This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations.
1995
editDate | Guest | Composer | Title | Performer / Label |
---|---|---|---|---|
15 Apr 1995 | Elvis Costello | Britten | Corpus Christi carol (from album 'Grace') | |
William Byrd | Ye Sacred Muses (rec. 1960) | |||
Mozart | Parto, ma tu ben mio' (from La clemenza di Tito) | |||
Henry Purcell | Fantasia a 4 No. 5 in B-flat Z736 | |||
Schubert | Piano Sonata movement (incomplete) D571 | |||
Stravinsky | March royale (from 'L'Histoire du Soldat') | |||
Sigurd von Koch | The Wild Swans | |||
Kurt Weill | My Ship (from 'Miles Ahead') | |||
22 Apr 1995 | Germaine Greer | Brahms | Gesang aus Fingal (4 Songs, Op.17 No.4) | |
John Cage | Organ Music | |||
François Couperin | L'evaporee (Pieces de clavecin Book 3 5th ordre) | |||
Handel | Heart, the seat of soft delight (from Acis and Galatea) | |||
Johann Ritter Von Herbeck | Pueri concinite | |||
Jerry Leiber and Mike Stoller | Is that all there is? | |||
Mahler | Der Tambourg'sell (from Des Knaben Wunderhorn) | |||
Schubert | Der blinde Knabe D833 | |||
Tomás Luis de Victoria | Tenebrae responsories | |||
29 Apr 1995 | Simon Russell Beale | Bach | Kyrie from Mass in B minor | |
Duparc | Chanson triste | |||
Gerald Finzi | The Salutation' from Dies natalis | |||
Monteverdi | Quia fecit mihi magna (from Magnificat, Vespers, 1610) | |||
Rachmaninov | Cello Sonata (3rd mvmt) | |||
Ravel | Le jardin feerique (6eme tableau) from Ma Mere l'Oye | |||
Richard Strauss | Finale from 'Elektra' | |||
6 May 1995 | Denis Healey | Puccini | In questa reggia (from Turandot) | |
Mozart | Lachrimosa (from Requiem) | |||
Richard Strauss | Trio from Act III of Der Rosenkavalier | |||
Bach | Gigue from Partita No. 1 in B-flat BWV 825 | |||
Beethoven | Finale of Piano Concerto No. 5 (Emperor) | |||
Rossini | Nacqui all'affanno...Non piu mesta (from La Cenerentola) | |||
Schubert | The Shepherd on the Rock | |||
Beethoven | String Quartet Op.130 (5th mvmt, Cavatina) | |||
13 May 1995 | Harriet Walter | Bach | Trio Sonata (2nd mvmt) from 'The Musical Offering' | |
Beethoven | Symphony No.5 (1st movmt) | |||
Chopin | Nocturne in C sharp minor, Op.27 No.1 | |||
Elgar | Cello Concerto (2nd mvmt) | |||
Monteverdi | Beatus vir | |||
Francis Poulenc | Domine Deus (from Gloria) | |||
Sergei Prokofiev | Death of Tybalt (from Romeo and Juliet) | |||
20 May 1995 | Terry Waite | Chopin | Ballade No.1 in G minor | |
Elgar | Chanson de matin, Op.15 No.2 | |||
Elgar | The Dream of Gerontius Part II (Prelude, and 'I went to sleep') | |||
Gurney | Sleep | |||
J. M. Nicholas | Great is he, the Lord eternal arr. B. Davies | |||
Antonio Carlos Jobim and Gene Lees | Quiet Night of Quiet Stars | |||
Malcolm Boyle | Thou, O God, are praised in Sion | |||
Penderecki | Utrenya (from Part II: The Resurrection of Christ) | |||
Peter Melville Smith | Fanfare | |||
27 May 1995 | P. D. James | Bach | Gloria, In terra Pax (from Mass in B minor) | |
Gabriel Fauré | Agnus Dei and Libera Me (from Requiem) | |||
Gerald Finzi | His Golden Locks (from Farewell to Arms) | |||
Orlando Gibbons | Psalm 145 | |||
Norman Gimbel and Charles Fox | Killing me softly with his song | |||
Handel | Dopo notte (from Ariodante) | |||
Mozart | Soave o sia il vento (from Cosi fan tutte) | |||
Schubert | An die Musik | |||
3 Jun 1995 | Adam Mars-Jones | Bach | Chorale Prelude: O Mensch, bewein dein Sunde gross | |
Don Van Vliet | Hair Pie: Bake 2 (from Trout Mask Replica) | |||
Carlo Gesualdo | Dolcissima mia vita | |||
Godowsky | Study No.27 (on Chopin's Op.25 No.2) | |||
Pärt | Mein Weg hat Gipfel und Wellentaler | |||
Francis Poulenc | Sicilienne & Carillon (from Suite Francaise) | |||
Max Reger | Chorale Prelude: Wachet Auf, Op.67 No.41 | |||
Schubert | Lebenssturme, D947 | |||
10 Jun 1995 | John Nettles | Beethoven | Symphony No.6 (Pastoral) Finale | |
Joseph Canteloube | Bailero (from 'Songs of the Auvergne') | |||
Joan Baez | All in Green (from album 'Love Song') | |||
John Ireland | The Island Spell | |||
Traditional March | The Cornish Troubadour (arr. K. polmear) | |||
Mozart | Clarinet Concerto in A K622 (2nd movement) | |||
Shakespeare and Martin Harris | Under the Greenwood Tree | |||
William Walton | Charge and Battle Music (from Henry V film score) | |||
17 Jun 1995 | Toyah Willcox | Beethoven | Symphony No.7 in A (2nd movement) | |
Elgar | Enigma Variations (no.9, Nimrod) | |||
Holst | Mars (from The Planets) | |||
Kate Bush | no details | |||
Keith Tippett and Andy Sheppard | No.32 from '66 Shades of Lipstick' | |||
Mozart | Serenade for 13 wind instruments in B-flat, K. 361 (2nd mvmt) (from soundtrack of film Amadeus) | |||
Stravinsky | 2 Dances from 'The Firebird', 1910 | |||
24 Jun 1995 | John Mortimer | Brahms | Symphony No.4 in E minor (3rd movement) | |
Irving Berlin | Let's face the music and dance | |||
Johann Strauss II | How sad it is (from Die Fledermaus) | |||
Mozart | Sinfonia concertante in E-flat, K. 364 (finale) | |||
Puccini | "E lucevan le stelle" (Tosca, act 3) | |||
Richard Strauss | Beim Schlafengehen | |||
Rossini | Una voce poco fa (from The Barber of Seville, Act I) | |||
Verdi | Dies irae (from Requiem) | |||
1 Jul 1995 | Chad Varah | Bach | Concerto for oboe, violin and strings in C minor, BWV 1060 (2nd mvmt, Adagio) | |
William Byrd | Agnus Dei (from Mass for 4 voices) | |||
Domenico Scarlatti | Sonata in A minor, Kk54 | |||
Percy Grainger | Brigg Fair (arr. for tenor and chorus) | |||
Handel | Date serta (from motet 'Silete Venti' for soprano and orchestra | |||
Handel | Dixit Dominus (Psalm 110) HWV 232 | |||
Erik Satie | Gymnopedie No.1 (orch. Debussy) | |||
Jean Sibelius | Flickan kom ifran sin (The maiden's tryst) from 5 Songs, Op.37 | |||
Tchaikovsky | Concerto for piano and orchestra no.2 (2nd mvmt) | |||
8 Jul 1995 | Simon Jenkins | Beethoven | Symphony No.7 in A major, Op.92 (4th mvmt) | |
Dolly Parton | I will always love you | |||
Scott Joplin | Elite Syncopations, arr. J.C. Starkey | |||
Mozart | Piano Concerto No. 27 in B-flat, K. 595 (2nd mvmt) | |||
Rossini | Cujus animam gementem, from Stabat mater | |||
Erik Satie | La belle excentrique | |||
Schubert | Der Hirt auf dem Felsen, D965 | |||
Verdi | excerpt from Rigoletto | |||
15 Jul 1995 | Bernice Rubens | Richard Strauss | Beim Schlafengehen (from 4 Letzte Lieder) | |
Schubert | String Quintet in C major, D956 (2nd mvmt) | |||
Charles Ives | General William Booth Enters into Heaven (excerpt) | |||
Antonín Dvořák | Cello Concerto in B minor, 3rd mvmt | |||
Mozart | Mi tradi quell'alma ingrata, from Act II of 'Don Giovanni' | |||
Mozart | String Quartet in C major, K365 (Dissonance), 2nd mvmt | |||
22 Jul 1995 | Alastair Morton | Elgar | Cello Concerto in E minor (1st mvmt) | |
John Matshikiza | excerpt from 'King Kong' | |||
John Rutter | For the beauty of the earth, anthem | |||
Spencer Williams | Basin Street Blues | |||
Stravinsky | Disappearance of the Palace and Kaschkei's Enchantments (from Sc 2 of 'The Firebird' | |||
Verdi | Ah! Veglia, o donna, from Act 1 Sc 2 of 'Rigoletto' | |||
Verdi | Vedi come il buon vegliardo | |||
29 Jul 1995 | Patricia Hodge | Ennio Morricone | Gabriel's Oboe (No.2 from film score 'The Mission') | |
Leonard Bernstein | excerpt from Symphony no.3 ('Kaddish') | |||
Chopin | Polonaise for piano in A-flat major, Op. 53 ("Eroica") | |||
Gabriel Fauré | Libera me (from Requiem, Op.48) | |||
Mahler | Symphony No.5 in C sharp minor (4th mvmt, Adagietto) | |||
Kurt Weill | Girl of the moment (from 'Lady in the Dark') | |||
Widor | Toccata (from Symphony for organ No.5 in F minor) | |||
5 Aug 1995 | Jeremy Isaacs | Beethoven | O namenlose Freude (duet) from Fidelio (1814 version), Act II no.15 | |
Haydn | Kyrie from Mass in D minor (Missa in angustiis) | |||
Leoš Janáček | The Cunning Little Vixen (Act I, Prelude) | |||
Mozart | Symphony No.38 in D, K504 (Prague), 1st mvmt | |||
Rossini | Pourquoi ta presence, from William Tell, Act IV | |||
Schubert | Piano Sonata in B-flat major, D. 960 (1st mvmt) | |||
12 Aug 1995 | Irene Thomas | Captain Arthur C. Green | Sunset (bugle call) | |
Britten | Moonlight', No.3 of 4 Sea Interludes from 'Peter Grimes' | |||
Gounod | Avant de quitter (Cavatina) from Act II of 'Faust' | |||
J. H. Hewitt | All quiet along the Potomac tonight | |||
Julia Ward Howe | Battle Hymn of the Republic | |||
Orazio Vecchi | Fa una canzona (madrigal) | |||
Robert Schumann | Berg und Burgen schaun herunter, No.7 of 'Liederkreis', Op.24 | |||
Traditional music of Wales | Bugeilio'r gwenith gwyn (Watching the white wheat) | |||
Verdi | Tacea la notte placida, from Act I sc 2 of 'Il Trovatore' | |||
Verdi | Tuba mirum, from Requiem | |||
Wagner | Liebestod from Act III of 'Tristan und Isolde' | |||
26 Aug 1995 | Albert Roux | Bach | Gigue from Suite for cello No.3 in C (BWV1009) | |
Max Bruch | Violin Concerto No.1 in G minor, Op.26 (2nd mvmt) | |||
Louiguy | La vie en rose | |||
Massenet | Si tu veux, Mignonne | |||
Mozart | Requiem aeternam (from Requiem in D minor, K626) | |||
Puccini | Nessun dorma (from Turandot, Act III, sc 1) | |||
Reynaldo Hahn | Offrande | |||
Camille Saint-Saëns | Danse macabre (symphonic poem) | |||
Wesley Wilson | Gimme a Pigfoot | |||
2 Sep 1995 | Leopold David de Rothschild | Hubert Parry | An Ode on the Nativity | |
Mozart | Menuetto and Trio from Serenade in D major, K203 | |||
Bach | Prelude and fugue in A major (from Das wohltemperierte Klavier, Bk 2) | |||
Francesco Cavalli | La Calisto | |||
Handel | Concerto grosso in B minor, Op.6 No.12 (3rd mvmt) | |||
Meyerbeer | Rare flower | |||
Mozart | Concerto for piano and orchestra No. 18 in B-flat major, K. 456 (2nd mvmt) | |||
Gilbert and Sullivan | The sun, whose rays are all ablaze' (from The Mikado, Act II) | |||
9 Sep 1995 | Ian Hislop | Anonymous work | Ayo visto lo mappamundi (15th-century Neapolitan barzeletta) | |
Bruckner | Symphony No. 4 in E-flat major ("Romantic") 4th mvmt | |||
Emilio de' Cavalieri | O che nuovo miracolo (ballo from 6th Florentine Intermedio, 1589) | |||
Mickey Newbury | An American Trilogy (Dixie/John Brown/All my trials) | |||
Mozart | Overture to 'Le nozze de Figaro', K492 | |||
Giovanni Pierluigi da Palestrina | Hodie Christus natus est: motet for 4 voices | |||
Henry Purcell | Crown the altar, deck the shrine, from 'Celebrate this festival' (Birthday Ode for Queen Mary, 1693) | |||
Tchaikovsky | Serenade for string orchestra in C, Op.48 (2nd mvmt, Waltz) | |||
William Walton | Spitfire Music/Battle in the Air (from The Battle of Britain Suite) | |||
16 Sep 1995 | Dennis Marks | Debussy | Arabesque No.1 in E major | |
Leoš Janáček | The Cunning Little Vixen (Act III, final scene) | |||
Mahler | Ich bin der Welt abhanden gekommen (No.4 of 5 Ruckert-Lieder for voice and orchestra) | |||
Monteverdi | Laetatus sum, from Vespro della Beata Vergine (1610) | |||
Schubert | Trio for piano and strings in E-flat major (Notturno), D. 897 | |||
Michael Tippett | Interlude and 2nd mvmt from Concerto for violin, viola, cello and orchestra | |||
23 Sep 1995 | Sir Edwin Nixon | Leonard Bernstein | America (from West Side Story) | |
Brahms | Academic Festival Overture, Op.80 | |||
Chopin | Polonaise in A (Military), Op.40 No.1 | |||
Monteverdi | Deus in adjutorium meum intende (Intonation), and Domine ad adjuvandum, from Vespro della Beata Vergine (1610) | |||
Mozart | Credo from Mass in C minor, K427 | |||
Richard Strauss | Wiegenlied, Op.41 No.1, for voice and orchestra | |||
Verdi | Orfanella il tetto umile...Figlia! A ta nome (duet from Simon Boccanegra, Act I) | |||
30 Sep 1995 | David Hockney | Béla Bartók | Quartet No.2 (2nd mvmt Allegro molto capriccioso) | |
Mozart | Bald prangt, den Morgen zu verkunden (from The Magic Flute) | |||
Ravel | Five o clock Foxtrot (from L'enfant et les sortileges) | |||
Richard Strauss | Falcon Aria from Act II of Die Frau ohne Schatten | |||
Stravinsky | Song of the Nightingale (from Le Rossignol) | |||
Wagner | Prelude to Tristan and Isolde | |||
7 Oct 1995 | Bamber Gascoigne | Berlioz | Absence (from les nuits d'ete) | |
Babuji | dheere chalna | |||
Verdi | E grave il sacrifizio (from La traviata) | |||
Mozart | Finale of Act III, The Marriage of Figaro | |||
Saverio Mercadante | Overture: La testa di bronzo | |||
Stravinsky | Petrushka's Room (from Petrushka) | |||
Britten | The splendour falls (from Serenade, Op.31) | |||
14 Oct 1995 | David Pountney | Antonín Dvořák | Kate and the Devil (Finale of Act I) | |
George Gershwin | Just another Rhumba | |||
Leoš Janáček | String Quartet No.1 (Kreutzer Sonata) 1st mvmt | |||
Maxwell Davies | Resurrection (from Revivalist Rally) | |||
Henry Purcell | Dance of Fairies/Sing while we trip it/See, even Night herself is here (from The Fairy Queen, Act II) | |||
Schubert | Sonata in A minor D784 (2nd mvmt Andante) | |||
Shostakovich | Can-can.Ophelia's Ditty/Lullaby (from Hamlet) | |||
21 Oct 1995 | Dudley Moore | Bach | Fugue in B minor BWV 544 | |
Beethoven | Symphony No.3 (Eroica), 2nd mvmt | |||
Chopin | Ballade No.1 Op.23 | |||
Mahler | In diesem Wetter (from Kindertotenlieder) | |||
Massenet | Meditation (from Thais) | |||
Mozart | Domine Jesu (from Requiem K626) | |||
Rachmaninov | Piano Concerto No.2 in C minor (2nd mvmt) | |||
Weelkes | When David Heard | |||
28 Oct 1995 | Elizabeth Esteve-Coll | Trad. Sicilian Peasant Songs | Bella Ciao | |
