Frank Smith (30 June 1927 – 18 February 1974) was an Australian jazz musician and TV composer.
Frank Smith | |
|---|---|
| Born | 30 June 1927 |
| Died | February 18, 1974 (aged 46) |
| Genres | jazz |
| Instrument | saxophone |
| Formerly of | The Music Maker 1957 All Stars, The Don Burrows Sextet, The Don Burrows Six, The Embers Quintet, Frank Smith Quartet |
Career
editFrank Smith was born in Sydney in 1927. He first performed in a group led by his father,[1] and learnt saxophone from Ralph Pommer, an alto saxophonist.[2]
In 1947 Smith joined a band led by Gaby Rogers,[2] before working at the Sydney Trocadero with Frank Coughlan in the mid-1950s.[1] He won Best Alto Saxophonist in Music Maker magazine's poll in 1957,[2] and recorded for the album Music Maker 1957 All Stars.[1]
When The Embers club was opened in Melbourne in 1959, Smith left Sydney to lead the club band until 1961,[2] when Ted Nettelbeck took over.[3] Smith went onto join the band for The Graham Kennedy Show, before starting Frank Smith Productions and working in advertising and composing TV theme songs, such as those for Bellbird and Hunter.[2] He also formed the record label Havoc Records with Rod De Courcy in 1970,[4] who put out early releases by Billy Thorpe and the Aztecs, and a mix of rock, folk, and soundtrack music.[5] Later, a compilation of every Havoc single was released in 2008.[6]
Smith died of a heart attack at the beginning of 1974,[1] leaving behind few recorded works, apart from the incidental underscore throughout the Hunter series.[7] A memorial concert, compered by Bert Newton, was held to raise money for Smith's wife and five children, and was broadcast live on TV, during which a number of Crawford regular actors sang or displayed their musical abilities.[8][9]
He was a mentor or influence for Graeme Lyall, Graham Morgan, Alan Turnbull, Ted Nettlebeck,[10] Barry Duggan,[11] and Bernie McGann.[12] He was considered Australia's answer to American jazz musician Charlie Parker,[10] and during his time at The Embers, touring American musicians sent word back home of Smith's impressive playing.[13]
Further reading
editWhiteoak, R. (2015). Examining the legend and music of Australian saxophonist, Frank Smith. Jazz Research Journal, 8 (1-2), 223–237.
References
edit- ^ a b c d Gould, Tony (2003), "Smith, Frank", Oxford Music Online, Oxford University Press, doi:10.1093/gmo/9781561592630.article.j415700, ISBN 978-1-56159-263-0, retrieved 2023-05-10
- ^ a b c d e Kennedy, John (Aug 2015). "Research Review - A Searing Sound" (PDF). VJazz (67): 6. ISSN 2203-4811.
- ^ Myers, Eric (2017). "FRANK SMITH AT THE EMBERS, MELBOURNE 1960-61 by Ted Nettelbeck" (PDF). Eric Myers. Retrieved 10 May 2023.
- ^ "Havoc Records". MILESAGO. Retrieved 2023-05-10.
- ^ McFarlane, Ian (14 May 2008). The Complete Havoc Singles 1971-1973. Aztec Music.
- ^ Greaves, Rob (2020-07-24). "Cream of The Crate: Album Review # 200 - Australian Compilation: The Complete Havoc Singles (1971 - 1973)". TAGG. Retrieved 2023-05-10.
- ^ Hughes, Gordon (2001). "The Oxford Companion to Jazz2001236Edited by Bill Kirchner. The Oxford Companion to Jazz. Oxford: Oxford University Press 2001. 852 pp, ISBN: 0 19 512510 X £30.00". Reference Reviews. 15 (4): 581. doi:10.1108/rr.2001.15.4.39.236. ISSN 0950-4125.
- ^ "Concert will aid widow". The Age. 20 April 1974. p. 2.
- ^ "MEMORIAL CONCERT". Australian Jewish News. 1974-05-03. Retrieved 2023-05-10.
- ^ a b Whiteoak, Ralph (2014). "Examining the legend and music of Australian saxophonist, Frank Smith". Jazz Research Journal. 8 (1–2): 223–237. doi:10.1558/jazz.v8i1-2.26760. ISSN 1753-8645.
- ^ Jackson, Adrian (2003). Duggan, Barry. Vol. 1. Oxford University Press. doi:10.1093/gmo/9781561592630.article.j558700. ISBN 978-1-56159-263-0.
- ^ Shand, John (2009). Jazz: The Australian Accent. UNSW Press. p. 30. ISBN 978-1-921410-14-7.
- ^ Clare, John (1995). Bodgie dada & the cult of cool. UNSW Press. p. 95. ISBN 0-86840-103-X.