Peter Randall-Page RA (born 1954) is a British artist and sculptor, known for his stone sculpture work, inspired by geometric patterns from nature.[1] In his words "geometry is the theme on which nature plays her infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures".[2][3]
Peter Randall-Page | |
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![]() Seed | |
Born | Peter Marty Randall-Page 2 July 1954 Essex, England, United Kingdom |
Nationality | British |
Education | Bath Academy of Art |
Known for | Sculptor, Printer, Drawer |
Awards | Winston Churchill Memorial Trust Travelling Fellowship (1980), Honorary Doctorate of Art, University of Plymouth (1999), 2006 Marsh Award for Public Sculpture |
Biography
editRandall-Page was born in Essex and spent his childhood in Sussex both studying at the Bath Academy of Art from 1973 to 1977 after which he worked with the sculptor Barry Flanagan.[4] After working on a conservation project at Wells Cathedral, Randall-Page went to Italy to study stone carving at the Carrara quarries.[4] Returning to Britain, he was a visiting lecturer at Brighton Polytechnic throughout the 1980s and established a studio at Drewsteignton in Devon.[4] From there he undertook a number of significant public sculpture commissions, often featuring fruit and organic forms. These included works for the regeneration of Castle Park in Bristol and for the Eden Project in Cornwall.[4] For the Eden Project he was a member of the design team for the Education Resource Centre (The Core), influencing the overall design of the building and incorporating an enormous granite sculpture, Seed, at its heart.[5][6] A major retrospective of his work was held in 1992 at the Leeds City Art Gallery and the Yorkshire Sculpture Park.[4] During 1994 Randall-Page held an artist-in-residence post at the Tasmanian School of Art and undertook a lecture tour of Australia, supported by the Arts Council England.[4]
In 1980 he was taken on by the Anne Berthoud Gallery in London's Covent Garden. Randall-Page's work is held in numerous public and private collections throughout the world including Japan, South Korea, Australia, United States, Ireland, Germany and the Netherlands. His public sculptures can be found in London, Edinburgh, Manchester, Bristol and Newbury.[7] His work is represented in the permanent collections of the Tate Gallery and the British Museum.[8][9]
Randall-Page was elected to the Royal Academy in 2015.[10] In 1999, he was awarded an Honorary Doctorate of Arts from the University of Plymouth and from 2002 to 2005 was an Associate Research Fellow at Dartington College of Arts.[11]
Portraits of Randall-Page
editThe National Portrait Gallery collection has 2003[12] and 2011[13] bromide photographic images of Randall-Page.
Public collections
edit- Arnolfini Collection Trust, Bristol
- The British Council.
- The British Embassy, Dublin
- The British Museum
- Bughley Sculpture Garden
- Castle Museum and Art Gallery, Nottingham
- The Contemporary Art Society, London
- The Creasy Collection of Contemporary Art, Salisbury
- Derby Arboretum
- University of Exeter[14]
- Leeds City Art Galleries
- Lincoln City Council
- Milton Keynes Community NHS Trust
- The National Trust Foundation for Art
- Nottinghamshire City Council
- University of Nottingham
- Prior's Court School for Autistic Children, Thatcham
- University of Tasmania
- Tate Collection; 'Where the Bee Sucks'(1991)[15]
- Ulster Museum, Belfast
- Usher Gallery, Lincolnshire County Council
- University of Warwick, Coventry
- West Kent College, Tonbridge
- The Dartington Hall Trust estate, Devon
- The Eden Centre, Cornwall
Selected public works
editImage | Title / subject | Location and coordinates |
Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
---|---|---|---|---|---|---|---|---|---|
Fruit Gathers | Rufford Craft Centre, Edwinstowe, England | 1982 | Sculpture group | Stone | Various | [16] | |||
Beneath the Skin | Bloomsbury Way, London | 1991 | Sculpture | Granite | [17] | ||||
More images |
Beside the Still Waters | Castle Park, Bristol | 1993 | Two sculptures & water feature | Granite | [18] | |||
More images |
Hundred Year Stone | Beside Derwentwater, Cumbria | 1995 | Sculpture | Andesite | 220 x 140 x 130cm | Q41706237 | [19] | |
More images |
Ebb and Flow | Newbury Lock, Berkshire | 2003 | Fountain and paving | Granite | 2.4m diameter fountain | Q87448632 | [20] | |
More images |
Between the Lines | Fisher Square, Cambridge | 2007 | Sculpture | Granite glacial boulder | 178 x 214 x 180cm | [21] | ||
More images |
Seed | The Core, Eden Project | 2007 | Sculpture | Granite | [5] | |||
More images |
Corpus, Fructus and Phyllotaxus | New Art Centre, Salisbury | 2009, 2013 (Phyllotaxus) | Sculpture group | Limestone | Previously at Campus Westend, Goethe University Frankfurt and elsewhere.[22][23] | |||
More images |
Walking the Dog | Dulwich Picture Gallery | 2009 | Sculpture group | Granite | [24] | |||
More images |
Shapes in the Clouds II | Riverside Walk, Millbank, London | 2014 | Sculpture | Marble | Q120598719 | [25] | ||
The One and The Many | Fitzroy Place, London | 2015 | Sculpture | Granite glacial boulder | 178 x 214 x 180cm | [26] |
Further reading
edit- London Art and Artists Guide 10th edition, Heather Waddell
- Sculpture in 20th-century Britain, Henry Moore Institute 2003
- Reviews Artists and Public Space, Black Dog Publishing 2005
References
edit- ^ "Sculptor inspired by nature". BBC Devon. 24 September 2014. Retrieved 8 January 2018.
