Laurent Campellone (born January 23, 1972) is a French conductor.
Known around the world for his expertise in the French opera of the Romantic era,[1] he is often compared to Michel Plasson. Critics consider him today as "one of the best defenders in the world" of this repertoire. [2]
He is currently the General Manager of Opéra de Tours.[3]
Laurent Campellone | |
|---|---|
| Born | January 23, 1972 Ollioules, France |
| Genres | Classical music |
| Occupation(s) | Conductor, General Manager of the Opéra de Tours |
| Website | https://www.laurent-campellone.com |
Biography
editStudies
editCampellone first studied violin, tuba, percussion and singing.[4] While completing his Philosophy studies, he trained as a conductor at the Conservatoire Frédéric Chopin in Paris. In 2001, he was awarded, by unanimous vote, the First Prize at the 8th edition of the EU Young Conductors international Competition, in Spoleto, Italy.[5]
Guest conductor
editCampellone has conducted over 300 different orchestra and lyric works[6] in prestigious opera houses and with renowned orchestras, amongst which the Bolshoi of Moscow, where he made his debut in 2012 with a new production of La Traviata staged by Francesca Zambello ; the Deutsche Oper Berlin ; the Théatre national de l’Opéra Comique, the Opéra national de Lorraine ; the Monte Carlo Opera ; the Bavarian Radio Symphony Orchestra ; the Radio-France Philharmonic Orchestra ; the Brazilian Symphony Orchestra ; the Toulouse Capitole National Orchestra and the Malaysian Philharmonic Orchestra. He is also a regular guest conductor at the Berlioz Festival, the La Chaise-Dieu Festival and other French festivals.
Director
editOpéra de Saint-Etienne
editFrom 2004 to 2015, Campellone was music director of the Opéra de Saint-Etienne. During his term, he carried on the Opera's policy of rediscovering forgotten 19th century French masterpieces, thus conducting many rare lyric works by Massenet (Le Mage, Le Jongleur de Notre Dame, Sapho, Ariane…), Gounod (Polyeucte, La Reine de Saba), Lalo (Le Roi d’Ys) and Saint-Saëns (Les Barbares),[7] a repertoire in which he has been said to "have no equals".[8] This passion for the lesser-known parts of the French romantic repertoire did not preclude his offering noted interpretations of such operatic staples as Madama Butterfly[9] or Rigoletto.
Opéra de Tours
editIn September 2020, he was appointed General manager and music director of the Opéra de Tours. His first season (2021), which was commended for its quality and novelty, breathed new life into a house that had suffered greatly from years of mismanagement and from the COVID-19 pandemic.[10] Continuing his exploration of the French repertoire, he conducted the first stagings of Saint-Saëns' La Princesse Jaune and Bizet's Djamileh after years of neglect.[11] He is also the first to hire formally Glass Marcano, the first black woman conductor in France: she is principal guest conductor for the 2022 season.[12]
Discography
editAmong his recordings, three were particularly acclaimed by the critics :
- Massenet: Le Mage, Bru-Zane, 2013
- Saint-Saëns: Les Barbares, Bru-Zane, 2014
- Offenbach: Offenbach Colorature, Alpha-Classics, 2019 awarded Diapason d'Or of the year.[13]
- Massenet : Ariane, Bru-Zane, 2023. Diapason d’or
Honors
editReferences
edit- ^ Alain Cochard (5 October 2012). ""Massenet est un peu le Méliès de la musique" une interview de Laurent Campellone chef d'orchestre". concertclassic.com (in French). Retrieved 18 November 2021.
- ^ Richard Martet (30 June 2022). "Frédégonde poursuit sa renaissance à Tours". Opéra Magazine (in French).
- ^ Laurent Borde (21 September 2020). "Laurent Campellone nouveau directeur de l'Opéra de Tours". francemusique (in French). Retrieved 18 November 2021.
- ^ "Laurent Campellone, caught by the mysteries of music". archive.com. 14 December 2020. Retrieved 18 November 2021.
- ^ "A Spoleto un'inedita "Cleopatra" di Cimarosa". giornaledellamusica.it (in Italian). 2005. Retrieved 18 November 2021.
- ^ "Laurent Campellone". francemusique.fr (in French). Retrieved 24 November 2021.
- ^ Laurent Bury (14 February 2014). "Les Barbares - Saint-Etienne". forumopera.com (in French). Retrieved 18 November 2021.
- ^ "Les Mousquetaires au Couvent". OperaNews. 6 June 2015. Retrieved 18 November 2021.
- ^ Fabrice Malkani (29 April 2012). "Une Cio-Cio sans chichis". furomopera.com (in French). Retrieved 18 November 2021.
- ^ "Tours 2021 : sortie de crise et opéra français". forumopera.com (in French). 15 December 2020. Retrieved 24 November 2021.
- ^ Sophie Bourdais (8 October 2021). "Avec "Idoménée", "La Princesse jaune" et "Lamento", rendez-vous lyrique en terre inconnue". Télérama (in French). Retrieved 24 November 2021.
- ^ "L'Opéra de Tours accueille la première cheffe d'orchestre noire en France". huffingtonpost.fr (in French). 8 February 2021. Retrieved 18 November 2021.
- ^ Benoît Fauchet (26 December 2019). "Diapason d'or de l'année : Offenbach par Jodie Devos". diapasonmag.fr (in French). Retrieved 18 November 2021.
- ^ Benoît Fauchet (23 June 2014). "Py, Rhorer, Campellone et Sokhiev au palmarès du Syndicat de la critique". diapasonmag.fr. Retrieved 18 November 2021.
