Wikipedia

Mayham

Not to be confused with Mayhem.

"Mayham" is the 68th episode of the HBO original series The Sopranos and the third of the show's sixth season. Written by Matthew Weiner and directed by Jack Bender, it originally aired on March 26, 2006.

"Mayham"
The Sopranos episode
Episode no.Season 6
Episode 3
Directed byJack Bender
Written byMatthew Weiner
Cinematography byPhil Abraham
Production code603
Original air dateMarch 26, 2006 (2006-03-26)
Running time56 minutes
Guest appearance
Steve Buscemi as Man
Episode chronology
← Previous
"Join the Club" 		Next →
"The Fleshy Part of the Thigh"
The Sopranos season 6
List of episodes

Starring

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* = credit only

Guest starring

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Synopsis

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Paulie and a member of his crew burglarize an apartment belonging to Colombian drug dealers in Newark. The apartment is not empty as expected and a firefight ensues, leading to the deaths of the building superintendent and two of the drug dealers. There is a huge score, but it contributes to rising tensions within the Soprano family: Silvio, now acting boss, makes rulings on how the money, and Eugene's former Roseville bookmaking revenue, should be split. None of the parties involved like his decisions. A reluctant boss, Silvio is later hospitalized after an asthma attack. In case Tony does not recover, Paulie and Vito delay paying the cut they owe to Carmela.

Vito quietly starts a campaign to position himself as a potential new leader, maintaining a cordial relationship with the Lupertazzi acting boss Phil Leotardo, who is a second cousin of Vito's wife Marie. He happens to be in the hospital when Meadow's fiancé Finn DeTrolio turns up, making a threatening pass at him.

Christopher and Bobby confront A.J. when he attempts to buy a gun, intending to take revenge on Junior. Carmela sees a news report about Tony being shot, in which A.J. remarks that it is weird growing up in their family. She yells at her son, furiously telling him he is a "cross to bear" and then sobs in her room. The next day, Carmela tells Dr. Melfi that while she knew what Tony was when she married him, their kids "don't decide who they're born to."

Chris' passion for the movie industry is reborn. He has Benny Fazio and Murmur rough up screenwriter J.T. Dolan, and orders him to write a script for a slasher mob film he wants to produce. Chris later arranges a meeting with potential investors, the chief adviser and partner being Little Carmine. J.T. comes up with the title, Cleaver, and explains the premise to the investors, including Silvio, Vito and Larry Boy Barese, but they seem confused about its plot. Nevertheless, Chris assures them the film is a guaranteed success.

Although only family members are allowed to see Tony, Silvio and Paulie are smuggled in by Carmela and Meadow. Alone with Tony, Paulie treats his unconscious boss to a tedious and discontented monologue about his current life. Tony's heart rate escalates steadily, but Paulie does not notice it until he goes into cardiac arrest. Hospital staff rush in.

Tony's dream sequence from the previous episode has continued.

At his hotel room, Tony receives a summons from the Buddhist monks addressed to Kevin Finnerty, and he begins to question his identity. He seeks answers from the bartender and the monks but finds none. Tony is disturbed by muffled sounds from an adjoining room at his hotel (Paulie is talking to him) and bangs angrily on the wall for quiet. Having found a flier for the Finnerty family reunion in his briefcase, he is greeted outside the venue by a man who looks like his cousin Tony Blundetto. The man tries to get Tony to enter the light-festooned house, assuring him that "everyone's here" and that he is "coming home"; but he also tells Tony that he must first let go of his "business" and hand over his briefcase. Tony replies that he has already given away a briefcase once which had "his whole life inside" and does not want to do it again. Standing at the steps of the house, Tony hesitates for some time. With the figure of someone similar to his mother standing by the doorway in front of him, and the faint voice of a little girl coming from the trees behind him pleading with him not to go (Meadow is calling to her father), Tony chooses not to enter the house.