Trad. Spanish arr. G. Tarrago | El Rossinyol | |||
Mozart | Quintet for piano and wind, K452 (Larghetto) | |||
Britten | Sanctus from War Requiem | |||
Camille Saint-Saëns | Softly awakes my heart (from Samson and Delilah) | |||
Domenico Scarlatti | Sonata in D major, Kk490 | |||
Shostakovich | Violin Concerto (1st mvmt: Nocturne) | |||
4 Nov 1995 | Fiona Shaw | Rachmaninov | Piano Concerto No.2 in C minor (1st mvmt) | |
Britten | Adam lay i-bounden (from A Ceremony of Carols) | |||
Honegger | Joan of Arc at the Stake (scene 7 and part of 8) | |||
John Field | Nocturne No.7 in C major | |||
John Tavener | The Protecting Veil (opening mvmt) | |||
Mozart | Mi tradi quell'alma ingrate (from Act II of Don Giovanni) | |||
Mozart | Opening chorus of Requiem | |||
11 Nov 1995 | Noel Annan | Bach | Sanctus (from Mass in B minor) | |
Mozart | Concerto for flute and harp K299 (2nd mvmt) | |||
Henry Purcell | Chaconne (from The Fairy Queen) | |||
Henry Purcell | Halcyon Days (from The Tempest) | |||
Schubert | Im Fruhling | |||
Tchaikovsky | Eugene Onegin (final scene) | |||
Kurt Weill | Surabaya Jonny (from Happy End) | |||
18 Nov 1995 | Jonathan Miller | Bach | Erbarme dich (from St Matthew Passion) | |
Beethoven | Piano Concerto No.4 (1st mvmt) | |||
Leoš Janáček | Introduction to 'The Cunning Little Vixen' | |||
Monteverdi | final duet from The Coronation of Poppea | |||
Mozart | Sull'aria' and 'Che soave zeffiretto' (from the Marriage of Figaro) | |||
Schubert | Adagio in E-flat D. 897 (Notturno) | |||
Spencer Williams | Tishomingo Blues (rec.1947) | |||
Traditional music | Rag bilaskhani todi | |||
25 Nov 1995 | Charles Rosen | Bach | Prelude and fugue in C minor, BWV 871 (from 'The 48' Book 2) | |
Vincenzo Bellini | O rendetemi la speme (from I Puritani) | |||
Elliott Carter | Double Concerto | |||
Chopin | Waltz in C sharp minor, Op.64/2 | |||
John Browne | Stabat mater | |||
Mozart | Di scrivermi ogni giorno (Cosi fan tutte) | |||
Wagner | Immolation Scene (from Götterdämmerung) | |||
Anton Webern | Eingang (from 5 Songs on poems by Stefan George, Op.4) | |||
2 Dec 1995 | Julian Barnes | Berlioz | Villanelle (from Les nuits d'ete) | |
Georges Brassens | Le 22 septembre | |||
Noël Coward | Don't let's be beastly to the Germans | |||
Gounod | Credo (from St Cecilia Mass) | |||
Mozart | Sonata in E-flat, K. 282 (1st mvmt) | |||
Ravel | Blues (from Violin Sonata) | |||
Erik Satie | Gnossienne No.4 | |||
Jean Sibelius | Symphony No.4 (1st mvmt) | |||
9 Dec 1995 | Marjorie Wallace | Annie Fortescue Harrison | In the Gloaming | |
Chopin | Waltz in A Flat, Op.69/1 | |||
Elgar | As torrents in spring | |||
Gabriel Fauré | In paradisum (from Requiem) | |||
Gounod | Repentir | |||
Mahler | Adagietto (from Symphony No.5) | |||
Meredith Willson | Till there was You (from The Music Man) | |||
Puccini | recondite armonia (from Tosca) | |||
Verdi | Dinale from La Traviata, Act III | |||
16 Dec 1995 | John Bird | Bach | Prelude in C sharp major (from The 48, Book 1) | |
Beethoven | Sonata in A, Op.101 (2nd mvmt) | |||
Boulez | Eclat | |||
Debussy | Etude pour les octaves | |||
Haydn | Quartet in B-flat, Op. 76/4 (1st mvmt) | |||
Arnold Schoenberg | 3 Pieces for chamber orchestra | |||
Arnold Schoenberg | Herzgewachse | |||
Robert Schumann | Sphinxes; Papillons (from Carnaval) | |||
Stravinsky | Variations – Aldous Huxley in memoriam | |||
23 Dec 1995 | Barry Humphries | Chabrier | L'ile heureuse | |
Jean-Michel Damase | Variations on the Wedding March | |||
Frederick Delius | they are not long, the weeping and the laughter (Songs of Sunset) | |||
Percy Grainger | On Arrival Platform Humlet | |||
Ernst Krenek | The Farewell Song (from Jonny spielt auf) | |||
Mompou | Damunt de tu nomes les flors | |||
Edgard Varèse | Octandre | |||
Heitor Villa-Lobos | Samba Classico |
1996
editDate | Guest | Composer | Title | Performer / Label |
---|---|---|---|---|
13 Jan 1996 | Ken Russell | Brahms | Symphony No.3 (2nd mvmt) | |
Elgar | Symphony No.2 in E flat (3rd mvmt – Presto) | |||
Hoagy Carmichael and Johnny Mercer | Skylark | |||
John Adams | Grand Pianola Music Part II; On the Dominant Divide | |||
Milhaud | Saudades do Brasil (No.4 Copacabana; No.5 Ipanema, No.6 Gavea) | |||
Sergei Prokofiev | Waltz from War and Peace Symphonic Suite | |||
Stan Kenton | Lover (from Kenton in Hi-Fi) | |||
20 Jan 1996 | David Hare | Bach | Goldberg Variations, Nos. 4–8 | |
Beethoven | Symphony No.7 in A (2nd movement) | |||
Berlioz | La morte de Cleopatre | |||
Mike Figgis | Ben and Sara (theme) (from original soundtrack for 'Leaving Las Vegas') | |||
Miles Davis | Diner au Motel (from album Ascenseur pour l'echafaud) | |||
Ravel | Tzigane | |||
Stanley Myers | Theme from 'Heading Home' | |||
27 Jan 1996 | Sian Phillips | Giovanni Battista Pergolesi | Fac ut ardeat cor meum (from Stabat mater) | |
Schubert | Impromptu No.3 in G flat, Op.90, D899 | |||
Leonard Bernstein | Glitter and be gay (from Candide) | |||
George Gershwin | Bess, you is my woman now (from Porgy and Bess) | |||
Mozart | Porgi amor (from The Marriage of Figaro) | |||
Mozart | Piano Concerto No.19 in F, K459 (1st mvmt) | |||
3 Feb 1996 | Sir Isaiah Berlin | Bach | Brandenburg Concerto No.5 (1st mvmt, Allegro) | |
Beethoven | String Quartet No.13 in B flat, Op.130 (5th mvmt, Adagio molto espressivo) | |||
Vincenzo Bellini | Casta diva (from Norma) | |||
Mozart | Act II finale from The Marriage of Figaro | |||
Schubert | Piano Sonata in A, D959 | |||
10 Feb 1996 | Professor Steve Jones | Richard Strauss | Du geht er hin, der aufgeblasene schlechte Kerl (from Der Rosenkavalier, Act I) | |
Steve Reich | Tehillim for voice and ensemble (Part II: fast) | |||
Bach | Chaconne (from Partita for violin No.2 | |||
Beethoven | String Quartet No.16 in F, Op.135 (2nd movement) | |||
Monteverdi | Sonata sopra Sancta Maria (from Vespro della Beata Vergine) | |||
Henry Purcell | In the midst of life (from Funeral Music for Queen Mary) | |||
The Ramblers Dance Band | Agyanka Dabre | |||
17 Feb 1996 | Patricia Routledge | Bach | Fantasia and Fugue in C minor, BWV 537, Op.86 | |
Antonín Dvořák | 2nd mvmt (Lento) from 'American' String Quartet No.12 in F, Op.96 | |||
Gluck | Che faro senza Euridice & Dance of the Blessed Spirits (from Orfeo ed Euridice) | |||
Lennox Berkeley | The Lord is my shepherd, Op.91 No.1 | |||
Shostakovich | Suite: The Adventures of Korzinkina, Op.59 | |||
Tchaikovsky | Variations on a rococo theme for cello and orchestra, Op.33 (Vars IV-VII) | |||
24 Feb 1996 | Sir Magdi Yacoub | Mozart | Fantasia in C K 395 | |
Bach | Ich habe genug (from Cantata No. 82) | |||
Mozart | Lacrimosa (from Requiem) | |||
Handel | Let the bright seraphim (from Samson) | |||
César Franck | Panis angelicus | |||
Bach | Prelude No.1 in C (from Well-Tempered Clavier, Book 1) | |||
Marc-Antoine Charpentier | Te Deum | |||
Bob Marley | Three little birds | |||
Bach | 2nd mvmt from Concerto for 2 violins, BWV 1043 | |||
2 Mar 1996 | James MacMillan | Bach | Fugue 21 in B flat (Well tempered Clavier, Book 1) | |
Beethoven | O namenlose Freude (duet from Act II of Fidelio) | |||
William Byrd | Mass for 4 voices (Kyrie) | |||
John Casken | Vaganza (3rd mvmt) | |||
Messiaen | Et expecto resurrectionem mortuorem | |||
Mozart | Clarinet Quintet in A, K581 (1st mvmt) | |||
Traditional music | MacCrimmon's Lament | |||
Ustvolskaya | Composition No.3 (Benedictus qui venit) | |||
Wagner | Prelude & Opening Scene of Götterdämmerung | |||
9 Mar 1996 | Michael Ignatieff | Bach | Italian' Concerto in F, BWV 971 (3rd mvmt, Presto) | |
Beethoven | Piano Concerto No.4 in G (2nd mvmt, Andante con moto) | |||
George Gershwin | Summertime (from Porgy and Bess) | |||
Hoagy Carmichael | Stardust | |||
Mahler | 4th mvmt (Urlicht) from Symphony No.2 in C minor (Resurrection) | |||
Arnold Schoenberg | Verklarte Nacht | |||
Schubert | Trout Quintet in A major (3rd mvmt – Scherzo) | |||
16 Mar 1996 | John Peel | Gregorio Allegri | Miserere | |
Max Bruch | Violin Concerto in G minor, Op.26 (2nd mvmt) | |||
Conlon Nancarrow | Study for Player-Piano No.21 | |||
George Gershwin | Rhapsody in Blue | |||
Louis Moreau Gottschalk | Ojos Criollos, Danse cubaine | |||
Neil Young | Rockin' in the Free World | |||
Camille Saint-Saëns | Piano Concerto No.2 in G minor, Op.22 (3rd mvmt – Presto) | |||
23 Mar 1996 | Colin Davis | Beethoven | Fugue from Credo (Missa solemnis, Op.123) | |
Berlioz | Les Troyens (Act III finale) | |||
Britten | Act I sc 2 from Peter Grimes | |||
Bruckner | Symphony No.6 in A major (2nd mvmt) | |||
Mozart | String Trio in E flat, K563 (2nd mvmt, Adagio) | |||
Michael Tippett | Act II, sc 3 from The Midsummer Marriage | |||
30 Mar 1996 | Carl Davis | Monteverdi | Messenger's Aria (from Orfeo) | |
Schubert | Moment Musical in F minot D.780/3 | |||
Mozart | Quintet in G minor, K.516 (3rd movt – Adagio ma non troppo) | |||
Paul McCartney and Carl Davis | The world you're coming into (from Liverpool Oratorio) | |||
Richard Strauss | Wiegenlied Op.41/1 | |||
Bach | Overture – 1st part (from Suite No. 3 in D) | |||
Leonard Bernstein | Danzon (3rd Dance Variation from Fancy Free) | |||
Carl Davis | Pride and Prejudice – Opening Titles | |||
Puccini | Chi il bel sogno di Doretta (from La Rondine) | |||
William Walton | Spitfire Music (from Battle of Britain Suite) | |||
6 Apr 1996 | Sir David Attenborough | Britten | The Pagodas (from The Prince of the Pagodas Act 2 Scene 2) | |
Duke Ellington | Stompy Jones | |||
Handel | And the Glory of the Lord (Messiah) | |||
Mahler | Ich bin der Welt abhanden gekommen | |||
Monteverdi | 1st Versicle and Response (Vespers of 1610) | |||
Mozart | Soave o si'il vento (Gentle be the breeze) 0 from Act 1 of Cosi fan Tutte | |||
Domenico Scarlatti | Sonata in G Major Longo 209 | |||
Thomas Tomkins | When David Heard | |||
13 Apr 1996 | Jilly Cooper | Beethoven | Quintet in E flat (1st movt – Allegro) | |
Brahms | Hungarian Dance No.3 in F arr. Joachim | |||
Britten | Sentimental Sarabande (from Simple Symphony, Op 4) | |||
Chopin | Andantino (from Fantasia on Polish airs, Op. 13) | |||
Gilbert and Sullivan | Now, Marco dear (from The Gondoliers) | |||
Mozart | Ah! taci, ingiusto core (from Don Giovanni) | |||
Richard Strauss | Ein Heldenleben (closing section) | |||
Richard Strauss | Night and Sunrise (from Ein Alpensinfonie) | |||
20 Apr 1996 | Juliet Stevenson | Schubert | Arpeggione Sonata, D.821 (1st movt – allegro moderato) | |
Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
Bach | Und von der sechsten Stunde + Wenn ich einmal soll scheiden (from St Matthew Passion) | |||
Britten | Scene 8 (from The Turn of the Screw Act I) | |||
James MacMillan | Sanctus (from Busqueda) | |||
Leonard Cohen | Famous Blue Raincoat | |||
Mike Reid and Allen Shamblin | I can't make you love me | |||
27 Apr 1996 | Simon Callow | Bizet and Oscar Hammerstein II | De cards don'lie'/'Dat ol'Boy (Carmen Jones) | |
Cole Porter | In the still of the night | |||
John White | Waltz from incidental music to Les Enfants du Paradis | |||
Kevin Malpass | Music from "Shades" | |||
Mahler | Symphony no 8 – final section of part 2 | |||
Mozart | Adagio (Serenade in B flat K 361) | |||
Sergei Prokofiev | 2nd mvmt from Violin Concerto no 2 in G minor | |||
Camille Saint-Saëns | Mon coeur s'ouvre a ta voix' (Samson and Delilah) | |||
4 May 1996 | Ernst Gombrich | Mozart | Laudate Dominum (from Vesperae Solennes de Confessore, K 339) | |
Mozart | Quartet in B flat major, K 458 (3rd movt – Adagio) | |||
Haydn | Qui tollis peccata mundi (from the Nelson Mass) | |||
Schubert | Sonata in G major, D 894 (3rd movt – Menuetto) | |||
Beethoven | Sonata No 8 in G major, Op. 30/3 (last movt – Allegro Vivace) | |||
Bach | Concerto in E major, BWV 1042 (2nd mvt – Adagio) | |||
Beethoven | Quartet No 13 in B flat major, Op. 130 (3rd movt – Andante con moto, ma non troppo) | |||
11 May 1996 | Joanna Trollope | Britten | Dawn (from Four Sea Interludes from Peter Grimes) | |
Gabriel Fauré | In Paradisum (from Requiem) | |||
George Gershwin | Summertime (from Porgy and Bess) | |||
Górecki | Symphony No. 3 (opening of 3rd movt) | |||
Mozart | Laudamus Te (rom Mass in C minor, K427) | |||
Rodgers and Hart | Manhattan | |||
Telemann | Concerto in D for three trumpets (1st + 2nd movts) | |||
Ralph Vaughan Williams | Fantasia on a Theme by Thomas Tallis | |||
18 May 1996 | Oz Clarke | Bach | O Mensch, bewein dein Sünde gross (from St Matthew Passion) | |
Jerry Leiber and Mike Stoller | King Creole | |||
Puccini | Che gelida manina (from La Bohème) | |||
Henry Purcell | When I am laid in earth (from Dido and Aeneas) | |||
Leo Robin and Ralph Rainger | Thanks for the Memory (from The Mitford Girls) | |||
Stephen Sondheim | There was a Barber and his Wife (from Sweeney Todd) | |||
Stephen Oliver | The Battle of Pelennor Fields (from The Lord of the Rings) | |||
Tom Waits | The Piano has been drinking (not me) | |||
Traditional music | She moved through the fair | |||
25 May 1996 | Anthony Storr | Bach | Menuets I & II from Partita no 1 in B flat | |
Chopin | Nouvelles Etudes nos 1 & 2 | |||
Duparc | L'invitation au voyage | |||
Handel | Organ Concerto in B flat major op 4 no 2 Allegro (2nd movt) | |||
Haydn | Adagio from Quartet in F minor | |||
Liszt | Unstern-Sinistre | |||
Mozart | 4th mvt Allegro from String quintet in C | |||
Schubert | Abschied (Schwanengesang D957) | |||
