Wikipedia

Mr. Chedworth Steps Out

Mr. Chedworth Steps Out is a 1939 Australian comedy film directed by Ken G. Hall starring Cecil Kellaway. Kellaway returned to Australia from Hollywood to make the film, which features an early screen appearance by Peter Finch.

Mr. Chedworth Steps Out
Theatrical release poster
Directed byKen G. Hall
Written byFrank Harvey
Based onnovel Mr Chedworth Hits Out by Francis Morton Howard
Produced byKen G. Hall
StarringCecil Kellaway
Rita Pauncefort
Peter Finch
CinematographyGeorge Heath
Edited byWilliam Shepherd
Music byHamilton Webber
Production
company
Distributed byBritish Empire Films
Release dates
  • April 1939 (1939-04) (Australia)
  • 1939 (1939) (UK)
Running time
92 minutes
CountryAustralia
LanguageEnglish
Budget£21,000[1][2]

It was the fifteenth feature film from Hall and Cinesound Productions.[3] Hall later said "I think that we made a pretty good picture."[4]

The film was released in the United States by Astor Pictures Corp. in 1943, retitled as Forged Money.

Plot summary

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A mild-mannered clerk, George Chedworth, is married to the snobbish, nagging Julie, and has four children: gambling addict Arthur, beautiful Gwen, teenage singer Susie and young Fred. Chedworth lends money to Arthur to cover his gambling debts to a bookmaker, and is persuaded by the bookmaker on a long-shot wager. Chedworth is then fired from his job after 24 years of service. He is given a compensatory employment as a night watchman, and stumbles upon some money hidden by gangsters and an old printing press.

Chedworth uses the money to improve his situation. He wins a fortune from an accidental racing bet and from some apparently worthless gold mining shares sold to him by some crooks, including Arthur's boss Leon Fencott. Chedworth moves into a large house, unaware the money he discovered was counterfeit. Fencott is the head of the forgers.

When Arthur tries to pass off one of his forged bank notes to Fencott, the gangsters come after the money and kidnap Chedworth. They are arrested by Brian Carford, a federal agent who has been romancing Gwen and watching Chedworth to see if he is a forger. Chedworth gets to keep his legitimate fortune and Susie wins a singing competition.

Cast

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  • Cecil Kellaway as George Chedworth
  • James Raglan as Brian Carford
  • Joan Deering as Gwen Chedworth
  • Rita Pauncefort as Julia Chedworth
  • Jean Hatton as Susie Chedworth
  • Peter Finch as Arthur Chedworth
  • Rodney Jacobs as Fred Chedworth[5]
  • Sidney Wheeler as Leon Fencoff
  • Ronald Whelan as Benny
  • Leslie Victor as Leslie
  • Cecil Perry as Maguire
  • Charmaine Ross as Ada Fencott[6]
  • Harvey Adams as Mason
  • Ben Lewin as Welch
  • Barrett Lennard as Perse Faulkner
  • Field Fisher as bailiff
  • Letty Craydon as Mrs Blundell
  • Les Warton as Sole Barnes
  • Phil Smith as estate agent

Production

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Development

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The script was based on the English novel, Mr Chedworth Hits Out (1936) by F Morton Howard.[7]

It was intended as the first of a projected £200,000 five-film program by Cinesound Productions, the others being Gone to the Dogs (1939), Robbery Under Arms, The Further Adventures of Dad and Dave (which became Dad Rudd, MP 1940), and The Haunted House.[8] Robbery Under Arms and The Haunted House were never made.

The film was specifically designed as a vehicle for Cecil Kellaway. He had been working in Hollywood following the success of It Isn't Done (1937) but agreed to come back to Australia especially to make the film at the request of Ken G. Hall. "He was getting much more money than we had offered him but he felt that he owed us something", said Hall.[9][10]

Kellaway was under contract to RKO so Cinesound had to get their permission to borrow him for the film. It was thought this was the first time the Hollywood studios had done that for one of their actors to appear in an Australian film. He was borrowed for four months.[11]

Kellaway later said he was attracted to the lead role:

It is the part of a human being, not a screen stereotype, for 'Mr. Chedworth' is fighting a battle of circumstances. A lonely, down-trodden little man, he is fighting to uphold his inner better self. It will carry a message to every home, because it depicts the strange fact that it is in our homes we find our harshest critics. There is drama and comedy delightfully combined, when George Chedworth, reclaiming himself as a man, becomes at last the head of his house, and . . . 'steps out![12]

