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Jerry Murad's Harmonicats were an American harmonica-based group.
Background
editThe earliest iteration of the band was known as the Harmonica Madcaps, which was later renamed The Quintones by Jimmy Mulcay, who was promoting/producting the band up until 1942. The group regularly proformed at the Bijou Vaudeville lounge with Pete Petersen and Jerry Murad on chromatic, AL Fiore on chord, and Bob Hamdick on bass. In 1941, Jerry and AL left the famous Borrah Minevitch rascals, and started a group, quickly to bring on Don Les as a third member, becoming the Harmonicats in 1946. The group consisted of Jerry Murad (chromatic lead harmonica), Bob Hadamik (bass harmonica), Pete Pedersen (chromatic harmonica), and Al Fiore (chord harmonica). In 1947, the group consisted of Murad, Fiore, Don Les on bass harmonica, and Cappy Lafell on Polyphonia. Around 1948 they became a trio, with Murad, Fiore and Les.[citation needed]
In 1947, during the record ban, the group recorded the hit song "Peg o' My Heart" for Vitacoustic Records, which spent 21 weeks on the Billboard magazine chart (peaking at No. 1) and sold more than two million copies the first year. It was the first record in history to use artificial reverb.[citation needed]
Pedersen and Gail Wallace remained contributors to the group throughout its existence, working on arrangements and occasionally recording.[citation needed]
During 1949, when Don Les' father died, the band asked Johnny Thompson to fill in for Les on bass harmonica for a couple of weeks. Thompson went on to play with them at their residency gig at the Frontier Hotel in Las Vegas in the early 1950s. In the mid-1950s, Les suffered from a detached retina, and Thompson once again took his place until Les was able to return full time later in the decade.[citation needed] In 1958, Al Fiore suffered his first heart attack and Bob Herndon filled in for him for several months.[citation needed]
In the early 1970s, Don Les left the group and was replaced by Dick Gardner, who stayed with the group for more than 20 years. Other members of the group included the following:
Members
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Jerry Murad
editJerry Murad (1918–1996) (chromatic harmonica) was an Armenian born in Istanbul, Turkey in 1918, and moved to America at the age of 2. He played diatonic harmonicas at first, and took up chromatic soon after. Murad played Hohner 270s and 64s, as well as the Musette, a harmonica made especially for him that replicates the sound qualities of a French accordion. It is featured on their 1960s recording of "Parisienne Fantasy". Murad also played the Hohner Polyphonia (a type of orchestral melodic harmonica).[citation needed] He died of a heart attack in 1996.[1]
Don Les
editDon Les (Dominic Leshinski) (1914–1994) (bass harmonica) was born in Lorain, Ohio,[2] with congenital cataracts. He was able to see again at the age of twelve after a "couple of operations," but even as an adult his vision was only about 30% of normal.[3] At one point, he formed his own version of the Harmonicats. The Don Les Harmonicats, which featured Mildred Mulcay (of the harmonica duo the Mulcays) and Lenny Leavitt. They released a Christmas album entitled Christmas with the Don Les Harmonicats.[citation needed]
Al Fiore
editAl Fiore (chord harmonica) was born in Chicago and started experimenting with chord harmonicas at the age of 13. Fiore played the rare old style layout or "reverse layout" Hohner Chord harmonica. He recorded the band's No. 1 hit, "Peg o' My Heart", on this harmonica.[citation needed]
Bob Hadamik
editBob Hadamik played the bass harmonica prior to 1946.[citation needed]
Cappy Laffel
editLeon "Cappy" Laffel (1913–2002) was the Polyphonia player for the Harmonicats in 1947 and 1948.[citation needed]
Bob Herndon
editIn the late 1950s, Bob Herndon substituted for Al Fiore on chord harmonica while Al recovered from a heart attack. He can be seen with the Harmonicats playing "Peg O' My Heart" and "12th Street Rag", in 1958. As a side note, when Don Les left the group, Bob became Don's chord and harmonetta player with The New Don Les Harmonicats as well as The New Tennessee Philharmonicas with Mildred Mulcay.[citation needed]
Stagg McMann
editHugh "Stagg" or "Pud" McMann briefly toured with the Harmonicats 1967 to 1969. Stagg, being a expert harmonicist, played both Harmonetta and 2nd chromatic for the quartet during this time. Stagg played the Harmonetta solo on "Parisienne Fantaisie" during the group's tour in Canada.[citation needed]
John Thompson
editJohnny Thompson joined The Harmonicats in 1951 on bass harmonica, but left after a short time. Johnny left the group after a near fatal accident envolving himself, Murad, and a car collision that lead to the car catching fire.[citation needed]
Dick Gardner
editDick Gardner (bass harmonica) took over for Don Les in 1970 and remained with the Cats for over 20 years. Gardner was the last member of the group that was with the group over a decade.[citation needed]
Bob Bauer
editBob Bauer (chord harmonica) took over for George Miklas in 1985 and after Al Fiore left the group. Bob started out as a chord player for his own group, the Harmonikings (sometimes written as the Harmoni-kings) and later Paul Baron's Harmonica Rascals.[citation needed]
George Miklas
editGeorge Miklas was originally a chord player for the group before leaving the group and returning later to play bass with the group.[citation needed]
Al Data
editAl Data played chord with the group in its final days, until Murad's death in 1996.[citation needed]
Joe Mass Jr.