1 Jun 1996 | Joe Melia | Beethoven | String Quartet in E flat major Op. 127 (3rd mvt – Scherzando vivace) | |
Britten | Elegy (from Serenade for Tenor, Horn and Strings) | |||
Liszt | Les Preludes | |||
Frank Loesser | Overture and Racetrack Trio (from Guys and Dolls) | |||
Richard Strauss | Moonlight Music (from the last scene of Capriccio) | |||
Verdi | Falstaff (opening of Act II) | |||
Wagner | Hagen summons the Gibichung (from Götterdämmerung Act II) | |||
Bert Williams and Will Vodery and Jean C. Havez | The Darktown Poker Club | |||
8 Jun 1996 | Carmen Callil | Stephen Foster | Ah! may the red rose live alway | |
Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
Schubert | String Quintet in C, D.956 (2nd movt – Adagio) | |||
Vincenzo Bellini | Prendi: l'anel ti dono (from La Sonnambula) | |||
Denham Harrison and Richard Elton | Give me a Ticket to Heaven | |||
Jerome Kern | Can't help loving that man | |||
Traditional music | Tantum Ergo | |||
Verdi | Dio, che nell'alma infondere amor (from Don Carlo) | |||
15 Jun 1996 | Oliver Knussen | Berlioz | Ride to the Abyss (from The Damnation of Faust) | |
Britten | Apparition of the Spirit (from Curlew River) | |||
Busoni | Berceuse Elegiaque (opening) | |||
Elliott Carter | A celebration of some 100 x 150 notes | |||
Mussorgsky | Opening of Act II of Boris Godunov | |||
Pérotin | Viderunt Omnes (opening) | |||
Ravel | Valses Nobles et sentimentales (conclusion) | |||
Arnold Schoenberg | Orchestral Interlude from Gurrelieder | |||
Stravinsky | Four Russian Peasant Songs | |||
Stravinsky | Movements for piano and orchestra No.4 | |||
Tchaikovsky | Pas d'Action (from The Sleeping Beauty) | |||
22 Jun 1996 | Ian McEwan | Britten | Near the Black Mountains there I dwelt (Curlew River) | |
Jonnie Johnson and Keith Richards | Tanqueray | |||
Mozart | Adagio ma non troppo (from Quintet for strings in G minor) | |||
Henry Purcell | Funeral Sentence – "Man that is born of a woman" | |||
Bach | Goldberg Variations – variation 11 | |||
Wynton Marsalis | Hesitation | |||
Lennox Berkeley | Sonatina – 2nd mvt | |||
Bach | 3 part invention in C minor | |||
Leonard Cohen | Hallelujah | |||
29 Jun 1996 | Sir Robin Knox-Johnston | Julian Slade | We said we wouldn't look back from Salad Days | |
Handel | Allegro and Hornpipe from Water Music Suite in D major | |||
Rodgers and Hammerstein | Everything's up to date in Kansas city (from Oklahoma) | |||
Grieg | Excerpt from first movement of Piano Concerto | |||
Tchaikovsky | Fantasy overture "Romeo and Juliet" | |||
Jean Sibelius | Finlandia | |||
Benny Goodman | Sing, sing, sing | |||
Acker Bilk | Stranger on the Shore | |||
Gilbert and Sullivan | Where is the plaintiff followed by chorus Comes a broken lover from Trial by Jury | |||
6 Jul 1996 | David Sylvester | Harrison Birtwistle | Tenebrae (Three Settings of Celan for soprano and 5 instruments) | |
Guillaume De Machaut | Gloria (Messe de Notre Dame) | |||
Henry Purcell | Hark, each Tree (Ode on St Cecilia's Day 1692) | |||
Beethoven | Mir ist so wunderbar (Quartet from Fidelio Act 1) | |||
Chopin | Prelude in E minor | |||
Bach | Recit: "Die Welt, das Sundenhaus" & Aria: "Wie jammern mich doch die verkehrten Herzen" (Cantata no 170 "Vergnugte Ruh, Beliebte Seelenlust") | |||
Bach | Fugue from "The Musical Offering" | |||
14 Sep 1996 | Marina Warner | Lewis Allan | Strange Fruit | |
Antonín Dvořák | Cello Concerto (1st movt) | |||
John Adams | Night Chorus (from The Death of Klinghoffer) | |||
John Woolrich | The Turkish Mouse | |||
Monteverdi | Il Combattimento di Tancredi e Clorinda (conclusion) | |||
Ravel | Le Jardin Féerique (from Ma mère l'oye) | |||
Schubert | Gretchen am Spinnrade | |||
Stravinsky | Airs by a stream (from L'Histoire du Soldat) | |||
21 Sep 1996 | Nigel Rees | John Gay | Virgins are like the Fair Flower (from The Beggar's Opera) | |
Haydn | Kyrie (from the Nelson Mass) | |||
Felix Mendelssohn | Overture – Ruy Blas | |||
Mozart | Piano Concerto in D minor K.466 (2nd mvt – Romance) | |||
Rachmaninov | Prelude in C♯ minor arr. Wood | |||
Alexander Scriabin | Etude in C♯ minor Op. 2 No.1 | |||
Tchaikovsky | Gremin's Aria (from Eugene Onegin, Act III Scene 2) | |||
28 Sep 1996 | Tessa Blackstone | Wagner | Prelude to Die Meistersinger | |
Stravinsky | The Tresses (Tableau 1 from Les Noces) | |||
Mozart | Voi che sapete (from Le Nozze di Figaro) | |||
Tchaikovsky | Waltz (from The Sleeping Beauty), Act 1) | |||
Beethoven | Symphony No. 8 in F, Op 93 (4th movt – Allegro vivace) | |||
Jerome Kern | Pick yourself up | |||
Mahler | Der Abschied (Das Lied von der Erde) | |||
Mozart | Violin Concerto no. 3 in G, K.216 (3rd movt – Rondo, allegro) | |||
5 Oct 1996 | Craig Raine | Mussorgsky | Ballet of the chicks in their shells (from Pictures at an Exhibition) arr. Yamashita | |
Bizet | Beat out dat rhythm on a drum | |||
Handel | Ev'ry valley shall be exalted (from Messiah) | |||
Haydn | Kyrie (from Missa in tempore belli) | |||
Charles Ives | Memories (Very Pleasant: Rather Sad) | |||
Mahler | Wenn dein Mütterlein (from Kindertotenlieder) | |||
Puccini | Tosca (conclusion of Act 2) | |||
Shel Silverstein | Sylvia's Mother | |||
Stravinsky | Royal March (from The Soldier's Tale) | |||
Tchaikovsky | Chinese Dance (from The Nutcracker) | |||
12 Oct 1996 | George Melly | Cole Porter | Let's do it | |
Gilbert and Sullivan | Take a pair of sparkling eyes (from The Gondoliers) | |||
Edward Heyman and Robert Sour and Frank Eyton and Johnny Green | Body and Soul | |||
Max Miller | Here's a funny thing (from Max at the Met) | |||
Ottorino Respighi | Prologue (from The Birds) | |||
Erik Satie | Airs à faire fuir | |||
Sidney Bechet | Egyptian Fantasy | |||
Stravinsky | Danse Sacrale (from The Rite of Spring) | |||
William Walton | Popular Song (from Façade Suite) | |||
19 Oct 1996 | Paul Bailey | Bach | Nun komm', der Heiden Heiland, BWV 659 arr.Busoni | |
Trad. Arr. Maurice Jacobson | Ca' the yowes arr. Jacobson | |||
Alban Berg | Interlude – Invention on a key (D minor) (from Wozzeck) | |||
Brahms | Sonata No. 1 in G Op. 78 (1st movt. – Vivace ma non troppo) | |||
Leoš Janáček | S Bohem, rodný kraju (from The Diary of one who disappeared) | |||
Mozart | Porgi amor (from Le Nozze di Figaro) | |||
Schubert | Der Leiermann (from Die Winterreise) | |||
Verdi | Dio, che nell' alma infondere amor (from Don Carlos) | |||
26 Oct 1996 | Hermione Lee | Bach | Courante (from Cello Suite No. 3 BWV 1009) | |
Beethoven | Quartet in B flat, Op 130 (5th mvt – Cavatina) | |||
Britten | Parade + Départ (from Les illuminations) | |||
Haydn | Et Resurrexit (from Theresienmesse) | |||
Leoš Janáček | Quartet No. 2 – Intimate Letters (2nd movt – Adagio) | |||
Mozart | Cosa mi narri + Sull'aria (from Le Nozze di Figaro) | |||
Schubert | Sonata in A, D.959 (2nd mvt – Andantino) | |||
Verdi | Falstaff (beginning of Act I, Scene 2) | |||
2 Nov 1996 | Genista McIntosh | Heinrich Ignaz Franz Biber | Sonata & Die liederliche Gesellschaft von allerley Humor (drunken part writing) – 1st 2 mvmts from Battalia à 10 | |
Mozart | Laudamus te (Mass in C minor) | |||
Sergei Prokofiev | 1st mvmt – Piano Concerto no 1 in D flat op 10 | |||
Puccini | Signore, ascolta ... (Act 1, Turandot) | |||
Rodgers and Hart | Ten Cents a Dance | |||
Rossini | Kyrie (Petite Messe Solennelle) | |||
Stravinsky | (O God, protect dear Tom ...) I go, I go to him (end of Act 1, The Rake's Progress) | |||
Guy Woolfenden | Come unto these yellow sands (The Tempest) | |||
9 Nov 1996 | Cleo Laine | Carroll Coates | Love comes and goes | |
Gabriel Fauré | En Sourdine | |||
George Gershwin | Soon | |||
Robert Herrick and Edward Purcell | Passing by | |||
Horace Silver | Ecaroh | |||
John Dankworth | Sinners Rue | |||
John Rutter | What sweeter music | |||
Eddie Sauter | Pan | |||
Stephen Sondheim | Not a day goes by (Symphonic Sondheim) | |||
Vivaldi | Spring – 1st mvmt | |||
16 Nov 1996 | Dr. Oliver Sacks | Schubert | Der Müller und der Bach (Die Schöne Müllerin) | |
Stravinsky | Infernal Dance & Berceuse (Firebird Suite) | |||
Mozart | Part of final scene (Don Giovanni) | |||
Bach | Final chorus (St John Passion) | |||
Chopin | Mazurka: op 7 no 1 in B flat | |||
Mozart | Andante – 2nd mvmt (Sinfonia Concertante in E flat for violin, viola and orchestra K 364) | |||
23 Nov 1996 | Sir John Drummond | Alban Berg | Die Nachtigall (from Seven Early Songs) | |
Bortnyansky | Songs of the Cherubim No 7 (conclusion) | |||
Chopin | Sonata No 3 in B minor, Op. 58 | |||
Haydn | Symphony No 49 in F minor – "La Passione" | |||
Jerome Kern | The Way you look Tonight | |||
Francis Poulenc | La Reine des Mouettes (from Métamorphoses) | |||
Percy Bysshe Shelley | Ode to the West Wind | |||
Stravinsky | Les Noces (Second tableau) | |||
Verdi | Macbeth/Banquo duet (from Macbeth, Act I, Scene I) | |||
30 Nov 1996 | Eleanor Bron | Béla Bartók | Bluebeard's Castle (Doors 4 & 5) | |
Chopin | Etude in A flat op 25 no 1 | |||
César Franck | Piano quintet (3rd movement) | |||
Gerry Mulligan | Utter Chaos | |||
Francis Poulenc | Villageoises (Petites Pièces enfantines) | |||
Ottorino Respighi | Pines of Rome (mvmts 1) I pini di Villa Borghese | |||
Schubert | Im Frühling | |||
7 Dec 1996 | Malcolm Bradbury | Bach | Brandenburg Concerto No 4 (1st mvt – Allegro) | |
Leonard Bernstein | The best of all possible worlds (from Candide) | |||
Joseph Canteloube | Baïlèro (from Chants d'Auvergne) | |||
Aaron Copland | Simple Gifts | |||
Antonín Dvořák | Serenade for strings (1st mvt – Moderato) | |||
Michael Nyman | The Disposition of the Linen (from The Draughtsman's Contract) | |||
Mozart | Oboe Concerto in C K.314 (1st mvt – Allegro aperto) | |||
Reicha | Clarinet Quintet Op 107 (2nd mvt – Andante siciliano) | |||
14 Dec 1996 | Alan Hollinghurst | Thomas Adès | Maid's Champagne Aria (Powder Her Face) | |
Leoš Janáček | 3rd movement, String Quartet no 2 "Intimate Letters" | |||
Mahler | Symphony no 3 – 1st movement opening | |||
Mozart | "E Susanna non vien! ... Dove sono i bei momenti" : (The Marriage of Figaro, act 3) | |||
Robert Schumann | Movements from 'Carnival' – 'Papillons', 'Lettres dansantes', 'Chiarina, 'Chopin', 'Estrella' | |||
Ralph Vaughan Williams | Scene 3 – Minuet of the Sons of Job and Their Wives – Job (A Masque for Dancing) | |||
Wagner | O sink hernieder' (Tristan and Isolde Act 2) | |||
21 Dec 1996 | Sir Claus Moser | Monteverdi | Deus in adjutorium (fromVespers) | |
Schubert | Gute Nacht (from Winterreise) | |||
Schubert | Moment Musical No 3 in F minor, D 780 | |||
Mozart | Piano Concerto No 23 in A, K 488 (2nd mvt – Adagio) | |||
Beethoven | Quartet in C, Op 59/3 (4th mvt – Allegro molto) | |||
Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act 3) | |||
Wagner | Wotan's Farewell (from Die Walküre) | |||
Beethoven | Fuga – Allegro ma non troppo (from Sonata in A flat, Op 110) | |||
28 Dec 1996 | Dame Edna Everage | Henry Bishop | Home sweet home | |
Carl Davis | Why do we love Australia (from The Last Night of the Poms) | |||
Charles Williams | The Dream of Olwen | |||
Percy Grainger | The Gum-suckers' March (from In a Nutshell) | |||
John Antill | A Rain Dance (from Corroboree) | |||
Aram Khachaturian | Sabre Dance | |||
Lehár | Girls were made to love and kiss (from Paganini) | |||
May Brahe | Bless this house | |||
Henry Purcell | Nymphs and Shepherds | |||
Rutland Boughton | Faery Song (from The Immortal Hour) | |||
William Garret James | Bush Night Song |
1997
editDate | Guest | Composer | Title | Performer / Label |
---|---|---|---|---|
4 Jan 1997 | David Malouf | Richard Strauss | Metamorphosen for 23 solo strings (end) | |
Schubert | Wandrers Nachtlied II | |||
Bach | Fugue No.24 in B minor, BWV 869 (from The Well-Tempered Clavier) | |||
Chopin | Waltz No. 10 in B minor, Op.69 No.2 | |||
Haydn | Andante from String Quartet in F minor, Op.77 No.2 | |||
Mozart | Tutto e tranquillo e placido – Gente, gente, all'armi | |||
5 Apr 1997 | Roger Scruton | Bach | Double Concerto in D minor. BWV 1043 (1st mvt – Vivace) | |
Samuel Barber | Knoxville: Summer of 1915 | |||
Alban Berg | Violin Concerto (conclusion) | |||
Brahms | Geistliches Wiegenlied, Op 91/2 | |||
Leoš Janáček | Sinfonietta (conclusion) | |||
Schubert | Symphony no.9 in C (Trio from the scherzo) | |||
Tomás Luis de Victoria | Caligaverunt oculi mei – Si est dolor – O vos omnes (from Tenebrae Responsories) | |||
Wagner | Brunnhilde pleads with Wotan (from Die Walkure) | |||
12 Apr 1997 | John Tusa | Alexander Vasilyevich Alexandrov | USSR National Anthem (part) | |
Beethoven | Quartet (Rasumovsky) op 59 no 3 – Finale | |||
Antonín Dvořák | Piano Quintet in A op 81 | |||
Schubert | Liebesbotschaft (Love's Message) – from Schwanengesang | |||
Schubert | Piano Sonata in B flat opus post. D 960 3rd mvt Scherzo (Allegro vivace con delicatezza) | |||
Robert Schumann | Toccata op 7 | |||
Verdi | Di quella pira – (II Trovatore, Act III) | |||
Verdi | Rodrigo's (Marchese di Posa) death scene from Don Carlos (Act 4 Scene 2) | |||
19 Apr 1997 | Lord Armstrong | Bach | Jesu, meine freude BWV 227 (Gute Nacht....) | |
William Byrd | Justorum animae | |||
Handel | Fugue in C minor (op 3 no 6) | |||
Felix Mendelssohn | Piano trio in C minor (Finale – Allegro appassionato) | |||
Mozart | Quintet for piano and wind K452 (2nd mvt) | |||
Richard Strauss | Capriccio – Moonlight music from last scene | |||
