Marilou Schultz (born November 6, 1954) is a Navajo weaver, artist, and educator. She has exhibited her weavings nationally and internationally, including at the documenta 14 in Kassel, Germany.[1]
Marilou Schultz | |
|---|---|
| Born | November 6, 1954 |
| Nationality | Navajo Nation, American |
| Alma mater | Bachelor and master's degree: Arizona State University |
| Known for | Data-inspired Navajo weaving |
| Notable work | Replica of a Chip (1994)[1][2] |
| Movement | Navajo weaving |
| Relatives | Melissa Cody (Diné), niece |
Schultz is a math teacher as well as an artist, and she is known for her science and data-inspired weavings.[2]
Early life and education
editMarilou Schultz was born in Safford, Arizona, on November 6, 1954.[3] She is a citizen of the Navajo Nation and is born to Tabaaha (Water’s Edge Clan) and born for Tsi’naajinii (Black Streak Wood People Clan) and grew up in Leupp, Arizona, on the Navajo Reservation.[4]
At least four generations of her relatives, including her mother and great-great-grandmother, were also weavers.[4][5] She is the aunt of textile artist Melissa Cody.[6] Her mother is the respected weaver Martha Gorman Schultz.[4] She began learning the craft at the age of seven by watching her mother, and sold her weaved rugs during her childhood and into her college years.[4][7]
Schultz attended Arizona State University (ASU) and received a bachelor's and master's degree in education, as well as a certificate for teaching mathematics from the Native American Education Leadership Program at ASU.[5][8]
Teaching career
editSchultz is a math teacher in the Mesa Public Schools,[2][4] and has served as a home-school liaison and coordinator for leadership and support programs for Native American youth.[9]
In the summers, she teaches weaving workshops.[4]
Weaving
editAlthough she began weaving as a means of financial support, her love of the craft has evolved into a method of innovation and sharing her culture with others. She utilizes traditional methods learned from her mother such as plain weave, twill and double twill, and raised outline weavings, though she has also developed unique dyeing techniques with both aniline and natural dyes.[10][4] Natural dyes that she uses includes cochineal and indigo.[4] She frequently uses wool from Churro sheep raised by her family.[11]
In 1994, Intel commissioned Schultz to weave "Replica of a Chip," which depicted a Pentium microprocessor, a computer circuit board, and referenced the historical workforce of Navajo women assembling circuit boards at an Intel factory located on a Navajo reservation in New Mexico.[12][13]
Awards and honors
editSchultz has won several awards at the Santa Fe Indian Market, including the Special Award for Excellence in Navajo Weaving in 1994, and the Challenge Award in Non-Traditional Weavings in 1997.[14][7] She was also awarded a fellowship by the market's organization, SWAIA, in 1994.[7] At the Heard Museum Guild Indian Fair and Market, Schultz received the inaugural Conrad House Innovation Award from the Heard Museum Guild in 2001.[15]
Selected exhibitions
editSchultz exhibited at documenta 14 in Kassel, Germany. She has also shown internationally in U.S. Embassies.[4]
Curators Velma Kee Craig (Diné), Natalia Miles (Diné/Akimel O'otham/Apache), and Ninabah Winton (Diné) featured Schultz's work in the Heard Museum's traveling survey of contemporary Navajo weaving, Color Riot!. This exhibition began at the Heard Museum in Phoenix, and traveling to venues nationwide, including the Montclair Art Museum in New Jersey[16] and the Museum of Fine Arts, St. Petersburg in Florida.
Replica of a Chip was included in a 2024 exhibition, Woven Histories: Textiles and Modern Abstraction at the National Gallery of Art.[17][6][18]
References
edit- ^ a b "Marilou Schultz". documenta 14. Retrieved 6 July 2024.
- ^ a b c "Intel and AISES: A History of Engagement". Winds of Change. American Indian Science and Engineering Society. July 23, 2020. Retrieved 6 July 2024.
- ^ "Marilou Schultz". Canku Ota (Many Paths) (83). March 22, 2003 – via Canku Ota.
- ^ a b c d e f g h i "Marilou Schultz". Art in Embassies: U.S. Department of State. Retrieved 2024-06-12.
- ^ a b McFadden, David Revere; Taubman, Ellen Napiura, eds. (2002). Changing Hands: Art Without Reservation. London: Merrell Publishers Limited. p. 20. ISBN 978-1-85894-186-8.
- ^ a b Brown, Patricia Leigh (2024-04-18). "A Millennial Weaver Carries a Centuries-Old Craft Forward". The New York Times. ISSN 0362-4331. Retrieved 2024-06-12.
- ^ a b c Schaaf, Gregory (2001). American Indian Textiles: 2,000 Artist Biographies, c. 1800-Present. Internet Archive. Santa Fe: CIAC Press. p. 212. ISBN 978-0-9666948-4-0.
- ^ "The Bulletin Board". Journal of American Indian Education. 18 (1): 30–32. 1978. ISSN 0021-8731. JSTOR 24397262.
- ^ Box, Andrea (October 20, 1993). "Schools participate in Indian celebration". Arizona Republic. p. 208. Retrieved June 12, 2024.
- ^ Walker, Mary (2012-03-20). "Back to the Heard: Spinning and Design Lessons with Martha and Marilou Schultz". Weaving in Beauty. Retrieved 2024-06-12.
- ^ Thorson, Alice (March 2, 2014). "Tradition Meets Modern World". The Kansas City Star. pp. D6. Retrieved June 12, 2024.
- ^ Smee, Sebastian (2024-05-03). "Review | Why textiles are all the rage in the art world right now". Washington Post. ISSN 0190-8286. Retrieved 2024-06-12.
- ^ McMaster, Gerald (October 2017). "Under Indigenous Eyes". Art in America. 105 (9): 64–71 – via Academic Search Complete.
- ^ "76th Indian Market Awards Announced by Category". Albuquerque Journal. August 23, 1997. p. 103. Retrieved June 12, 2024.
- ^ "Conrad House Innovation Award". heardguild.org. Retrieved 2024-06-24.
- ^ "Color Riot! How Color Changed Navajo Textiles". Montclair Art Museum. 2021. Retrieved 6 July 2024.
- ^ "Woven Histories: Textiles and Modern Abstraction". National Gallery of Art. Retrieved 2024-06-12.
- ^ Shirriff, Ken (September 2024). "The Pentium as a Navajo weaving".