Support roles

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The part of Cecil Kellaway's youngest daughter was played by Jean Hatton, a young singer who was brought to the attention of Ken G. Hall after she won a Deanna Durbin talent quest. She was signed by Cinesound to a long-term contract, later appearing in Come Up Smiling.[13] Her part in the film was written especially for her.[14] She sings two songs during the film's climax, "If It Rains, Who Cares" and "Lo, Hear the Gentle Lark", which was staged in a massive 40-foot set build for the film replicating a radio station.[12]

Rita Pauncefort, who plays Kellaway's nagging wife, was a highly experienced actor of stage and film.[15] She had first acted opposite Cecil Kellaway in South Africa in 1914.[16]

Joan Deering, who plays the ingenue, had never acted on screen before but had a strong theatrical background, having toured with revue companies in England and South Africa. She was English and moved to Australia in 1935 after touring with Frank Neil's pantomime company. Ken G. Hall had met her socially and suggested she screen test.[17] Peter Finch was cast after the impression he made in Dad and Dave Come to Town (1938).[18]

Shooting

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Kellaway arrived back in Australia in early October 1938[19] and shooting took place through that month to November.[20]

Most of the film was shot in Cinesound's studios at Bondi with some location work at Lapstone Hill[21] and Sydney Girls High School.[22] A farewell ball to celebrate the end of shooting was held in December.[23]

There is a line in the film where Cecil Kellaway scolds his son (Peter Finch) for betting on horses. During filming this caused the crew to burst out laughing because Kellaway was known as a keen gambler. "He had his mind on the racetrack all the time", said Hall. "As soon as I'd say 'Cut!' he'd be off like a rabbit up a bank and out the back to the radio to hear what had won the last. He was a mad punter."[24]

Costumes were designed by Thelma Afford, wife of top Australian writer Max Afford.[25]

Hall was paid £30 a week to direct while Frank Harvey was paid £20 a week over four weeks to write it. Kellaway's fee was £500, covering eight weeks.[2]

Release

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Box office

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The film was not one of Cinesound's biggest successes but reportedly made "a comfortable profit".[1]

Critical

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Reviews were positive.[26][27][28]

Variety said:

Ken G. Hall's latest should find high trade in the home field, with the possibility of a British break as well.. However, there's little market seen for the U. S. Cecil Kellaway, the marquee lure, turns in a corking performance, while Hall has given class direction to the production. Jean Hatton, winner of a Deanna Durbin contest, has vast possibilities; she knows how to act and has an excellent singing voice. The rest of the cast, with the exception of Rita Patmcefort, who overplays, turns In good performances. Dialog is crisp; story, however, is weak and brings in everything, including gangsters. Yet Hall has managed to pace the picture briskly throughout... Camera is first class; sets are splendid and the whole production generally carries a high production standard. [29]

The Age called it a "lively, well made picture".[30]

In later years the film has come to be regarded as one of Ken G Hall's best. Paul Byrnes later wrote for Australian Screen Online that:

Mr Chedworth Steps Out has all the usual elements of a Cinesound entertainment – four or five plotlines, a master villain, even a couple of songs... but it has one element that lifts it above the pack – Cecil Kellaway... His performance as the little man who learns to assert himself is one of the best in all the Cinesound films, and Ken Hall's direction is a large part of that success. The film is put together with great care and confidence, rather than the haste that mars some of Hall's work. Kellaway was playing Hall's favourite type of hero, a nobody who becomes a somebody. He was similar to the man he plays in It Isn’t Done (1937) but more downtrodden, and thus capable of more anger and passion. Once again, the film has the feel of a Frank Capra film, but this time, Kellaway is able to give us a much more shaded performance, tinged with bitterness and a hint of bile. Whether the film remains a comedy is debatable. Rita Pauncefort's portrayal of Mrs Chedworth as a nagging social climber and spendthrift is beyond satire, heading for something more caustic. The undeclared class warfare in a lot of Ken Hall's films becomes full-scale attack in this film – Mrs Chedworth is a nouveau riche shrew, the object of a special scorn that's not so much humorous as contemptuous... the depiction of Mrs Chedworth feels like the settling of some deep personal score [by Hall].[31]

Proposed remake

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The US rights were purchased by Casino Films in New York who at one stage announced they were considering possibly filming a remake. However this never happened.[32]