Ralph Vaughan Williams | A Sea Symphony – Scherzo: The Waves | |||
Peter Warlock | Sleep | |||
26 Apr 1997 | Adam Phillips | Boulez | ...explosante-fixe... | |
Bob Dylan | Tangled up in Blue | |||
Arnold Bax | Nonet | |||
Billy Myles | Have you ever loved a woman | |||
Leoš Janáček | Con moto (1st mvt – Quartet no 1 Kreutzer) | |||
Lucinda Williams | Lines around your eyes | |||
Robert Schumann | Fantasiestuck op 12 (Des Abends) | |||
Wagner | Prelude to Das Rheingold | |||
Anton Webern | 5 pieces for orchestra op 10 | |||
3 May 1997 | Siobhan Davies | Bach | Contrapunctus I (from The Art of Fugue) | |
Gavin Bryars | Three Elegies for Nine Clarinets (No.2) | |||
Gerald Barry | Flamboys (conclusion) | |||
Handel | Se m'ami, oh caro (from Aci, Galatea e Polifemo) | |||
Kevin Volans | Third Dance (from White Man Sleeps) | |||
Domenico Scarlatti | Sonata in B minor | |||
Steve Reich | Clapping Music | |||
Stravinsky | Les Noces (conclusion) | |||
10 May 1997 | Sir Roy Strong | Elgar | Symphony No 1 | |
Johann Strauss Jr. | Klänge der Heimat – Czardas (from Die Fledermaus) | |||
Thomas Morley | It was a lover and his lass | |||
Sergei Prokofiev | Love Scene (from Romeo and Juliet Act 1) | |||
Puccini | Closing Quartet (from La Bohème Act III) | |||
Henry Purcell | Fairest Isle (from King Arthur) | |||
Richard Strauss | Countess's Reverie (from last act of Capriccio) | |||
Tchaikovsky | Journey Sequence (from Act II of Nutcracker) | |||
17 May 1997 | Paul Daniel | Bach | Aus Liebe will mein Heiland sterben (from St Matthew Passion) | |
Beethoven | Sonata in A flat Op 110 (1st mvt) | |||
Alban Berg | Act II, Scene 3 (from Wozzeck) | |||
David Bowie | Fame (from the Stage album) | |||
Monteverdi | Possente Spirto (from L'Orfeo) | |||
Rodgers and Hammerstein | June is bustin' out all over | |||
Schubert | Heimliches Lieben | |||
24 May 1997 | Peter Shaffer | Felix Mendelssohn | Octet Op.20 (conclusion of 1st mvt) arr. Toscanin | |
Shakespeare | Deposition Scene (from Richard II) | |||
Mozart | Piano Concerto in G, K 453 (3rd mvt – Allegretto) | |||
Verdi | Si, pel ciel (from Otello) | |||
Rossini | Zitto, zitto: piano, piano (from Cenerentola – Act I)Luigi Alva (Don Ramiro)/Renato Capecchi | |||
Britten | Since she whom I loved (from Holy Sonnets of John Donne) | |||
Handel | Eternal source of light Divine (from Ode for the Birthday of Queen Anne) | |||
Marc Wilkinson | Chant of Resurrection – Final Lament (from The Royal Hunt of the Sun) | |||
Mozart | Kyrie (from Mass in C minor, K427) | |||
31 May 1997 | Richard Eyre | Bach | Suite no 1 in G, BWV 1007 (1st & 2nd mvts -Prelude & Allemande) | |
Chuck Berry | School Day | |||
Sam Coslow and Arthur Johnston | My Old Flame | |||
Miles Davis | So What (from Kind of Blue) | |||
Mozart | Fantasia in C minor | |||
Arnold Schoenberg | Verklãrte Nacht (conclusion) | |||
Jean Sibelius | Symphony No.5 (3rd mvt – conclusion) | |||
Verdi | Sanctus (from Requiem) | |||
7 Jun 1997 | Michael Grade | Beethoven | Missa Solemnis (Benedictus – part) | |
Billy Strayhorn | Chelsea Bridge | |||
Max Bruch | Kol Nidre | |||
Richard Strauss | Traum durch die Dämmerung | |||
Jean Sibelius | Vivacissimo (3rd mvt – Symphony no.2) | |||
Stephen Sondheim | The Worst Pies in London (Sweeney Todd) | |||
Wagner | Siegfried (end of final scene) | |||
14 Jun 1997 | Baroness Warnock | Bach | Sonata in C, BWV 1033 (1st & 2nd mvts – Andante & Allegro) | |
Beethoven | Sonata in D minor, Op 31/2 (last mvt – Allegretto) | |||
Felice and Boudleaux Bryant | Bye Bye Love | |||
William Boyce | Symphony No 8 in D minor (last mvt – Tempo di Gavotta) | |||
Henry Purcell | Rejoice in the Lord alway | |||
Schubert | Quartet Movement in C minor, D.703 | |||
Traditional music | Mary Hamilton | |||
Jan Dismas Zelenka | Second Lamentation for Maundy Thursday | |||
21 Jun 1997 | George Walden | Béla Bartók | The Miraculous Mandarin (opening) | |
Ralph Burns and Milton (Shorty) Rogers | Keen and Peachy | |||
Mussorgsky | Prelude to Khovanshchina, Act I | |||
Henry Purcell | Man that is born of woman (from Funeral Music for Queen Mary) | |||
Schubert | Sonata in A, D 959 (2nd mvt – andantino) | |||
Sonny Bono | The Beat goes on | |||
Stravinsky | The Soldier's Tale (exc. from part I) | |||
Wagner | Träume (from Wesendonck-Lieder) | |||
28 Jun 1997 | Sheila Colvin[1] | Antonio Carlos Jobim | A Felicidade | |
Britten | Fanfare + Villes (from Les Illuminations) | |||
Oliver Knussen | Coursing | |||
Schubert | Pause (from Die Schöne Müllerin, D795) | |||
Tchaikovsky | Symphony No 5 in E minor, Op 64 (3rd mvt – Waltz) | |||
Verdi | Falstaff – Act 1, Scene 2 | |||
Kurt Weill | Seeräuber-Jenny (from Die Dreigroschenoper) | |||
5 Jul 1997 | Denis Quilley | Britten | Hymn and Sonnet (from Serenade | |
George Butterworth | Loveliest of trees (from A Shropshire Lad) | |||
Debussy | String Quartet (2nd mvt – scherzo) | |||
Haydn | Symphony No 88 in G (finale – Allegro con spirito) | |||
Lehár | Dein ist mein ganzes Herz from The Land of Smiles) | |||
Lehár | Freunde das Leben ist Lebenswirth (from Giuditta) | |||
Francis Poulenc | Nocturne No 1 | |||
Rodgers and Hammerstein | What's the use of wonderin' (from Carousel) | |||
Jimmy Van Heusen and Johnny Burke | Here's that rainy day | |||
12 Jul 1997 | Lord Harewood | Beethoven | Slow movement (Symphony no 9) | |
Britten | Sunday Morning (3rd Sea Interlude – opening of Act II, Peter Grimes) | |||
Leoš Janáček | Prelude to Katya Kabanova | |||
Sergei Prokofiev | Death of Prince Andrei (Scene XII War & Peace) | |||
Arnold Schoenberg | Nun sag ich dir zum ersten Mal (Gurrelieder pt 1) | |||
Schubert | Ungeduld (no 7 of Die Schöne Müllerin) with orchestrated accompaniment | |||
Verdi | Ah! Dite alla giovine' (La Traviata Act III) | |||
Wagner | Opening of Act II (The Valkyrie) | |||
13 Sep 1997 | Douglas Adams | Bach | Chromatic Fantasia and Fugue in D minor, BWV 903 | |
Berlioz | The Shepherd's Farewell (from L'Enfance du Christ) | |||
Britten | Rejoice in the Lamb (conclusion) | |||
Gary Brooker and Keith Reid | Holding on | |||
Ligeti | Éjszaka (night) | |||
Mozart | Non so piu (from Le Nozze di Figaro) | |||
Randy Newman | Glory Train (from Faust) | |||
Robbie McIntosh | Gone Dancing | |||
20 Sep 1997 | Dame Felicity Lott | Schubert | An die Leier, D 737 | |
Richard Strauss | Capriccio (conclusion of Scene 7) | |||
Bach | Have mercy, Lord (from St Matthew Passion) | |||
Brahms | Der Abend, Op 64/2 | |||
Handel | Va Tacito (from Giulio Cesare) | |||
Jacques Brel | La Chanson des Vieux Amants | |||
John Rutter | The Lord bless you and keep you | |||
Mozart | Serenade in B flat, K 361 (3rd mvt – Adagio) | |||
27 Sep 1997 | Sir Georg Solti | Béla Bartók | Concerto for Orchestra (Giuoco delle coppie -mvmt II) | |
Beethoven | Fidelio (Quartet – Act I) | |||
Mozart | The Marriage of Figaro (Sextet – Act III) | |||
Richard Strauss | Der Rosenkavalier (Trio – Act III) | |||
Verdi | Falstaff (final scene) | |||
Wagner | Die Meistersinger von Nürnberg (Pogner's monologue from Act I) | |||
4 Oct 1997 | Ian Craft[2][3] | Richard Strauss | Love Duet (... Der Richtiger) (from Arabella Act II) | |
Robert Simpson | Symphony No 6 (conclusion) | |||
Shostakovich | Symphony No 8 (3rd mvt – Allegro non troppo) | |||
Bach | Partita No 1 in B minor, BWV 1002 (4th mvt – Tempo di Borea) | |||
Beethoven | Fidelio Overture | |||
John Blow | Venus!...Adonis!... (from Venus and Adonis Act I) | |||
Bruckner | Os justi meditabitur | |||
11 Oct 1997 | Andrew Motion | Bach | Suite No 6 in D, BWV 1012 (1st mvt – Prélude) | |
Beethoven | Sonata in B flat, Op 106 – Hammerklavier (3rd mvt) | |||
Bob Dylan | Love minus Zero | |||
Britten | Sonnet (from Serenade) | |||
Gluck | Ballet des Ombres Heureuses (from Orphée et Euridice) | |||
Haydn | Und Gott schuf grosse Walfische (from The Creation) | |||
Laurie Anderson | Let X = X (from album 'Big Science') | |||
Steve Reich | Three Movements (2nd mvt) | |||
18 Oct 1997 | Timothy Garton Ash | Anonymous work | Bogurodzica | |
Beethoven | Violin Concerto in D, Op 61 (last mvt) | |||
Britten | Dirge (from Serenade) | |||
Mozart | Sinfonia Concertante in E flat, K 364 (last mvt) | |||
Peter Fischer | Apfelböck oder die Lilie auf dem Felde | |||
Schubert | Erlkönig | |||
Bedřich Smetana | Vltava (from Ma Vlast) | |||
25 Oct 1997 | Deborah McMillan[4][5] | Heinrich Ignaz Franz Biber | Prelude, Aria & Variations "The Annunciation' (The Five Joyful Mysteries) | |
Blossom Dearie | Et tu Bruce | |||
Mozart | Lacrimosa (Requiem) | |||
Francis Poulenc | Concerto for two pianos & orchestra – 1st mvt. | |||
Francis Poulenc | O magnum mysterium (Quartre Motets pour le Temps de Noel) | |||
Sammy Fain and Jerry Seelen | I hear the music now | |||
Arnold Schoenberg | Orchestral Prelude (Gurrelieder) | |||
Schubert | La Pastorella | |||
1 Nov 1997 | Edmund White | Brahms | Sonata in F minor, Op. 120/1 (2nd mvt) | |
Britten | Cello Symphony, Op 68 (2nd mvt) | |||
Gabriel Fauré | Berceuse (from Dolly Suite, Op 56) | |||
María Grever and Stanley Adams | What a difference a day makes | |||
Haydn | Symphony No. 45 in F♯ minor – Farewell (4th mvt) | |||
Leoš Janáček | Sonata 1. x. 1905 (1st mvt) | |||
Monteverdi | Tornate, o cari baci (from 7th book of madrigals) | |||
Puccini | Chi il bel sogno di Doretta (from La Rondine, Act 1) | |||
8 Nov 1997 | Robert Ponsonby[6] | Albéniz | Triana (Iberia no V) | |
Beethoven | Variation no 24 'Andante' (33 variations on a Waltz by Anton Diabelli op 120) | |||
Brahms | Liebeslieder Waltzes op 52 nos. 1–6 | |||
Leoš Janáček | 4th mvt (Mladi) | |||
Mozart | Quartet: Non ti fidar, o misera (Act 1, Don Giovanni) | |||
Schubert | Abendbilder | |||
Stravinsky | Pas de Deux (Divertimento – Le Baiser de la Fée) | |||
Verdi | End of Act I, Scene 1 (Falstaff) | |||
15 Nov 1997 | A N Wilson | Shostakovich | 2nd mvt Allegro (Symphony no. 10) | |
Charles Villiers Stanford | Irish Rhapsody No. 4 in A minor, Op. 141 | |||
Richard Strauss | September (Four Last Songs) | |||
Béla Bartók | 3rd mvt (Viola Concerto | |||
Beethoven | 1st mvt Allegretto (Quartet in F op 135) | |||
Bruckner | Locus Iste | |||
Haydn | Quoniam Tu solus sanctus – Gloria (Nelson Mass) | |||
Mozart | 3rd mvt Allegretto (Piano Sonata in C K330) | |||
22 Nov 1997 | György Ligeti | Beethoven | Sonata in C minor, Op 11 (2nd mvt) | |
Claude Vivier | Lonely Child | |||
Conlon Nancarrow | Study no 3a | |||
Traditional music | Gënding: Dhenggung Turulare | |||
Traditional music | Piéré | |||
Traditional music | Whistle Ensemble | |||
29 Nov 1997 | Maureen Duffy | Trad. Arr. Harry Burleigh | Deep River (pub. Maecenas Music) arr. Burleigh | |
Harold Adamson and Jimmy McHugh | You're a Sweetheart | |||
William Byrd | Elegy on the death of Thomas Tallis | |||
Handel | Non to basto, consorte + Io t'abbraccio (from Rodelinda) | |||
Mozart | Clarinet Concerto in A, K.622 (2nd mvt – Adagio) | |||
Henry Purcell | Sound the Trumpet (from Come ye Sons of Art) | |||
Henry Purcell | Symphony (from Come ye Sons of Art) | |||
Trad. Arr. Dolly Collins | Six Dukes | |||
6 Dec 1997 | Eduardo Paolozzi | Astor Piazzolla | Songe d'une nuit d'été | |
Britten | Opening – Prelude The Emperor (The Prince of the Pagodas) | |||
Count Basie and S. Martin | Miss Thing – part 1 | |||
Honegger | Pacific 231 | |||
Charles Ives | Central Park in the Dark | |||
Cole Porter and Louis Henneve and Leon Palex | Vous faites partie de moi (I've got you under my skin) | |||
Stravinsky | 1st part of Bedlam Scene (final act, The Rake's Progress) | |||
Traditional Japanese | n/a | |||
13 Dec 1997 | Judith Weir | Trad. Arr. Copper | The Sweet Primeroses arr. Copper | |
Bach | Gloria (from Mass in F. BWV 233) | |||
Brahms | Sextet No 1 in Bb, Op 18 (2nd mvt) | |||
Britten | Carol (from Sacred and Profane) | |||
Kevin Volans | White Man Sleeps (1st mvt) | |||
Carl Loewe | Herr Oluf | |||
Stravinsky | Oedipus Rex (exc from Act II) | |||
Traditional music | Dzil Duet (from Accra, Ghana) | |||
20 Dec 1997 | Frederic Raphael | Antonio Carlos Jobim | Desafinado | |
Bach | Goldberg Variations (Theme and Variations 1–3) | |||
Beethoven | Violin Concerto (exc from 1st mvt) | |||
Haydn | Cello Concerto No 2 in D (3rd mvt) | |||
Marguerite Monnot and Georges Moustaki | Milord | |||
Mozart | Piano Sonata in C minor, K 457 (1st mvt) | |||
Robert Schumann | Piano Concerto, Op 54 (2nd mvt) | |||
27 Dec 1997 | Manfred Stürmer (A.K.A John Sessions) | Stravinsky | Dance of the Earth (end of Pt 1 – The Rite of Spring | |
Brahms | Denn es gehet dem Menschen (No 1 of 4 Ernste Gesänge op 121) | |||
Mahler | fragment from 1st mvmt Allegro maestoso (Symphony no 2 in C minor – 'Resurrection') | |||
Ned Washington & Leigh Harline | Give a little whistle | |||
Beethoven | Prestissimo (end of 3rd mvmt – Sonata no 21 in C op 53 'Waldstein') | |||
Brahms | Andante 3rd mvmt (Sonata in E flat op 120 no 2) | |||
Arnold Schoenberg | Sterne jubeln (from part 1 of Gurrelieder) | |||
Richard Strauss | closing moments of Salome | |||
Anton Webern | 2nd of 5 Pieces for orchestra op 10 |
1998
editDate | Guest | Composer | Title | Performer / Label |
---|---|---|---|---|
3 Jan 1998 | Susannah Clapp[7] | Béla Bartók | Bluebeard's Castle (opening) | |
Beethoven | Sonata in F, Op.24, "Spring" (1st mvt – Allegro) | |||
Moxy Früvous | The King of Spain | |||
Robert Schumann | Romance Op.94/2 | |||