editJoe Mass Junior (1953–2018) played chord for the Harmonicats one year, while on tour in California. He was a short-time member, but recorded audio tracks with Murad, and was featured on the Harmonicats' first DVD video performance and the re-release of "Collector's Item", with his brother, J.R. Mass. Joe Mass was also a member of the Big Harp, and the chord player for The Generation Gap harmonica trio throughout the 1970s and early 1980s, along side his brother. Joe would later go on to be a tutor, an engineer for both Atari and Intel, and a counsler.[citation needed]
J.R. Mass
editBrother to Joe Mass Jr., Jerry "J.R." Mass played the bass harmonica for the Harmonicats one year, while on tour in California.[citation needed]
Danny Wilson
editDanny Wilson left his job at General Motors to work with Murad around 1971. A bass harmonica player and longtime member of the SPAH organization, Wilson toured with the Harmonicats. However, he left shortly after joining. He, according to his archived website, was also with the Harmonicats for a stint in 1978.[citation needed]
Buddy Boblink
editCharles "Buddy" Boblink played chord with the group throughout the 1990s and until Murad's death in 1996. Buddy Boblink died in 2023, just months before the annual SPAH Convention - of which he was a member.[citation needed]
Pete Pedersen
editPete Pedersen was the main arranger for the group and remained the second chromatic player for many albums over the band's nearly 50 years of recording.[citation needed]
Frank Warner
editFrank Warner filled in at times playing the bass harmonica.[citation needed]
Honorable Mentions - Chris Bauer
editDespite never being an official member of the Jerry Murad Harmonicats, Chris Bauer performed on stage with the Harmonicats with his father, Bob, and Dick Gardner on bass. He also appeared on the Jerry Murad's Harmonicats Magic album, as the second chromatic player. On the 50th anniversary of "Peg O' My Heart", Dick Gardner, Bob Bauer, and Chris Bauer recorded a small six-song album.[citation needed]
"Peg o' My Heart"
editTheir 1947 recording of the song "Peg o' My Heart" (Mercury Records, originally on Bill Putnam's Universal Records and then reissued on Vitacoustic Records, catalog number 1)[4] brought them public attention and sold over one million copies by 1950, reaching No. 1 on the U.S. Billboard chart.[5] When recording engineer Bill Putnam recorded the song, he utilized the bathroom of Universal Recording as an echo chamber and became the first person to use artificial reverberation creatively on a pop recording.[6][7]
Other charted hits for the group included "Hair of Gold, Eyes of Blue" (No. 15) in 1948, "Charmaine" (No. 21) in 1952, and "Cherry Pink and Apple Blossom White" (No. 56) in 1961. Jerry Murad, accompanied by Richard Hayman's Orchestra, had a solo hit with "The Story of Three Loves" (No. 14) in 1953.[citation needed]
Discography
edit10" albums
edit- Jerry Murad's Harmonicats (Mercury, 1950)
- Harmonica Highlights (Mercury, 1952)
- Harmonica Hits (Mercury, 1952)
- Harmonica Classics (Mercury, 1952)
- Olé: South of the Border with the Harmonicats (Mercury, 1954)
12" albums
edit- Harmonicats' Selected Favorites (Mercury, 1955)
- South American Nights (Mercury, 1956)
- Command Performance (Mercury, 1956)
- The Cats Meow (Mercury, 1956)
- Dolls, Dolls, Dolls (Mercury, 1957)
- Harmonicha Cha-Cha (Mercury, 1958)
- In the Land of Hi-Fi (Mercury, 1959)
- Harmonically Yours (Mercury, 1960)
- Cherry Pink and Apple Blossom White (Columbia, 1960)
- Peg o' My Heart (Columbia, 1961)
- Love Theme from El Cid and Other Motion Picture Songs and Themes (Columbia, 1962)
- Sentimental Serenade (Columbia, 1962)
- Fiesta! (Columbia, 1962)
- Forgotten Dreams (Columbia, 1963)
- The Soul of Italy (Columbia, 1963)
- Try a Little Tenderness (Columbia, 1963)
- The Love Song of Tom Jones (Columbia, 1964)
- That New Gang of Mine! (Columbia, 1965)
- Harmonica Rhapsody (Columbia, 1965)
- What's New Harmonicats? (Columbia, 1966)
- Great Themes from TV and Motion Pictures (Columbia, 1969)
References
edit- ^ "Harmonicats leader dead at 76 - UPI Archives". Upi.com.
- ^ The Chronicle Telegram, August 29, 1994; obit. & "Don Les" & "Interview with Don Les," pp. 249-250, Harmonicas, Harps & Heavy Breathers (2000) Kim Field
- ^ "Interview with Don Les," pgs. 250-251, Harmonicas, Harps & Heavy Breathers (2000) Kim Field
- ^ Billboard, April 5, 1947, p. 33, "Putnam Springs New Waxing Technique with 'Vitacoustic'"
- ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 39. ISBN 0-214-20512-6.
- ^ Weir, William (2012-06-21). "How humans conquered echo". The Atlantic. Retrieved 2021-08-24.
- ^ Cogan, Jim; Clark, William (2003). Temples of Sound: Inside the Great Recording Studios. San Francisco, California, United States: Chronicle Books. p. 127. ISBN 0-8118-3394-1.