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![Izumo Taisya, Izumo, Shimane prefecture, Japan](http://up.wiki.x.io/wikipedia/commons/thumb/e/e6/Izumo-taisha14bs4592.jpg/180px-Izumo-taisha14bs4592.jpg)
The term "National Treasure" has been used in Japan to denote cultural properties since 1897. The definition and the criteria have changed since the inception of the term. The structures in this list of shrines designated as National Treasures of Japan are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The practice of marking sacred areas began in Japan as early as the Yayoi period (from about 500 BC to 300 AD) originating from primal religious beliefs. Features in the landscape such as rocks, waterfalls, islands, and especially mountains, were places believed to be capable of attracting kami, and subsequently were worshiped as yorishiro. Originally, sacred places may have been simply marked with a surrounding fence and an entrance gate or torii. Later, temporary structures similar to present day portable shrines were constructed to welcome the gods to the sacred place, which eventually evolved into permanent buildings that were dedicated to the gods. Ancient shrines were constructed according to the style of dwellings (Izumo Taisha) or storehouses (Ise Grand Shrine). The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark. Such early shrines did not include a space for worship. Three important forms of ancient shrine architectural styles exist: taisha-zukuri, shinmei-zukuri and sumiyoshi-zukuri. They are exemplified by Izumo Taisha, Nishina Shinmei Shrine and Sumiyoshi Taisha, respectively, and date from before 552 AD. According to the tradition of Shikinen sengū-sai (式年遷宮祭), the buildings or shrines were faithfully rebuilt at regular intervals adhering to the original design. In this manner, ancient styles have been replicated through the centuries to the present day.