Verdi | Volta la terrea (from Un Ballo in Maschera, Act I) | |||
Kurt Weill | Alabama Song (from Mahagonny) | |||
10 Jan 1998 | John Fortune | Bunny O'Riley | Dream Land | |
Domenico Scarlatti | Sonata in A major, Kirkpatrick 208 | |||
Domenico Scarlatti | Sonata in E major, Kirkpatrick 381 | |||
Haydn | String Quartet in B flat, Op.76/4, "Sunrise" (3rd mvt – Minuet) | |||
Charles Ives | The Unanswered Question | |||
Mugsy Spanier | Relaxin' at the Touro | |||
Alexander Scriabin | Piano Concerto in F sharp minor, Op.20 (2nd mvt – Andante) | |||
17 Jan 1998 | Louis de Bernières | Girolamo Frescobaldi | Aria con variazione detta la Frescobalda arr. Segovia | |
Armando Rodrigues and Affonso Correia Leite | Cançao de Alcipe (from the film 'Bocage') | |||
Bach | 1st mvmt Allegro (Brandenburg Concerto no 4 BWV 1049) | |||
Max Bruch | Andante-Allegro (Finale of Concerto for 2 pianos) | |||
Chopin | Prelude no 4 in E minor | |||
Gounod | Sanctus (Messe Solennelle) | |||
Mikis Theodorakis | Apagoghi | |||
Traditional music | Cieliot Lindo | |||
Victor Valencia | Mis Dolencias ('Music from the Andes') | |||
24 Jan 1998 | Robert Gottlieb | Bizet | Allegro vivace (mvmt IV, Symphony in C) | |
George Gershwin and Ira Gershwin | A Foggy Day | |||
Umberto Giordano | Finale Act IV (Andrea Chénier) | |||
W. C. Handy | St Louis Blues | |||
Meyerbeer | O Paradiso (L'Africana) | |||
Cole Porter | Ridin' High (from Red, Hot & Blue) | |||
Tchaikovsky | Adagio – from No 8 Pas d'action (Sleeping Beauty) | |||
31 Jan 1998 | Sir Roger Norrington | Bach | Ich habe genug (opening aria of Cantata BWV 82) | |
Beethoven | Allegro con brio (1st mvt – String Quartet in F minor) | |||
Alban Berg | Violin Concerto | |||
Berlioz | Dido's Farewell (Act V, Les Troyens) | |||
William Byrd | Justorum animae | |||
Henry Purcell | Chaconne (Dance for Chinese Man & Woman) | |||
Heinrich Schütz | Final chorus from St Matthew Passion | |||
7 Feb 1998 | Jeremy Sams | Handel | Oh Thou that tellest .. (Messiah) arr. Cedric Dent | |
Chabrier | A la musique | |||
Charles Trenet | L'Ame des Poètes | |||
Jonathan Dove | Barbarina Alone (Figures in the Garden) | |||
Lennox Berkeley | Prelude no 4 (6 Preludes) | |||
Ravel | end of L'enfant et les Sortilèges | |||
Schubert | Im Frühling | |||
Stephen Sondheim | Move On (Sunday in the Park with George) | |||
Hugo Wolf | Wire haben beide... (Italienisches Liederbuch) | |||
14 Feb 1998 | Claire Tomalin | Schubert | Octet in F, D.803 (2nd mvt – Adagio – opening) | |
Duparc | L'invitation au voyage | |||
Beethoven | Sonata in C minor, Op.111 (2nd mvt – Arietta – conclusion) | |||
Tchaikovsky | Waltz scene (from Eugene Onegin, Act II, Scene 1) | |||
Robert Schumann | Zwielicht (from Liederkreis, Op.39) | |||
Bach | Goldberg Variations (Theme and variations 1–2) | |||
Beethoven | Quartet in E minor, Op.59/2 (3rd mvt – Allegretto) | |||
21 Feb 1998 | Lord Winston | Richard Strauss | Dance of the Seven Veils (from Salome) | |
Schubert | Piano Trio in B flat, D.898 (3rd mvt – Scherzo) | |||
Rossini | Sextet (from La Cenerentola, Act III) | |||
Bach | Jauchzet, frohlocket (from Christmas Oratorio) | |||
Carlo Grossi | Cantata Ebraica in dialogo | |||
Trad. Arr. Michael Alpert and Alan Bern | Bukovina 212 (pub. Ja/Nein Musikverlag) | |||
Wagner | Vassal's Drinking Song (from Götterdämmerung) | |||
28 Feb 1998 | Edward Said | Bach | Canon at the Ninth (from Goldberg Variations) | |
Alban Berg | Wozzeck (Act I, Scene 1) | |||
Berlioz | Les Troyens (final scene of Act II) | |||
Chopin | Impromptu in F sharp, Op.36 | |||
Messiaen | Amen des Anges, des Saints, du Chant des Oiseaux (from Visions de l'Amen) | |||
Robert Schumann | Widmung (from Myrten, Op.25) | |||
Wagner | Das Rheingold (Prelude) | |||
7 Mar 1998 | James Bernard | Britten | Variation of the King of the South (from The Prince of the Pagodas) | |
Debussy | Syrinx | |||
George Gershwin | Embraceable You | |||
Lennox Berkeley | Serenade for Strings, Op.12 (1st mvt – Vivace) | |||
Liszt | Les jeux d'eaux à la Villa d'Este (from Années de Pélerinage) | |||
Nellie Lutcher | Hurry on down | |||
Rachmaninov | Dnes spasenie (from Vespers, Op.37) | |||
Josef Suk | Love Song, Op.7/1 (conclusion) | |||
Verdi | Love Duet (from Otello, Act I) | |||
14 Mar 1998 | John Sessions | Beethoven | Molto adagio 'A Convalescent's Hymn of Thanksgiving to God, in the Lydian mode' (3rd mvt – Quartet in A minor, Op.132) | |
Brahms | Close of 2nd mvt Andante moderato (Symphony no 4 in E minor) | |||
Mose Allison | Warhorse | |||
Puccini | part of Act II scene 2 (Turandot) | |||
Schubert | Im Abendrot | |||
Shostakovich | Andante (2nd mvt – Piano Concerto no 2 in F) | |||
Stravinsky | Overture (Pulcinella) | |||
Wagner | Prelude (Die Walküre) | |||
21 Mar 1998 | Anthony Minghella | Puccini | E lucevan le stelle (Tosca) | |
Irene Higginbotham and Ervin Drake and Dan Fisher | Good Morning Heartache | |||
Prince | Nothing compares 2 U (from album: I do not want what I haven't got) | |||
Egberto Gismonti | Palhaco (Editions Gismoni SUISA) | |||
Bach | Prelude & fugue in C minor (Bk 1 Well-Tempered Clavier) | |||
Vivaldi | Stabat Mater | |||
Van Morrison | This weight (from album: The Healing Game) | |||
Bach | Prelude (Suite no 1 in G for solo cello) | |||
28 Mar 1998 | Ruth Padel | Bach | Double Concerto in D minor, BWV 1043 (2nd mvt – Largo) | |
Beethoven | Quartet in A minor, Op.132 (1st mvt – Assai sostenuto – Allegro) | |||
Cole Porter | Night and Day | |||
Razaf and Belledna | Kitchen Man (pub. Feldman & Co.) | |||
Ruth Padel | Indian Red | |||
Theodorakis | Arnisi | |||
Traditional music | The Bold Irish Boy | |||
Verdi | La Traviata (conclusion of Act I) | |||
4 Apr 1998 | Allan Gurganus | Charles Dibdin | Tom Bowling (pub. Boosey) arr. Britten | |
Laura Nyro | I never meant to hurt you | |||
Mahler | In diesem Wetter (from Kindertotenlieder) | |||
Traditional Arr. Willis Patterson | My Lord, what a morning | |||
Gurganus | Plays Well with Others (exc.) | |||
Doris Tauber and Maceo Pinkard andWilliam Tracey | Them there eyes | |||
Bach | Aria (from Goldberg Variations, BWV 988) | |||
Brahms | Intermezzo, Op.118/2 | |||
Duruflé | Sanctus (from Requiem, Op.9) | |||
Gurganus | Plays Well with Others (exc.) | |||
11 Apr 1998 | Lady Antonia Fraser | William Byrd | Kyrie (from Mass for Four Voices) | |
Donizetti | Ohimè! sorge il tremendo fantasma ("Mad Scene" from Lucia di Lammermoor Act II) | |||
Gluck | Adieu, conservez dans votre âme (from Iphigénie en Aulide) | |||
Leoš Janáček | The Vixen's Dream (from The Cunning Little Vixen, Act I) | |||
Mozart | "E Susanna non vien!... Dove sono" (from The Marriage of Figaro) | |||
Verdi | Ascolta! Le porte dell'asil s'apron già...Dio, che nell'alma infondere ("Brotherhood duet" from Don Carlos, Act II) | |||
Wagner | Siegmund's spring song (from Die Walküre, Act I) | |||
18 Apr 1998 | Sir Ian McKellen | Chopin | Polonaise in C minor op 40 no 2 | |
Elgar and Anthony Payne | part of 1st mvt, Allegro molto maestoso (Symphony no 3) | |||
Frank Loesser | My Time of Day/I've Never been in love before (Guys and Dolls) | |||
Grieg | Prelude (Act 1), Wedding Scene (Peer Gynt) | |||
Holst | 1st mvt (A Moorside Suite) | |||
Jule Styne and Stephen Sondheim | Rose's Turn (Gypsy) | |||
Stephen Sondheim | Being Alive (Company) | |||
25 Apr 1998 | Guy Woolfenden | Britten | Elegy (Serenade for tenor, horn and strings op 31) | |
Percy Grainger | Harkstow Grange (2nd mvt, A Lincolnshire Posy) | |||
Henry Purcell | Hear my prayer | |||
Stephen Sondheim | Another hundred people (Company) | |||
Michael Tippett | Adagio cantabile (Concerto for double string orchestra) | |||
Verdi | Tutto nel mondo è burla (last scene, Falstaff) | |||
William Walton | Andante comodo (1st mvt – Viola Concerto) | |||
2 May 1998 | Barbara Trapido | Alessandro Scarlatti | Già il sole dal Gange (L'Honesta Negli Amori) | |
Bach | Aria & Variations 1 – 5 (Goldberg Variations) | |||
Britten | Dirge (Serenade op 31) | |||
Gluck | Dance of the Blessed Spirits (Orfeo ed Euridice) | |||
Haydn | Benedictus (Mariazellermesse 'Missa Cellensis') | |||
Leopold Mozart | Marche (1st mvt Cassatio in G 'The Toy Symphony') | |||
Henry Purcell | Come Ye Sons of Art (2nd mvt of Ode on the Birthday of Queen Mary, 1694) | |||
Traditional music | Nkosi Sikelel' iAfrika | |||
9 May 1998 | Alan Borg[8] | Ligeti | A Long Sad Tale (from Nonsense Madrigals) | |
Thomas Linley the younger | Arise! ye spirits of the storm (from Music for The Tempest) | |||
Henry Purcell | March (from Music for the Funeral of Queen Mary) | |||
Wagner | Quintet (from Die Meistersinger, Act III) | |||
Handel | Scherza infida (from Ariodante) | |||
Beethoven | Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio) | |||
Bach | Partita No. 1 in B flat, BWV 825 (1st mvt – Praeludium) | |||
Beethoven | Grosse Fuge, Op.133 (conclusion) | |||
16 May 1998 | Bernard MacLaverty | Anonymous work | Esposa e Mare de Deu (La Festa o Misteri D'Elx) | |
Britten | Agnus Dei (Missa Brevis in D) | |||
Leoš Janáček | Allegretto (Sinfonietta) | |||
Mahler | Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder) | |||
Messiaen | End of final mvt (Turangalila-Symphonie) | |||
Mozart | Il mio tesoro (Don Giovanni) | |||
Henry Purcell | Tis women makes us love | |||
Schubert | no 2 Andantino (Moments musicaux) | |||
Shostakovich | 2nd mvt Allegro (Symphony no 10 in E minor) | |||
23 May 1998 | Frances Partridge | Richard Strauss | Metamorphosen (conclusion) | |
Schubert | Piano Trio in E flat, D.929 (2nd mvt) | |||
Bach | Double Concerto in D minor, BWV 1043 (2nd mvt – Largo ma non tanto) | |||
Beethoven | Quartet in C sharp minor, | |||
Handel | O sleep, why dost thou leave me (from Semele) | |||
Monteverdi | Zefiro torna | |||
Mozart | Piano Concerto in B flat, K 238 (1st mvt) | |||
Charles Trenet and Raoul Breton | Boum! | |||
30 May 1998 | William Boyd | Brahms | Horn Trio in E flat, Op.40 (1st mvt – Andante – poco più animato) | |
Brahms | Kanon 13 (from 13 Kanonen, Op.113) | |||
Frederick Delius | Violin Sonata No.3 (1st mvt – Slow) | |||
Gabriel Fauré | Piano Quartet No.1 in C minor, Op.15 (3rd mvt – Adagio) | |||
Joseph Schwantner | Percussion Concerto (1st mvt – Con forza) | |||
Sergei Prokofiev | Cello Sonata in C, Op.119 (2nd mvt) | |||
Stephen Sondheim | Pretty Women (from Sweeney Todd) | |||
6 Jun 1998 | Binjamin Wilkomirski | Beethoven | Violin Concerto in D: Op.61 (2nd mvt – Larghetto) | |
Brahms | Clarinet Quintet in B minor, Op.115 (1st mvt – Allegro) | |||
Mahler | Symphony No.1 (2nd mvt – Kräftig – exc.) | |||
Mozart | In diesen heil'gen Hallen (from Die Zauberflöte) | |||
Trad. Arr. Giora Feidman | Tatei Freilach | |||
Trad. arr. Jacques Lasry | A Jewish Child of Poland | |||
13 Jun 1998 | Deborah Bull | Bach | Chaconne (5th mvt, Partita no 2 in D BWV 1004) | |
Vittorio Monti | Czardas | |||
Mozart | Laudate Dominum (Vesperae solennes de confessore) | |||
Francis Poulenc | Andante con moto (2nd mvt, Piano Concerto) | |||
Sparre Olsen | Old Village Songs from Lom (nos. 1,4,5,6) | |||
Willie Nelson | Crazy | |||
20 Jun 1998 | Blake Morrison | Blake Morrison | The Ballad of the Yorkshire Ripper (exc.) | |
Gavin Bryars | Cello Concerto (Farewell to Philosophy) (2nd mvt – Più mosso) | |||
John Lennon and Paul McCartney | Fixing a Hole (from Sgt Pepper) | |||
Mahler | Oft denk' ich, sie sind nur ausgegangen (from Kindertotenlieder) | |||
Miles Davis | Spanish Key (opening) | |||
Mozart | Rex Tremendae (from Requiem, K.626) | |||
Philip Glass | North Star | |||
Rodgers and Hammerstein | Cock-Eyed Optimist (from South Pacific) | |||
Schubert | Piano Quintet in A, D.667 – "Trout" (3rd mvt – Scherzo) | |||
Stevie Wonder | Living for the City | |||
27 Jun 1998 | Sir Anthony Caro | Traditional music | Early one morning | |
Stravinsky | Here I stand (from The Rake's Progress, Act I) | |||
Mozart | Piano Concerto in D minor, K.466 (2nd mvt – Romance) | |||
Schubert | String Quintet in C, D.956 (conclusion of 2nd mvt – Adagio) | |||
Brahms | Denn wir habe hie (exc. from Ein Deutsches Requiem) | |||
Haydn | Symphony No.104 in D – "London" (Finale – spiritoso) | |||
Mozart | Là ci darem la mano (from Don Giovanni, Act I) | |||
Schubert | Die liebe Farbe (from Die schöne Müllerin, D.795) | |||
4 Jul 1998 | Chris Smith (?) | Antonín Dvořák | Cello Concerto in B minor, Op.104 (exc. from 1st mvt) | |
George Gershwin | Summertime (from Porgy and Bess) | |||
Machaut | Gloria (from Messe de Nostre Dame) | |||
Mahler | Der Abschied (conclusion) (from Das Lied von der Erde) | |||
Puccini | Mimi's Farewell (from La Bohème, Act III) | |||
Schubert | String Quintet in C, D.956 (1st mvt exposition) | |||
Jean Sibelius | Symphony No.2 (exc. from 3rd mvt) | |||
Kurt Weill | Ballad of Mack the Knife (from Die Dreigroschenoper) | |||
11 Jul 1998 | Amanda Holden | Robert Schumann | Study Op.56/4 (Espressivo) arr. Debussy | |
Debussy | Cello Sonata (1st mvt – Prologue) | |||
Handel | Tu, preparati a morire (from Ariodante) | |||
Heiner Goebbels | Black on White (2nd mvt) | |||
Irving Berlin | You can't get a man with a gun | |||
John Adams | Violin Concerto (3rd mvt – Toccare – conclusion) | |||
Mozart | Quintet in E flat for piano and wind (2nd mvt – Larghetto) | |||
Tchaikovsky | Lensky's Aria (from Eugene Onegin) | |||
18 Jul 1998 | Professor Sir Michael Howard | Brahms | Violin Concerto in D, Op.77 (2nd mvt – Adagio) | |