References

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  1. ^ a b Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 185.
  2. ^ a b Pike, Andrew Franklin. "The History of an Australian Film Production Company: Cinesound, 1932-70" (PDF). Australian National University. p. 245-247.
  3. ^ "Cinesound's 15 Features". The Courier-Mail. Brisbane: National Library of Australia. 17 November 1938. p. 10. Retrieved 28 March 2015.
  4. ^ Taylor, Phillip (1 January 1974). "Ken G. Hall". Cinema Papers. p. 85. interview done on 25 October 1972
  5. ^ "BOY ACTOR CHOSEN". The Sydney Morning Herald. National Library of Australia. 27 September 1938. p. 13. Retrieved 15 August 2012.
  6. ^ "TO MAKE SCREEN DEBUT". The Mercury. Hobart, Tas.: National Library of Australia. 15 October 1938. p. 5. Retrieved 15 August 2012.
  7. ^ "NEW FICTION REVIEWED". The Argus. Melbourne: National Library of Australia. 2 May 1936. p. 7. Retrieved 18 March 2015.
  8. ^ "40 FILMS A YEAR". The Argus. Melbourne: National Library of Australia. 9 August 1938. p. 4. Retrieved 16 August 2012.
  9. ^ Philip Taylor, 'Ken G. Hall', Cinema Papers January 1973 p 85
  10. ^ 'SOME NEW ATTRACTIONS', Examiner (Launceston), Saturday 17 September 1938 p 1
  11. ^ "CECIL KELLAWAY FOR LOCAL FILM". The Newcastle Sun. NSW: National Library of Australia. 1 July 1938. p. 4. Retrieved 18 March 2015.
  12. ^ a b "Thursday's Film Features Page". The Courier-Mail. Brisbane: National Library of Australia. 23 February 1939. p. 6 Section: Second Section. Retrieved 1 August 2012.
  13. ^ 'Contract For Jean Hatton', The Courier-Mail (Brisbane), Thursday 15 June 1939 p 12
  14. ^ "SCREEN STARS WHO EARN THEIR MONEY". The Argus. Melbourne: National Library of Australia. 2 December 1939. p. 2 Supplement: The Argus Week-end Magazine. Retrieved 15 August 2012.
  15. ^ "NAGGING WIFE PORTRAYED". The Sydney Morning Herald. National Library of Australia. 17 November 1938. p. 33. Retrieved 18 March 2015.
  16. ^ "Screen Tare". The Newcastle Sun. NSW: National Library of Australia. 25 November 1938. p. 3. Retrieved 18 March 2015.
  17. ^ 'Cinesound Presents Two New Girls', The Courier-Mail (Brisbane), Thursday 15 December 1938 p 10
  18. ^ 'PETER FINCH IS SET FOR A FILM CAREER', The Sydney Morning Herald, Thursday 22 December 1938 p 23
  19. ^ "Entertainments GINESOUND FILM With Cecil Kellaway". The Argus. Melbourne: National Library of Australia. 17 September 1938. p. 29. Retrieved 15 August 2012.
  20. ^ "AUSTRALIA MAKES ANOTHER FILM." The Sydney Morning Herald 24 October 1938: 5 Supplement: Women's Supplement, retrieved 17 December 2011
  21. ^ "ON THE "LOT" WITH "MR. CHEDWORTH."". The Sydney Morning Herald. National Library of Australia. 10 November 1938. p. 33. Retrieved 15 August 2012.
  22. ^ "FILM SCENES AT GIRLS' HIGH SCHOOL". The Sydney Morning Herald. National Library of Australia. 22 November 1938. p. 9. Retrieved 28 March 2015.
  23. ^ "FILM PLAYERS AT DANCE". The Sydney Morning Herald. National Library of Australia. 8 December 1938. p. 30. Retrieved 15 August 2012.
  24. ^ Philip Taylor, 'Ken G. Hall', Cinema Papers January 1974 p 85
  25. ^ 'Designing Frocks for Australian Films', The Advertiser (Adelaide), Thursday 10 November 1938 p10
  26. ^ "NEW SHOWS". The Advertiser. Adelaide: National Library of Australia. 8 May 1939. p. 20. Retrieved 15 August 2012.
  27. ^ ""MR. CHEDWORTH STEPS OUT."". The Sydney Morning Herald. National Library of Australia. 10 April 1939. p. 4. Retrieved 15 August 2012.
  28. ^ Review at The Age. Retrieved 13 August 2013
  29. ^ Review of Mr Chedworth Steps Out at Variety
  30. ^ Review in The Age 15 May 1939. Retrieved 28 March 2015
  31. ^ Paul Byrnes, "Mr Chedworth Steps Out" Australian Screen Online. Retrieved 28 March 2015
  32. ^ "Ben Hecht Will Direct 'G String Murder Case': Three-Way Contract Set Big Camp Shows Planned 'Maxwell House' Debated Oakie Will Go South 'Chedworth' Remake Eyed" Schallert, Edwin. Los Angeles Times 21 November 1941: 22.
  • Murray, Scott, ed. (1994). Australian Cinema. St. Leonards, NSW.: Allen & Unwin/AFC. p. 273. ISBN 1-86373-311-6.
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