicholas Lanier (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music, in the service of Charles I and Charles II. He was one of the first composers to introduce monody and recitative to England.
  
  After this oil-on-canvas portrait was painted by the Flemish painter Anthony van Dyck in Antwerp, Lanier convinced the king to bring van Dyck to England, where he became the leading court painter. The portrait displays an attitude of studied carelessness, often termed sprezzatura, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". The painting now hangs in the Kunsthistorisches Museum in Vienna.
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  Thelonious Monk

  Photograph credit: William P. Gottlieb; restored by Adam Cuerden

  Thelonious Monk (October 10, 1917 – February 17, 1982) was an American jazz pianist and composer, and the second-most-recorded jazz composer after Duke Ellington. He had a unique improvisational style and famously remarked, "The piano ain't got no wrong notes". He made numerous contributions to the standard jazz repertoire, including "'Round Midnight", and a wide range of other compositions. He was renowned for a distinctive dress style, which included suits, hats, and sunglasses. He had disappeared from the scene by the mid-1970s and made only a few appearances during the final decade of his life. This 1947 photograph of Monk was taken by the American photographer William P. Gottlieb in Minton's Playhouse, a jazz club in New York.
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  Simon Neil

  Photograph: Achim Raschka

  Simon Neil (b. 1979) is a Scottish vocalist, guitarist, and songwriter. Born in Irvine, he established the band Biffy Clyro in 1995 with James and Ben Johnston. He has also played with JP Reid of Sucioperro in Marmaduke Duke, using the pseudonym "The Atmosphere", and started a solo career.
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  Thomas Linley the elder

  Painting: Thomas Gainsborough

  Thomas Linley the elder (17 January 1733 – 19 November 1795) was an English bass singer and musician. He began his musical career at age 11 in Bath, becoming apprentice to the organist Thomas Chilcot. Linley married in 1752 and fathered eight children, supporting the family by working as a music teacher. As his children grew he developed their musical talent and was able to draw an increasing amount of income from their concerts. When the Bath Assembly Rooms opened in 1771, Linley became musical director and continued to promote his children's careers. He was eventually able to move to London with the thousands of pounds which he had amassed from their concerts. In addition to his children Linley taught tenor Charles Dignum, singer and actress Anna Maria Crouch, and novelist Frances Sheridan. He collaborated with his son Thomas Linley the younger in penning the comic opera The Duenna, with libretto by his son-in-law Richard Brinsley Sheridan.
  
  This picture is an oil-on-canvas painting created around 1770 by Thomas Gainsborough, showing Linley holding his "Elegies for Three Voices". It hangs in the Dulwich Picture Gallery, London.
• 
  Lina Rafn

  Photo: Jepsen

  Lina Rafn (b. 1976) is a Danish singer, songwriter and producer active with the band Infernal. She had previously been a VJ on the show The Voice TV Danmark.
• 
  Nina Sublatti

  Photograph: Ailura

  Nina Sublatti (b. 1995) is a Georgian singer, songwriter, and model. Having previously won the 2013 Georgian edition of Idol, she achieved international attention when she represented her country in Eurovision Song Contest 2015 with her song "Warrior". She has since served as a judge on X Factor Georgia and Idols.
• 
  Samuel Coleridge-Taylor

  Photograph credit: unknown; restored by Adam Cuerden

  Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was an English composer and conductor. His greatest success was his cantata Hiawatha's Wedding Feast. This set the epic poem The Song of Hiawatha by Henry Wadsworth Longfellow to music, and was widely performed by choral groups in England and the United States. Composers were not well paid; the work sold hundreds of thousands of copies, but he had sold the music outright for the sum of 15 guineas, so did not benefit directly. He learned to retain his rights and earned royalties for other compositions after achieving wide renown, but always struggled financially. This photograph of Coleridge-Taylor was taken around 1905.

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Birthdays in Music: November 23

• Keith Hampshire, Brit singer-songwriter, turns 79.
• Francis Cabrel, French singer, turns 71.
• Ludovico Einaudi, Italian composer and pianist, turns 69.
• Holly Cole, Canadian jazz vocalist, turns 61.
• Ken Block, American guitarist and vocalist with Sister Hazel, turns 58.
• Lucas Grabeel, American actor and singer, turns 40.

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