Johann Strauss II | Emperor Waltz | |||
Mozart | Riconosci in quest'amplesso (from Le Nozze di Figaro, Act III) | |||
Puccini | Che gelida manina (from La Bohème) | |||
Rodgers and Hammerstein | Oklahoma (from Oklahoma) | |||
Schubert | Quintet in A – "The Trout" (exc. from 1st mvt – Allegro vivace) | |||
Charles Trenet | La Mer | |||
Verdi | Sanctus (from Requiem) | |||
25 Jul 1998 | Corin Redgrave | Beethoven | Allegro (1st mvt, violin sonata no 5 in F "Spring") | |
Britten | Romance (Variations on a theme of Frank Bridge) | |||
Freddie Mercury | Bohemian Rhapsody | |||
Irving Berlin | I'm beginning to miss you | |||
Puccini | Che gelida manina (Act 1, La Bohème) | |||
Arnold Schoenberg | No. 1 of Drei Kavierstücke op 11 | |||
Michael Tippett | Lento cantabile (2nd mvt. String Quartet no 1) | |||
1 Aug 1998 | Lord Gowrie | Thomas Adès | Dolcissimo ed espressivo (The Origin of the Harp) | |
Alban Berg | Seele, wir bist du schöner (No. 1 of 5 Orchestral Songs Op 4) | |||
Harrison Birtwistle | The second hunt & temptation (Act II, Gawain) | |||
Brahms | Nachtwache II – Ruhn sie? (no 2 of 5 Gesänge – Lieder und Romanzen op 104) | |||
Porter Grainger and Everett Robbins | T'Aint Nobody's Bizness If I Do (part) | |||
Mozart | Kyrie (Mass in C minor K 427) | |||
Arnold Schoenberg | Adagio (3rd mvmt, Piano Concerto) | |||
Stravinsky | Part I (Symphony of Psalms) | |||
Verdi | Solenne in quest'ora (La Forza del Destino) | |||
8 Aug 1998 | Richard Ingrams | Bach | Widerstehe doch der Sünde (exc.) (from Cantata, BWV 54) | |
Brahms | Violin Sonata in A, Op.100 (1st mvt – Allegro amabile) | |||
Frederick Delius | Fennimore and Gerda – Intermezzo | |||
George Gershwin | Embraceable You | |||
Mozart | Quintet in D, K.593 (2nd mvt – Adagio) | |||
Rachmaninov | Prelude in G, Op.32/5 | |||
Robert Schumann | Study No.5 (from Symphonic Studies, Op.posth.) | |||
15 Aug 1998 | Jenny Uglow | Schubert | Adagio (part 2nd mvmt, String Quintet in C D 956) | |
Haydn | In rosy mantle appears & By Thee with bliss (Part 3, The Creation) | |||
Francis Poulenc | Laudamus te (Gloria) | |||
Henry Purcell | The earth trembled | |||
Anonymous work | Flying Bomb Kwela (Fire) | |||
Beethoven | Fugue – closing of Sonata in A flat, op 110 | |||
Bertolt Brecht and Kurt Weill | Alabama Moon (Mahagonny) | |||
Handel | Polonaise (4th mvmt, Concerto Grosso in E minor), opus 6, number 3) | |||
29 Aug 1998 | Michael Birkett, 2nd Baron Birkett | Bernhard Flies | Wiegenlied | |
Chopin | Sonata No.3 in B minor, Op.58 (1st mvt – Allegro maestoso) | |||
Leo Weiner | Serenade, Op.3 (1st mvt – Allegretto) | |||
Medtner | Piano Concerto No.3 in E minor, Op.60 (exc. from finale) | |||
Mozart | Symphony No.34 in C, K.338 (Finale – Allegro vivace) | |||
Puccini | Dovunque al mondo (from Madama Butterfly, Act I) | |||
Richard Strauss | Ariadne auf Naxos (end of the Prologue) | |||
5 Sep 1998 | Michael Dibdin | Britten | Cello Symphony, Op.68 (2nd mvt – Presto inquieto) | |
Charles Dibdin | Vaudeville (from The Ephesian Matron) | |||
Domenico Scarlatti | Sonata in D, Kk.33 | |||
Guillaume Dufay | Quel fronte signorille in paradiso | |||
Mozart | Quartet in G, K.387 (4th mvt – Molto Allegro) | |||
Giovanni Pierluigi da Palestrina | Kyrie (from Missa Benedicta es) | |||
Vivaldi | Cum dederit (from Nisi Dominus) | |||
Blind Willie McTell | Statesboro Blues | |||
12 Sep 1998 | Alan Rusbridger | Valdemar Henrique | Boi-Bumbá arr. Patrick Russ | |
Beethoven | Sonata in E, Op.109 (3rd mvt) | |||
Billy Mayerl | Punch | |||
Finley Quaye | Your love gets sweeter | |||
George Benjamin | Invention II (from Three Inventions) | |||
J. H. Maunder | Droop, sacred head (from Olivet to Calvary) | |||
Wagner | Wotan's Farewell (exc.) (from Die Walküre, Act III) | |||
Carl Maria von Weber | Clarinet Quintet in B flat, Op.34 (3rd mvt – Menuetto: Capriccio Presto) | |||
19 Sep 1998 | Bill Paterson | César Franck | Sonata in A (last mvt – Allegretto poco mosso) arr. Delsart | |
Berlioz | Te Deum, Op.22 (Tibi Omnes) | |||
John Betjeman and Jim Parker (composer) | Eunice | |||
Britten | Dawn (from Four Sea Interludes from Peter Grimes) | |||
Alfredo Catalani | Ne andrò lontana | |||
Schubert | Quartet in D minor, D.810 – "Death and the Maiden" (1st mvt – Allegro – opening) | |||
Traditional music | Annalese Bain/Phil Cunningham's Reel/Andy Brown's Reel | |||
Traditional music | Martyrs | |||
26 Sep 1998 | Alan Titchmarsh | Gregorio Allegri | Miserere – opening | |
Bizet | Au fond du temple saint (Act I, The Pearl Fishers) | |||
Antonín Dvořák | Allegro con brio (1st mvt, 8th symphony) | |||
Elgar | Opening, 1st mvmt (Cello Concerto) | |||
John Hughes | Cwm Rhondda (Mecolico) | |||
Pat Metheny | Always and Forever | |||
Rachmaninov | 1st movement (Symphony no 2) | |||
Vivaldi | Gloria in excelsis Deo (1st mvmt, Gloria in D major, RV 589) | |||
3 Oct 1998 | The Duke of Kent | Bach | Qui tolllis peccata mundi (Gloria, B Minor Mass) | |
Chopin | Nocturne in C minor, Opus 48 no 1 | |||
Leoš Janáček | Boris & Kát'a's farewell (from last scene Kát'a Kabanová) | |||
Mozart | Adagio (String Quartet in B flat, K 458 "The Hunt") | |||
Schubert | Nacht und Träume, D 827 | |||
Wagner | end of Dawn Duet & (part of) Siegfried's Rhine Journey (from Prologue, Götterdämmerung) | |||
10 Oct 1998 | Gilbert Kaplan | Aaron Copland | Billy the Kid (part of complete ballet) | |
Charles Ives | Fugue: Andante moderato (3rd mvmt, Symphony no 4) | |||
Mahler | 1st mvmt (part), Symphony no 7 | |||
Mahler | End of Finale (Symphony no 2) | |||
Mahler | Ich bin der Welt abhanden gekommen (Rückert songs) | |||
Mahler | Part of Andante, Symphony no 6 | |||
Sergei Prokofiev | Alexander's Entry into Pskov (final mvmt, Alexander Nevsky op 78) | |||
Wagner | Final scene, Act III, Der Fliegende Holländer | |||
17 Oct 1998 | Tom Rosenthal | Bach | Prelude (Cello suite no 1 in C) | |
Beethoven | O namenlose Freude! (Act II, Fidelio) | |||
Berlioz | Chanson d'Hylas (The Trojans) | |||
Britten | Now the Great Bear and Pleiades (Act 1 Peter Grimes) | |||
Manuel de Falla | En los jardines de la Sierra de Córdoba (mvmt 3 – Nights in the Gardens of Spain) | |||
Leoš Janáček | Gloria (Glagolitic Mass) | |||
Richard Strauss | Frühling (4 last songs) | |||
Tchaikovsky | Duet from Act I, The Queen of Spades | |||
Verdi | O si per ciel marmoreo giuro (close of Act II, Otello) | |||
24 Oct 1998 | Erich Segal | Bach | Prelude (Cello Suite no 1 in C) | |
Chopin | Waltz in C sharp minor (op 64 no 2) | |||
Gilbert and Sullivan | When I was a lad (HMS Pinafore) | |||
Gluck | Che faro senza Euridice? (Act III, Orfeo ed Euridice) | |||
John Lennon and Paul McCartney | Let it be | |||
Mozart | Laudate Dominum (Vesperae solennes sde confessore) | |||
Salamone Rossi | Adon olam | |||
Shostakovich | Waltz (1st movement, Jazz Suite no 1) | |||
Thomas Tallis | Agnus Dei (Mass for Four Voices) | |||
Kurt Weill and Bertolt Brecht | Mack the Knife | |||
31 Oct 1998 | Rabbi Julia Neuberger | Salomone De Rossi Ebreo | Baruch haba b'shem Adonai (Les Cantiques de Salomon) | |
Richard Strauss | How engaging, how exciting (Die Fledermaus) | |||
Robert Schumann | Ich Grolle Nicht (Dichterliebe) | |||
Vincenzo Bellini | Casta Diva (Norma) | |||
Fromental Halévy | Eleazar's Song (La Juive) | |||
Haydn | Allegretto (Sonata in G minor Hob XVI:44) | |||
Haydn | The Heavens are telling (The Creation) | |||
Jean-Marie Leclair | Allegro assai – 4th mvmt (Sonata for flute, viola da gamba & continuo in D major, op II no 8) | |||
Irene Higginbotham and Ervin Drake and Dan Fisher | Mine is the Life Song | |||
7 Nov 1998 | Christopher Bruce | Barry Guy | Refrain, Chorale & Antiphon (1st section: "After the Rain") | |
Dave Heath | Celtic Air (from "The Four Elements") | |||
Handel | Act II scenes 6 & 7 ("Agrippina") | |||
Mahler | Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder) | |||
Arnold Schoenberg | Moondrunk & Columbine (1st 2 mvmts: "Pierrot Lunaire") | |||
Traditional music | Barbara Allen | |||
Traditional Music Arr. Incantation | Sikuriadas & "Ojos Azules" (Ghost Dances) | |||
14 Nov 1998 | Russell Hoban | Villoldo | El Choclo | |
Carl Loewe | Tom der Reimer, op 135 | |||
Chopin | Mazurka in A minor op 67 no 4 | |||
Donald Fagen | The Goodbye Look | |||
Garbage | I'm only happy when it rains | |||
Haydn | In the beginning... & there was light The first day (The Creation) | |||
Sonny Terry and Brownie McGhee | Freight Train | |||
Monk | Round about Midnight | |||
Schubert | Der Leiermann (Winterreise) | |||
21 Nov 1998 | Marina Mahler[9] | Luigi Nono | 3 voci (Prometeo Suite 1992) | |
Wagner | part of end of Act I (Parsifal) | |||
Bach | Prelude no 4 in C sharp minor | |||
Bach | Prelude no 8 in E flat minor | |||
Bach | 2nd mvmt (Partita no 4) | |||
28 Nov 1998 | Clive Swift | Gabriel Fauré | Mi-a-o ('Dolly' Suite op 56) arr. Bream | |
Berlioz | Le Repos de la Sainte Famille (L'Enfance du Christ) | |||
Chopin | Allegro maestoso (1st mvmt, Sonata in B minor op 58) | |||
Eric Coates | Calling all workers | |||
Eric Ball | Journey into Freedom | |||
Richard Strauss | The Dinner (Le Bourgeois Gentilhomme Suite op 60) | |||
Traditional music | Kol Nidrei | |||
5 Dec 1998 | Gillian Moore[10] | Burt Bacharach | Say a little prayer | |
Harrison Birtwistle | Mark of Orpheus | |||
Duke Ellington | Thanks for the beautiful land on the delta (New Orleans Suite) | |||
Ligeti | Movimento preciso e meccanico (3rd mvmt, Chamber Concerto) | |||
Henry Purcell | The Frost Scene' (Act III, King Arthur) | |||
Traditional music | Tamuke (offering) for Shakuhachi | |||
Turnage: Blood on the Floor | Junior Addict | |||
12 Dec 1998 | Armando Iannucci | Bach | Adagio – 1st mvmt, Sonata no 1 in G minor, BWV 1001, for solo violin | |
Alban Berg | Adagio (finale of Violin Concerto) | |||
John Adams | 3rd mvmt, 1st half 'Wild Nights' – Harmonium | |||
Jerry Leiber and Mike Stoller | Is that all there is? | |||
Carl Nielsen | Symphony no 5 (1st mvmt) | |||
P. D. Q. Bach | Madrigal 'My bonnie lass she smelleth' (The Triumphs of Thusnelda) | |||
Michael Tippett | How can I cherish my man' & 'Steal Away' (A Child of our Time) | |||
19 Dec 1998 | Robert Craft | Stravinsky | 3 Japanese Lyrics | |
Stravinsky | Sektanskaya | |||
Mozart | Serenade in B flat, K.361 (finale) | |||
Beethoven | Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio) | |||
François Couperin | Incipit Lamentatio + Quomodo sedet (from Leçons des Ténèbres) | |||
Lassus | Kyrie (from Missa Osculetur me) | |||
Mozart | Qui Tollis (from Mass in C minor, K.427) | |||
Stravinsky | Les Noces (1st tableau) | |||
26 Dec 1998 | Lady Pilar Woffington (Aka John Sessions) | Hunter/Garcia | Attics of my life | |
J. J. Cale | Cocaine | |||
Wagner | End of Overture (The Flying Dutchman) | |||
Puccini | Introduction (La Fanciulla del West) | |||
Manuel De Falla | Ritual Fire Dance (El amor brujo) | |||
Heitor Villa-Lobos | Aria (part) (Bachianas Brasileiras no 5) | |||
Puccini | End of Act II (Tosca) |
1999
editDate | Guest | Composer | Title | Performer / Label |
---|---|---|---|---|
2 Jan 1999 | Brian Rix | Gene Roland | Exit Stage Left | |
Gilbert and Sullivan | Painted Emblems + Ghosts' High Noon (from Ruddigore) | |||
Jerome Kern | Ol' Man River (from Showboat) | |||
Mahler | Symphony No.3 (opening) | |||
Tchaikovsky | Andante Cantabile, Op.11 | |||
Tommy Watt | Crumpets for the Count | |||
Walter Donaldson | Makin' Whoopee | |||
Gheorghe Zamfir | Doina de Jale | |||
9 Jan 1999 | Gita Mehta | Haydn | (Allegro 1st mvmt) String Quartet in B flat major op.76 no.4 | |
Jayadeva | Gita Govinda (scene II) | |||
Teré Biné | Gita Mehta | |||
Traditional music | Raga Lathangi | |||
Nina Simone | Sugar in my bowl | |||
Traditional music | Raga Sindhu Bhairati | |||
Traditional music | Raga Yaman | |||
Traditional music | Raga Yaman | |||
16 Jan 1999 | John Burningham | Rossini | Una voce poco fa (Barber of Seville) | |
Schubert | Erlkonig S557a arr. Liszt | |||
Richard Strauss | Night, Sunrise, The Ascent (opening – An Alpine Symphony) | |||
Bach | Prelude (3rd Suite for cello in C BWV 1009) | |||
Consuelo Velázquez | Besame mucho | |||
Stefano Donaudy | O del mio amato ben | |||
La Rocca and Larry Shields | At the jazz band ball | |||
Mozart | Deh! vieni all finestra (Act II, Don Giovanni) | |||
Dino Olivieri and Louis Poterat | "J'attendrai" | |||
Traditional music | The Coolin | |||
23 Jan 1999 | John Fuller | Lutyens | As I walked out one evening | |
John Fuller | Concerto for Double Bass | |||
Sergei Prokofiev | Piano Concerto No.4 in B flat, Op.53 (1st mvt – Vivace) | |||
Shostakovich | String Quartet No.8 in C minor, Op.110 (4th mvt – Largo) | |||
John Fuller | Trio | |||
Francis Poulenc | Trio (1st mvt – Presto) | |||
Stravinsky | Violin Concerto (3rd mvt – Aria II) | |||
Karol Szymanowski | Violin Concerto No.2, Op.61 (3rd mvt – Andantino) | |||
Bill Russo | Gazelle | |||
Britten | Calypso (from Cabaret Songs) | |||
30 Jan 1999 | Tom Phillips | Bach | Final chorus (St Matthew Passion) | |
Harrison Birtwistle | Part of 1st & 2nd Lullabyes (Gawain) | |||
Brahms | Denn alles Fleisch es ist wie Gras (Ein Deutsches Requiem) | |||
John Cage | Sonata 1 (Sonatas & Interludes) | |||
Antonín Dvořák | String quartet in F op 96 (American) | |||
Terry Riley | In C | |||
Norbert Schultze and Hans Leip | Lili Marlene | |||