- ^ "About the artist". Peter Randall-Page. Retrieved 8 January 2018.
- ^ Marina Warner (3 July 2009). "Marina Warner on Peter Randall-Page's atmospheric sculptures". The Guardian.
- ^ a b c d e f David Buckman (2006). Artists in Britain Since 1945 Vol 2, M to Z. Art Dictionaries Ltd. ISBN 0-953260-95-X.
- ^ a b "Seed sculpture by Peter Randall-Page". Eden Project. Retrieved 8 January 2018.
- ^ Randall-Page, Peter (2006). "Collaboration on the Integration of Sculpture and Architecture in the Eden Project" (PDF). Retrieved 8 January 2018.
- ^ "Public Commissions – sculpture & architectural works". Peter Randall-Page. Retrieved 8 January 2018.
- ^ "Peter Randall-Page". Tate Etc. Retrieved 8 January 2018.
- ^ "Collection online – Peter Randall-Page". British Museum. Retrieved 8 January 2018.
- ^ "Peter Randall-Page". Royal Academy of Arts. Retrieved 8 January 2018.
- ^ "Biography". Peter Randall-Page. Retrieved 8 January 2018.
- ^ "NPG x126708; Peter Randall-Page – Large Image – National Portrait Gallery". Npg.org.uk. Retrieved 22 February 2018.
- ^ https://www.npg.org.uk/collections/search/portrait/mw248081/Peter-Randall-Page?LinkID=mp68855&role=sit&rNo=1 [bare URL]
- ^ "By Another Ocean III". Arts and Culture, University of Exeter. Retrieved 4 December 2019.
- ^ "'Where the Bee Sucks', Peter Randall-Page, 1991". Tate Etc. Retrieved 22 February 2018.
- ^ "Fruit Gathers". www.peterrandall-page.com. 15 March 1982. Retrieved 17 September 2020.
- ^ "Beneath the Skin". www.peterrandall-page.com. 15 November 1991. Retrieved 17 September 2020.
- ^ Douglas Merritt (2002). Sculpture in Bristol. Redcliffe Press Ltd. ISBN 1900178834.
- ^ "Hundred Year Stone". www.peterrandall-page.com. June 1995. Retrieved 17 September 2020.
- ^ "Ebb and Flow". www.peterrandall-page.com. 4 May 2003. Retrieved 17 September 2020.
- ^ "Between the Lines". www.peterrandall-page.com. 20 April 2007. Retrieved 14 August 2020.
- ^ "Corpus, Fructus und Phyllotaxus". www.peterrandall-page.com. 6 April 2009. Retrieved 17 September 2020.
- ^ Oliver Garland; Lucy Miller. "HENI Talks x Articulation: Peter Randall-Page, 'Fructus'". HENI Talks.
- ^ "Walking the Dog". www.peterrandall-page.com. 6 April 2009. Retrieved 17 September 2020.
- ^ "Shapes in the Clouds I, II, III, IV, V". Peter Randall-Page. 23 March 2014. Retrieved 19 December 2023.
- ^ "The One and The Many". www.peterrandall-page.com. 17 March 2015. Retrieved 17 September 2020.