Tony awakes in the hospital, asking, "I'm dead, right?" Later, heavily sedated and still hardly able to talk, Tony listens to an excited Christopher explaining his movie venture to him; he says he left a position for Tony to become a major investor. Christopher then notices an Ojibwe saying taped onto the wall: "Sometimes I go about in pity for myself, and all the while, a great wind carries me across the sky." With Tony now conscious, Paulie and Vito anxiously rush to get their cuts to Carmela. They hand over the cash and she is grateful, but as they are leaving in the elevator, she turns around and sees them looking sour.

First appearances

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Deceased

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  • Building Superintendent: inadvertently shot by Colombian #1
  • Colombian #1: shot by Cary DiBartolo and Paulie
  • Colombian #2: shot by Cary DiBartolo and then stabbed by Paulie

Title reference

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  • The title is a malapropism; after Vito gives Paulie bad information about the stick-up job (saying the place was empty), Paulie does not want to give him his full cut of the money, saying that the job was "mayham."
  • Disorder is within the ranks of the DiMeo/Soprano crime family, as there are disagreements between some members, dissent is growing, and, at one point, both its boss and substitute acting boss are hospitalized.
  • Tony Soprano violently fights to stay alive.
  • In legal terms, mayhem refers to the deliberate maiming or dismembering of a victim. The unused title for Christopher's screenplay is Pork Store Killer. As such, "Mayham" could be a nod to said slasher film (combining the words "mayhem" and "ham").

Production

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  • Ray Abruzzo (Little Carmine) is now promoted to the main cast and billed in the opening credits but only in the episodes in which he appears.
  • Lorraine Bracco's sister Elizabeth joins the show playing the character of Marie, the wife of Vito Spatafore.

Other cultural references

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  • As Vito pulls up alongside Paulie at the beginning of the episode, Paulie greets him by saying "Diary of a Thin Man," in reference to Vito's recent weight loss, misquoting the title of the Bob Dylan song "Ballad of a Thin Man."
  • When confronted over his attempted purchase of a gun and told that he cannot get to his Uncle Junior anyway because he is in police custody, AJ says it's "difficult, not impossible," the same words spoken by Rocco Lampone in The Godfather Part II in reference to assassinating Hyman Roth.
  • In another homage to The Godfather, when Benny Fazio unexpectedly speaks up at the movie pitch with a solution to the film's plot impasse, it harkens to the scene when Michael Corleone speaks up and calculatingly details how to assassinate Virgil Sollozzo and the corrupt police captain at a restaurant.
  • Vito greets Finn, who flew over from California, as "Phineas Fogg" at the hospital.
  • J.T. Dolan is discussing Beowulf when kidnapped from his writing class.
  • When pitching Cleaver, Silvio, Christopher, and J.T. Dolan compare and contrast the film to The Ring, the Friday the 13th franchise, Freddy Krueger movies, and Halloween as well as to The Godfather II, Saw, and Ghostbusters franchises.
  • Tom Giglione says he needs some Irish Spring to look fresh again after a night spent beside Tony's bed.
  • Phil Leotardo says everyone thought Vito looked like John Travolta when he married Phil's cousin Marie.
  • Paulie Gualtieri refers to Vito as "Bluto" (The large and portly nemesis of Popeye; John Belushi’s character in Animal House).
  • Paulie Gualtieri refers to AJ as Van Helsing.
  • Paulie Gualtieri refers to Carmela Soprano as the "Princess of Little Italy." This is a sarcastic reference to Steven Van Zandt and his band Little Steven and the Disciples of Soul, who recorded a song by the same name.
  • In a rare session with Dr. Melfi, Carmela recalls her second date with Tony, in which he brought her father a $200 power drill as a gift. She says she knew there was "probably some guy with a broken arm" behind it and reflects on whether this made her like Tony less or more. This mimics Bracco's own character's reaction in Goodfellas when she realized what Henry Hill really was early in their relationship.
  • Carmela reads Sue Grafton's "C" Is for Corpse.

Music

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References

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  1. ^ "The Beatles Song That Was Too Expensive for 'The Sopranos' to Use". October 2019.
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