Verdi | End of Act III (Otello) | |||
Wagner | (Siegfried recalling the woodbird's song, just before he is killed – Act III Scene 2, Götterdämmerung) | |||
6 Feb 1999 | Sir Humphrey Maud[11] | Bach | Bourrées I & II (Suite no 3 in C major BWV 1009) | |
Benny Davis and Abner Silver | Chasing Shadows rec 1935 | |||
Mozart | Allegro (1st mvmt, String Quintet in G minor, KV 516) | |||
Pärt | Cantus in Memory of Benjamin Britten | |||
Astor Piazzolla | Milonga in D | |||
Henry Purcell | Fantasia no 1 | |||
Schubert | Andante (2nd mvmt, sonata in A D 664) | |||
Bessie Smith and Stuart Balcom | You've been a good ole wagon – rec 1925 | |||
13 Feb 1999 | Jo Shapcott | John Adams | Hoe-down (Mad Cow) (from Gnarly Buttons) | |
Bach | Canon circularis per tonos (from Musical Offering, BWV 1079) | |||
Britten | Hymn to St Cecilia (first part) | |||
Gerald Finzi | Wonder (from Dies Natalis) | |||
James MacMillan | Tryst (opening) | |||
Jo Shapcott | My Life asleep | |||
Jo Shapcott | The Mad Cow talks back | |||
Keith Jarrett | My Song | |||
Sergei Prokofiev | Sonata No. 2 in D minor, Op.14 (last mvt – Vivace) | |||
Traditional music | Bubaran Hudan Mas | |||
Traditional music | Torre del Viento | |||
20 Feb 1999 | Bernard Williams | Bach | Sarabande & Bourrée (English Suite no 1 in A major BQV 806) | |
Alban Berg | Altenberglieder | |||
Debussy | Act II Scene 1 (Pelléas et Mélisande) | |||
Elgar | Repent and be baptized (end of Part III, The Kingdom) | |||
Mozart | Rondeau: Allegro (3rd mvmt, Duo no 1 K423) | |||
Richard Strauss | Zueignung (no 1-8 songs, op 10) | |||
27 Feb 1999 | Philip Hensher | Thomas Adès | Fancy Aria (from Powder her face, Act I) | |
Busoni | Sonatina No.1 | |||
Fat Boy Slim | Praise You | |||
Nørgard | Symphony No.2 (conclusion) | |||
Arnold Schoenberg | Premonitions (No.1 from Five Pieces for Orchestra, Op.16) | |||
Stravinsky | First pas de trois (from Agon) | |||
Kurt Weill | Bilbao-Song (from Happy End) | |||
Hugo Wolf | Heb' auf dein blondes Haupt (from Italian Songbook) | |||
6 Mar 1999 | Adrian Noble | Bach | Erbarme Dich (St Matthew Passion) | |
Beethoven | Mir ist so wunderbar (from Fidelio) | |||
Leonard Bernstein | Psalm 23 (Chichester Psalms) | |||
Keith Jarrett | The Cologne Concert, 1975 Part I (part) | |||
Monteverdi | Lament (Il Ritorno d'Ulisse in Patria) | |||
Mozart | Signor guardate un poco & 'Prayer trio' (Don Giovanni) | |||
Henry Purcell | Chaconne – end of Act V (The Fairy Queen) | |||
Shaun Davey | The Winter's End (adapted from score for RSC production of 'A Winter's Tale') | |||
13 Mar 1999 | Sir Jimmy Disprin (Aka John Sessions) | William Walton | Agincourt Song (Henry V) | |
Britten | Billy Budd (opening) | |||
Mozart | In uomini, sin soldati sperare fedelta?You think men and soldiers will be faithful? (Act I, Cosi fan tutte) | |||
Ralph Vaughan Williams | Overture (The Wasps) | |||
Richard Strauss | part of trio – end of Act III (Der Rosenkavalier) | |||
Flanders & Swann | The Hippopotamus Song | |||
Rodgers & Hammerstein | There is nothing like a dame (South Pacific) | |||
20 Mar 1999 | Ursula Owen | Wagner | Liebestod (from Tristan und Isolde) arr. Caine | |
Richard Strauss | Morgen, Op.27/4 | |||
Schubert | Nacht und Traüme, D.827 | |||
Haydn | Piano Trio No.18 in E, Hob.XV/28 (2nd mvt – Allegretto) | |||
Jerome Kern | The Folks who live on the Hill | |||
Constant Lambert | The Rio Grande (opening) | |||
Messiaen | Louange à l'Éternité de Jésus (from Quartet for the End of Time) | |||
Verdi | Ah! si maledetto, sospetto fatale (from Don Carlo) | |||
27 Mar 1999 | David Lodge | Trad. Arr. Aretha Franklin | Going Down Slow (from album: Aretha Arrives)arr. Aretha Franklin | |
André Previn | The Five of Us (A Different Kind of Blues) | |||
Geoffrey Burgon | Young Martin in Love (Music from 'Martin Chuzzlewit') | |||
John Lewis | Django | |||
Ravel | Pavane pour une Infante défunte | |||
Joaquín Rodrigo | Concerto de Aranjuez (Sketches of Spain) | |||
Van Morrison | Slim Slow Slider (from album: Astral Weeks) | |||
Tomás Luis de Victoria | O quam gloriosum | |||
3 Apr 1999 | David Suchet | Vivaldi | Concerto for four guitars in B minor, RV 580 (4th mvt – Allegro) | |
Carl Maria von Weber | Grand Duo Concertant, Op.48 (Finale – Rondo: Allegro) | |||
Carl Orff | O Fortuna (from Carmina Burana) | |||
Antonio Salieri | Piano Concerto in C (3rd mvt – Andantino) | |||
Rachmaninov | Piano Concerto No. 1 (2nd mvt – Andante) | |||
Mozart | Soave sia il vento (from Così fan Tutte) | |||
Camille Saint-Saëns | Symphony No.3, Op.78 (conclusion) | |||
Mozart | Clarinet Concerto in A, K.622 (2nd mvt – Adagio) | |||
10 Apr 1999 | Vikram Seth | Carl Maria von Weber | Clarinet Quintet in B flat, Op.134 (3rd mvt – Menuetto) | |
Bach | Contrapunctus I (from The Art of Fugue) | |||
Schubert | Erster Verlust, D.226 | |||
Brian Wilson and Mike Love | Fun, Fun, Fun | |||
Vivaldi | Manchester Sonata No.1 in C (3rd mvt – Largo) | |||
N/A | Nightingale and muntjac | |||
Traditional music | Raga Marwa | |||
Alec Roth | Duet between Arion and the Dolphin (from Arion and the Dolphin) | |||
Bach | Am Abend, da es kühle war (from St Matthew Passion) | |||
Schubert | Der Kreuzzug, D.932 | |||
17 Apr 1999 | Jonathan Rée | Britten | Canticle 2 – Abraham and Isaac (conclusion) | |
Hans Joachim Bach and Sten Axelson | Kannst du pfeifen, Johanna | arranger: H. Frommermann | ||
Leoš Janáček | Osud | |||
Mozart | Ich bin die erste Sängerin (from Der Schauspieldirektor) | |||
Reicha | Quintet in A minor, Op.100/5 (2nd mvt – Andante con variazioni) | |||
Rousseau | J'ai perdu tout mon bonheur (from Le Devin du Village) | |||
Schubert | Erlkönig | |||
Schubert | Quartet in B flat, D.112 (Finale – presto) | |||
Hugo Wolf | Bei einer Trauung (from Mörike-Lieder) | |||
24 Apr 1999 | Amelia Freedman[12] | Brahms | Clarinet Quintet in B minor, Op.115 (3rd mvt – Andantino) | |
Debussy | Jeux de Vagues (from La Mer) | |||
Gabriel Fauré | Une Sainte en son auréole + Puisque l'aube grandit (from La Bonne Chanson) | |||
Neal Hefti | The Kid from Red Bank | |||
Schubert | Trio in B flat, D.898 (2nd mvt – Andante un poco mosso) | |||
Simon Holt | Eyes, to the Shadow (from Canciones) | |||
Jule Styne and Stephen Sondheim | Everything's coming up Roses (from Gypsy) | |||
Kurt Weill | My Ship (from Lady in the Dark) | |||
1 May 1999 | Peter Porter | Bach | Schmücke dich, o liebe Seele, BWV 654 | |
Britten | Since she whom I loved (from Holy Sonnets of John Donne) | |||
Josquin | Miserere mei, Deus (conclusion) | |||
Mozart | Seid uns zum zweiten Mal willkommen (from Die Zauberflöte) | |||
Peter Porter | A Brahms Intermezzo | |||
Richard Strauss | Die Frau ohne Schatten (conclusion of Act I) | |||
Schiller | The Gods of Greece | |||
Schubert | Die Götter Griechenlands | |||
Stravinsky | The sun is bright (from The Rake's Progress, Act I, Scene 2) | |||
Ralph Vaughan Williams | Symphony No.5 (1st mvt – Preludio: Moderato – opening) | |||
8 May 1999 | Susan Hill | Vincenzo Bellini | Allegro polonese (close of Concertino for Oboe in E flat major) | |
Lennox Berkeley and Robert Herrick | How love came in | |||
Britten | Storm' (Sea Interlude II, Peter Grimes) | |||
Britten and W. H. Auden | When you're feeling like expressing your affection | |||
Elgar | Where Corals Lie (no 4 of Sea Pictures op 37) | |||
Handel | Lord, I trust thee | |||
Mozart | Der Vogelfänger bin ich ja (Act I, Die Zauberflöte) | |||
Hubert Parry | I was glad | |||
Schubert | Danksagung an den Bach (Die schöne Müllerin, D 795) | |||
Ralph Vaughan Williams and R. L. Stevenson | Bright is the ring of words | |||
Walford Davies | God be in my head | |||
15 May 1999 | Sam West | Bach | Suite No.3 in C, BWV 1009 (4th mvt – Sarabande) | |
Brian Eno and David Byrne | The Jezebel Spirit | |||
Haydn Wood | Roses of Picardy | |||
Knussen | When I Heard the Learn'd Astronomer (from Whitman Settings, Op.25) | |||
Felix Mendelssohn | Octet in E flat, Op.20 (1st mvt – Allegro moderato, ma con fuoco – opening) | |||
Mussorgsky | Serenade (from Songs and Dances of Death) | |||
Ravel | Piano Trio in A minor (3rd mvt – Passacaille) | |||
Stravinsky | Mysterious Circle of young Girls + Glorification of the Chosen Victim (from The Rite Of Spring) | |||
Thelonious Monk | Raise Four | |||
22 May 1999 | Brian Sewell | Vincenzo Bellini | Adalgisa, Alma constanza (from Norma) | |
Messiaen | Transports de Joie (from L'Ascension) | |||
Mussorgsky | Coronation Scene (from Boris Godunov) | |||
Henry Purcell | The Blessed Virgin's Expostulation | |||
Richard Strauss | Beim Schlafengehen (from Four Last Songs) | |||
Schubert | Ganymed, D.544 | |||
Verdi | Ah, veglia, O Donna (from Rigoletto) | |||
Wagner | Lohengrin (conclusion) | |||
29 May 1999 | Kenny Werner | Beethoven | Adagio (1st mvmt, String Quartet op 131) | |
Django Bates | Early Bloomer (album: Winter Truce & Homes Blaze) | |||
Elliott Carter | Fragment for String Quartet (1994) | |||
John Kander and Fred Ebb | New York New York | |||
Keith Jarrett | Landscape for future earth (Album: Facing You) | |||
Kenny Werner | Kandinsky/Back to Light (album: Paintings) | |||
Ravel | Bolero (part) | |||
Arnold Schoenberg | 4th & 5th mvts (5 Orchestral Pieces, op 16) | |||
5 Jun 1999 | Mavis Cheek[13][14] | Brahms | Selig sind, die da Leid tragen (opening of Ein Deutsches Requiem) | |
Con Conrad and Herb Magidson | The Continental | |||
Easter Mattins | Bells of the Monastery & Procession (part) | |||
Mozart | Andante – 2nd mvmt, Piano Concerto no 21 in C, K 467 | |||
Puccini | Te Deum' (end of Act I, Tosca) | |||
Puccini | Mimi's death scene from "Mi chiamano Mimi.."(La Bohème) | |||
Shostakovich | 1st mvmt, Symphony no 5 | |||
Stephen Sondheim | Send in the Clowns (A Little Night Music) | |||
12 Jun 1999 | Tony Palmer | Bob Dylan | All along the Watchtower | |
Britten | Hyde Park Aria (from Owen Wingrave) | |||
Billy Cowie | Kam Falla Mi! | |||
Philip Glass | Mrs Alexander's outburst (from Satyagraha, Act II, Scene 1) | |||
José Pablo Moncayo | Huapango (opening) | |||
Puccini | Vissi d'Arte (from Tosca) | |||
Rachmaninov | Prelude in B minor, Op.32/10 | |||
Shostakovich | Piano Concerto No.2 in F, Op.102 (2nd mvt – Andante) | |||
Ralph Vaughan Williams | A London Symphony (2nd mvt – Lento – conclusion) | |||
19 Jun 1999 | Lady Natasha Spender | Bach | Fugue (2nd mvmt, Sonata no 1 in G minor BWV 1001) | |
Samuel Barber | Allegro vivace e leggero (2nd mvmt, Piano Sonata op 26) | |||
Beethoven | Allegro appassionato (finale, String Quartet in A minor, op 132) | |||
Britten | Joe has gone fishing (end of Act I, Peter Grimes) | |||
Lennox Berkeley | Presto (2nd mvmt, Piano Sonata op 20) | |||
Mozart | Ach, ich fühls (Die Zauberflöte) | |||
Schubert | 1st mvmt, Piano Sonata in B flat | |||
26 Jun 1999 | Leonard Ingrams | Robert Schumann | Märchenbilder op 113, no 3 – Rasch | |
Richard Strauss | Verwandlung (part) & Mondlicht (closing of Daphne) | |||
Anonymous work | I will give my love an apple | |||
Anonymous work | O Waly Waly | |||
Bach | Friede über Israel (Closing chorus of Whitsun Cantata BWV 34) | |||
Haydn | Un certo ruscelletto – "Like a little brook..." (Il Mondo della Luna, Act III) | |||
Hindemith | Trauermusik | |||
Henry Purcell | Fantasia for 4 viols in C minor Z738 | |||
Ralph Vaughan Williams | Evening Hymn (no 4 of Four Hymns for tenor, viola and piano) | |||
Tomás Luis de Victoria | O vos omnes (Tenebrae Responsories) | |||
3 Jul 1999 | Peter Eyre | Vincenzo Bellini | Qui la voce sua soave ... (I Puritani) | |
Chopin | Ballade no 4 in F minor (part) | |||
Elgar | 1st mvmt, (opening) Piano Quintet in A minor op 84 | |||
Messiaen | Ta Voix (Poèmes pour Mi) | |||
Schubert | Das Wirtshaus (Winterreise) | |||
Verdi | Dio ch nell'alma infondere (Don Carlos) | |||
Wagner | Liebestod (Tristan und Isolde) | |||
10 Jul 1999 | Paul Levy | Bach | Was willst du dich, mein Geist, entsetzen (Cantata BWV 8 'Liebster Gott, wann werd ich sterben?') | |
Beethoven | Andante & Vivace (1st mvmt, Sonata no 4 in C major for cello & piano Op 102 no 1) | |||
Alban Berg | Violin Concerto (1st mvmt) | |||
Sammy Cahn and Saul Chaplin and Sholom Secunda | Bei mir bist du schoen ("shayn") | |||
Maschwitz and Jack Strachey | These Foolish Things (album: These Foolish Things) | |||
Mozart | In diesen heil'gen Hallen (Act II, Magic Flute) | |||
Robert Schumann | Die Beiden Grenadiere | |||
Tchaikovsky | Prince Gremin's aria in praise of Tatyana (Act II, Eugene Onegin) | |||
17 Jul 1999 | Nichola McAuliffe | Britten | Moonlight (from Four Sea Interludes from Peter Grimes) | |
Philip Glass | Dance V (from In the Upper Room) | |||
Mozart | Il mio Tesoro (from Don Giovanni) | |||
Arnold Schoenberg | Heimfahrt + O alter Duft (from Pierrot Lunaire) | |||
Traditional music | El Soldado Ricante | |||
Traditional music | Tuvan throat singing | |||
Ralph Vaughan Williams | Silent Noon (from The House of Life) | |||
Wagner | Rienzi Overture | |||
24 Jul 1999 | Dr. Anthony Stevens | Cole Porter | Experiment | |
Debussy | String Quartet no 1 in G minor op 10 (1st mvmt, Animé et très décidé) | |||
Elgar | The Swimmer (Sea Pictures op 37) | |||
Handel | From Harmony, from heavenly Harmony (Ode for St Cecilia's Day) | |||
Kamilieris | Last evening in the taverna (Hasapiko – Butcher's Dance) | |||
Francis Poulenc | Hommage à Schubert (Improvisations no 12) | |||
Henry Purcell | Sound the Trumpet (Come Ye Sons of Art) | |||
Schubert | Wohin? (Die schöne Müllerin) | |||
Stanford | The little Admiral (4th of Songs of the Fleet) | |||
William Walton | En Famille (Façade) | |||
31 Jul 1999 | Lord Neill | Bach | Menuets I & II + Gigue (from Partita in B flat, BWV825) | |
Beethoven | Septet in E flat, Op.20 (2nd mvt – Adagio Cantabile) | |||
Britten | Peter Grimes (conclusion of Act I, Scene 1) | |||
Haydn | Symphony No.102 in B flat (Finale – Presto) | |||
Leoš Janáček | Katya Kabanova (conclusion of Act II) | |||
Liszt | Gnomenreigen | |||
Montsalvatge | Divertimento No.2 – Habañera | |||
Mozart | O voto tremendo (from Idomeneo) | |||
Robert Schumann | Im wunderschönen Monat Mai + Das ist ein Flöten und Geigen (from Dichterliebe) | |||
7 Aug 1999 | Stephen Bayley | Beethoven | Triple Concerto in C, Op.56 (1st mvt – Allegro – first part) | |
Brahms | Denn alles Fleisch, es ist wie Gras (from A German Requiem) (first part) | |||
Handel | Ombra mai fu (from Xerxes) | |||
Mick Jagger and Keith Richards | Gimmie Shelter (pub ABKCO Music) | |||
Puccini | Bimba dagli occhi pieni di malìa (from Madama Butterfly) | |||
Domenico Scarlatti | Sonata in E, Kk.380 | |||
Schubert | An die Musik | |||
Ned Washington and Victor Young | A Hundred Years from Today | |||
Kurt Weill | September Song (from Knickerbocker Holiday) | |||
14 Aug 1999 | Django Bates | Bob Dylan | Just like a Woman (from the album Songs of the Poets) | |
Farmers Market | Nell in the sky with Farmers (from the album Musik fra Hybridene) | |||
Charles Ives | Three Quarter-tone Pieces for Two Pianos (No.1 – Largo) | |||
Keith Jarrett | Blossom (from the album Belonging) | |||
Fritz Kreisler | Caprice Viennois | |||
Lester Young | Lester leaps in (from the album Bird is Free) | |||
Miles Davis | Sivad (exc.) (from the album Live-Evil) | |||
N/A | Romanian folk music | |||
Conlon Nancarrow | Study for Player Piano No.40A | |||
21 Aug 1999 | Sophie Ryder[15][16] | Debussy | Golliwog's Cakewalk (Children's Corner) | |
Trad. Mexican | La Iguana | |||
Bach | Sicilienne (2nd mvmt, Sonata in E flat major BWV 1031 for flute & harpsichord) | |||
Domenico Scarlatti | Sonata in B minor (L 449/Kp 27) | |||
Liszt | Valse oubliée no 1 in A minor | |||
Morton Feldman | Why patterns? (part) | |||
A. Marly and H. Zaret | The Partisan (from album: Songs from a Room) | |||
Anthony Newley and Leslie Bricusse | "Feeling Good" | |||
Antonio Carlos Jobim and Gene Lees | Corcovado (Quiet Nights of Quiet Stars) | |||
Bach | Herr, unser Herrscher (end of opening chorus, St John Passion) | |||
28 Aug 1999 | Robert David MacDonald | Schubert | Nacht und Träume | |
Richard Strauss | Recognition scene (from Elektra) (pub. Boosey) | |||
Bach | Bist du bei mir | |||
Vincenzo Bellini | Mira O Norma (from Norma) | |||
Liszt | Le Triumphe Funèbre de Tasso (conclusion) | |||
Sergei Prokofiev | Lullaby (from On Guard for Peace) | |||
Ambroise Thomas | Connais-tu le pays (from Mignon) | |||
Verdi | Chi i bei di m'adduce ancora | |||
4 Sep 1999 | Rainer Hersch | Handel | The Arrival of the Queen of Sheba arr. Hersch | |
Handel | Why do the Nations? (from The Messiah: A Soulful Celebration) arr. Mervyn Warren | |||
Schubert | Abschied + Die Taubenpost (from Schwanengesang) | |||
Richard Strauss | Metamorphosen (conclusion) | |||
Arnold Schoenberg | Musette (from Suite, Op.25) | |||
John Philip Sousa | The Stars and Stripes Forever arr. Horowitz | |||
Charles-Valentin Alkan | Comme le Vent, Op.39/1 (from 12 Studies in minor keys) | |||
Bach | Concerto in A, BWV 1055 (3rd mvt – Allegro ma non tanto) | |||
Sandy Linzer and Denny Randell | "A Lover's Concerto" | |||
11 Sep 1999 | Jonathan Coe | Debussy | Interlude. Tempo di Minuetto (2nd mvmt, Sonata for flute, viola & harp) | |
Herbert Howells | Merry Eye | |||
Kenny Wheeler | Consolation (Part VI, The Sweet Time Suite) | |||
Miklós Rózsa | Lento cantabile (2nd mvmt, Concerto for violin & orchestra op 24) | |||
Francis Poulenc | Déploration (3rd mvmt, Oboe Sonata) | |||
Robert Wyatt | Sea Song | |||
18 Sep 1999 | John Humphrys | Bach | Sarabande (from Suite No.1 in G, BWV 1007) | |
Beethoven | String Quartet in C♯ minor, Op.131: (1st mvt – Adagio non troppo) | |||
Billy Strayhorn | Take the A Train | |||
Elgar | Cello Concerto, Op.85 (3rd mvt – Adagio) | |||
Duke Ellington and Johnny Hodges | Weary Blues | |||
Gabriel Fauré | Sanctus (from Requiem, Op.48) | |||
Joseph Parry | Myfanwy | |||
Paul Simon | The Sound of Silence | |||
Rodgers and Hart | Manhattan | |||
25 Sep 1999 | Keith Swanwick[17] | Julia Eboly | untitled piano composition | |
Elgar | Symphony No. 2 in E flat, Op.63 (3rd mvt – Rondo: Presto) | |||
John Lennon and Paul McCartney | Ticket to Ride | |||
Ligeti | Musica Ricercata (1st mvt) | |||
Miles Davis | Flamenco Sketches (from Kind of Blue) | |||
Schubert | Frühlingstraum (from Winterreise, D.911) | |||
John Philip Sousa | The Stars and Stripes for Ever | |||
Timbalada | Cadè O Timbau? | |||
2 Oct 1999 | William Lyne[18] | Haydn | 4th mvmt from String Quartet in B flat p 76 no 4) | |
Schubert | Die Taubenpost | |||
Verdi | Duet, Act I "Dinne... alcun là von vedisti?" (Simon Boccanegra) | |||
Handel | Scene 5 (part) – Act III, Saul | |||
Johann Strauss II | Spiel ich die Unschuld vom Lande (Die Fledermaus) | |||
Reynaldo Hahn | Tyndaris | |||
François Couperin | Les Barricades mysterieuses (Livre de clavecin Book 2, Ordre 6) | |||
Reynaldo Hahn | L'heure exquise (from Chansons grises) | |||
Schubert | Andante con moto (Piano trio in E flat D 929) | |||
9 Oct 1999 | John Carey | Gregorio Allegri | Miserere | |
Bach | Bourrées 1 and 2 (from Suite No.4 in E flat, BWV 1010) | |||
Beethoven | Piano Trio in B flat, Op.97 – "Archduke" (4th mvt – Allegro moderato – presto) | |||
Gilbert and Sullivan | If you're anxious for to shine (from Patience) | |||
Haydn | The Heavens are Telling (from The Creation) | |||
Felix Mendelssohn | Violin Concerto in E minor, Op.64 (Finale – Allegro molto vivace) | |||
Verdi | Ah, fors'é lui (from La Traviata) | |||
Carl Maria von Weber | Clarinet Concerto No.2 in E flat, Op.74 | |||
16 Oct 1999 | Sidonie Goossens | Alban Berg | 7 Early Songs – No 6 Liebesode | |
Britten | Nocturne for tenor, seven sol instruments and strings – 3rd movement "Encinctur'd with a twine of leaves" (with harp obbligato) | |||
Britten | Young Person's Guide to the Orchestra | |||
Frederick Delius | Brigg Fair | |||
Elgar | Symphony No 1 3rd movt | |||
Sergei Prokofiev | Prelude, Op 12 No 7 (originally for piano) | |||
Ravel | Introduction and Allegro | |||
Ralph Vaughan Williams | Serenade to Music | |||
23 Oct 1999 | Al Alvarez | Al Alvarez | Ann Dancing | |
Beethoven | Sonata in C minor, Op.111 (2nd mvt – Arietta) | |||
Harry Ruby | There's a girl in the heart of Wheeling, West Virginia | |||
Leoš Janáček | The barn owl has not flown away (from On an Overgrown Path) | |||
Mozart | Di scrivermi ogni giorno (from Così fan tutte) | |||
Pérotin | Viderunt omnes (opening) | |||
S. Silverstein | Everybody's Makin' It Big But Me | |||
Schubert | Notturno in E flat major, D897 (opening) | |||
Jean Sibelius | Symphony No.4 in A minor, Op.63 (opening of last mvt – Allegro) | |||
30 Oct 1999 | Jim Crace | Mahler | Symphony No.5 – Funeral March arr. Caine | |
Benedict Mason | Lighthouses of England and Wales (opening) | |||
Jim Crace | Being Dead (opening) | |||
John Adams | The Day Chorus (from The Death of Klinghoffer, Act II) | |||
Julian Argüelles | Qaanaaq (from the album Skull View) | |||
Louis Sclavis | Moi c'est S'Mariano (from the album Clarinettes) | |||
Youssou N'Dour and Jean-Philippe Rykiel | Tourista (from the album The Guide (Wommat)) | |||
Paganini | Sonata in A, Op.3/1 | |||
Francis Poulenc | Sonata for Two Clarinets (3rd mvt – Vif) | |||
Schubert | Impromptu in F minor, D.935/1 | |||
6 Nov 1999 | Robin JH Simon | Handel | All we like sheep (Messiah) | |
William Byrd | Ave verum corpus | |||
Henry Purcell | Dear pretty youth (Act IV, The Tempest) | |||
Schubert | Der Erlkönig | |||
Puccini | E gelida manina (La Bohème) | |||
Verdi | E scherzo, od è follia (It is a joke, or madness) (Un Ballo in Maschera) | |||
Chopin | Fantasie-Impromptu in C sharp minor op 66 | |||
Mozart | Notte e giorno faticar (Act I, Don Giovanni) | |||
Caradog Roberts | I bob un sy'n ffyddlon (tune: Rachie) | |||
Rossini | Largo al factotum (Act I, Il barbiere di Siviglia) | |||
13 Nov 1999 | Anthony Sampson | Trad. Arr. Solomon Linda | Mbube arr. Linda | |
Bach | Suite No.2 in D minor, BWV 1008 (1st mvt – Prélude) | |||
Beethoven | Variations on 'Ein Mädchen oder Weibchen', Op.66 | |||
Berlioz | Harold in Italy (1st mvt – Harold in the Mountains – first part) | |||
Bizet | Minuetto (from L'Arlésienne Suite No. 2) | |||
Hugh Masekela and Cedric Samson | Thank you Madiba (pub. Kayden Music/Warner Chappell) | |||
Mozart | Final reconciliation scene (from Le Nozze di Figaro) | |||
Puccini | Gratias agimus Tibi (from Messa di Gloria) | |||
Verdi | Finale (from Falstaff, Act III) | |||
20 Nov 1999 | Gaia Servado[19] | Berlioz | Appearance of the Ghost of Hector (from Les Troyens, Act II) | |
Debussy | Interlude (Descent into the vaults) (from Pelléas et Mélisande) | |||
Mozart | Sento, o Dio (from Così fan Tutte) | |||
Brahms | Symphony No.2 in D, Op.73 (2nd mvt – Adagio non troppo) | |||
Mozart | Symphony No.40 in G minor. K.550 (2nd mvt – Andante) (first part) | |||
Mussorgsky | Chorus of Priestesses (from Salammbô) | |||
Rossini | William Tell | |||
Verdi | É tardi (from La Traviata) | |||
27 Nov 1999 | John Morgan | Vincenzo Bellini | Mira, O Norma (from Norma) | |
Brahms | Piano Trio No.3 in C minor, Op.101 (1st mvt – Allegro energico) | |||
Handel | To Thee, Thou glorious Son (from Theodora) | |||
Haydn | Benedictus (from Missa Brevis Sancti Joannis de Deo – "Little Organ Mass") | |||
Francis Poulenc | Reine des Mouettes (from Métamorphoses) | |||
Schubert | Sonata in A, D.664 (2nd mvt – Andante) | |||
Robert Schumann | Im wunderschönen Monat Mai (from Dichterliebe, Op.48) | |||
Wagner | Wotan's Farewell (opening) (from Die Walküre) | |||
4 Dec 1999 | Jeremy Dixon[20] | Robert Schumann | Die alten bosen Lieder (from Dichterliebe, Op.48) | |
Richard Strauss | Ja, ist Sie da?... (from Der Rosenkavalier) (pub. Boosey) | |||
Alan Price | Poor People (from O Lucky Man!) | |||
Bach | Goldberg Variations (Variation 25) | |||
Brahms | Intermezzo in B flat minor, Op.117/2 | |||
Britten | The Children (from Who are these children, Op.84) (pub. Faber) | |||
Haydn | String Quartet in D, Op.33/6 (2nd mvt – Andante) | |||
Conlon Nancarrow | Study No.21 (Canon – X) (pub. Schott) | |||
11 Dec 1999 | Victoria Glendinning | Britten | One ever hangs where shelled roads part... (Agnus Dei – Part V, War Requiem) | |
Chopin | Etude in E major op 10 no 3 | |||
Cole Porter | True Love (from 'High Society') | |||
Handel | O Lovely Peace (Judas Maccabeus) | |||
John Lennon and Paul McCartney | The Long and Winding Road | |||
Mahler | end of Finale (1st Symphony) | |||
Mozart | Deh vieni, non tardar (Come, do not delay..) – Act IV, The Marriage of Figaro | |||
John Tavener | The Protecting Veil (opening) | |||
18 Dec 1999 | Simon Schama | Lonnie Carter and Little Walter | Sittin' on top of the World | |
Leoš Janáček | The Cunning Little Vixen | |||
Juan Luis Guerra | Ojalá que llueva café | |||
Puccini | Dunque è proprio finita (from La Bohème, Act III) | |||
Rodgers and Hart | Manhattan | |||
Schubert | Impromptu in G flat, D.899/3 | |||
Schubert | Quintet in C, D.956 (3rd mvt – Scherzo – first part) | |||
Verdi | L'onore! Ladri (from Falstaff, Act I, Part 1) | |||
Vivaldi | Flute Concerto in G minor, RV 439 – La Notte (3rd mvt – Largo: Il Sonno) | |||
25 Dec 1999 | Don Maguire (Aka John Sessions) | Philip Glass | Dance no 2 for Organ (part) | |
John Cage | Fifty six marches (3rd mvmt – 'A dip in the lake' for cello & toy instruments) | |||
Lou Reed | I'll be your mirror | |||
Laurie Anderson | O Superman (part) | |||
Charles Ives | Prelude: Maestoso (1st mvmt, 4th symphony) | |||
J Livingston & R Evans | Theme from 'Bonanza' | |||
Aaron Copland | Appalachian Spring (part) |
References
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- ^ Mackrell, Judith (10 August 2001). "Keeper of the flame". The Guardian. Retrieved 23 April 2017.
- ^ "National Dance Awards – Deborah MacMillan Feature". Nationaldanceawards.com. Retrieved 23 April 2017.
- ^ "Interview: Robert Ponsonby – A life among the stars". Scotsman.com. Retrieved 23 April 2017.
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- ^ "Onboard Team – Our Guest Speakers – Noble Caledonia". Noble-caledonia.co.uk. Retrieved 23 April 2017.
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- ^ List of Private Passions episodes at IMDb
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- ^ Bedell, Geraldine (2 March 2002). "This is my life – up to a point". The Guardian. Retrieved 23 April 2017.
- ^ "CASS Sculpture Foundation". Sculpture.org.uk. Retrieved 23 April 2017.[permanent dead link ]
- ^ "(biography)". Sophieryder.org. Archived from the original on 26 May 2017. Retrieved 23 April 2017.
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- ^ "DIXON JONES – Jeremy Dixon and Edward Jones, architects of the Royal Opera House and the National Portrait Gallery". Dixonjones.co.uk. Retrieved 23 April 2017.